Mickey Leigh talks about his brother Joey Ramone, Johnny Ramones and the Ramones as a whole with Jeff Frumess.
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He wasn’t your typical frontman. Tall, gangly, shy, and plagued by obsessive-compulsive disorder, Joey Ramone was never meant to be a rock star. But his vulnerability, authenticity, and unforgettable voice became the soul of a movement. As the lead singer of The Ramones, Joey didn’t just help invent punk rock—he gave it its heart.Born Jeffrey Ross Hyman in 1951 in Queens, New York, Joey grew up immersed in 1960s rock, glam, and bubblegum pop. When he joined forces with Johnny, Dee Dee, and Tommy Ramone in 1974, the world wasn’t ready for what they were about to unleash. The Ramones played loud, fast, and short—songs stripped to the bone, driven by a beat you couldn’t ignore. But it was Joey’s distinct voice—half sneer, half croon—that gave the band a strange beauty.Joey’s look—leather jacket, dark sunglasses, ripped jeans, and long black hair—became a uniform for generations of punks. But beyond the image was an artist who channeled his anxiety, outsider status, and love for melody into songs that connected across borders and backgrounds.From iconic tracks like “Blitzkrieg Bop”, “I Wanna Be Sedated”, and “Rockaway Beach” to deeper cuts like “Danny Says” and “Poison Heart”, Joey delivered both rage and vulnerability. His lyrics often reflected the pain of alienation and the thrill of rebellion, all with a sense of humor that set The Ramones apart.Despite the band’s foundational role in punk history, they were rarely commercially successful during their time. Internal tensions, especially between Joey and Johnny, defined much of the band’s later years. But Joey stayed committed to the music, even when it didn’t make him rich or comfortable. He was punk before it was a brand—and long after it became one.After being diagnosed with lymphoma, Joey began working on a solo album. He passed away on April 15, 2001, just shy of 50. His posthumous solo album, Don’t Worry About Me, was released the following year, featuring a poignant cover of “What a Wonderful World.”Joey Ramone was inducted into the Rock and Roll Hall of Fame in 2002 with the other Ramones. A block of East 2nd Street in NYC is now named Joey Ramone Place—a tribute to the outsider who gave voice to misfits everywhere.🎸 Joey’s legacy isn’t just in the records—it’s in every garage band, every kid in a leather jacket, and every voice that dares to sing even when it shakes.
In 1987, Paul McCartney invited Elvis Costello to write songs together. Over a series of sessions, they created a body of work from which both artists pulled selections for various albums over the years. The songs written by this partnership were used to augment their own individual work, filling in cracks when either member needed a different voice or perspective while creating the story of a complete album.
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What happens when one of the greatest songwriters of the 20th century partners with one of the sharpest lyricists of the punk and new wave era? Between 1987 and 1990, Paul McCartney and Elvis Costello teamed up in a brief but electrifying songwriting partnership that echoed the magic of Lennon-McCartney while carving out its own distinct legacy. Though often overshadowed by McCartney’s Beatles past, this collaboration stands as one of the most inspired pairings in modern music history.After the death of John Lennon, McCartney continued his solo career with success, but many fans felt he lacked the dynamic creative tension that once made his Beatles material so legendary. Enter Elvis Costello, a critically acclaimed singer-songwriter known for his razor-sharp lyrics, wit, and genre-blending approach to music. In 1987, McCartney invited Costello to collaborate—and the result was a creative spark that drew comparisons to Paul’s partnership with Lennon.Working together in studio sessions—just two voices, two guitars, and notebooks full of ideas—McCartney and Costello wrote nearly a dozen songs. The chemistry was instant. Costello’s biting lyricism challenged McCartney to dig deeper emotionally, while McCartney’s melodic mastery added warmth and balance to Costello’s edge. The dynamic created a fresh, modern take on traditional pop songwriting, infused with punk-era honesty and classic McCartney hooks.Songs from their sessions would appear on McCartney’s 1989 album Flowers in the Dirt, including standout tracks like “My Brave Face,” “That Day Is Done,” “Don’t Be Careless Love,” and “You Want Her Too.” Costello also recorded his own versions of the co-written songs, including the hit single “Veronica” on his 1989 album Spike. Their demo recordings—many of which were later released on the 2017 reissue of Flowers in the Dirt—offer a raw, stripped-down glimpse of their creative process.Although the partnership was brief, it was incredibly productive. However, creative tensions emerged. Costello’s confrontational style—pushing Paul to return to more minimalist production and raw emotion—clashed with McCartney’s polished studio habits. Still, both men acknowledged the power of their songwriting chemistry. McCartney called the collaboration “a return to roots,” and Costello has said that their writing sessions remain among the most fruitful of his career.While McCartney ultimately opted to work with multiple producers and co-writers for his final album, the material co-written with Costello remains a high point in his post-Beatles catalog. Critics praised the songs for their lyrical depth and melodic strength—proof that the former Beatle still had plenty to say and a perfect creative foil to bring it out.
A routine shopping trip turned into a humiliating legal nightmare for one Walmart customer after she was wrongly accused of shoplifting, despite having proof of purchase. The incident has since gone viral, igniting discussions around consumer rights, emotional distress claims, and legal options for victims of false accusations.
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Nic Cage says he gets mistaken for you. Does Nick Cave get mistaken for Nic Cage?FRUMESS is POWERED by www.riotstickers.com/frumess
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Nick Cave & Nicolas Cage – A Deep Friendship Between Rock & Cinema’s Darkest IconsOne is a brooding gothic rock poet. The other, a boundary-breaking actor known for eccentric roles and emotional intensity. Together, Nick Cave and Nicolas Cage form one of the most unexpected and compelling friendships in modern culture. This video explores the personal and creative bond between these two icons, their shared tragedies, mutual admiration, and how their artistic worlds continue to overlap.Nick Cave, the Australian musician, novelist, and screenwriter, rose to fame with The Birthday Party before forming Nick Cave and the Bad Seeds—a band that fused post-punk, gothic rock, blues, and narrative-driven songwriting. Cave’s lyrics often explore grief, violence, faith, and redemption, earning him a cult following and recognition as one of the greatest lyricists of his generation.Nicolas Cage, an Oscar-winning actor, is known for a filmography that spans the experimental and the mainstream—from Leaving Las Vegas to Mandy to The Unbearable Weight of Massive Talent. Like Cave, Cage’s work is raw, risk-taking, and often misunderstood. Beneath his surreal performances is a genuine emotional vulnerability that mirrors Cave’s music.The two met in Los Angeles in the early 2000s, developing a friendship based on mutual respect, shared artistic sensibilities, and personal tragedy. Both men suffered the loss of their sons—Cave’s son Arthur in 2015 and Cage’s son Jethro in 2022. These unimaginable losses deepened their connection and added a layer of spiritual resonance to their conversations, often centered around grief, mortality, and creation.Their friendship became public knowledge through various interviews, and in 2022, Nick Cave even hosted Nicolas Cage as a guest in his live Q&A tour, “In Conversation.” The two sat on stage for an intimate discussion, fielding questions from fans about life, art, and death. What emerged was a deeply human exchange that showed both men in vulnerable, reflective modes—revealing the powerful connection between music and film, performance and emotion.Cage has also appeared in multiple documentaries and interviews expressing his admiration for Cave’s music and writing, often referencing Bad Seeds albums like Skeleton Tree and Ghosteen as deeply meaningful. Likewise, Cave has spoken about Cage’s fearlessness and unique approach to performance, calling him “a true artist.”Their connection also reaches beyond conversation. Cave and longtime collaborator Warren Ellis composed the score for the 2021 Cage-starring western “The Proposition,” directed by Cave’s frequent creative partner John Hillcoat. Their artistic synergy is rooted in mood, intensity, and emotional truth.
The CBGB Festival celebrates New York City’s gritty, sticker-covered past through the lens of the modern punk era, with a lineup bridging punk’s origins to its future torchbearers.
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Under The K Bridge was hand-selected as the perfect venue, both for its location in the cultural hub of Brooklyn and for the gritty industrial nature of the site itself. Expect a jam-packed full day of 20 bands across 3 stages, vintage and new merch collections, tons of local food & beverage options, and expansive CBGB installations including relics from the original club.Founded in 1973 in Manhattan's East Village, CBGB was ground zero for the seminal punk rock and new wave movements, launching the careers of bands like the Ramones, Blondie, Talking Heads, Television, Patti Smith Group, and The Beastie Boys. During the 1980s CBGBs would become home to the hardcore punk revolution, and in the 1990s the club featured early shows from some of the biggest grunge and metal bands. Over the past 50 years, CBGB has become the most famous, influential, and talked about rock & roll club of all time. While the Club closed in 2006, CBGB and its iconic logo continue to personify underground and alternative music and all that it still stands for.
More than a mere performance, The Phantom A.D. delivers an electrifying spectacle. Fronted by The Phantom—a larger-than-life figure draped in his signature cape and afro—the band has pioneered a unique musical genre known as Ghoulish Rock N’ Roll. Seamlessly blending Surf, Garage, and Rockabilly elements with the frenzied, forbidden fun of an old horror movie, they’ve established a worldwide following.
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Reddit Pulp Fiction Fan Theory - Vincent Vega was supposed to kill Mia Wallace.
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I’ve been “playing” guitar for over thirty years. All my friends know me as the guitar guy. I have thousands of dollars worth of gear. I know all kinds of music theory. I can’t play guitar.
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This isn’t my main account so I can hide my shame from my friends. I’ve had guitars hanging on my wall since I was 15 years old. I own four acoustic and six electric guitars, plus a ton of pedals amps, etc.I give out guitar playing advice on forums, but it’s just stuff I’ve read or I google the problem and give the AI answer. I’d much rather sit and watch guitar tutorials or music theory videos than actually practice.I know what scales are but I don’t know any. I know what modes and triads are but I don’t know any. I can play maybe three chords, but not well. I like the feeling of making music on the guitar but I also hate practicing.At this point, it’s part of my identity and everyone assumes I’m accomplished when they find out how long I’ve been “playing”. I always come up with some excuse on the rare occasion that someone asks me to play something. I’m terrified for anyone to hear me play because my secret will be revealed, instantly.I’m in my late forties, and I’m fully aware that the fantasy of being famous and playing on the stage for thousands of people is far behind me. If I ever did become proficient, it would just be for my own gratification.I do this with all my hobbies. I spend a bunch of money, get lots of gear and never do anything with it. I own four sets of juggling balls and can’t juggle. I own a weaving set and have never completed a project. I’ve been trying to learn Spanish but don’t remember any of the vocab. I don’t know what’s broken in my brain; I’m fairly intelligent and have a tech savvy job. I should be able to learn these things.I know the obvious advice is to try another instrument or give it up. However, I really do like the idea of playing guitar and I’m not willing to give the hobby up. Removing this part of my identity would feel like killing part of who I am. Maybe today will be the day I start practicing, but I doubt it.Anyway, I’m a fake and a liar and I just wanted to get that off my chest.Edit: I’ll summarize the most commented responses since I have read everything.You have ADHD.Give up and sell your gear.Just practice.Don’t be a little bitch.Everything is AI, including this post.Take physical lessons for accountability.Lying is bad, mmmkay?It’s ok to be a collector.
It's Friday Night. Call in! Let's make sure the system is working.
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It's time. What is Horror Punk? It is time to open (the other) vaults within the Frumess archive.
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Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI, Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese and Creeper.Horror punk is defined by its fusion of punk rock music with the imagery and lyrical topics common in the horror film genre. Typically it references B movies, doing so in a way that emphasises cheesiness. However, some artists and songs in the genre also discuss events of real life horror. Due to this, horror punk generally eschews the political lyrics found in conventional punk rock. The genre also asserts the influence of 1950s–inspired doo-wop and rockabilly sounds.Horror punk is a subgenre of punk rock that blends the raw energy of early punk music with macabre, horror-inspired themes and imagery. Born in the late 1970s, horror punk took punk’s anti-establishment spirit and fused it with a love for B-movies, classic monster flicks, the occult, and gothic style — creating a sound and aesthetic that’s remained both underground and iconic for decades.💀 The Birth of Horror Punk: The Misfits and the 1970sHorror punk was pioneered by The Misfits, formed in 1977 by Glenn Danzig in Lodi, New Jersey. Blending 1950s rock 'n' roll melodies with fast, raw punk aggression, the Misfits introduced the genre with songs like "Last Caress," "Where Eagles Dare," "Skulls," and "Halloween." Their use of skull motifs, crimson ghost imagery, and horror movie themes gave birth to a subculture that blurred the line between music and monster fandom.🦇 The 1980s & Samhain: Danzig’s Dark EvolutionAfter The Misfits broke up in 1983, Glenn Danzig went on to form Samhain, a band that took horror punk to even darker places. Samhain slowed down the tempo, deepened the atmosphere, and introduced occult and gothic influences into the horror punk framework. Albums like Initium and November-Coming-Fire became cult classics, influencing gothic metal, doom, and even black metal’s later visual style.🧟♂️ The 1990s: A New Wave of Horror PunkThe 1990s saw a Misfits reunion without Danzig — featuring Michale Graves on vocals — helping to push horror punk back into mainstream punk awareness with albums like American Psycho and Famous Monsters. New bands also emerged like The Undead (founded by ex-Misfits guitarist Bobby Steele), 45 Grave, and Screaming Dead in the UK.
Bobby Steele and Diana Steele join Frumess for an interview to talk about their new LP record soon to release The Undead Act Your Rage... Again!ORDER HERE - https://theundead.com/?product=act-your-rage-again
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Bobby Steele is a pioneering guitarist and songwriter whose contributions to horror punk have left an undeniable mark on the genre. Best known for his time in The Misfits (1978-1980) and later as the founder of The Undead, Steele’s career has been defined by his raw, aggressive playing style, horror-infused songwriting, and dedication to DIY punk ethics. Over four decades, Steele has remained a cult figure in punk rock, influencing countless bands with his dark, fast, and hard-hitting sound.🎸 Bobby Steele & The Misfits (1978-1980) – Defining Horror PunkIn 1978, Bobby Steele joined The Misfits, bringing his sharp, biting guitar style to the band just as they were developing their signature horror aesthetic. This era saw The Misfits transition from a raw garage punk sound into the early foundations of horror punk, with Steele’s fast, power-chord-driven approach helping to solidify the band’s aggressive edge.During his time with The Misfits, Steele played on some of the band’s most iconic early recordings, including:"Horror Business" (1979)"Night of the Living Dead" (1979)"Halloween" (1980)"Where Eagles Dare" (1980)Sessions for the unreleased 12 Hits from HellSteele’s guitar work was essential in giving these tracks their raw, menacing sound, blending classic rock ‘n’ roll influences with faster, darker punk energy.However, tensions within the band led to Steele being fired in 1980, reportedly due to conflicts with Glenn Danzig and Jerry Only. His replacement, Doyle Wolfgang von Frankenstein, was brought in to re-record many of Steele’s parts, which later led to controversy over credits on 12 Hits from Hell, an album that was ultimately shelved.🔥 The Undead (1980-Present) – Bobby Steele’s Own Horror Punk LegacyFollowing his departure from The Misfits, Steele formed The Undead in 1980, bringing a more melodic but still aggressive approach to horror punk. Unlike The Misfits’ B-movie camp aesthetic, The Undead mixed horror themes with a darker, grittier street punk energy.The Undead’s debut EP, 9 Toes Later (1982), became an instant underground classic, featuring fan-favorite tracks like:"When the Evening Comes""A Life of Our Own""I Want You Dead"Steele’s ability to blend catchy hooks with sinister, horror-tinged punk helped The Undead stand out in the early ‘80s New York punk scene, alongside bands like The Cramps, The Ramones, and The Damned.Over the years, The Undead has released numerous albums, including:Act Your Rage (1989)Dawn of the Undead (1991)Still Undead After All These Years (2007)The Morgue… The Merrier (2011)Act Your Rage… Again (2024)Despite countless lineup changes, Steele has remained the driving force behind The Undead, keeping the band active and continuing to tour.
What's up with this Glenn Danzig Black Sun controversy? Here is my subjective perspective.
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Glenn Danzig is one of the most iconic and influential figures in punk, metal, and horror-themed music history. From his early days as the founder of the Misfits to his genre-blending work in Samhain and ultimately his solo career with the band Danzig, his dark vision and distinctive baritone voice have left an indelible mark on underground and mainstream music alike.Glenn Anzalone, better known by his stage name Glenn Danzig, was born on June 23, 1955, in Lodi, New Jersey. In 1977, he founded The Misfits, a band that merged punk energy with horror movie themes, effectively giving birth to the genre now known as horror punk. With his Elvis-meets-Jim-Morrison vocal style and the Misfits’ shocking lyrics and visual aesthetic, Danzig created a subcultural movement. Songs like “Last Caress,” “Die, Die My Darling,” and “Where Eagles Dare” became underground classics. The skull logo and Crimson Ghost imagery are instantly recognizable symbols in punk culture to this day.After leaving the Misfits in 1983 due to creative differences and internal tension, Danzig formed Samhain, a darker, more gothic band that blurred the lines between punk, deathrock, and heavy metal. Samhain explored more occult and mythological themes, foreshadowing the direction Danzig would take as an artist. Albums like Initium (1984) and November-Coming-Fire (1986) remain cult classics for their innovation and eerie tone.In 1987, Samhain evolved into Danzig, Glenn’s eponymous band that truly launched him into mainstream metal success. Working with producer Rick Rubin, Danzig released his breakthrough album Danzig in 1988, which included the hit “Mother”—a rebellious anthem that helped push the band into MTV rotation and earned radio success years after its initial release. The Danzig band leaned fully into heavy metal and blues influences while maintaining the dark lyrical themes Glenn had long been known for.Beyond music, Glenn Danzig has also been active in other creative outlets. He founded Verotik, an adult-oriented comic book publishing company, and directed the cult horror film Verotika in 2019, followed by Death Rider in the House of Vampires in 2021. His passion for horror and the occult has remained consistent across all mediums.Though Glenn Danzig has been known for his abrasive persona and strong opinions, his legacy is undeniable. He helped shape three major underground music movements—punk, deathrock/goth, and doom-laden heavy metal—while cultivating one of the most fiercely loyal fanbases in rock history.
What is the most "Punk Rock" anthem of all time? What does that even mean? Check out Drew's video here: https://www.tiktok.com/@drewxdeficit/video/7482515325527837982
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Punk rock isn’t just a genre—it’s a movement, a sound, and a revolution that changed the face of music forever. Emerging in the 1970s, punk was a raw, fast, and rebellious response to the excess of mainstream rock. With its DIY ethos, anti-establishment lyrics, and stripped-down sound, punk became the voice of misfits, outcasts, and revolutionaries.The Birth of Punk RockThe origins of punk rock can be traced back to garage rock bands of the ‘60s, like The Stooges, MC5, and The Sonics, who laid the foundation for the genre's aggressive sound. However, the punk explosion happened in the mid-1970s with bands like:The Ramones (USA) – Their 1976 self-titled album, featuring "Blitzkrieg Bop" and "Judy Is a Punk," introduced the world to fast, loud, and simple punk rock.Sex Pistols (UK) – Songs like "Anarchy in the U.K." and "God Save the Queen" defined the UK punk movement with a raw and provocative edge.The Clash (UK) – Mixing punk with reggae and rock influences, their songs like "London Calling" and "White Riot" brought a more politically charged message to punk.The Damned (UK) – Released New Rose in 1976, often considered the first UK punk single.Iconic Punk Rock Songs That Defined a GenerationPunk rock is packed with legendary anthems that still resonate today. Here are some of the most influential tracks:✅ "Blitzkrieg Bop" – The Ramones (1976) 🎸 The ultimate punk anthem with its catchy “Hey! Ho! Let’s go!” chant.✅ "Anarchy in the U.K." – Sex Pistols (1976) 🔥 A bold, defiant declaration against the system.✅ "London Calling" – The Clash (1979) 🌍 A revolutionary punk classic blending politics and urgency.✅ "California Über Alles" – Dead Kennedys (1979) ⚡ Satirical, sharp, and politically charged.✅ "Search and Destroy" – The Stooges (1973) 🚀 Proto-punk at its finest, with Iggy Pop’s raw energy.✅ "Rise Above" – Black Flag (1981) 💥 A hardcore punk anthem about resisting oppression.✅ "Where Eagles Dare" – Misfits (1979) 🦇 Horror punk meets raw aggression.✅ "Holiday in Cambodia" – Dead Kennedys (1980) 🏴 A brutal critique of Western privilege.✅ "Sonic Reducer" – Dead Boys (1977) ⚡ Pure teenage angst and rebellion.✅ "Complete Control" – The Clash (1977) 🎤 A classic middle finger to the music industry.The Evolution of Punk RockBy the early 1980s, punk had evolved into different subgenres:Hardcore punk – Bands like Black Flag, Minor Threat, and Bad Brains pushed punk to more aggressive levels.Post-punk – Groups like Joy Division, Siouxsie and the Banshees, and Gang of Four experimented with darker sounds.Pop punk – Bands like Green Day and The Offspring brought punk energy into the mainstream in the ‘90s.
There was a phony article going around that Jello Biafra was going to reunite with East Bay Ray and Klaus Flouride to once again be The Dead Kennedys. It's not true, but why do the DKS have such beef? Let's examine some of the feud with this Jello Biafra interview about the legal case involving a lawsuit between band members.
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The Dead Kennedys were one of the most influential punk bands of all time, blending politically charged lyrics with aggressive, fast-paced music that defined the hardcore punk scene of the late 1970s and 1980s. Formed in San Francisco in 1978, the band consisted of Jello Biafra (vocals), East Bay Ray (guitar), Klaus Flouride (bass), and Ted (Bruce Slesinger) on drums, later replaced by D.H. Peligro. Their music was a direct attack on corruption, hypocrisy, and the establishment, making them both loved and controversial.The Dead Kennedys released iconic albums such as Fresh Fruit for Rotting Vegetables (1980), Plastic Surgery Disasters (1982), and Frankenchrist (1985). Songs like "Holiday in Cambodia," "California Über Alles," and "Kill the Poor" became anthems of rebellion. However, their radical messages often led to backlash, including the infamous obscenity trial over the Frankenchrist album, due to the inclusion of artist H.R. Giger’s controversial poster "Penis Landscape."Despite their success, internal conflicts began to emerge, particularly between Jello Biafra and the rest of the band. In 1986, Dead Kennedys disbanded, but their legacy endured. However, the band’s legal battles began in the late 1990s when East Bay Ray, Klaus Flouride, and D.H. Peligro sued Jello Biafra, accusing him of withholding royalties from their Alternative Tentacles label. The lawsuit ended in 2000 with Biafra losing the case, and the remaining members won rights to the Dead Kennedys’ name and music.Since then, Dead Kennedys have continued without Jello Biafra, touring with various singers, including Ron "Skip" Greer. Meanwhile, Biafra has remained a strong political voice, performing with his band Jello Biafra and the Guantanamo School of Medicine and speaking out on activism, censorship, and government corruption.The Jello Biafra vs. Dead Kennedys legal battle remains a sore point in punk history, raising questions about artistic integrity, band ownership, and the commercialization of punk rock. While some fans view the Dead Kennedys' continued performances as a cash grab, others appreciate hearing the classic songs live. What do you think? Was the lawsuit justified, or did it tarnish the band’s legacy?
Marm Mandelbaum, the Queen of Fences, turned street rats into professional criminals. Organized crime in New York is often portrayed as a boy’s game, but one of the first and most influential crime bosses in the history of the city was a Prussian immigrant known as “Mother” or “Marm” Mandelbaum.
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Drew Stone is an American film director, producer, film editor, author and musician. His works include music videos, commercials, documentary films and television.Check out NYHC channel - https://www.youtube.com/@stonefilmsnychttps://www.stonefilmsnyc.com/
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In 1981 while attending Emerson College, Stone became heavily involved in the local Boston hardcore music scene and became the lead singer of The Mighty C.O.'s. Upon returning to New York City in 1983 he formed The High & The Mighty and a year later joined hardcore band Antidote. In 2013 he formed The Drew Stone Hit Squad which plays punk, hardcore, traditional and americana in an acoustic format. In 2022 Antidote NYHC with Stone as the frontman was rebranded Incendiary Device (I.D.). His contributions to the hardcore punk scene were documented in the books American Hardcore: A Tribal History and NYHC New York Hardcore 1980–1990.After working for years as a crew member on film sets in a variety of roles in 1992 Stone formed New York City-based film Production Company, Stone Films NYC and produced numerous music videos (Onyx, Type O Negative, Biohazard, Kings X, Insane Clown Posse) by himself and produced / directed with his brother Evan B. Stone as "The Stone Brothers" (Vanilla Ice, Channel Zero, Stuck Mojo). He has directed videos for Agnostic Front, Sick of It All, Fury of Five and Madball. He is a four-time X-Tremmy award winner with his Urban Street-Bike Warriors series of extreme sports films and director of the MTV True Life episode "I Live To Ride," which exposed the extreme sport of motorcycle stunt riding to millions worldwide.[citation needed] In 2006 he created the Urban Street-Bike Warriors: Black Sheep Squadron Tour.Stone went on to direct, produce, write and edit Who the Fuck Is That Guy? The Fabulous Journey of Michael Alago which profiles the turbulent life of A & R man Michael Alago. The film includes interviews with James Hetfield, Lars Ulrich and Kirk Hammett of Metallica, Cyndi Lauper, Rob Zombie, Phil Anselmo and John Lydon.In 2020 Stone followed his passion for music and adventure and traveled to Israel to direct The Jews and The Blues. The film features the musicians Gal Nisman, Lazer Lloyd, Gili Yalo, Yaron Ben Ami and Yemen Blues.
The Misfits according to their 1979 Press Kit Biography.
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In 1979, The Misfits solidified their place in punk rock history, with the band continuing to build on their distinctive fusion of horror themes, fast tempos, and rebellious energy. Led by Glenn Danzig, the Misfits were at the forefront of the American punk scene, known for their provocative image and dark, high-energy music.The year was marked by significant events, including the release of their influential "Night of the Living Dead" EP, which became a staple of their early catalog and further established the band's unique blend of horror and punk rock. They also continued to perform across the East Coast and beyond, gaining a reputation for their chaotic live shows and wild antics.One of the most notable incidents of the year was the band's infamous arrest in London, where Danzig and bassist Jerry Only were detained after a violent altercation during a show. This event further solidified their punk rock persona of anarchy and defiance.Throughout 1979, The Misfits’ connections to the New York punk scene, particularly through venues like the Mudd Club, became crucial to their cultural influence. The band's growing influence was reflected in their relationship with key figures in the punk community, including Patricia Ragan of Punk Magazine and Howie Pyro of The Blessed.
David Johansen has died, the last standing of the New York Dolls. It is a profound milestone in New York punk rock history. It is the end of an era.
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The New York Dolls were one of the most influential and rebellious bands of the early 1970s, laying the foundation for both punk rock and glam rock. Their mix of raw rock ‘n’ roll, gender-bending fashion, and reckless energy made them cult legends, influencing countless bands from The Ramones, Sex Pistols, and Guns N’ Roses to The Smiths and Hanoi Rocks. Though they never achieved mainstream commercial success, their impact on rock history remains undeniable.The Dolls took classic rock and roll influences like The Rolling Stones, The Stooges, The Shangri-Las, and Chuck Berry, but played louder, faster, and with an attitude that was decades ahead of its time. Their look—high heels, teased hair, lipstick, and tight leather pants—blurred the lines between gender, fashion, and rebellion, inspiring future glam and punk artists alike.In 1973, they released their debut album, New York Dolls, produced by Todd Rundgren. It featured:"Personality Crisis""Trash""Jet Boy""Looking for a Kiss"🔥 Too Much Too Soon (1974) – The Dolls Burn Brighter but Fall FasterTheir second album, Too Much Too Soon (1974), was produced by Shadow Morton, known for his work with The Shangri-Las. It featured:"Babylon""Stranded in the Jungle""Chatterbox"🔥 The Breakup & Aftermath (1975-1977) – The Birth of Punk RockIn 1975, Malcolm McLaren (later the manager of The Sex Pistols) briefly tried to reinvent the Dolls, dressing them in communist red outfits and promoting them with an extreme political edge. The experiment failed spectacularly, and the Dolls collapsed soon after.Johnny Thunders and Jerry Nolan left to form The Heartbreakers, while David Johansen pursued a solo career. Sylvain Sylvain also went solo, and Arthur Kane struggled with alcohol addiction, eventually leaving music behind.While the band faded into obscurity, their influence exploded. The punk movement of 1976-77 adopted the Dolls’ blueprint—raw, aggressive music, DIY attitude, and in-your-face style. Bands like The Sex Pistols, The Ramones, and The Damned all owed a huge debt to the Dolls.This led to a full-fledged comeback, with a new lineup featuring:David Johansen (vocals)Sylvain Sylvain (guitar)Steve Conte (guitar)Sami Yaffa (bass)Brian Delaney (drums)The reunion resulted in three new albums:One Day It Will Please Us to Remember Even This (2006)'Cause I Sez So (2009)Dancing Backward in High Heels (2011)🔥 The Undeniable Influence of the New York DollsThough their original run was short, the New York Dolls changed the course of rock history. Their sleazy, loud, high-energy rock ‘n’ roll directly inspired:Punk rock (The Ramones, Sex Pistols, The Clash, Dead Boys, The Damned)Glam rock (KISS, Hanoi Rocks, Guns N’ Roses, Poison, Mötley Crüe)Alternative rock (The Smiths, Manic Street Preachers, The Replacements)
Bobby Steele and Diana Steele join Frumess for an interview to talk about their new LP record soon to release The Undead Act Your Rage... Again!ORDER HERE - https://theundead.com/?product=act-your-rage-again
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Bobby Steele is a pioneering guitarist and songwriter whose contributions to horror punk have left an undeniable mark on the genre. Best known for his time in The Misfits (1978-1980) and later as the founder of The Undead, Steele’s career has been defined by his raw, aggressive playing style, horror-infused songwriting, and dedication to DIY punk ethics. Over four decades, Steele has remained a cult figure in punk rock, influencing countless bands with his dark, fast, and hard-hitting sound.🎸 Bobby Steele & The Misfits (1978-1980) – Defining Horror PunkIn 1978, Bobby Steele joined The Misfits, bringing his sharp, biting guitar style to the band just as they were developing their signature horror aesthetic. This era saw The Misfits transition from a raw garage punk sound into the early foundations of horror punk, with Steele’s fast, power-chord-driven approach helping to solidify the band’s aggressive edge.During his time with The Misfits, Steele played on some of the band’s most iconic early recordings, including:"Horror Business" (1979)"Night of the Living Dead" (1979)"Halloween" (1980)"Where Eagles Dare" (1980)Sessions for the unreleased 12 Hits from HellSteele’s guitar work was essential in giving these tracks their raw, menacing sound, blending classic rock ‘n’ roll influences with faster, darker punk energy.However, tensions within the band led to Steele being fired in 1980, reportedly due to conflicts with Glenn Danzig and Jerry Only. His replacement, Doyle Wolfgang von Frankenstein, was brought in to re-record many of Steele’s parts, which later led to controversy over credits on 12 Hits from Hell, an album that was ultimately shelved.🔥 The Undead (1980-Present) – Bobby Steele’s Own Horror Punk LegacyFollowing his departure from The Misfits, Steele formed The Undead in 1980, bringing a more melodic but still aggressive approach to horror punk. Unlike The Misfits’ B-movie camp aesthetic, The Undead mixed horror themes with a darker, grittier street punk energy.The Undead’s debut EP, 9 Toes Later (1982), became an instant underground classic, featuring fan-favorite tracks like:"When the Evening Comes""A Life of Our Own""I Want You Dead"Steele’s ability to blend catchy hooks with sinister, horror-tinged punk helped The Undead stand out in the early ‘80s New York punk scene, alongside bands like The Cramps, The Ramones, and The Damned.Over the years, The Undead has released numerous albums, including:Act Your Rage (1989)Dawn of the Undead (1991)Still Undead After All These Years (2007)The Morgue… The Merrier (2011)Act Your Rage… Again (2024)Despite countless lineup changes, Steele has remained the driving force behind The Undead, keeping the band active and continuing to tour.
Todd Rundgren is responsible for producing some incredibly important records including Meatloaf and Jim Steinman's Bat out of Hell and the New York Dolls selt titled LP. He has also rubbed elbows with Beatles John Lennon and Paul McCartney.
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Todd Rundgren is one of the most innovative, influential, and genre-defying artists in rock history. A singer, songwriter, multi-instrumentalist, and producer, Rundgren has spent over five decades pushing musical boundaries, blending pop, rock, prog, electronic, and experimental sounds while leaving an indelible mark on both mainstream and underground music.🎸 Early Years and Breakthrough (1960s-1970s)Rundgren first gained attention in the late 1960s as a member of Nazz, a Philadelphia-based psychedelic rock band known for the song "Open My Eyes." By 1970, he had launched a solo career, quickly proving himself as a one-man band and studio wizard. His second album, Something/Anything? (1972), became his breakthrough, featuring the hits "Hello It's Me" and "I Saw the Light." This double album showcased his ability to craft catchy pop melodies, lush harmonies, and intricate arrangements, solidifying his reputation as a pop-rock genius.🎶 Expanding His Sound (Mid-1970s-1980s)Never one to repeat himself, Rundgren shifted into progressive rock with albums like A Wizard, A True Star (1973) and Todd (1974), embracing synthesizers, psychedelic sounds, and complex structures. He also formed Utopia, a band that combined prog rock, fusion, and pop, releasing albums like Ra (1977) and Adventures in Utopia (1980).During this time, he also became a sought-after record producer, working on classic albums for Meat Loaf (Bat Out of Hell), Grand Funk Railroad, The Band, Patti Smith, Hall & Oates, and XTC. His production style was groundbreaking, often layering instruments and vocals in ways that pushed the limits of studio technology.🔊 1980s-1990s – Tech Innovation and New SoundsRundgren continued genre-hopping in the 80s, experimenting with new wave, electronic music, and music videos. His album A Cappella (1985) was recorded using only his voice as an instrument, and Nearly Human (1989) embraced live, full-band recording.By the 1990s, he was pioneering interactive music and digital distribution, being one of the first major artists to release an album online. He also remained active with Utopia reunions, solo albums, and collaborations with artists like Ringo Starr and The New Cars.🔥 Rundgren’s Legacy and InfluenceTodd Rundgren’s fearless approach to music has influenced artists across genres, from Prince and Trent Reznor to Daft Punk and Tame Impala. His catalog spans pop, prog, electronic, blues, and experimental rock, proving that he is truly a wizard, a true star.