Today’s spotlight is on the literary magazine The Threepenny Review. I’m joined by the magazine’s founding and current Editor, Wendy Lesser. Wendy Lesser is the author of twelve nonfiction books and one novel; her latest book, entitled Scandinavian Noir: In Pursuit of a Mystery, came out from Farrar Straus & Giroux in May 2020. She has received awards and fellowships from the Guggenheim Foundation, the American Academy in Berlin, the National Endowment for the Humanities, the Cullman Center for Scholars and Writers, and many other institutions, and she is a fellow of the American Academy of Arts & Sciences as well as of the New York Institute for the Humanities. Her journalistic writing about literature, dance, film, and music has appeared in a number of periodicals in America and abroad. Born in California and educated at Harvard, Cambridge, and UC Berkeley, Lesser now divides her time between Berkeley and New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christie Hodgen is the author of four books of fiction, most recently the novel Boy Meets Girl, which won the 2020 AWP Award for the Novel. Her short fiction and essays have been included in dozens of literary journals and have won two Pushcart Prizes. She teaches in the MFA program at the University of Missouri-Kansas City and is the editor of New Letters. A sense of place looms large in the first essay discussed in this episode, “Disintegration” by Karen Fisher. Her job in the hinterlands of east New Orleans involves recycling, hogs that wander around and a boss who is equally beastly as he threatens to fire her. Wrestling for control of her circumstances is tough for the author, in a place that writes “off neglect as charm.” In “On Emptiness” by Joyde Dehli, a poetic sensibility shines. Fear is in the air, as Dehli notes that in response one can flee, fight, freeze or faint, to which might be added a fifth option: fawning, which the author does beautifully over a world that defies definition. In “Right Now, I’m a Chauffeur” by Bud Jennings get ready for sharp-tongued discourse. The narrator’s mom drops line like “Dullards like that should only be allowed cockroaches as pets,” and the essay goes from there in exploring what it’s like to come home to care for your mom versus the lively, coming-out life you led in New York City. Finally, in “A Little Slice of the Moon” by Summer Hammond we encounter a young girl from a Jehovah’s Witnesses family that finds a door into a wider world through, of all things, a job at McDonalds. You’ll find yourself rooting for her to find romance and more. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Catherine Segurson is the founding editor of Catamaran. She’s a painter, videographer and creative writer who graduated from the Master of Fine Arts program at California College of the Arts in San Francisco. Prior to founding Catamaran 12 years ago, she worked at both Zeotrope and ZYZZYVA literary magazines. California-based Catamaran focuses often on the life of the artist, and even more frequently on nature and the environment. The first of the essays discussed in this episode is “What Would Odysseus Do?” by Melanie Faranello. Her psychiatrist father, a Greek man, was always urging his patients to be bold and take on risks. His daughter, the author, does likewise by daring to write her dad imaginative letters as a girl, supposedly seeking his clinical advice. In “Ten Charms Against the Future” by Steve Wing, the first five vignettes offer examples of what each of the five senses offer in appreciating nature. Sight and sound remain vital as this sensual essay ends with the author’s whispering the word “shelter” repeatedly. In “Deserts” by Charles Hood, the honesty and obstinacy of harsh, open landscapes the world over gain the spotlight. What other essay will take you from Islam to atomic bombs and space aliens so adroitly? In “In the Beginning Was the Tree,” Patricia Canright Smith goes from confessing, “I was never a fan of trees,” to “I wish I spoke Tree” based on visiting the world’s tallest, largest, as well as oldest tree, all three of them located in California. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ronald Spatz is the editor-in-chief and co-founding editor of Alaska Quarterly Review. A formal National Endowment for the Arts Fellow, Mr. Spatz has been recognized with Alaska State Governor’s Awards in Humanities and the Arts. He is currently a full professor of English and Creative Writing at the University of Alaska, Anchorage, where he also served as the founding Dean of the University Honors College and Undergraduate Research & Scholarship and as the Director of the Master of Fine Arts Program in Creative Writing. Ronald Spatz’s abiding goal for Alaska Quarterly Review is to be innovative, risk-taking, and truth-seeking, all virtues born out during this interview and by the four essays discussed here. In “Hungry Ghost” by May-lee Chaie, a cascading series of misogynistic and racist acts within the family have contributed to a devastating degree of low self-esteem. The essay confronts the emotional abyss that plagues all concerned. In “Once” by Michael Bogan, the fairy-tale like qualities of a teenage romance become exposed to the harsh realities of mutual betrayal, and a marriage that ultimately crumbles. In “Mother Matter” by Meil Sloan the point of view shifts between the first- and second-person as the author deals with a suicidal, autistic son whose tribulations cause his mother to dip into her inner resources while at the same time seeking answers from physics as to how the world works. Finally, in “The Cave” by Debbie Urbanski an intrusive narrator transforms a short story into a hybrid piece, with meta-commentary about the act of writing and the search for what really was going on beneath the surface during a family outing gone wrong. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Kuligowski is a Nonfiction Assistant Editor at Prairie Schooner and also currently a PhD student in English at the University of Nebraska-Lincoln. He worked as an assistant editor for volumes 392 and 394 of the Dictionary of Literary Biography and has published in a number of venues both online and in print. Zainab Omaki is likewise a Nonfiction Assistant Editor at the magazine and has writings in Callaloo, The Rumpus, LA Review and elsewhere. Her novel-in-progress has funding both abroad and from the Nebraska Arts Council. Like John, she’s a PhD candidate at the University of Nebraska-Lincoln. Prairie Schooner has a long legacy, stretching back to 1928, making it arguably the country’s longest continuous literary magazine. In this episode, the focus is on essays from two recent issues, beginning with “Summer Blues” by Hantian Zhang. For anyone who ever read William Gass’s medication, On Being Blue, this will serve as an interesting sequel. The theme or mood is signaled by the Portuguese word “saudale,” a desire for something absent, for the essay is set in Lisbon. In “Holden Caulfield Builds a House” by Andrew Erkkila, the setting jumps to Jersey City and the renovation of a house whose previous owner was a Viet Nam vet who painted the names of fallen colleagues in blood and excrement. Suffice to say, it’s a monumental tasks that nearly undoes the couple funding the upgrade. In “On grief, sex, and kidneys,” Afton Montgomery explores surgery’s impact on one’s psyche and even more identity. Finally, in “On the Move, or Looking to Settle Down,” Maya Marshall makes a road trip as an African-American woman traveling the South, knowing that danger can always lurk and yet mustn’t become an excuse for limiting oneself. Still, it’s not easy when, for instance, the sight of a dead deer makes her identify with it due to sharing a common color and the risks inherent in motion. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hicks is the Executive Editor of the Massachusetts Review, a Senior Lecturer in Comparative Literature at UMass Amherst, and a translator of literature from Italian, French, Spanish, and Bosnian/Croatian/Serbian. His latest book is Lessons from Sarajevo: A War Stories Primer. Shailja Patel is the Public Affairs Editor of the Massachusetts Review, a poet, essayist, and theatre and visual artist. She is the author of Migritude. The Massachusetts Review generally focuses on the world at large, versus personal essays. Indeed, as Shailja Patel says in this episode, the magazine is about “freedom writing” that necessarily creates some discomfort in readers as tough topics get tackled. In this case, that billing fits well “An Introduction to Exile” by Oz Johnson, where religious conversion means we’re hearing from a Filipina Jew teaching herself about the Arab-Israeli conflict in ways her rabbi wishes she wouldn’t. In turn, in “Roe: Telling the Tale” by Joyce Avrech Berkman, we encounter a historical framing that shows that reproductive rights were common in America until the period following the Civil War, which was of course about slavery and seeking to control others in ways that still echo in the battle over abortion. How to address injustice and abuse? Amba Azaad has a proposal in “Fire to the Grass,” which might at first glance appear to be an ecological essay but quickly proves to be about using Radical Unforgiveness to create a community response that challenges abuse. Finally, this episode touches on “Thirty-Two Eulogies” by Dan Leach, where understanding what the Male Gaze entails is part of the author’s evolution as he reflects on sexual dynamics, power and control, as vividly represented by the infamous rape scene that Leach remembers from watching the movie Deliverance with his dad long ago. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bradford Morrow is an American novelist, editor, essayist, poet, and children’s book author. A professor of literature and Bard Center Fellow at Bard College, he is the founding editor of Conjunctions literary magazine. In 2020, he published The Forger’s Daughter, which the New York Times named a “Ten Best Crime Novels of 2020 selection.” His tenth novel, The Forger’s Requiem, will be released early next year. Three essays from the Ways of Water issue are discussed today: Kristin Posehn’s “The Wave Readers” about Marshall Island natives using their intuitive, sensory skillset to navigate far-flung islands that sit only about seven feet above water; Ryan Habermeyer’s “A North American Field Guide to Glaciers,” a futuristic short story with the inklings of being a work of speculative nonfiction; and Heather Altfeld,’s “With Their Feet in the Water and Their Heads in the Fire” about dealing with intense heat, scorpions, and more, in Morocco. In each case, the climate poses unique challenges and lyrical narrative prose responses in kind with often poignant insights. A final essay covered here is Alyssa Pelish’s “The Four Notes,” a narrative discourse that displays a profound knowledge of classical music. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Justin Gardiner is the author of two nonfiction books and a collection of poetry. His most recent title is the book-length lyric essay Small Altars, published by Tupelo Press in 2024. Besides his role as Nonfiction Editor for Southern Humanities Review, Justin is also an Associate Professor at Auburn University. Founded in 1967, SHR considers subject matter both within and beyond the South. The magazine has had Justin Gardiner as its nonfiction editor for the past half decade. Four essays are discussed in the episode, with most of all of them showing evidence of the associative qualities that Gardiner, as a poet, enjoys in whatever genre. In this case, we started with Lia Greenwell’s essay “Your Soul Doesn’t Need You.” While ostensibly an essay about a carjacking she experienced, it goes wider to consider alike how well both more cognitively based therapy and poetry that speaks to one’s soul can aid recovery. In Leslie Stainton’s “Here with You,” an understanding of how the artist Joseph Cornell’s boxes reflect his life with a brother who suffered from cerebral palsy parallels the circumstances of the author’s own, younger sister. Delicacy is the order of the day. In Ceridwen Hall’s essay, “Submarine Reconnaissance: Bodies, Permutations, Voyages,” Hall delves into whether submarines are “female” (as her mom believes) or a “he” when in combat, along with many fascinating aspects of serving aboard a submarine and the “aquatic” nature of our memories and the way we must constantly “refit” our thinking. The other, remaining essay, Jennifer Taylor-Skinner’s “I Don’t Want Somebody in My House,” highlights the grand piano that serves as her companion, in contrast to how an esoteric French composer (Erik Satie) had two baby grand pianos stacked atop each other in his southern France villa. Again, expect the unexpected. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Boyers founded the quarterly Salmagundi in 1965 and has been its editor in chief ever since. He’s the author of 12 books, including most recently Maestros Monsters: Days & Nights with Sontag and Steiner and before that The Tyranny of Virtue: Identity, The Academy and the Hunt for Political Heresies. Besides teaching at Skidmore College, he directs the New York State Summer Writers Institute. Salmagundi rightly prides itself on hosting wide-ranging, inquisitive discussions of major topics involving race, gender, literature, psychology and so much more. This discussion goes in depth on four entries from the magazine. First up: “Talking Race Matters: A Conversation with John McWhorter & Thomas Chatterton Williams” explores the limits of racial essentialism as well as total assimilation that risks denying what is unique about the Black perspective and experience. A second piece is Elizabeth Benedict’s essay, “What’s the Matter with Sex?” It tackles how far the influence of pornography has gone (astray) as a training ground that leads young men into often degrading behavior to the women they are intimate with, including the use of choking as a form of eroticism. “The Failure of Censorship” by Adam Phillips looks at how our desires endanger us and yet at the same time to deny them denies aspects of ourselves. When is and isn’t self-censorship fruitful? Finally, Salmagundi hosted a symposium called “Can the American Meritocracy Get Religion?” Five writers are responding to an editorial by Ross Douthat in the New York Times. All found Doughat’s views too narrow or incoherent to be persuasive. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sumanth Prabhaker is the editor-in-chief of Orion and the founding editor of Madra Press. He earned an MFA in creative writing at the University of North Carolina Wilmington, where he was an editor for the journal Ecotone. Founded in 1982, Orion has evolved as a magazine over the years from the quieter, reverential environmental sensitivity that continues to distinguish it into also a wider awareness of global injustices that especially impact the Global South. In this episode, three essays were discussed that under his leadership, Sumanth Prabhaker nurtured into existence over a span that sometimes stretched into years. First among them is “How the Lark Got Her Crest” by Marianne Jay Erhardt from the Summer 2023 issue. It works from the slightest of bases, the few lines of Aesop’s fable about a lark, into a rather profound piece about how one might bury one’s father “in your head’ like the lark does. Language and honoring one’s parent becomes the grounding in this case. Second up, “The Other Bibles” by Katrina Vanderberg from the Spring 2024 issue began as almost a lark: why not include a book review of The Bible in a special issue devoted to religious rituals? The essay is at once a memorial to a husband who died of AIDS as a result of poorly monitored blood transfusions meant to help treat his hemophilia, as well as exploring the spiritual ecology of texts that come to us via illustrations in Bibles or the handiwork of the Earth itself. Third, the episode concludes by discussing “Natural Selection” by Erica Berry from the Winter 2023 issue. A Tinder ad about dating practices led into a piece on romance and even four Romance novels also written during the Year Without a Summer in 1916 when a volcanic eruption in Indonesia caused famine and disease and led, among other output, to Mary Wollstonecraft Godwin and her husband Percy Bysshe Shelley setting to work on Frankenstein. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie G’Schwind is the editor-in-chief of Colorado Review and the director of the Center for Literary Publishing at Colorado State University. She has edited two anthologies, Man in the Moon: Essays on Father and Fatherhood and Beautiful Flesh: A Body of Essays, which won the 2018 Colorado Book Award for Anthology. Harrison Canelaria Fletcher is the author of Descanso for My Father, Presentimiento: A Life in Dreams, and Finding Querencia: Essays from in Between. Besides being G’Schwind’s fellow nonfiction editor at Colorado Review, he’s been an editor at Shadowbox, Upstreet and Speculative Nonfiction. He teaches at Colorado State University and Vermont College of Fine Arts. All four of the essays from recent back issues discussed in this episode involve identity, place, and survival. The first is “Who Lives in That House” by Emily Winakur. For her the home operates on the level of being a dream about the self, what matters, what the risks are, why it is that a party of our brain is devoted to memories and specifically a sense of place. As a psychologist, Winakur uses her curiosity and concern for her patients to serve almost like a home inspector, making sure they’re safe. In turn, Shze-Hui Tjoa’s “The Story of Body” concerns a mind-body split that causes the author to mostly describe herself as a distanced, alienated “Body” and “Mind” that struggles under parental demands to become an exceptional musician. In Sarah Curtis’s “The Ghost of Lubbock,” she’s not a musician, but her dad is; in fact, he played with Buddy Holly and wrote “I Fought the Law” among other notable songs. But who is her dad, really: the stage performer, or the quiet guy who deflects questions? In Jarek Steel’s “Nesting,” confinement and becoming are the dominant motifs. As a pregnant 19-year-old, she occupies a “garbagehouse” of a place, but transforms herself into a man who can look back at a very primal, vulnerable part of life and put the pieces together. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Danielle Amir Jackson is a Memphis-born writer and critic, and the editor-in-chief of the Oxford American. Her work has appeared in the New York Times, Vulture, Bookforum, Lapham’s Quarterly, the Criterion Collection, and elsewhere. Honey’s Grill: Sex, Freedom, and Women of the Blues, her first book, is forthcoming from Farrar, Straus, and Giroux. Originally based in Oxford, Mississippi, hence its name, Oxford American is both a literary and general interest magazine intent on honoring the cultural wealth of the South. Four writings are discussed, beginning with “What If It All Burned Down?” by Katrina Andy, which as its title suggests, is loaded with questions about the largest slave revolt in U.S. history. It happens at the Andry Plantation north of New Orleans, in the aftermath of the successful Haitian Revolution. Two other writings involve music: there’s “How to Take It Slow” by Lauren Du Graf and “Coming Up Fancy” by Jewly Hight. The first portrays Shirley Horn, emphasizing her unique singing and piano style as well as her being such a homebody that she took a pressure cooker along with her on musical road tours. The second takes the song “Fancy” as sung by Reba McEntire and others and explores what home means when it isn’t a place of comfort. The episode’s fourth entry, “The Mustang” by Gwen Thompkins, is an evocative piece about a family journey to see grandparents at the same time that the narrator’s parents’ marriage is coming to an end. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie Bastek has been with The American Scholar for 10 years, where she is now senior editor. She hosts and produces the magazine’s Smarty Pants podcast, with has just returned with a new miniseries called “Exploding the Canon” about the student protests at her alma mater, Reed College, over the mandatory freshmen humanities course eight years ago. The American Scholar plays a unique role in the literary-journalism realm: its writings often offer a response to newsworthy events but may do through an interdisciplinary approach that weaves in history or literature, for example, and aims to be far-ranging and reflective. In this episode, the first essay we focus on is Hugh Martin’s “Shooting a Dog” from the Winter 2024 issue. Set in Iraq, it invokes a parallel to George Orwell’s essay “Shooting an Elephant” set in what was then called Burma. In each case, the supposedly superior Westerner fears being seen as a fool by those he lords over. Similar tensions involving masculine pride, patriotism, and more, surface here. A second essay being covered is “The Lives of Bryan” by Jennifer Sinor from the Summer 2023 issue. The author’s brother has had four previous brushes with death, before a heart attack ends his life. A distraught father’s insistence that what Bryan has hoarded in his mobile equates to “throwing away a piece of your brother,” brings up issues of loss, transience, and the uncertain vagaries we all try to navigate as best we can. “An Outrage Sacred to the Gods” by Greg Afinogenov from the Winter 2024 issue explores his father’s death, and the role of alcoholism as a death wish that the author struggles to overcome in his own life. With “I’ll Be Seeing You” by Patricia Hampl from the Spring 2023 issue, being an outsider is front and center. Hampl has made a pilgrimage to visit a close associate of the writer Katherine Mansfield, only to be rebuffed, leading to a more fruitful connection with her guide for the occasion, an editor whose “pure homosexual” accent places him, like his American visitor, outside England’s class structure. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s spotlight is in part on the literary magazine River Teeth. I’m joined by the magazine’s senior editors, Jill Christman and Mark Neely. Jill Christman is the author of If This Were Fiction: A Love Story in Essays (the 2024 Chicago Writers Association Nonfiction Book of the Year) and two memoirs, Darkroom: A Family Exposure (winner of AWP Prize for CNF) and Borrowed Babies: Apprenticing for Motherhood. Her essays have appeared in numerous anthologies and in magazines such as Creative Nonfiction, Fourth and O, The Oprah Magazine. A 2020 NEA Literature Fellow, she teaches at Ball State University. Mark Neely is the author of Beasts of the Hill and Dirty Bomb, both from Oberlin College Press. His third book, Ticker, won the Idaho Prize for Poetry and was published by Lost Horse Press. His awards include an NEA Poetry Fellowship, an Indiana Individual Artist Grant, and the FIELD Poetry Prize. He is a professor of English at Ball State University. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ladette Randolph has served as editor-in-chief of Ploughshares literary journal since 2008, where she had acquired numerous notable essays and short stories. A publishing professional for 30 years, she is co-owner of the manuscript editing firm Randolph Lundine, and the author of five award-winning books, including A Sandhills Ballad, a New York Times Book Review Editor’s Choice book, and most recently the novel Private Way. Under Ladette Randolph’s stewardship, Ploughshares is thriving with a solid endowment and an increasing pull toward essays that speak to disturbing trends happening in America and abroad. In this episode, the focus is on five essays of which one, Extractions,” by Mihaela Moscaliuc, centers on life as a young female in Nicolae Ceausescu’s Romania. There, it’s as if one’s pregnancy belongs to the state so eager is it increase the birthrate. Telltale signs of repression are everywhere in an essay notable in part for its chilling, subdued voice. A second essay, “Commuting” by Victoria Gannon, depicts life in the Bay area, with San Francisco rents skyrocketing and greedy developers eager to squeeze out below market renters. In Jesse Lee Kercheval’s “Minera” a great-grandmother’s ghostly presence haunts an essay in which (to quote Minerva) “When you can’t move in this life, you die,” and yet the narrator must deal with quicksand, menstrual cramps, her cancer, and helping a woman trapped—in of all things—an igloo somehow survive. Rounding out the discussion were stops at two other, commendable essays; J. D. Mathes’ “On the Origin of Time: A Meditation” and Sarah Twombly’s “The Difference Between Life and Death.” In the first case, the narrator finds a measure of peace in exploring music and learning “to play one note and try to get inside it.” In Twombly’s intensely lyrical piece, a death-wish swim off the coast of Maine in the wintertime becomes an ode to how the water “beads, gulps and roars, thunders and spits.” Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gerald Maa has been The Georgia Review’s director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere. The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus’s main buildings in 1969. To say the essay explores town/gown tensions would be to slight the exploration of multiple, conflicted views taken by everybody involved in the unfolding drama. In “Chopping Up the Gun” by Mary Margaret Alvarado witnesses a weapons turn-in program held in Aurora, Colorado where “cars wait, as though for French fries, or absolution.” Having former weapons transformed into sculpture pieces or other objects invites a variety of responses. In L. J. Sysko’s “Inside Lane,” an ominous foreboding exists among a girl’s swim team where the coach kisses a team member without consent, and may be on the hook for worse before losing his job. Finally, in Brian Truong’s “Fake Handbags,” an Asian-American family’s shopping trips to New York City for knock-off luxury goods doesn’t provide a brand halo that can protect the family members from the dad’s angry outbursts. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lynne Nugent is the editor of The Iowa Review and the author of a chapbook of essays, Nest, about motherhood and domesticity published by The Florida Review in 2020. She holds a MFA in nonfiction writing and a PhD in English from the University of Iowa. It’s a small world, at times, as the podcast’s host grew up in Northfield, Minnesota, the site of the opening essay “Why I Lie” by Jonathan Wei. That essay opens, as guest Lynne Nugent observes, with a series of declarative sentences that quickly get modified as the author takes on the role of the fallible narrator to make the larger point that society isn’t always as grand as we’re led to believe by documents like the Pledge of Allegiance. A second essay discussed by Nugent takes the iconic status of California as the Golden State down a notch by focusing on rats that plague the sleepless nights of Elizabeth Hall, the author of “Rat Beach.” A third essay covered here, “Bloodlust: A Memoir” by Libby Kurz vividly describes life as a U.S. Air Force trauma center nurse, before pivoting to an enlistment interview and the dark memories it invokes. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sven Birkerts is the co-editor of AGNI magazine, an essayist, and a literary critic perhaps best known for his book The Gutenberg Elegies: The Fate of Reading in an Electronic Age (FSG, 2006), about the impact of the internet and “electronic culture” in general. He’s taught at Bennington College, Harvard University, and elsewhere. What is MFA culture, and how has the rise of writing programs in academia changed the course of literature for better and, at times, perhaps for worst? That’s this episode’s first major topic, with Sven Birkerts offering observations about the rise of braided essays (spurred by Wikipedia perhaps), plus tonal and other stylistic marks that have become common. This episode next features three essays, all with a duality to them. Sarah Khatry’s essay, “Afterlives,” has both an objective element to it (she’s a data scientist working on Covid-19 data) and a subjective component, too, as she navigates her grandmother’s death. Mara Naselli’s essay, “My Misogny,” takes on how Pablo Picasso “manhandled” the women who appeared in his paintings, even as Naselli battles with the lessons she’s gathered from interacting with her parents. Peter Balakian’s essay, “A Poetry Reading in Diyarbakir” is seasoned with lush description of the food to be found in eastern Turkey, juxtaposed with the ethnic hatreds that make life so tough in that region. In every case, Birkerts does an admirable job steering listeners through the material at hand. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He’s edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne’er-do-wells Concocted Creative Nonfiction (Yale UP, 2024). This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind’s literary passions. Should want an episode about the value of exploring the world, this is your ticket. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chandrica Barua is the Nonfiction and Online Editor for MQR. A PhD candidate in the Department of English Language and Literature, her dissertation focuses on encounters between imperial objects and colonial bodies in the British Empire, especially in British India. She hails from Assam, India. What draws an editor to a particular essay? In Chandrica Barua’s case, her criteria definitely include: whether the essay is inventive in form (for instance, by being a hybrid or “braided” essay that brings together different topical strands) and if it surprises the reader by where it goes. Also of note are factors like: does it have a compelling title, a strong start, and a satisfying moment of closure? The first of the essays discussed here comes from a special, forthcoming African literature issue. Does Emelda Nyaradzai Gwitimah’s “My Hairdresser Is Dead” have an intriguing title? Absolutely, along with a sense of humor missing in many memoirs. In turn, another African essay, “Side Pieces” by Chike Frankie Edozien, looks at how gay sexual practices both operate outside of marriage norms and yet, in the end, conform to those norms to a degree. From the 2024 Winter issue, we discussed Julia Kolchinsky Dasbach’s “Zombie Tag,” about a Jewish refugee from the Ukraine and her autistic son obsessed with lizards because their identities change through camouflage. Finally, a visual essay, “Enacting Masculinity” by McCain Thomas, uses redacted legislative proposals from four Southern states to show how oppressive and misguided attempts can be to limit the rights of transgender people. Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices