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Il direttore artistico della 82° Mostra di Venezia, Alberto Barbera, illustra il programma e ricorda come il cinema ci aiuti a capire cosa sta succedendo nel mondo
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
Director Ondřej Provazník on "Broken Voices": 'I wanted to portrait the roots of the kind of #MeToo case that would come out ten, fifteen years after.'
In "A Second Life", by French director Laurent Slama (previously working under the borrowed name of Elisabeth Vogler), Agathe Rousselle's stressed out character is balanced by 'a kind of angel', the kind of friend 'you want to have in your life.'
British director Paul Andrew Williams about "Dragonfly": 'I look at it like "Romeo and Juliet". It's a love story between these two characters, and it's a tragedy'.
The director-actress duo Nathan Ambrosioni-Camille Cottin held hands throughout the premiere of the former's remarkably composed third feature, 'Out of Love', at the 59th KVIFF.
