What role can poetry play in public health? Henneh Kyereh Kwaku joins Jared to explore how his MFA in Creative Writing intersects with his academic background in public health and disease control. Together, they discuss how Henneh uses a poetic lens to examine issues like vaccine hesitancy. He also reflects on writing about his home country of Ghana while living in the US, drawing from non-fiction and audio storytelling through cross-genre courses, and finding lasting support from MFA faculty even after his graduation.
Winner of Poetry Magazine’s J. Howard and Barbara M.J. Wood Prize, Henneh Kyereh Kwaku was born in Gonasua and raised in Drobo in the Bono Region of Ghana. He has received fellowships from the Library of Africa and the African Diaspora (LOATAD), Chapman University, and the Carolyn Moore Writing Residency. He is an interdisciplinary scholar with a Bachelor of Public Health (Disease Control), an MA in Health Education, an MFA in Creative Writing, and is pursuing a PhD with an emphasis in Health and Culture. His (public) health communication scholarship explores art-based approaches to addressing medical mistrust and vaccine hesitancy in Black populations. He’s the author of Revolution of the Scavengers (African Poetry Book Fund/Akashic Books, 2020) and the founder/host of the Church of Poetry. His poems/essays have appeared or are forthcoming in the Academy of American Poets’ A-Poem-A-Day, Poetry Magazine, Prairie Schooner, World Literature Today, Air/Light Magazine, Tupelo Quarterly, Poetry Society of America, Lolwe, Agbowó, CGWS, Olongo Africa, 20:35 Africa, and elsewhere. He shares memes on Twitter/Instagram at @kwaku_kyereh.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Spencer Robert Young sits down with Jared to talk about their path from punk music concertgoer to writing a chamber opera. Plus, Spencer and Jared discuss pattern and rupture in poetry, the pros and cons of staying in academia versus taking time off, the beauty and collaboration of editing, and life in Moscow, Idaho.
Spencer Robert Young (they/them) is a poet, essayist, and editor. They write about embodiment, punk music, queerness, climate change, and good books. Spencer holds an MA in Creative Writing and Literature from Kansas State University and an MFA in Poetry from the University of Idaho. While earning their MFA, Spencer edited reviews and interviews for Fugue Literary Journal, and they currently judge chapbooks for the Cow Creek Chapbook Prize. A recipient of an Academy of American Poets Prize, their work has been published in a handful of literary magazines and journals, and their original chamber opera, Let's Blow Up a Gas Station!, premiered with Seattle Opera in 2024. Find them at spencerrobertyoung.my.canva.site.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Former stand-up comedian Max Delsohn sits down with Jared to talk about how humor and detailed line-level revision show up in his work for the stage and the page. Plus, he discusses a pleasure-forward writing process, switching MFA programs after the first year, and his experiences with big-name faculty like George Saunders and Mary Karr.
Max Delsohn is a third-year MFA candidate in fiction at Syracuse University. His writing appears in McSweeney's Quarterly Concern, VICE, Joyland, The Rumpus, Passages North, Nat. Brut, and the essay anthology Critical Hits: Writers Playing Video Games, edited by J. Robert Lennon and Carmen Maria Machado, among other places. He has been awarded fellowships and residencies from the Saltonstall Foundation for The Arts, Mineral School, and Hugo House, and has been nominated for the Pushcart Prize three times. His debut short story collection, CRAWL, is forthcoming in fall 2025 from Graywolf Press. Find Max on social media @maxdelsohn, and sign up for alerts to pre-order his collection via his website, www.maxdelsohn.com.
This episode was requested by Amy Peltz, Sarah Blood, and Frank Turner. Thank you all for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Having moved from Atlanta to Montreal as a toddler, some of Sophia Tone’s earliest memories are shaped by the “slipperiness of language.” In this episode, she tells Jared how bilingualism and her French immersion experience influence her poetry today, and how she seeks to highlight lesser-known Québécois art and poetry. They also discuss the connection between visual art and poetry, as well as the cross-genre focus at Hollins (or “Pulitzer University”), where students receive funding without the requirement to teach.
Sophia Tone is a second-year MFA candidate at Hollins University. Her focus is poetry, but she recently discovered the lyric essay and has been experimenting with creative nonfiction ever since. She seems to enjoy writing intertextual and ekphrastic work the best, these days. During her time in Atlanta, with her best poet friend, she co-founded PEACHFUZZ Journal (@peachfuzzjournal on Instagram), which seeks to publish emerging voices from the Atlanta area. You can find her work at HAD, Switch Microfiction, and Axil Poetry and Art. She is on Instagram @lilso3.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Writers often share work in readings, but how often do we write stories that are designed to be read aloud? Louis Millholland tells Jared about preparing for a reading by creating a piece “that was short, had a lot of repetition, no dialogue, and noticeable voice changes.” Millholland also discusses drawing inspiration from Harvard Business Review case studies, bumping into Salman Rushdie at the Sun Valley Writers’ Conference, and the extensive literary scene (including writing workshops in Hemingway’s final house) in and around Boise, Idaho.
Lewis Millholland is a writer and video game developer. His fiction and essays have appeared in journals including Passages North, DIAGRAM, and The Garlic Press. Currently, he is a third-year MFA student at Boise State University, where he serves as the associate editor of The Idaho Review and lives with a stolen (rescued) jade plant. His work can be read online at lewismillholland.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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In our Season 6 premiere, James T. Morrison talks about how creative nonfiction provides an opportunity to discuss challenging topics like drug dependency and justice system involvement that counter the stereotypical portrayal of the addiction redemption arc. He and Jared also explore revision as a process to find your voice, Morrison’s shift from a law school path to an MFA at age 40, the importance of accessible mentors over university prestige, and the underappreciated literary scene of Fresno.
James T. Morrison is a recent graduate of California State University, Fresno, where he received his MFA in creative nonfiction in June of 2025. He serves as the nonfiction editor at The Normal School literary magazine, affiliated with Fresno State's MFA. His work has appeared or is forthcoming in Slate, Diode, River Teeth's "Beautiful Things," and Fugue. To hear him talk about his writing and American drug policy, check out his appearance on the award winning podcast, Death, Sex, and Money. James lives in California's Central Valley with his wife, Sara, their three cats, and brand new puppy (she is a real pistol). Find him at his website, www.james-t-morrison.com, and on Instagram @regularjamest.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher education at all.
Sam Herschel Wein (he/they) is a lollygagging plum of a poet who specializes in perpetual frolicking. They have an MFA from the University of Tennessee (2021-2023) and were the recipient of a 2022 Pushcart Prize. They have published 3 chapbooks, most recently Butt Stuff Flower Bush from Porkbelly Press, and are the co-founder and editor of Underblong Journal. They have recent work in American Poetry Review, The Cincinnati Review, and Gulf Coast, among others. Find them on social media @samforbreakfast and at their website, samherschelwein.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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What’s it like to pursue a low-residency MFA when you’re a collaborative playwright and performer? In this episode, Suli Holum describes devised work, partnerships between writers and actors, and how she created a piece based on her research in the oil fields of North Dakota. She and Jared also talk about the details of Goddard’s creative and craft assignments, and how students in this low-res program still get teaching experience.
Suli Holum is a Philadelphia-based director, performer, choreographer and playwright who recently graduated with an MFA in Dramatic Writing from Goddard College in Vermont where she was the recipient of the 2020 Engaged Artist Award. She is a member of the Wilma Theatre’s HotHouse Company, a founding member of Pig Iron Theatre Company, and Co-Artistic Director of Stein | Holum Projects, whose works include Drama Desk-nominated Chimera, and The Wholehearted. She’s the recipient of a Drama Desk Award, a TCG/Fox Resident Actor Fellowship, a Barrymore Award, an Independence Fellowship, and a NEFA Touring Grant. Credits at the Wilma include Romeo and Juliet, Dance Nation and Minor Character, and you can also catch her on HBO’s Mare of Easttown. Find her at suliholumthework.org.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. In this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he wasn’t able to before.
Noah Evan Wilson is a writer and musician based in New York City, and a second-year MFA candidate at Rutgers University-Newark, in the fiction track. His short stories have been published in Beyond Words, Third Street Review, and the anthology, Ten Ways the Animals Will Save Us, from Retreat West Books. He received third place in the 2022 Dreamers Creative Writing Flash Fiction Contest, and second place in the 2021 Prime Number Magazine Flash Fiction Prize, and has stories forthcoming in both Chautauqua and Orca. Noah is currently working on his first novel, exploring the lasting power of a brief and intimate friendship between two young men who become entangled with a high-control religious cult. His solo records, Desert Cities, and The View from the Ground, are available on all major music streaming platforms. Find him at noahevanwilson.com or on Instagram @NoahEvanWilson.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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How do voice-driven writers find their characters? Austin Tucker tells Jared how he uses collage and research into his characters’ life histories to craft voices that are often “on the edge of collapse.” Plus, Austin discusses the pros and cons of a small program with 6-8 students in each poetry workshop, healthcare access as a PhD student, and opportunities to design and teach composition, workshop, and survey classes.
Austin Tucker is a poet and fiction writer who received his MFA from the University of Rutgers-Camden and is currently pursuing a PhD in Creative Writing at Ohio University. He is the current editor of Quarter After Eight and his poetry was selected for The Southeast Review’s 2024 Gearhart Prize by Kareena McGlynn, and has appeared in Pleiades, Frontier, and Four Chambers, among other places. His fiction won the 2024 Masters Review Flash Fiction contest and was a semifinalist for the 2018 Halifax Ranch Prize. He’s also a two-time finalist for The DISQUIET International Literary Prize in Poetry. Find him at r.austin.tucker [at] gmail [dot] com or via the Quarter After Eight IG (@qaejournal). He is represented by Julia Eagleton with Janklow and Nesbit.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Poetic forms are sometimes considered limiting, but can we find freedom within the constraints? On this episode, Brandon Blue tells Jared about how recontextualizing traditional forms through the lens of identity creates an additional, sometimes subversive, layer of meaning. Plus, he discusses writing about intimacy and eroticism within and outside of sexual relationships; how he decided to pursue an MFA after teaching middle and high school for seven years; and the importance of advocating for your needs and goals in an MFA program, writing community, and career.
Brandon Blue is a black, queer poet, educator and MFA candidate at Arizona State University from the D(M)V. He is an assistant editor for Storm Cellar Magazine and his work has or will appear in Barzakh, the Saints and Sinners Literary Festival Poetry Anthology, [PANK], and more. His work is also featured in the Capital Pride Poem-a-Day event. His work has received the support of the Virginia G. Piper Center for Creative Writing. His chapbook, Snap.Shot, is forthcoming from Finishing Line Press. Keep up with his work at brandonbluepoet.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Raise your hand if you’ve ever felt writing imposter syndrome! We all have our hands up. On this episode, De’Andre S. Holmes of Columbia College Chicago shares his experience with self-doubt, exacerbated by pursuing an undergrad degree in business administration, not English. Plus, he talks about taking a fully-funded semester in Paris through his MFA program, provides advice for students coping with grad school burnout, and describes why racial and ethnic diversity is so critical in the MFA.
A native of Philadelphia, De’Andre S. Holmes received a bachelor’s degree from Temple University and is a second-year MFA candidate at Columbia College in his current home of Chicago. He is an aspiring author, penning his first book of short stories titled "Daddy, do you love me?" and a novelette titled "Obscurity." De’Andre’s work can be found in Contextos Chicago, Short Story Break, SONKU magazine, and Allium Literary Journal. In his free time, he enjoys reading, traveling, exploring different cultures, and binge-watching animal documentaries. Find him at his website dsholmeswrites.com and on Instagram @d.s.holmeswrites.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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After writing poetry for nearly 50 years, Jude MacAllen Tatman enrolled in an MFA program. In this episode, he sits down with Jared to discuss what it’s like to revisit poems he drafted in the 1980s along with crafting new work. Plus, he discusses writing about his life’s most consequential crossroads, treating writing like work, and finding faculty who make themselves available to students even in a low-residency program.
Jude MacAllen Tatman is a poet from Missouri who is in his final semester at the University of Nebraska-Omaha’s low-residency program. MacAllen has been writing poetry off and on for fifty years while also serving as a deckhand on towboats, playing semi-pro baseball in West Texas, delivering pizzas, waiting tables, owning a bar, working as an historian in Missouri State Parks’ Historic Preservation Program, and even once participating in an episode of Jeopardy. His poem, “Salvation,” was published in the literary journal Envy’s Sting, and his chapbook, Echoes: Selected Poems & Stories 1984-2023, is now available.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Poets are known for considering form in their writing, but form is also critical in prose. In fact, for Tyler R. Moore, form tells us the most about the story. “It’s the structure, scaffolding, bones, and architecture.” In this episode, Tyler tells Jared about approaching each story with a different structure, including his recent piece told exclusively through voicemails. Plus, Tyler discusses how being a queer writer from a pseudo-rural Midwestern town shapes his work, finding community across genres and faculty in his MFA program, and what he has learned from his editorial experience at Ninth Letter, like the do’s and don’ts (mostly don’ts) of a cover letter.
Tyler R. Moore is a fiction writer from Ashwaubenon, Wisconsin and is currently in his second year in the MFA program at the University of Illinois. He is the winner of the Hobart L. and Mary K. Peer Fiction Prize. He also holds the titles of current Associate Managing Editor and Associate Creative Non-fiction Editor for Ninth Letter. His work is published or forthcoming in Michigan Quarterly Review and elsewhere. Find him on Instagram @tyler_rmoore and at his website, tylerrmoore.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Siloh Radovsky sits down with Jared to talk about her path from anarchistic activism to experimental writing, the blurry line between fiction and nonfiction, and the joys and pains of teaching in an R1 institution.
Siloh Radovsky is a prose writer invested in the overlap between narrative and criticism. A recent graduate of the cross-genre MFA program at UC San Diego, she is currently at work on a collection of linked essays. Her essays, articles, and stories have appeared or are forthcoming in Entropy, [PANK], Teen Vogue, Inkwell, Identity Theory, and elsewhere. Siloh is also an educator, a collaborator in a narrative medicine intervention with Adolescent and Young Adult cancer patients, and was a founding editor of Kaleidoscoped magazine. She was an artist-in-residence at the Hinge Arts program in spring 2017, and was the recipient of an Evergreen Foundation Activity Grant and a Summer Graduate Teaching Fellowship at UC San Diego. Find her on Instagram @essence_of_toast and her website silohradovsky.net.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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What happens when a tech startup employee starts taking online writing classes? They end up in an MFA program, of course. In this episode, Ray Wise sits down with Jared to talk about finding writing in their 20s and the lessons they bring from the tech world to their creative work. Plus, they discuss Rutgers-Camden’s multi-genre emphasis, weekend writing retreats with the MFA community, and the pros and cons of a small program.
Ray Wise is a multi-genre writer living in Philadelphia, where they are completing their final semester at MFA at Rutgers-Camden. Ray's work has been published in Passages North, Rose Books Reader, Barrelhouse, Hobart, etc., nominated for Best of the Net, and supported by Sundress Academy for the Arts. They are currently at work on a novel manuscript and a poetry collection. Find them on Twitter/X @ray__wise and catch them reading in Philadelphia for the Rose Books Reader launch on April 26th at Clown Bar.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Integrating elegy, ekphrasis, and dance notation, Oli Peters’s thesis project is a multilingual, multi-genre exploration in translation and lyric poetry. In this episode, she shares how her program encourages creative experimentation, even when she submits work that feels “absolutely unpublishable, verging on unreadable.” Plus, she discusses her courses in Medieval manuscripts and theater, university-funded opportunities in Paris and Ireland, and how being rejected from MFA programs right after undergrad led her to spend five years writing daily for no one but herself.
Oli is a second-year MFA candidate in poetry at the University of Notre Dame. Her writing is forthcoming in Annulet, DIAGRAM, DREGINALD, and mercury firs. Her past work appears in Pleiades, New World Writing, Rain Taxi, Heavy Feather Review, and abobo zine. Her dance-performance piece "Body Glyph State" will be performed at the 2025 Iowa Choreography Festival. She is a MFA candidate at the University of Notre Dame. Find her at her website, oliupeters.wixsite.com/olipeters, and on Instagram @olimpeters.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Can you find a close community in a low-res program? Emily St. Martin, having met her best friends in her MFA, says absolutely yes. She joins Jared to talk about how her program has helped her craft her memoir-in-progress, the fear and reward of vulnerability in creative nonfiction, and how writing lets us acknowledge and redefine our pasts.
Emily St. Martin is an independent journalist based in Los Angeles, CA. She has written for the New York Times, InStyle Magazine, Cosmopolitan, VICE, Los Angeles Magazine, The Fix, The Hollywood Reporter, People and elsewhere, including for the Southern California News Group where she won a third place award for best news feature with the LA Press Club in 2022. She holds a BA in Journalism from The University of La Verne and is currently pursuing an MFA in creative nonfiction in the University of California Riverside’s Palm Desert Low-Residency program. Find her at her website, emilystmartin.com, and on Twitter @ByEmilyStMartin.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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How does our excavation of ancestral history shape our understanding of ourselves and how can writing guide us through this process? On this episode, Derek Chan discusses the role of family stories in his poetry and life, the magic of bewilderment in art, and the dissonance between our external language and our internal being. Plus, as a first-generation and international student, he offers advice for others moving to the United States to pursue higher education.
Derek Chan is a writer and educator from Melbourne, Australia. He holds a First-Class Honours in Literary Studies from Monash University, where he received the Arthur Brown Thesis Prize. His writing has appeared in journals and anthologies such asBest of Australian Poems,Australian Poetry Anthology,Cordite Poetry Review,Meanjin,The Margins,Juked, and elsewhere. He has been a finalist for awards by Frontier Poetry and Palette Poetry. He is currently an MFA candidate at Cornell University, where he is an Editorial Associate for EPOCH and a university fellow. Find him at his websitederekchanarts.com and on Instagram@derek_chan_.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers atMFAwriters.com.
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Speculative memoir allows Matt Homrich-Knieling to lean into the subjective nature of memory and explore his experience with separation anxiety. Plus, he and Jared discuss how Matt created a specific list of experiences he wanted from an MFA, which allowed him to narrow his MFA application list to just three programs. They also talk about how the WCSU program requires students to choose both a creative and a professional genre, and how they develop community despite being a low-residency program. Matt Homrich-Knieling is a writer and educator based in Detroit, MI. He is a second-year MFA student at Western Connecticut State University focusing on creative nonfiction and editing. Matt currently serves as editor-in-chief for Poor Yorick, the literary magazine housed at West Conn's MFA program. Matt is particularly interested in reading and writing speculative memoir. He has had essays published in Brevity Blog, Metro Parent, Edsurge, and elsewhere. For his MFA creative thesis, Matt is working on a speculative memoir that explores the connections between his family history and his experiences with separation anxiety.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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