Tori and Mabelle talk with Dominican-American playwright, screenwriter, and director Marco Antonio Rodriguez, whose unconventional path took him from New York to Florida and Dallas, with a boost from Carmen Rivera and a pivotal reading with the Puerto Rican Traveling Theatre led by Miriam Colón. The conversation traces how writing in Spanish—once something he resisted—ultimately opened the doors to The Brief Wondrous Life of Oscar Wao and productions at Repertorio Español, The Goodman, and The Old Globe. Marco shares hard-earned wisdom about wearing many hats and trusting collaborators. He reminds us that show business is, above all, a business—one that demands grace, flexibility, and integrity, and a deep respect for the collaborative process of making theater.
In the Hey Playwright season 7 premiere, Tori and Mabelle chat with Keiko Green about how shifting power dynamics create compelling drama–and how she seeks to craft plays to keep audiences leaning in, hungry for what’s next. Keiko shares about writing juicy roles for actors, her approach to collaborating with directors and dramaturgs, and the play that opened the door to her TV writing career. She also discusses the fine line between helpful notes and creative overreach, the importance of playfulness and trust in the rehearsal room, and creating theatrical experiences that feel like unforgettable events.
Hello, playwrights! Big news—our full-length episodes are making a comeback this summer! Until then, we’re excited to bring you Thank You Five, a series of short, slice-of-life episodes. In our first segment, we’re hanging outside the Old Globe Theatre for the Powers New Voices Festival 2025 to see the staged reading of Marco Antonio Rodriguez’s adaptation of Junot Díaz’s The Brief Wondrous Life of Oscar Wao. Plus, we dive into Sarah Greenman’s phenomenal new book and, as always, send you off with a fresh writing prompt to spark your creativity. Stay tuned, and happy writing!
In this two-part season finale, Tori and Mabelle talk with the extraordinary Steven Dietz about his 40+ years in the theater. He shares how his 11 years of directing workshops and readings of new plays served as his grad school, teaching him how the theater works in space. He shares tactics and tools of the craft, including his idea of plays as alive (The Living Play), the importance of inviting scrutiny, why inspiration is a con, how victories can be complicated, and his strategies for talkbacks.
In this two-part season finale, Tori and Mabelle talk with the extraordinary Steven Dietz about his 40+ years in the theater. He shares how his 11 years of directing workshops and readings of new plays served as his grad school, teaching him how the theater works in space. He shares tactics and tools of the craft, including his idea of plays as alive (The Living Play), the importance of inviting scrutiny, why inspiration is a con, how victories can be complicated, and his strategies for talkbacks.
Tori and Mabelle talk with accomplished storyteller Hansol Jung about her jump from politics to theater. She shares her trajectory from translating plays into Korean, to an MFA in Musical Theater Directing (at Penn State), and then to another MFA in Playwriting (Yale School of Drama). She also shares about her experience collaborating on “Wolf Play” in the midst of the pandemic, and how it changed her artistic process. Other topics include Hansol’s new collaborative theater group (the Pack), reimagining collaboration, and The Kilroys.
Tori and Mabelle talk with multihyphenate Brian Quijada about how a production of “Cabaret” showed him the power of political theater and set him on his theatrical journey. He shares his artist’s mission and goes in depth on the inspiration and development of “Where Did We Sit on the Bus?,” “Kid Prince and Pablo,” “Somewhere Over the Border,” and his new work, “Mexodus.” Find out why Brian never takes anything for granted, why he doesn’t ask permission to create, the magic of starting with something you know, and why we say "all roads lead to Brian Quijada."
Tori and Mabelle talk with award-winning playwright and screenwriter, Anna Ouyang Moench, about grad school, motherhood, and her incredible catalog of plays. Anna shares about juggling life as an MFA Playwriting student at UCSD with teaching assistant work and parenting a newborn. The episode includes in-depth discussions of Anna’s plays “Mothers,” “Man of God,” “Birds of North America,” and her most recent play “Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again.”
Tori and Mabelle talk with playwright, director, and educator, Ramón Esquivel, about his path into theater through teaching, including the development of his first play at 30 years old. Other topics include Ramón’s quest to introduce young people to all aspects of theater, his revision strategy, key ways that theaters can uplift local playwrights, and practical tips he shares with his students.
Tori and Mabelle talk with accomplished theater artist, June Carryl, about her transition from law to theater and beyond. June shares the turning point into playwriting with Paula Vogel and how she got bit by the acting bug. June discusses why words are crucial, how theatrical stories inspire change, and the joy of working with young audiences.
Tori and Mabelle talk with James Vásquez, Resident Artist of The Old Globe Theatre, about trading in his baseball glove for tap shoes at 12 years old. He talks about how his father deeply influenced his love of both the arts and baseball, and he shares his full circle moments from childhood to director at The Old Globe. He reveals why he loves being told “no,” why the tech process is his favorite part of directing, and his belief that artists should also be activists.
Tori and Mabelle talk with Hope Villanueva about her launch into theater as a stage manager to her stint touring with the circus and beyond. Hope shares her strategies for balancing her various gigs–from writing, grad school, stage managing, dramaturgy, and her third season as the Literary Manager at Bay Street Theatre. Other topics include vomit drafts, toggling between stage and screen, and receiving feedback.
Tori and Mabelle talk with Larissa FastHorse about her path from ballet to the Children’s Theatre Company of Minneapolis to “The Thanksgiving Play” on Broadway. Larissa shares the details of her heart work with Indigenous communities and her radical inclusion process. Other topics include the Lakota Way, Indigenous Direction, writing for multigenerational audiences, and Larissa’s upcoming productions of “Peter Pan” and “For the People.”
Recorded on the drive home, Tori and Mabelle talk all things Theatre for Young Audiences during an on-the-road debrief of the 2023 TYA/USA National Festival & Conference hosted by Childsplay in Tempe, Arizona.
Tori and Mabelle talk with Keiko Green about her two origin stories, as well as her journey from the NYU Experimental Theatre Wing to Seattle to UCSD. She shares how her musical about feral bunnies helped her land a writer’s residency at Seattle Rep and how “Exotic Deadly: Or the MSG Play” opened up doors in Hollywood. Keiko shares her process, why she values process over product, and how she includes emerging playwrights in development workshops of her plays. She also includes a detailed breakdown of why and how she wrote her thriller farce “Sharon.”
Tori and Mabelle talk with Gary Garrison about his triumphs and missteps on his journey into theater. He talks about the importance of saying “yes” to every opportunity, the protective armor of theater, and the lovely theatrical families that form during productions. He also shares a short history of 10-minute play festivals, his work as an educator and author, tips for play analysis and writing, and assigning each draft a task.
In the Season 5 finale, Tori and Mabelle talk with Lauren Gunderson about finding her playwriting voice, the catalyst for her free online playwriting classes, and why she writes one impossible thing into every play. She also shares how theater helps people practice living and that “theater at its best reminds us how to be good in this world.”
Tori and Mabelle talk with Andy Lowe, the Director of Production and Casting for East West Players, the longest running professional theater of color in the United States. Andy talks about his beginnings as a storyteller towards social change and how his volunteer activism with nonprofits led to his stint as Artistic Director of Asian American Rep Theatre at 19 years old. Other topics include anti-racism, his full-circle journey with the Plays by Young Writers contest, his career journey of building platforms to uplift fellow artists, and his role as a podcaster for Pod Squadron.
In their first episode of 2023, Tori and Mabelle talk with Franky D. Gonzalez about his writing rituals, the importance of community, and how a chance bus ride and kindness led to his writing stint on “13 Reasons Why.” He also shares his shift from writing plays to please others to writing plays for his son and introduces us to the people and stories that shaped his award-winning play, “Even Flowers Bloom in Hell, Sometimes.”
In the final episode of 2022, Tori and Mabelle recap the year and then talk with Jacqueline Goldfinger about their work as a playwright and educator. Jacqueline drops serious knowledge about writing without limits, finding a community that embraces and lifts up your voice, and interrogating your WHY when approaching adaptations.