Interview conducted by George Pratt. Photo by Witzel Studios, courtesy Stills, Posters, and Paper Collections, George Eastman Museum. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences.

Interview conducted by Steven Lewis, April 17-21, 1978. Photo: Ansel Adams (American, 1902–1984). "Dody," ca. 1950. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Steven Lewis, April 17-21, 1978. Photo: Ansel Adams (American, 1902–1984). "Dody," ca. 1950. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Steven Lewis, December 12, 1976. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Peter Gasser (Swiss, b. 1947). "Ansel Adams, Carmel," 1979. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Steven Lewis, December 12, 1976. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Peter Gasser (Swiss, b. 1947). "Ansel Adams, Carmel," 1979. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, Sept. 9, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, Sept. 9, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, December 8, 1976. Photo: Nancy Newhall (American, 1908–1974). "[Beaumont Newhall]," negative, ca. 1942. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 1, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Abraham Aronow (American, b. 1940). "Brett Weston," ca. 1988. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 1, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Abraham Aronow (American, b. 1940). "Brett Weston," ca. 1988. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, October 20, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Max Yavno (American, 1911–1985). "Keyboard," 1947, printed ca. 1981. Courtesy of Department of Photography/George Eastman Museum. Gift of the Vernon Family Trust, Los Angeles, California The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities. Generous support for the introductions provided by Art Bridges, and made possible in part by the National Endowment for the Humanities: NEH CARES.

Interview conducted by James McQuaid, October 20, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. Photo: Max Yavno (American, 1911–1985). "Keyboard," 1947, printed ca. 1981. Courtesy of Department of Photography/George Eastman Museum. Gift of the Vernon Family Trust, Los Angeles, California The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities. Generous support for the introductions provided by Art Bridges, and made possible in part by the National Endowment for the Humanities: NEH CARES.