In the season finale of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcasters Spro & Lee from Spro & Lee Take on the Academy to discuss the divisive and controversial film about toxic masculinity, corporate drone fealty, and the turn to violence as a form of rabid self-denial in David Fincher's assaultive adaptation of Chuck Palahniuk's satirically incisive novel, Fight Club (1999).
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In the season finale of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcasters Spro & Lee from Spro & Lee Take on the Academy to discuss the divisive and controversial film about toxic masculinity, corporate drone fealty, and the turn to violence as a form of rabid self-denial in David Fincher's assaultive adaptation of Chuck Palahniuk's satirically incisive novel, Fight Club (1999).
In the season finale of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcasters Spro & Lee from Spro & Lee Take on the Academy to discuss the divisive and controversial film about toxic masculinity, corporate drone fealty, and the turn to violence as a form of rabid self-denial in David Fincher's assaultive adaptation of Chuck Palahniuk's satirically incisive novel, Fight Club (1999).
In the forty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and director Michael Willer to discuss the wide cult acclaim of Frank Darabont's earnest and soulful adaptation of a Stephen King short story that reflects on being imprisoned by fear and the road to emancipation through a parable of hope in one of the most beloved films of all time, The Shawshank Redemption (1994).
In the forty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined by actors Ben McGinley and Nick Earl to discuss the high-fantasy blend of genre, from the American western to the Shaw Brothers kung-fu epics, in John Carpenter's unapologetically wild immersion into action hero tropes, the power of community, and a commentary on the fear of the unknown in the cult sensation Big Trouble in Little China (1986).
In the forty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter August Gummere and editor Kristi Shimek to break down the deconstructionist comedy about Arthurian legend, extreme class division, and the false notion of god granted nobility in the exquisitely crafted and thoroughly surrealist masterpiece from the Beatles of comedy in Monty Python and the Holy Grail (1975).
In the forty-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the B-movie concoction of soldiers with guns, practical monsters, and horror gore that defined the DIY spirit and ingenuity of Neil Marshall in his directorial debut Dog Soldiers (2002).
In the forty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin for a one-on-one conversation to discuss Kevin Reynolds' claustrophobic and thrilling tank drama in the mire of the Soviet invasion of Afghanistan that is the cult war film The Beast (1988).
In the forty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss the blend of time travel, religious symbolism, post-Cold War hysteria, and Generation X detachment in Richard Kelly's ambitious and allegorical debut in the moody teen high concept sci-fi, Donnie Darko (2001).
In the forty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined by cinematographer Josh Carter and musician Ben Childs to discuss the gritty midnight cult film that depicted the grim falsity of the American Dream in the anti-Bonnie & Clyde true crime film from Leonard Kastle, The Honeymoon Killers (1970).
In the forty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by actors Ben McGinley and Danny Hernandez to discuss the bitter lens of coming-of-age nostalgia that defines Philip Kaufman's melancholic look at a generation defined by shifting history and lost naivete in the raw and gripping adaptation of Richard Price's novel The Wanderers (1979).
In the forty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with actor Ben McGinley to discuss the maximalist style and absurdly earnest tropes of Kathryn Bigelow's dedicated and slick embodiment of the American actioner with its weirdly existential clashing between authoritarian stability and reckless freedom in Point Break (1991).
In the fortieth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the circular irrationality and chaos of an uprising going nowhere in Werner Herzog's bleak yet ironic assessment of rebellion within a closed and corrupt system in Even Dwarfs Started Small (1970).
In the thirty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and editor Kristi Shimek to discuss the original cult sensation that centers around the quotidian normalcy and fulfilling community of circus performers that is interrupted by self-doubt, exploitation, and betrayal resulting in a swift and demented form of justice in Tod Browning's sensational horror melodrama Freaks (1932).
In the thirty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss one of the most provocative mosaics of youthful despair and apathy in Larry Clarke's gritty and authentic assessment of a pre-Giuliani New York skating subgroup as they navigate poverty, societal neglect, the AIDs epidemic, and their own worst impulses in Kids (1995).
In the thirty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with cinematographer Ezra Balcha to discuss the surrealist satire on the falsity of the American Dream, the soullessness of corporate cubicle life, and the deconstruction of language in Steven Soderbergh's anarchic and creatively revitalizing Schizopolis (1996).
In the thity-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmakers Daniel Lopez and Mario Ruiz to discuss the madcap ambition and delirious purgatory of William Friedkin's technically stunning and thematically dense adaptation of Georges Arnaud's The Wages of Fear that becomes a bleak assessment of fate, world politics, and desperate circumstances in Sorcerer (1977).
In the thirty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and film critic Tyler Harlow to discuss the clinical scalpel of David Cronenberg's personalized adaptation of J.G. Ballard's novel depicting a new flesh of metal, wire, and collision that was trying to assess our natural dehumanization in conjunction with technological advancement in Crash (1996).
In the thirty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and actor Dan Bauer to discuss the joyous satire of lo-fi science-fiction fandom and the actors who have taken the gift of a show's community and philosophy for granted in Dean Parisot's wonderful ode to how pop culture can be more than simply a commercialized product in the hilarious Galaxy Quest (1999).
In the thirty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and musician Ben Childs to discuss the fractured and enigmatic construction of Nicolas Roeg's Christ-like allegory for modernity's denial of true progress and enlightenment in the experimentally bold adaptation of Walter Tevis' novel The Man Who Fell to Earth (1976).
In the thirty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and cinematographer Ezra Balcha to discuss John Sayles' low-budget science-fiction parable about the alienation of the immigrant experience, the complexities of assimilation, and the preservation of community in the warm, tender, and often times silly The Brother from Another Planet (1984).
In the thirty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and cinephile Alejandro Etcheagaray to discuss the mixture of avant-garde formalism, black nationalist attitude, and revolutionary politics that created the explosive and rebellious statement of black power, autonomy, and survival in Melvin Van Peebles' radical Sweet Sweetback's Baadasssss Song (1971).
In the season finale of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcasters Spro & Lee from Spro & Lee Take on the Academy to discuss the divisive and controversial film about toxic masculinity, corporate drone fealty, and the turn to violence as a form of rabid self-denial in David Fincher's assaultive adaptation of Chuck Palahniuk's satirically incisive novel, Fight Club (1999).