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Musician Bob Holmes of the New York-based trio Suss talks about his unique and ambitious Across the Horizon music series. Bob and Northern Spy Records invited eight innovators from the wide landscape of instrumental music to curate the first volume of Across the Horizon, which was released at regular intervals over the past year, culminating in a double vinyl, which is out now and available to Bandcamp subscribers of the series.
Curators and participants in the project include Mark Nelson (Pan American), Luke Schneider, Dave Harrington, Marisa Anderson, Stelth Ulvang, Walt McClements, David Moore, William Tyler, Chelsea Bridge, Melissa Guion (MJ Guider), Julianna Barwick, and many more.
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Estefanía Vélez Rodríguez (b. 1985, Mayagüez, PR) is a Puerto Rican artist who lives and works in Brooklyn, NY. As a dual-tongued individual, she utilizes the symbolic language of painting as a bridge between many cultures and spaces. Her paintings formally address questions between abstraction, non-representation, simplification, symbol, and painting as a language with ambiguous structural limitations. Her landscapes meander and distort physical spaces like mazes meant to be misleading.
Utilizing chemical reactions within a painting, Estefanía experiments with raw pigments, spray materials, oil mediums, and acrylic polymers. Her painting language ruptures visual spaces, opening the viewer's receptivity to fleeting spaces, times, and emotional presence.
In this interview, she talks in-depth about the seven paintings she has on display as part of the group show Past Tense/Future Perfect at NYC's Marc Straus Gallery, which will be up through August 8.
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Vocalist, multi-instrumentalist, and composer Amanda Ekery collaborates with everyone, literally. Historians, artists, engineers, bakers, you name it. Amanda works with all to create projects that invite others to explore and share their stories. She weaves her experience in improvisatory creative music, research, and jazz into her compositions, workshops, and performances.
Her new album, Árabe, is about Syrian and Mexican shared history and culture, and covers everything from food, gambling, and evil eyes, to immigration law, biracial identity, and the fraught relationship between immigrant entrepreneurship and workers’ rights. The vinyl release also includes an art book which contains essays for each track, and restored family and historical photos.
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Friends since childhood, Eraserhood Sound partners, Vincent John and Max Perla’s unique songcrafting process includes sourcing and learning to play vintage instruments, and using reel-to-reel equipment to create the exact sound they are after. EHS also features an in-house boutique record label that specializes in vinyl releases. Operating out of the studio built for Questlove, EHS is uniquely positioned to carry on Philadelphia’s rich musical legacy.
Their latest television project is PBS KIDS’ groundbreaking Carl the Collector, the network’s first animated series spotlighting central characters on the autism spectrum. The team’s handcrafted music for each episode gives the show a sophisticated, stand out sound that has not been seen in children’s entertainment since Peanuts. The score features Eraserhood Sounds’ trademark Synth & Soul palette, a distinctive blend of vintage analog recording stylings of 60s soul and traditional 70s funk, with 80s based synthesizers and drum machines.
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In Good Friends: Bonds That Change Us and the World, author Priya Vulchi explores friendships across history, continents, and cultures to show how friendship can open up new levels of community. Through her inspiring prose, Vulchi reveals that friendship, in the right hands, is a brilliant act of resistance.
Studies show that loneliness is as deadly as smoking fifteen cigarettes a day. We are not taught how to be good friends to one another. We cancel plans, lose touch, blame technology, and neglect our non-romantic loved ones. In Good Friends, author Priya Vulchi explores friendships across history, continents, and identities to show how friendship can open up new levels of joy and community in your life. What is the meaning of friendship, these miraculous bonds with once-strangers? How do you begin friendships? End them? Keep them vibrant? For answers, Vulchi weaves through Western classical thinkers like Plato, Aristotle, and Cicero, and uncovers the private moments between good friends like James Baldwin, Dr. Martin Luther King, Jr., Yuri Kochiyama, Toni Morrison, and June Jordan. Friendship, she shows, has ripple effects beyond just any two friends; it awakens solidarity and changes in the world.
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Artist Heather Benjamin discusses the works in her first solo show at NYC's Olympia Gallery, NEW STRANGENESS BLOOM.
Benjamin’s paintings investigate the hyper-vulnerable experiences of existing in a female body. Building on her formal printmaking background and a prolific, two-decade-long zinemaking practice, her autodidactic paintings emerge as self-portraits.
Through a diaristic lens, Benjamin’s figures—part goddess, part flawed protagonist—manifest spiritual transformation. These figures navigate imagined desert landscapes, alive with unnameable flora shimmering under electric skies. Both literal and symbolic, these "strange blooms" embody perseverance and renewal amidst psychic and physical terrains that are barren, parched, and alien.
Benjamin’s approach to painting nods to Surrealist modes of narration and the idiosyncrasies of outsider art. Motifs such as impassioned couples floating in clouds or emerging from extraterrestrial blooms evoke dream states, memories, and internal monologues. Words scrawled across cowboy hats and bootstraps read like fleeting, nonlinear poems.
In New Strangeness Bloom, Benjamin explores sexuality, gender, trauma, and self-perception through intricate, labyrinthine mark-making, maximalist palettes, and a developed personal symbology. Broken mirrors, dead cockroaches, nail-polished claws, and butterflies blend with retro-futurist Americana, warping, refracting, and reimagining mythologies of femininity.
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JMikal Davis, aka Hellbent, is a muralist, painter, and street artist who lives and works in Brooklyn. Davis began making street-based artwork in the late 1990s while still in art school at the University of Georgia.
Upon graduating and moving to Brooklyn in 2000, he took up the nom de plume Hellbent, experimenting with various media and becoming known for his hand-carved plaques that he pulled throughout New York City and eventually across the globe.
Since 2011, the backgrounds that started on these plaques became the focal point of his work both on and off the street. The abstract configurations of multiple patterns layered on top of each other are derived from American quilt-making and folk art traditions, inspirations not typically associated within murals and street art.
In his public work, he aims to include elements from different textiles associated with the citizens of the community and weave them together harmoniously.
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A candid and expansive talk between INTERLOCUTOR Contributing Editor Logan Royce Beitmen and Christiana Ine-Kimba Boyle, the Managing Partner of CANADA Gallery. She plays a key role in shaping the gallery’s program and strategic direction. She recently returned to CANADA after serving as Senior Director and Global Head of Online at Pace Gallery, where she expanded the gallery’s artist roster by bringing on renowned painter Kylie Manning in Spring 2022 and spearheaded its digital evolution by establishing and activating a robust online sales strategy.
Boyle’s curatorial practice is driven by a commitment to equity and intergenerational dialogue, as seen in her debut exhibition at Pace, Convergent Evolutions: The Conscious of Body Work, which brought together 17 artists from the gallery’s program alongside figures from her wider network. She continues championing new perspectives in contemporary art through exhibitions such as Beyond the Frame: Abstraction Reconstructed and Rest and Reprieve: A Window into Creative Solitude. Through her work, Boyle remains dedicated to expanding the reach of contemporary art, engaging collectors, and fostering dynamic connections between artists and institutions.
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A Cultural Anthropologist trained in Linguistic Anthropology, Ethnomusicology, and Folklore, Alex E. Chávez is the author of the book Sounds of Crossing: (Music, Migration, and the Aural Poetics of Huapango Arribeño).
Chávez's debut album, Sonorous Present, an immersive poetic and musical passage, extends sonic meditations on loss, migration, and mourning across America’s borderlands. What began as an improvised performance in 2019—inspired by the music and poetics of Chávez’s book Sounds of Crossing—has been reimagined as a studio album in collaboration with Grammy Award-winning producer Quetzal Flores.
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Chloë Cassens is the representative of the Severin Wunderman Collection, the largest in the world of works by iconoclastic French artist Jean Cocteau. It makes up the entirety of the contents of the Musée Jean Cocteau-collection Severin Wunderman in Menton, France.
She is a longtime scholar of Cocteau with a unique perspective, as she is Wunderman’s granddaughter. Her past research has centered around Cocteau’s Les enfants terribles and its echoes in the later life and work of Yves Saint Laurent, as well as Cocteau’s Opium: Journal d’une désintoxication and how it illuminates the role that drug addiction and sobriety plays in the lives of creatives. In this extensive interview with Logan Royce Beitmen, Cassens discusses Cocteau’s massive cultural influence and her efforts to increase awareness about his life and legacy.
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Julia Hannafin is a writer and artist from a two-mom family in Berkeley, California. Their first novel, Cascade, was published with Great Place Books in April 2024, an independent press founded by Alex Higley, Emily Adrian, and Monika Woods.
Cascade is a propulsive novel set on the Farallons—a rugged set of islands off the coast of San Francisco—about addiction, sex, gender, loss, and whether any of us can escape our biological inheritance. After her mother’s overdose, Lydia goes to work for her ex-boyfriend’s father, tagging and monitoring great white sharks. As rare and unforeseen interactions between species threaten her team’s research, so does Lydia’s growing infatuation with her boss.
In this interview, Interlocutor Fiction Contributing Editor Nirica Srinivasan talks with Hannafin in detail about Cascade and its development.
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Lara Aburamadan is an independent visual artist, journalist, and co-founder of the Refugee Eye organization. Born in Gaza City, Palestine, she is now based in the United States. She holds a BA in the Faculty of Communication Sciences and Languages from Gaza University.
Lara tends to embrace the human perspective through visual storytelling; her work explores the social and political narratives for refugees and marginalized communities. She captures documentary and artistic images of everyday life and excels at catching light and moments with intimacy and humanity.
She has been photographing since 2010. Her photographs have been published in a variety of news organizations and online websites such as Time Magazine, VICE, San Fransisco Chronicle, WorldPressPhoto, NPR, Refinery29, The Progressive Magazine, Pacific Standers, Al-Jazeera, Syria Deeply, +972, and elsewhere. Time Magazine has chosen Lara among 34 women photojournalists around the world whose work you should follow. She's also a member of Women Photograph and Survival Media Agency.
In this interview, Lara discusses her upbringing in Gaza, her move to the US with the assistance of writer Dave Eggers, and her aims to portray images of Gaza that show the everyday life and culture of its people rather than the usual bleak and war-torn imagery that is often presented in the media.
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aja monet is a poet, lyricist, writer, and community organizer from Brooklyn, now based in Los Angeles. Her debut studio album, when the poems do what they do, was released in 2023 to acclaim, and it earned a GRAMMY® nomination for Best Spoken Word Poetry Album.
We published a version of this interview in the online edition of INTERLOCUTOR on February 1, 2024, and this episode is the full and unedited recording of the discussion between aja monet and our Contributing Editor, Logan Royce Beitmen.
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Virginia L. Montgomery (VLM) is a multimedia artist working across video, performance, sound design, and sculpture. She is known for her unique, synthesia-esque, surrealist works that unite elements from mysticism, science, and her own lived experience as a neurodivergent individual. Her artwork is surreal, sensorial, and symbolic. It shifts in subject matter from stones to moths and machines, as VLM deploys an idiosyncratic visual vocabulary of repeating gestures and recursive symbols like circles, holes, and spheres.
In this interview, VLM discusses her recent solo exhibition at Austin's Women & Their Work, Eye Moon Cocoon, which featured her ongoing examination of native Texas Luna moths and our multifaceted associations with the moon, along with her unique parallel career as a Graphic Facilitator.
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Tyler Nesler talks with leading AI researcher, author, and TED speaker Blaise Agüera y Arcas about his new book, Who Are We Now? - an exploration of how biology, ecology, sexuality, history, and culture have intertwined to create a dynamic “us” that can neither be called natural nor artificial.
Identity politics occupies the front line in today’s culture wars, pitting generations against each other, and progressive cities against the rural traditions of our past. Rich in data and detail, Who Are We Now? goes beyond today’s headlines to connect our current reality to a larger more-than-human story.
The book is available December 19 via Hat & Beard Press.
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