We're joined by film critic and president of the International Federation of Film Critics (FIPRESCI), Ahmed Shawky, and delve into the role of film critics in the Arab world. We talk about Shawky's personal journey into critiquing films and the evolution of Arab cinema. Shawky shares insights on iconic Egyptian filmmakers, the impact of global cinema, and his experiences at various film festivals. We touch on the challenges of censorship and the future of the Arab film industry.

In this episode of Kawalis, we welcome Farah Nabulsi, the acclaimed director and writer behind films like "The Teacher" and the BAFTA-winning and Oscar-nominated "The Present." Nabulsi shares her powerful journey from her career in finance to filmmaking, highlighting her profound connection to Palestine and the human stories that inspire her work. The conversation delves deep into the reality of life under occupation, unpacking the emotional and political complexities. Nabulsi discusses her creative process, the impact of her films, and the urgent need for empathy and awareness. This episode is a compelling exploration of humanity amid the ongoing atrocities on Palestinians.

In this last episode in 3 Kawalis podcast special zooming in on cinema in the Gulf, Alia Younis hosts associate professor of Culture and Politics at Georgetown Qatar, Firat Oruc, to explore the history of cinema in the Arab Gulf region. Firat delves into the colonial emergence of cinema in the 1930s, highlighting the peculiar British regulations and colonial anxieties tied to film exposure. The discussion covers the significant role of oil companies in establishing cinemas, producing petro-documentaries aimed at showcasing their version of development and modernization. Firat shares his journey of discovering archival documents that shed light on the historical and contemporary aspects of Gulf cinema. Join us as we uncover how cinema has been a powerful force in shaping cultural and political narratives in the Gulf.

What is the Gulf-Kerala connection? This episode of Kawalis is a deep dive into migration, media, and cultural exchange. Filmmaker Alia Yunis hosts associate professor at Azim Premji University, Bindu Menon, as part of a three-episode special on cinema in the Arab Gulf. They navigate the intricate ties between Kerala and the Gulf, delving into the historical and cultural connections shaped by migration and the oil economy of the Gulf Cooperation Council (GCC). From early media exchanges to contemporary creative industries, we discover how migration has influenced media production, consumption, and everyday life from the United Arab Emirates to Qatar. Special focus includes the audio cassette culture, the iconic dhow, and the evolution of Malayalam cinema in the Gulf – highlighting some key players and contributors. Learn how these elements jointly contribute to a shared cultural heritage and media modernity between India and the Gulf region.

Discover cinema from the Gulf from its beginnings to the present day. Filmmaker Alia Yunis draws on her rich knowledge of the Arab Gulf’s cinema to give us a full picture of the scene's early days, its current state and what is anticipated for its future. Rejecting the widely held belief that "Arabic film comes from Egypt," Alia paints a picture of a rich regional scene of local storytelling. She constructs the Gulf as a fluid space with shared cultures, invites us to reconsider how we think about the materiality of film and shares her opinions on what comes next for cinema in the digital age. We get a sense of how cinema, film and its audiences are changing in the Gulf and what kinds of stories those audiences are hungry for. Alia also addresses a crucial question about the role of government sponsorship and funding in the kinds of cultural production we see coming out of the region. Finally, putting on a historical lens, we briefly tap into the origins of Gulf cinema during the colonial occupation and by oil companies.

In this episode of Kawalis, recorded in afikra's studio in Beirut, Ely Dagher unravels his relationship with the city of Beirut through film. We talk about his two films Waves '98 – which one Cannes's Palme D'Or for Short Film – and The Sea Ahead, released in 2021. Ely explains how he tries to portray the way Beirut feels rather than how it looks, grappling with the false dichotomy of leaving and staying, and how he's inclined to make films that are about love, community, and finding ways to make sense of life even when it feels like you have no control. While shedding light on his creative process, he touches on his frustrations with the Lebanese film industry (or lack thereof) and the toxic influence of European cinema funding — recounting the time he was told by a European panel that his film wasn't "Lebanese" enough.

In this episode of Kawalis, documentary filmmaker Carol Mansour joins us at the afikra studio in Beirut to talk about her latest work Aida Returns which launched this March 18th in 44 venues around the world. The documentary film follows the director's mother, Aida, who left Yafa in 1948 to settle in Beirut, then in Montreal. Suffering from advanced Alzheimer’s, she lost her memory along with her sense of identity, except for her memories of Yafa. When she passed away, her daughter decided to “return” her to Yafa. With the help of a set of willing strangers, Aida makes it back to rest where she belongs. Carol takes us through the making of the documentary, what it was like to bring her mother back to Palestine, and how she finds humor and tenderness in heavier moments. This conversation grapples with Palestine and the idea of the "right to return" through a powerfully personal lens that speaks to a wider collective experience.