Billy Wilder tells the story of a man’s (Ray Milland) alcoholic weekend, and the lies he tells to family and friends about his drinking. Surprisingly gritty and emotional for the era, and photography that heightens the mood. Also, Jane Wyman, Philip Terry, and Frank Faylen again....

Another tale of evangelicals who use their charisma to con the faithful. Burt Lancaster, Jean Simmons, Shirley Jones and a cast of 50s heavies are all on hand. Based on Sinclair Lewis’ (Dodsworth) story....

he team behind our previous Spooky Season entry CAT PEOPLE — producer Val Lewton and director Jacques Tourneur — return with the Jane Eyre-inspired tale of a naive nurse summoned to a tropical island to care for a rich nepo baby’s ailing wife. But the patient’s malady may have a sinister, supernatural source. Get ready for an atmospheric, antiracist spookshow that’s a lot smarter than you’d think, subverting cheap voodoo-movie stereotypes in cool and surprising ways. Ah woe! Ah me! Shame and sorrow for the family! With guest host, Nathan Alderman....

Each season has its quota of film noir. So here we go. “A former boxer turned taxi driver earns the scorn of his nagging wife and gets mixed up with jewel thieves.” It’s a B picture with fun performances, one of my favorite things. Meet John Payne, Evelyn Keyes and Brad Dexter, a non-superstar lineup that nonetheless pops off the screen....

Fasten your seatbelts, it’s going to be a bumpy podcast. Bette Davis in her most iconic role, attempts to fend off the usurping Anne Baxter. The drama plays out in the New York theatre. There’s a witty script and a delightful supporting cast, along with many legends about how this film came together. Come and feast with us around the camp fire....

ere is one of the greatest ensembles of the classic era - or any era, for that matter. Katharine Hepburn, Ginger Rogers, Lucile Ball, Ann Miller, Eve Arden (and cat), Gail Patrick, Andrea Leads. Constance Collier, all sharing a theatrical boarding house in New York, and struggling to become big stars. Kate says something about calla lilies, and also snipes with Ginger. It’s so much fun!,...

If you can quote from “Casablanca” or “Gone with the Wind,” you can probably quote from “Now Voyager.” Or you could, with a little reminder. “Don’t let’s ask for the moon, when we have the stars.” And the Paul Henreid/Bette Davis cigarette-lighting move is here, too. Tis a stone cold classic of the romantic, weepy canon....

We bring Stanwyck Summer (but not the LTS season) to a close with a draft-ish episode. Each panelist has brought us a Barbara Stanwyck film - one we haven’t talked about before on the show. Somehow, there are a number of cats....

This time, Stanwyck is an invalid, who’s having trouble with her phone. I would call it a straight-up female victim tale, but Babs is not what you’d call sympathetic as a character. Even so, should her husband (Burt Lancaster) be plotting her death?...

Stanwyck Summer continues with a “noir tragedy.” She finds herself involved with Kirk Douglas (his film debut), Van Heflin and Lizbeth Scott. Did Missy kill her very mean aunt, many years ago? Let’s find out, shall we?...

Barbara Stanwyck (Lorna) in a boxing movie? OK, sure. But you’ll also see the film that began her lifelong friendship with William Holden. Bill (Joe) is a violinist who wants to try his hand at boxing. Because there’s money in that. Stanwyck’s Lorna is the girl who loves him. What price must Joe pay to become a success?...

We begin Stanwyck Summer with one of her most iconic films, and greatest performances. Stella Dallas is pure melodrama, so sudsy that the name was taken by a radio soap opera. Stella is a working-class woman with a daughter she wants to give all the things she never had. Will she succeed? Will her daughter be grateful? Tune in tomorrow!...

This George Stevens (best director Oscar) epic looms large. It’s a classic “roadshow” film of the 1950s, complete with West Texas vistas, Technicolor, big stars like Rock (Hudson), Liz (Taylor) and Jimmy (Dean), but no intermission, even though it’s three hours long! It also looms large in the history of the Texas towns (Marfa and Valentine) where it was filmed. I’ve grown up with stories of people tangentially touched by the production, and there are songs that celebrate, or sometimes give the side eye to, the whole thing....

Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together....

The first film Fritz Lang made in the US after he fled the Nazis, Fury is the story of a man who is lynched by the residents of a small town. The film is not a groundbreaking 1950s independent production, but an MGM star vehicle from 1936, featuring one of the studio’s then newest stars, Spencer Tracy. It’s not even Fritz Lang’s best film, but you’ll see some groundbreaking technique here....

If you meet up with Lawrence Tierney in a dark alley - or in a kitchen, for that matter - chances are the encounter won’t end well. Tierney is truly the bad boy of film noir, and no film shows it better than “Born to Kill.” Claire Trevor is great, as always, but I do question her taste in men. I imagine a few eyebrows raising at what the filmmaker gets away with here, including the brazen attitude of our leading man. And oh hey, Elisha Cook Jr. Is here, too, bringing all the gay subtext....

Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about. The episode title is a callback. It’s what we do!...

This film was a passion project for George Cukor and Katharine Hepburn. RKO let them do it, but the studio was sorry, when the movie confused audiences in 1935, and made no money. It has attained a bit of a cult following since. Hepburn and her father, Miracle on 34th Street’s Edmund Gwynn are fleeing trouble, and Sylvia dons a male disguise to help her dad. They meet con man Cary Grant, and hilarity and awkward moments of gender identity ensue....

Let the show’s 5th year begin! LTS regular Micki Maynard turned me onto this one. Paul Newman and Sidney Pottier star as jazz musicians in Paris. Their love interests are Joanne Woodward and Dihann Caroll, repectively. Louis Armstrong plays a character called Wild Man Moore. If my synopsis seems superficial, that’s because I haven’t actually seen this one. But I love the cast, and I love the idea that Sidney and Diahann are doing something more interesting than playing that one Black person in the movie. So come discover this one along with me....