Housmans are delighted to be welcoming Laura C. Forster and Joel White to the shop for a dicussion of their wonderful, exhilarting book on the radical potential of friendship!
Friendship is full of revolutionary potential in the face of a profoundly anti-social capitalist system. Friends in Common explores friendship as a radical practice, capable of upending hierarchies and producing social change.Friendship can transcend social boundaries and political borders. It is vital in building communities and underpinning solidarity. But its transformative potency ensures that it is heavily policed and restrained by the state. Understanding the radical possibilities of friendship can help us rethink our approach to family, work and politics, and show us new routes to resistance and ways to open up spaces of solidarity and escape. The dissonance created by comparing societal expectations around friendship and a lonely reality, especially in the wake of an isolating global pandemic, is deeply alienating. Friends in Common shows that friendship as a political practice is foundational to strengthening revolutionary ideas and projects, and is the antidote to capitalist despair.
The culture war is over. If you want it to be. It wasn’t even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities – and one that has a deeper history than you might think.
We are delighted to welcome Professor Dan Hicks back to Housmans to discuss his incredible new book Every Monument Will Fall: A Story Of Remembering And Forgetting, a beautifully written, polemical but generous work. Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums – including the Pitt Rivers Museum, where he is a curator.
Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford – revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions.
Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.
‘It was exciting when it started, then comfortable and domestic, and over time we grew apart. If it had been real, our relationship wouldn’t have made a chapter in a memoir. But Mark was a fictional character, contrived by the British state to violate me and undermine the values I held dearest. And the entire time, EN31 was sitting around the corner, writing it all down, watching our lives unfold.’In 2003, British police infiltrated a group of young activists, forming sexual relationships and spying without warrant on hundreds of innocent civilians. Kate Wilson fought back. She took the Met to court, at times battling alone without funding or legal representation, enduring bullying, psychological intrusion and further state surveillance. It took her nearly twenty years to uncover the eerie truth about Britain’ s secret political police.Kate will be joining us at Housmans to tell her story. This is an extremely important event us as Housmans itself has been home to many groups infiltrated and spied on by undercover police officers.
Alex Bollen is a Postnatal Practitioner with the National Childbirth Trust and researcher with over 20 years of experiance, in Motherdom: Breaking Free from Bad Science and Good Mother Myths she picks apart the pernicious histories of what she refers to as ‘Good Mother Myths.’ These myths are deployed to censure mothers and blame them for society’s problems. Incensed by the way bad science is used to shame mothers, she decided to set the record straight. With meticulous research and keen insight, Motherdom exposes both the shaky science and unjustified prescriptions about how mothers should ‘naturally’ behave. Competing visions of birth – ‘natural’ versus ‘medical’ – mean women can be criticised whatever happens, raising the odds that birth will be a damaging, even deadly, experience. Mothers are judged and belittled whether they breast- or bottle-feed their babies. Bogus claims about brain development and dodgy attachment theories mean that whatever mothers do, it is never enough. This must stop, she says. We must replace Good Mother myths with a realistic approach to parenting. Alex Bollen proposes ‘motherdom’, a more expansive conception of motherhood, which values and respects the different ways people raise their children. Instead of finding fault with mothers, Motherdom shifts our focus to the relationships and resources children need to flourish.
Alex will be in conversation with Helen Charman whose book Mother State, not even out in paperback yet, already has a well deserved reputation as one of the major works of Marxist-Feminist thinking produced this decade. In it, Helen argues that motherhood must be conceived within poltical terms and that we must take a wider historically cohesive view of the figure of the mother, who is both monstered, and legislated againist, by the state, whilst also being held up as sort of ideal of reactionary political femininity. From the blurb: “In Mother State, Helen Charman writes a new history of Britain and Northern Ireland. Beginning with Women’s Liberation and ending with austerity, the book follows mothers’ fights for an alternative future. Alongside the mother figures that loom large in British culture, from Margaret Thatcher to Kat Slater, we meet communities of lesbian squatters, anti-nuclear campaigners, the wives of striking miners and teenage mothers protesting housing cuts: groups who believed that if you want to nourish your children, you have to nourish the world around them too. Here we see a world where motherhood is not a restrictive identity but a state of possibility. ‘Mother’ ceases to be an individual responsibility, and becomes an expansive collective term to organize under, for people of any gender, with or without children of their own. It begins with an understanding: that to mother is a political act.”
Squatting in London has a rich and diverse history. Today, squatters live a marginalised, stigmatised and criminalised existence, yet they persist. Behind the glittering façade of shiny new buildings, London is a network of vacant offices, boarded-up shops and dilapidated pubs that host some of the city’s poorest and most determined citizens, exiled and increasingly pushed to the margins.We are very excited to welcome Samuel Burgum to Housmans to talk about his vital new book about a facinating, and much neglected, part of our urban history. Squatting London: The Politics of Property is an account of the real lives of the city’s squatters: their ambitions and struggles. Squatting is a challenge to the logic of property which underpins the city. By finding refuge, staying put, creating spaces and participating in counter-cultures, squats are political acts. They sit in direct opposition to the speculation, gentrification and regeneration that controls London today.From wasted office blocks transformed into a life-saving homeless shelter, to temporary art exhibitions and raves; from an empty doctor’s surgery, to a library closed by cuts; from mutual aid networks set up during the pandemic, to restaurants, shops, offices and pubs – Squatting London is an alternative, underground and rebellious ethnographic account of a city you thought you already knew.Samuel Burgum is an urban sociologist, currently conducting a Leverhulme-sponsored ethnographic project on squatting in the context of the UK’s housing crisis. He is the author of Occupying London: Post-Crash Resistance and the Limits of Possibility. He has written for various journals, including Antipode, The Sociological Review and Journal for Cultural Research.
From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present.
We are very excited to be launching The Psychic Lives of Statues by Rahul Rao which offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.
Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging. The Psychic Lives of Statues examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.
Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – Third World Protest: Between Home and the World (2010) and Out of Time: The Queer Politics of Postcoloniality (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.
