Website: www.cinemarchmedia.com
Patreon: www.patreon.com/cinemarchmedia

Spring break 1960 — sun, surf, and a surprisingly sharp critique of gender roles. Where the Boys Are presents itself as a light romantic comedy, but underneath the frothy fun lies a story about sexual double standards, postwar consumerism, and the push-pull between liberation and respectability. We explore how this beachside classic mirrors the anxieties of its era, from the rise of mass youth culture to the traps laid for women seeking autonomy. Plus, a tribute to Connie Francis — the film’s musical heart — whose song “Pretty Little Baby” went viral on TikTok shortly before her passing, giving her one last moment of well-deserved recognition.
#CineMarchMedia #MarxistsAtTheMovies #WhereTheBoysAre #ConnieFrancis #Communism #Socialism #FilmAnalysis #ClassicMovies #1960sCinema #GenderPolitics #BeachMovies #FeministFilm #MoviePodcast #FilmHistory #PopCultureAnalysis #prettylittlebaby

Support the show and get early access on Patreon:
www.patreon.com/CineMarchMedia

Explore more at www.cinemarchmedia.com

Lady Gaga is a fame avatar.In 2008, The Fame launched not just a pop star, but a cultural product engineered for maximum spectacle. Celebrity-as-commodity. Identity as currency. Gaga didn’t just chase stardom—she became it.

This episode of Marxists at the Music breaks down the economic engine behind Gaga’s debut album: how pop wrapped itself in critique, and how capitalism turned a performance into a product.

What does it mean to "make it" when you're the thing being sold?

#MarxistsAtTheMusic #CineMarchMedia #LadyGaga #TheFame #PopMusic #FeministAnalysis #Communism #Socialism #CelebrityCulture #LeftistMedia #MediaTheory #PodcastPromo #NeurodivergentCreator #ExCult #RevolutionaryMedia #CulturalCritique

🌐 www.cinemarchmedia.com
💸 www.patreon.com/cinemarchmedia

Bougie! Bougie! Bougie: Gilmore Girls (2000–2007) and the False, Cozy Promise of Liberal Feminism

In this TV Spotlight episode of Marxists at the Movies, we head to Stars Hollow to unpack one of the most beloved—and most politically misleading—shows of the early 2000s. Gilmore Girls sells itself as progressive, feminist, and charmingly offbeat. But underneath the coffee and quips lies a deeply bougie fantasy rooted in wealth, whiteness, and neoliberal values.

We dig into mother-daughter mythology, the erasure of labor, class performance, and how a show this snappy can still reinforce everything it claims to subvert.

This isn’t about nitpicking your comfort show. It’s about asking why it feels so good—and what that comfort is really made of.#MarxistsAtTheMovies #CineMarchMedia #GilmoreGirls #StarsHollow #LiberalFeminism #TVCriticism #LeftistMediaAnalysis #PodcastEpisode #MediaCritique #MarxistPerspective #MotherDaughterMyth #NeoliberalFantasy #PopCultureAnalysis #CommunistPodcast #IndiePodcast #PodcastLife

🎧 Support the show:
💸 Patreon: patreon.com/marxistsatthemovies
🌐 Website: cinemarchmedia.com

The valley girls have entered the apocalypse—and late-stage capitalism better watch its back. 🧟‍♀️🛍️

In this episode of Marxists at the Movies, we take a radioactive deep dive into 1984’s Night of the Comet, a cult classic where mall culture meets mass extinction. What happens when consumerism collapses and teenage girls inherit the Earth? We explore themes of feminine resilience, Cold War paranoia, government bio-violence, and the eerie freedom that emerges after societal implosion.

Also: should Reggie and Sam unionize?

🎙️ New episodes every other Wednesday
📲 Now streaming everywhere!
#MarxistsAtTheMovies #NightOfTheComet #80sMovies #CultClassics #ApocalypseCinema #FeministFilm #MarxistAnalysis #CineMarchMedia #CommunistCinemaClub #PatreonCreators #PodcastCommunity #QueerCinema #AntiCapitalistMedia #LeftistTok #MovieTok #SciFiCinema #ColdWarCulture #ZombiesAndShopping #TeenRebellion

Find us at:

🎧 cinemarchmedia.com
💸 patreon.com/cinemarchmedia

For our final Pride Month 2025 installment, Marxists at the Movies heads to Buffalo—by way of Broadway—with a deep dive into Stepping Out (1991). Liza Minnelli leads a stacked cast of queer-coded legends in this criminally overlooked tap-dancing gem. From its quietly radical ensemble energy to its New Wave rejection of glamor in favor of community, this film isn’t just feel-good—it’s anti-capitalist at its core.

They were never supposed to be stars. But they showed up anyway.

#MarxistsAtTheMovies #SteppingOut #LizaMinnelli #PrideMonth #QueerCinema #CampClassic #MusicalTheatre #AntiCapitalistMedia #CineMarchMedia #LeftistFilmCriticism #QueerJoy #TapShoesAndRevolution #LGBTQIAPlus #1991 #nostalgia

🌐 www.cinemarchmedia.com
🎁 patreon.com/cinemarchmedia

🌈 BONUS PRIDE EPISODE:
Top 11 Disney Films That Slay the Rainbow
From queer-coded chaos to chosen family feels, these Disney classics hit harder than they had any right to. We’re talking magic, drama, sparkle, and subtext so loud it’s practically screaming.

This episode is free for everyone—but patrons heard it first.

Happy Pride, comrades. 🏳️‍🌈

✨ Want early access, bonus episodes, and behind-the-scenes chaos?Join us on Patreon: patreon.com/cinemarchmedia🌐 Visit our official website: cinemarchmedia.com🎤 We’re back — and this time, it’s live.

This Pride Month, we’re going full rhinestone revolution. In this episode, we put To Wong Foo, Thanks for Everything! Julie Newmar and The Adventures of Priscilla, Queen of the Desert in conversation—two iconic '90s films that brought drag to the big screen, but did it in radically different ways. We unpack American sentimentality vs. Aussie surrealism, camp vs. critique, and the politics of queer visibility in a pre-RuPaul’s Drag Race world. What do these films still teach us? And what got lost in translation on the road from Priscilla’s desert to Wong Foo’s heartland?

#PrideMonth #DragCinema #ToWongFoo #PriscillaQueenOfTheDesert #QueerFilm #CampClassic #LGBTQIA #RadicalMedia #CineMarchMedia #MutualAidMedia #CineCulture #FilmPodcast #PodcastRevolution #MarxistsattheMovies

🎶 Marxists at the Music: Kat and the Hurricane’s Got It Out

🌐 Visit us at cinemarchmedia.com for more revolutionary media!
🎧 Support bonus content like this at patreon.com/cinemarchmedia — where your dollars help dismantle the algorithm, one mic drop at a time.

🎤✨ This month on Marxists at the Music, we’re tuning in to the storm. Kat and the Hurricane’s 2024 album Got It Out isn’t just a record — it’s a battle cry, a breakdown, and a breakthrough. Genre-fluid, emotionally exposed, and bursting with resistance, this album smashes through labels and dares you to feel everything.

We explore the record’s themes of survival, queer embodiment, burnout, trauma, capitalism, community, and that sacred act of getting it out before it eats you alive. From shimmering synths to guttural screams, from punk spirit to pop catharsis — this is music as rebellion.

💥 You don’t need a record deal to spark a revolution. You just need a voice, a beat, and a refusal to be quiet.

🩷🎶 Kat and the Hurricane made a healing machine disguised as an album — and we’re here to open it up, track by track.

Hashtags:
#KatAndTheHurricane #GotItOut #MarxistsAtTheMovies #MarxistsAtTheMusic #QueerMusic #IndiePop #AltPop #QueerPunk #EmotionalLabor #AntiCapitalistPop #MarxistPodcast #SpotifyPodcast #RevolutionThroughArt #MusicWithMeaning #MonthlyBonus #CineMarchMedia #QueerArtists #LeftistPodcast #MusicReview #socialism #NewMusic2024 #SupportIndieMusic #PatreonPowered #communism

Visibility, Backlash, and the Cost of Being First
A Marxists at the Movies TV Spotlight SpecialSupport our work and get early access to full articles and audio at ⁠patreon.com/cinemarchmedia⁠.

In 1997, Ellen DeGeneres came out—and television would never be the same.

This special episode explores the sitcom Ellen as a cultural turning point. From its subversive structure to the historic “Puppy Episode,” we trace how the show challenged network norms, made queer identity visible, and paid the price for it. We’ll also examine the long shadow of backlash, Ellen’s rise and fall, and how capitalism devours authenticity—even as it pretends to celebrate it.

Spoiler warning: we’re going deep.
And yes, Myron is mentioned.

Follow us for more unintentional communist masterpieces, cultural deep-dives, and unapologetically leftist media critique. New episodes drop every Wednesday!

🎬 Marxists at the Movies – June Pride Month Premiere 🌈
This week, we're stepping into the ruins of glamour and class illusion with Grey Gardens. Host Edward Michael Francis (they/them) reads their featured article “House of Contradictions”, unpacking how this cult documentary reveals the tragic, theatrical collapse of bourgeois performance — and why it holds such a powerful place in queer canon.

We explore the Beales not as eccentrics, but as two women clawing their way out of a class cult, one delusion at a time. Come for the tattered flag dancing, stay for the collapse of ideology.

🎧 New episodes drop every Wednesday with bonus episodes every 4th Friday!.
✨ Support us on Patreon and get early access + bonus episodes:
patreon.com/cinemarchmedia
🌐 All links here:
linktr.ee/cinemarchmedia

This is Marxists at the Movies.

🎭 The Birdcage (1996) | Marxists at the Movies

To close out International Workers' Month, we're going full feather boa with a Marxist lens on Mike Nichols' The Birdcage. What happens when queerness is sanitized for respectability? What does it mean when the working class in drag is asked to behave for the sake of the ruling class? And how does this compare to the original La Cage aux Folles, which was far more unapologetic in its mess and politics?

We’re talking performance, patriarchy, and pink-washed politics—because drag may be art, but it's also labor. Join us for a sharp, funny, and unflinching dive into the contradictions of gay visibility under capitalism.

📢 If you're loving what you're hearing, help us keep this going. Support the show on Patreon and get exclusive content, bonus episodes, and our eternal gratitude:
👉 patreon.com/cinemarchmedia

🎬 Marxists at the Movies drops every Wednesday—plus bonus episodes every fourth Friday.

For International Workers Month, we travel to the rugged coast of Maine to uncover the revolutionary fury buried in Dolores Claiborne (1995). In this Marxist analysis of Taylor Hackford’s adaptation of the Stephen King novel, we examine class struggle, domestic labor, and generational trauma through the eyes of one of cinema’s most complex working-class heroines.

Kathy Bates gives a towering performance as Dolores—a housekeeper accused of murder, a mother with secrets, and a woman who has had enough. We explore the film’s blistering indictment of patriarchal violence, the invisible weight of unpaid labor, and how capitalism isolates and silences the women it depends on most.

This is not a horror story. It’s a labor story. And sometimes, being a “bitch on wheels” is the only way to survive.

New episodes of Marxists at the Movies drop every other Wednesday at 10 a.m. MST / 12 p.m. EST. Subscribe on Spotify, Apple Podcasts, or wherever you get your radical cinema.

In this bonus episode of Marxists at the Music, we dive deep into TLC’s groundbreaking album CrazySexyCool — not just the hits, but the history. We unpack the group’s fight for fair pay, their infamous bankruptcy filing, and how they challenged the exploitative machine of the 1990s music industry while selling millions. This isn't just a story about pop icons — it's a story about labor, image, and resistance.

🎤 Marxists at the Music drops every fourth Friday — only on Marxists at the Movies.
#MarxistsAtTheMovies #MarxistsAtTheMusic #TLC #CrazySexyCool #LisaLeftEyeLopes #FairPay #MusicIndustryExploitation #PopMusicJustice #CommunistCritique #BlackGirlMagic #LaborRights #90sMusic #MusicHistory #GirlGroups #CapitalismIsTheScrub

This week’s TV Spotlight turns the lens on the fiery, foul-mouthed proletarian queen of Hollywood herself—Kathy Griffin.

In My Life on the D-List, Griffin doesn’t just pull back the curtain on fame—she shreds it, sets it on fire, and sells the ashes for charity. What looks like a reality comedy show is, on closer inspection, a pointed critique of class, labor, and gender within the fame economy. It’s performance art disguised as Bravo trash. And it’s exactly the kind of working-class revolt we celebrate during International Workers Month.

We dive into her struggle for respect, the emotional cost of self-branding, and how she weaponized irrelevance to build a career on her own terms—outside the A-List, but never beneath it.

🗓 New episodes drop every Wednesday at 10am MST / 12pm EST.
🎧 Listen on Spotify, Apple Podcasts, YouTube, and right here on Patreon.
💥 Get early access, bonus content, and support the revolution at any tier.

Join us. Laugh loud. Talk back. Stay D-Listed.

#MarxistsAtTheMovies #InternationalWorkersMonth #TVSpotlight #KathyGriffin #MyLifeOnTheDList #DListRevolution #CelebrityLabor #FameIsWork #CineMarchMedia #SupportIndependentMedia #HammerAndSickleRatings

International Workers' Day (Part 2)
Spoiler Warning: We spoil everything. Yes, even this.

In our second International Workers’ Day special, we dive headfirst into the accidental communist masterpiece that is Baby’s Day Out — a slapstick odyssey where the baby is the revolutionary vanguard, the kidnappers are the capitalist class, and every pratfall is a blow against the bourgeoisie.

We explore how this 1994 Patrick Read Johnson family comedy inadvertently critiques wealth, policing, and media spectacle, and why the baby’s journey through the urban jungle feels like a Marxist allegory for class consciousness crawling its way toward liberation — in footie pajamas.

This is not a joke. This is the revolution in a diaper.

#MarxistsAtTheMovies #BabysDayOut #InternationalWorkersDay #CommunistCinema
#ProletariatPower #UnintentionalCommunistMasterpiece #CineMarchMedia #MarxistFilmCriticism #WorkersUnite #LeftistPodcast #communism #socialism #patrickreadjohnson #laraflynnboyle

In the first-ever bonus episode of Marxists at the Movies’ monthly spinoff Marxists at the Music, we dive headfirst into Jolin Tsai’s bold, bizarre, and subversively pop 2018 album Ugly Beauty. What does it mean to call something “ugly” in a beauty-obsessed system? How do we decode glamor when the spectacle is the prison?

From the ironic bubblegum of “Hubby” to the gothic rage of “Lady in Red,” this album isn’t just a collection of bangers—it’s a fragmented manifesto from a pop star confronting the monster the industry made her become.

We break down the album track by track, exposing the commodification of the female body, the alienation of fame, and the terrifying freedom in rejecting perfection. Jolin doesn’t just make pop music—she weaponizes it.

This is Mandarin-language cyberpunk cabaret for the post-human capitalist nightmare—and it slaps.

#JolinTsai #UglyBeauty #MarxistsAtTheMusic #MarxistsAtTheMovies #PopMusicCritique #CommunistMusicReview #AsianPop #Mandopop #FeministPop #AntiCapitalistArt #LeftistPodcast #MusicAnalysis #TaiwanesePop #CyberFemme #RevolutionThroughRhythm #CulturalCritique #PopCultureMarxism #MarxistCritique #SpotifyPodcasts #CommunismIsCuteToo