Josefina “Joey” Veluya Guerrero—later Joey Guerrero Leaumax—was one of the most daring and effective spies in the Pacific War. Armed not with weapons, but with a disease long treated as a curse, this Filipina turned stigma into strategy, saving hundreds, possibly thousands, of lives.
Thank you to Feedspot for naming HERstory Southeast Asia among the Top 4 Asian History Podcasts, alongside History of Southeast Asia, Echoes of War, and Brown History Podcast.
If you’re joining the Akdang Pinoy Readathon, check out At Last She Stood by Erin Entrada Kelly—a nonfiction read for ages 8–12 about Joey Guerrero’s extraordinary story.
Special thanks to our patrons: Nur’ain, Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Chanda, Yati, and Christopher.
🎧 Bonus episodes, full scripts, and references on Patreon.📲 Follow us on Facebook, Threads, and Instagram @herstoryseapod.
Music:
New season, new stories — this time, we’re diving into the herstory of Southeast Asia in World War 2. Their resistance and resilience helped shape independence movements, political landscapes, and ongoing fights for justice.
Celebrate International Women's Day by centering their stories and pushing to #AccelerateAction for gender equality.
Special thanks to @PinkTrashProject for their powerful song Babae, featured in this episode! Check out their links below:
As always, thank you to our patrons: Christopher, Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Chanda, and Yati. Check out the Patreon and follow the show here.
Audio Clips:
What was it like to grow up behind convent walls? In this bonus episode, we follow Margarita, a young girl whose world is shaped by the rhythms of Santa Ysabel Convent. Through the words of Antonia E. Lopez, we uncover a lost chapter of Filipina girlhood from 1915.
🔗 Listen now on Patreon
History often forgets the women who fought for freedom—but we don’t. In the last episode of Season 2, we sit down with Salud Algabre's granddaughter,Ana Algabre Hernandez, to understand her leadership in a male-dominated movement, her resilience in the face of defeat, and the powerful legacy she left behind.
Listen now and discover why Salud Algabre believed thatno uprising ever fails—each one is a step toward victory.
Thank you to Ana Algabre Hernandez for gracing us with this interview and thank you to our patrons: Christopher, Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Chanda, and Yati. Head on over to Patreon right now for access to this interview’s summary and transcript, and to listen other bonus episodes.
Season 3, on the second world war, is right around the corner but until then I’ll be posting a new image series called The Archives, where I will be sharing interesting tidbits from books and newspapers. So don’t forget to follow us on Facebook, Threads, and Instagram @herstoryseapod.
In this two-part episode, we discuss Henerala Salud Algabre, a prominent member of Sakdal, a Filipino peasant organization founded in 1930 to oppose American colonialism and the ruling elites in the Philippines. She led an uprising in May 1935 in Cabuyao, Laguna to disrupt a plebiscite tied to the Tydings-McDuffie Act, which offered delayed independence. Always brave, sometimes controversial, here's her story. Thank you to our patrons: Christopher, Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Chanda, and Yati
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This episode is about the overlooked history of female immigrants in colonial Malaya, spanning from the late 19th to mid-20th century. These women, primarily from Indian and Chinese communities, played vital roles in tin mining, rubber plantations, urban domestic work, and more. Despite their contributions, their narratives have been sidelined, reduced to footnotes in male-dominated accounts of migration.
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Shoutout to our patrons: Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Chanda, Yati, and our newest member, Christopher.
Head on over to Patreon right now to listen to nine bonus episodes including
Ma Ying Taphan and the Krom Klone;
The Rise and Fall of the Acehnese Queens, 1641 to 1699; and
Editors at Large: Ludu Daw Amar and Ma Ma Lay
Along with the bonus episodes, you get access to full scripts and reference materials and you can also send me a message if you have comments or questions.
The last episode of Season 2 is coming out shortly so please stay tuned. It’s going to be about Salud Algabre, a prominent member of the Sakdalista movement, a Filipino peasant organization founded in 1930 to oppose American colonialism and the ruling elites in the Philippines. I’m really looking forward to this one and I know you’re going to enjoy it.
Don’t forget to follow us on Facebook, Threads, and Instagram @herstoryseapod. That’s herstory S-E-A pod. This podcast was hosted and edited by Agas Ramirez.
In this episode of HERstory Southeast Asia, we delve into the stories of the women of the Philippine Revolution. These "Katipuneras" (though we specify who among them were actually in the Katipunan and who were involved elsewhere) played critical roles in the fight for independence against Spanish colonization. The episode highlights their bravery, from leading troops and smuggling information to nursing wounded soldiers and running revolutionary organizations. By centering their achievements, we challenge narratives that overshadow these women by linking their stories to their male relatives. The episode is a tribute to their courage, resilience, and revolutionary spirit.
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Cover Image: Hilaria Aguinaldo on horseback photographed by Edwin Wildman, 1901
As early as the mid-1870s, Chinese pirates were trafficking Vietnamese women and children into China to be sold as slaves. However, with the arrival of the French in 1885, this trade significantly increased. Find out why in this episode.
ICYMI: last September 30 we celebrated International Podcast Day and HERstory Southeast Asia was included in Tatler Asia’s Front & Female editor's picks: The best podcasts by women and for women by Rachel Duffell. Thank you Tatler Asia!
Shoutout to our patrons: Shereen, Geraineon, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Shereen, Chanda, and Yati. And thank you to everyone who subscribed to the Spotify and YouTube channels recently. Join the Patreon here.
This is part of two of us revisiting the Minangkabau matrilineal society. In the previous episode, we talked about Ruhana Kuddus, Indonesia’s First Female Journalist. In this episode, we’re going to talk about Soenting Melajoe, the pioneering indigenous women's newspaper published from 1912-1921 in the Minangkabau community in West Sumatra.
Research and writing for this episode was in collaboration with Joanna Que, with additional research from AJ Miras-Guevarra.
If you haven’t listened to episode 25 yet, go check that out first as we’ll be referencing that here.
Thank you to our patrons: Geraineon, Lawrence, Beverly, Xiaomei by Milish, Jennifer, Christina, Raymond, Matt, Ashley, Asha, Chanda, and Yati.
For more HERstory Southeast Asia, head on over to Patreon for the bonus episodes:
Along with the bonus episodes, you get access to full scripts and reference materials.
Don’t forget to follow us on Facebook, Twitter, and Instagram @herstoryseapod. That’s herstory S-E-A pod. This podcast was hosted and edited by Agas Ramirez.
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In the next couple of episodes, we’re revisiting the Minangkabau matrilineal society, specifically through Ruhana Kuddus, Indonesia’s First Female Journalist, and Soenting Melajoe, the pioneering indigenous women's newspaper published from 1912-1921 in the Minangkabau community in West Sumatra.
Research and writing for this episode was in collaboration with Joanna Que, with additional research by AJ Miras-Guevarra.
Listen to the full episodes for free with the link in bio and get access to more episodes through PATREON.
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In this episode, we’ll examine the Burmese Women of the Khit Kala, the women of the times, the “It girls” of colonial Burma. Beginning in the 1920s, they were seen in magazines, advertisements, and newspapers, a clear and controversial symbol of change that mirrors what other women went through in the Southeast Asian colonial period.
Thank you to our patrons: Yati, Charlie, Shereen, Matt, Raymond, Christina, Jennifer, Xiaomei by Milish, Beverly, Lawrence, and Airene. Airene joined the Patreon just last month so welcome and I hope you’re enjoying the additional content especially the bonus episodes! We have:
An interview with Haldi Patra on the Minangkabau matriarchal society;
If you want to join the Patreon, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and of course access to the bonus
Cover Photo: Two girls in new fashions at the Shwe Dagon Pagoda, 1947. Henri Cartier-Bresson.
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Thank you to our patrons: Yati, Charlie, Shereen, Matt, Raymond, Christina, Jennifer, Xiaomeiby Milish, Beverly, Alyssa, and Lawrence.
This is Part 3 of the series on Meet Me at the Manila Carnival. For 31 years, young women from across the country vied for the title of Miss Manila Carnival, then Miss Philippines, navigating racial prejudice and standards of beauty, and becoming an integral part of the nation-building process. Now, we’ll talk about the End of an Era, 1927-1939, the final years of the pageant before the outbreak of the Second World War.
If you want to join the Patreon, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and access to bonus episodes. We have:
Tracks
We’re continuing our deep dive into the Manila Carnival, a two-week festival held during the early American colonial period which culminated in the crowning of the queen and her court at an elaborate formal ball. For 31 years, young women from across the country vied for the title, navigating racial prejudice and standards of beauty, and becoming an integral part of the nation-building process.
Last time, we talked about the origins of the Manila Carnival and how we found our first queen, in so many senses of the word, in Pura Garcia Villanueva Kalaw. Listen to that episode first if you haven’t. Now, in part 2 we’ll follow the Carnival as it comes into its own. This is Part Two: Becoming Miss Philippines, 1909 to 1926.
If you want to join the PATREON, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and access to bonus episodes. We have:
Thank you to our patrons: Aqilah, Karen, Kheiro, Xiaomei BY Milish, Jennifer, Christina, Raul, Raymond, Matt, Shereen, Charli, and Yati.
Next time, in the third installment of Meet Me at the Manila Carnival, we’ll talk about the End of an Era, 1927-1939, the final years of the pageant before the outbreak of the Second World War.
In the next few episodes, we’re taking a deep dive into the Manila Carnival, a two-week festival held during the early American colonial period which culminated in the crowning of the queen and her court at an elaborate formal ball. For 31 years, young women from across the country vied for the title, navigating racial prejudice and standards of beauty, and becoming an integral part of the nation-building process. This is Part One: The Queen of the Orient, 1908, which talks about the origins of the festival and the first queen, Pura Villanueva Kalaw.
Join the Patreon for as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and access to bonus episodes:
The song in this episode is Bodabil by Andre Lagoy. Bodabil is an indigenized form of vaudeville, introduced in the Philippines around the time of the Manila Carnival. Hope you enjoyed his song inspired by it. Check out Andre Lagoy’s music on Facebook and Spotify.
Thank you to our patrons: Alyssa, Beverly, Karen, Kheiro, Xiaomei BY Milish, Jennifer, Christina, Raul, Raymond, Matt, Shereen, Charli, and Yati.
Don’t forget to follow us on Facebook, Twitter, and Instagram @herstoryseapod.
There are so many more stories to tell and we’re just getting started. This podcast was hosted and edited by Agas Ramirez.
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In this episode, we’re going to talk about the many lives of Emiria Sunassa, a pioneer of Indonesian modern art, who was also a nurse, singer, pianist, and traveler, who claimed to be a princess of the Tidore sultanate. Emiria was one of only three female artists in Persatuan Ahli Gambar Indonesia (PERSAGI). The other two were Saptarita Latif and Tridjoto Abdullah. However, in contrast to the two other women artists, Emiria started painting individually. She was not linked to any nationalist movements before she became involved with art.
PERSAGI's nationalistic vigour came from an unmistakably masculine perspective; most of the paintings represented common subject matter: self-portraitures, still-lifes and, most importantly, the portrayal of the Indonesian people during and after the revolutionary period - and yet they were limited to the island of Java. Emiria’s choice of subject matter offered a different perspective of the new nation. - Dr Wulan Dirgantoro in Feminisms and Contemporary Art in Indonesia
If you want to join the Patreon, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and access to bonus episodes. We have:
Thank you to our patrons: Aqilah, Karen, Kheiro, Xiaomei BY Milish, Jennifer, Christina, Raul, Raymond, Matt, Shereen, Charli, and Yati. Aqilah joined the Patreon just last month so, welcome!
Don’t forget to follow us on Facebook, Twitter, and Instagram @herstoryseapod.
There are so many more stories to tell and we’re just getting started. This podcast was hosted and edited by Agas Ramirez.
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PATREON EXCLUSIVE | A couple of months ago, I took a very memorable trip to George Town, the capital city of the Malaysian state of Penang. It was founded as an entrepôt in 1786 and was the first British settlement in Southeast Asia. Currently, it’s the second largest city in Malaysia and possibly number one in my heart. So, digressing from our usual format, this bonus episode will take you through some parts of this trip, and by the end perhaps I can convince you to visit too.
No. 14 Lebuh Leith is the address of the Cheong Fatt Tze Mansion, also known as the Blue Mansion, the most prominent Chinese garden-style architectural example in Malaysia and sometimes called the most photographed building in Penang.
EXCERPT:
Once they let us inside, they took us to the open courtyard, where two pillars and two trees stood, said to be the center of energy according to Feng Shui. The mansion in general is in the Chinese siheyuan architectural style but reflects the eclectic background of the trader Cheong Fatt Tze, with Gothic windows, stained glass, and Glasgow cast iron works by MacFarlane's for example. The mansion has 38 rooms, 7 staircases, 5 courtyards, and 220 windows. I would not want to be the person cleaning this house.
Up the polished wooden staircase, on the second floor, is a series of rooms displaying the house’s history as well as artifacts left behind by the original occupants. One room, which of course sparked my interest, had a collection of women’s clothing, and some information about the women who lived on no. 14, Lebuh Leith.
In this episode, we’re going to talk about the Black and White Amahs — Chinese women from the southern provinces of China who emigrated to the Straits Settlements and the Malay States in the 1930s and established themselves as domestic servants par excellence. The beautiful song in this episode is Penang Hill by Malaysian singer songwriter RJ Kevin.
HERstory Southeast Asia was a finalist at the Asia Podcast Festival Awards held in Singapore on December 4. Our category was best arts, society, and culture podcast and it was ultimately won by Miss Conduct: An Indian True Crime Podcast with Ragavi and Nisha. Please do check them out as they are doing excellent work in spotlighting women’s stories in their unique and often humorous way.
Also check out Fidellithy Tan's The History of Colonisation for chronological introduction to the history of European imperialism and colonialism from a history student's perspective.
The theme music is Goddess of War by Unicorn Heads. If you want more HERstory, go over to the Patreon and join Karen, Keiro, Xiaomei, Jennifer, Christina, Raul, Raymond, Matt, Ashley, Charlie, and Yati who have been supporting the show. Don’t forget to follow us on Facebook, Twitter, and Instagram @herstoryseapod. That’s herstory S-E-A pod.
In this episode, we are going to meet Erb Bunnag, a woman whose photographs give us a rare and important glimpse into the early 20th-century Siamese royal court. Chao Chom (royal consort) Erb Bunnag is a rather unique historical figure. I’m happy to report that there ARE sources of information about her, although they’re mostly academic. "Erb's insightful photos of Bangkok women suggest the ease of an aristocrat long acknowledged in Siamese society and politics. At a time when European colonizers considered annexing Siam, Thais accepted and imitated the culture and tastes of the outside world, especially command of the English language, writing, dance-drama, and other avocations.” (Snodgrass, 2019: 30)
Also check out Fidellithy Tan's The History of Colonisation for chronological introduction to the history of European imperialism and colonialism from a history student's perspective.
The theme music is Goddess of War by Unicorn Heads. This episode includes clips from The King and I's Shall We Dance, André Rieu Live in Bangkok, Float by Geographer, and Animaux Obscenes by Dan Bodan.
As always, thank you to our Patrons – Kheiro, Xiaomeiby by Milish, Jennifer, Christina, Raul, Raymond, Chito, Matt, Ashley, Shereen, Charlie, Chanda, Yati, Kara, and Mando. If you want to join the Patreon, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and access to bonus episodes.
Don’t forget to follow us on Facebook, Twitter, and Instagram @herstoryseapod.
PATREON EXCLUSIVE. Extremely excited to share this bonus episode with you on the 4 queens of Aceh who ruled from 1641 to 1699, beginning with Sultanah Safiatuddin or Taj al-Alam Safiatuddin Syah. Unlike the four queens of Patani, this was not an unbroken lineage.
EXCERPT:
Khan argues that maintaining peace and stability so commerce could thrive was an even bigger challenge than the ones faced by the male predecessors of the Acehnese queens. During the time of the queens, although the VOC might have controlled a larger share of the international trade in this region by the end of the century, Aceh’s regional trade continued to thrive and, as a trading port which served private traders from all over the world, Aceh’s international commercial networks continued to be resilient. By the end of the reigns of these women sovereigns, Malay writing and literature in Aceh had developed to a height unrivalled till today: this could be said to constitute the real golden age in Acehnese history. Sorry, Iskandar Muda. The book really goes into detail so I recommend reading it, the text is already up in our resource library under Episode 19.
PATREON EXCLUSIVE. This bonus episode is supplementary to the Episode 16, Filipino Girlhood in American Colonial Manila, 1908-1939, with Tala Wong. Best if you listen to that first (if you haven't).
Paz Marquez Benitez, born in 1894, was known for her athletic prowess, captaining Manila’s first girls’ basketball team, and playing tennis in European dress. In 1925, she published Dead Stars in the Philippine Herald, widely acknowledged to be the first modern English short story written by a Filipino, giving rise to a new generation of writers and writing that we still enjoy today.
The cover photo is the one accompanying an article entitled, “The Real Paz Marquez Benitez,” from the Philippine Free Press, Oct. 4, 1933.