Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together....

The first film Fritz Lang made in the US after he fled the Nazis, Fury is the story of a man who is lynched by the residents of a small town. The film is not a groundbreaking 1950s independent production, but an MGM star vehicle from 1936, featuring one of the studio’s then newest stars, Spencer Tracy. It’s not even Fritz Lang’s best film, but you’ll see some groundbreaking technique here....

If you meet up with Lawrence Tierney in a dark alley - or in a kitchen, for that matter - chances are the encounter won’t end well. Tierney is truly the bad boy of film noir, and no film shows it better than “Born to Kill.” Claire Trevor is great, as always, but I do question her taste in men. I imagine a few eyebrows raising at what the filmmaker gets away with here, including the brazen attitude of our leading man. And oh hey, Elisha Cook Jr. Is here, too, bringing all the gay subtext....

Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about. The episode title is a callback. It’s what we do!...

This film was a passion project for George Cukor and Katharine Hepburn. RKO let them do it, but the studio was sorry, when the movie confused audiences in 1935, and made no money. It has attained a bit of a cult following since. Hepburn and her father, Miracle on 34th Street’s Edmund Gwynn are fleeing trouble, and Sylvia dons a male disguise to help her dad. They meet con man Cary Grant, and hilarity and awkward moments of gender identity ensue....

Let the show’s 5th year begin! LTS regular Micki Maynard turned me onto this one. Paul Newman and Sidney Pottier star as jazz musicians in Paris. Their love interests are Joanne Woodward and Dihann Caroll, repectively. Louis Armstrong plays a character called Wild Man Moore. If my synopsis seems superficial, that’s because I haven’t actually seen this one. But I love the cast, and I love the idea that Sidney and Diahann are doing something more interesting than playing that one Black person in the movie. So come discover this one along with me....

We return surprisingly often to the Hitchcock well, but his 1940s films are so interesting. Here is a gothic romantic mystery, with poor Joan Fontaine just trying to get her bearings in an old, dark house. Why are her new husband, Laurence Olivier, and his housekeeper, Judith Anderson, so mean to Joan, and what’s become of the cupid in the morning room? Join us and find out....

A new film tells the story of Humphrey Bogart through the lens of the women who were most important in his life - his mother and his four wives. Shelly talks with Bogey’s son, Stephen Humphrey Bogart, about the new film....

AUDIO FIXED: Join us for peak 1950s MGM musical. If that doesn’t interest you, I can’t help. Fred Astaire and Cyd Charisse dance their hearts out, Oscar Levant levants, and Vincente Minnelli does his usual excellent job as director. We take issue with the plot and at least one of the main characters, but it’s entertaining. And I like the triplets number....

Susan Hayward won an Oscar. Susan Hayward was a protégé and fan of Barbara Stanwyck. Susan Hayward would like NOT to be put to death for her part in murder, please. Robert Wise (Star Trek: The Motion Picture AND The Sound of Music) directs. And this film showcases not only Miss Hayward, but a crazy intense jazz score. Unlike the usual “women in prison” pictures, this one features a protagonist who is not misunderstood, or innocent of all charges. She’s a hooker, and a lifelong criminal. But does she deserve the death penalty? Based, as they say, on a true...

Previously, on Lions, Towers & Shields, we’ve talked about one western. It was an unusual one, and included themes a modern audience tends to read as gay. Well guess what? We’re doing it again. Desert Fury puts Lizbeth Scott, Bert Lancaster and John Hodiak into a love triangle. Film noir expert Eddie Muller says this is the gayest movie ever produced in classic Hollywood. But is it? Please enjoy the lush color, and the Miklos Rosza score. And look, there’s Mary Astor and Kristine Miller, too. So we have a very noir cast getting together to ride a present-day version...

An entertainer from the rural south rises to become a political demagogue. And he’s played by Andy Griffith. This is all kinds of messed up! It’s actually a great film, with A LOT to say to us in the 21st Century. It’s directed by Elia Kazan, and also stars Patricia Neal....

In 1970, Arthur Hailey’s blockbuster book, Airport, became the first film in that decade’s disaster movie cycle. It also led to three more Airport films, and the adaptation of Zero Hour (also a Hailey story) into Airplane!. This second installment, Airport 1975, celebrates its 50th anniversary this year. It straddles the line between big budget, all-star A picture (the original), and implausible 70s schlock, as observed in the final two Airport films. Here, we’re also treated to appearances by classic stars, including Gloria Swanson and Myrna Loy. I am contractually obliged to say that Charlton Heston is the hero....

We close out International Summer Vacation with a film most of us haven’t seen, or even heard of. It comes to us from Argentina, and director Carlos Hugo Christensen. It’s based on a story by noir stalwart, Cornell Woolrich, and consists of two stories involving the door of the title. It’s also notable for incredible cinematography from Pablo Tabernero. The Film Noir Foundation restored, and is showing the film around the country at FNF’s Noir City festivals this year....

We return to France for King of Hearts, directed by Philippe de Broca and starring Alan Bates and Geneviève Bujold. The suggestion to see this film comes from our own Erika Ensign, who praises its anti-war message, among other attributes. The film is set in a small French town during World War I, after the locals have fled the battle. Residents of a nearby asylum escape and take over the town. The film was made in 1966, in the shadow of French involvement in the Vietnam War....

Tokyo Story is on numerous lists of the best films of all time. It’s in my personal top five. This movie is considered the masterpiece by legendary filmmaker Yasujiro Ozu, and it stars his luminous muse, Setsuko Hara. Tokyo Story is a black and white time capsule of life in Japan after World War II and depicts how the war and Japan’s modernization disrupted its family dynamic. Compared with the boldness of Akira Kurosawa’s movies, it’s sedate and thoughtful, and you may easily find yourself shedding a tear or two....

Starring Joan Crawford is Samuel Garza Bernstein’s new appreciation of the screen queen. It’s a great book, and I wanted you to meet the author, Samuel Garza Bernstein. We’ve known each other since I was 16. These two things are only partially related....

Forgive a film noir detour during our international vacation season. This is episode 100, and so I’ve picked a movie I love, and that feels right in the collective LTS wheelhouse. James M. Cain’s story of betrayal and murder was directed by Billy Wilder, and stars Barbara Stanwyck (natch), Fred McMurray and Edward G. Robinson. This film is full of dynamite lines, crazy sexual chemistry, and noir lighting for days....

Our summer travels continue this week to Italy, where Federico Fellini is our guide. The title translates to “the sweet life” in English, and that’s what star Marcello Mastroianni seeks in Rome, over the course of seven days. Mastroianni is a tabloid journalist, and we follow him through seven stories, during the film. Anita Ekberg is the female star probably most known to American film fans. La Dolce Vita ranks among Fellini’s best, and the movie also gives us a glimpse of modern Italy, a generation removed from World War II....