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For The Worldbuilders
Seeda School
81 episodes
3 days ago
Join host Ayana Zaire Cotton where they reflect on worldbuilding and interdisciplinary practice with occasional guests. "For The Worldbuilders" is presented by Seeda School which hosts a 9-week retreat helping you seed, deepen or return to an interdisciplinary practice, release a creative offer and develop a cohesive narrative through the framework of worldbuilding.
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All content for For The Worldbuilders is the property of Seeda School and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Join host Ayana Zaire Cotton where they reflect on worldbuilding and interdisciplinary practice with occasional guests. "For The Worldbuilders" is presented by Seeda School which hosts a 9-week retreat helping you seed, deepen or return to an interdisciplinary practice, release a creative offer and develop a cohesive narrative through the framework of worldbuilding.
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Entrepreneurship
Business
Episodes (20/81)
For The Worldbuilders
083. Use Erotic Engineering To Create A Life Rooted In Your Desire

Erotic Engineering is a wild field of study and practice that uses the erotic as power to design a life rooted in desire. Inside this practice the desire we center is both personal and collective. Erotic Engineering pulls from the work of black feminist poetry, literature and worldbuilding which provides the material we use to create new belief systems that scaffold lives in deeper alignment with our values. It is a method for actualizing desire and putting language to the longings of our interior worlds in order to transform our material world.

Resources

  • Register for the Erotic Engineering Workshop, “Discover The Daily Habits Aligned With Your Zone of Desire” happening Tuesday, August 19th at 12pm EST: https://www.seedaschool.com/erotic-workshop
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Audre Lorde, "Uses of the Erotic, The Erotic As Power" (1978)
  • Stack Overflow
  • Cover Art: Barbara Chase-Riboud, La Musica Red Parkway / Josephine Red (2007), materials: bronze with red patina and silk dimensions: 73 x 49 x 19 inches (185 x 124 x 48 cm). American artist, novelist, and poet Barbara Chase-Riboud (b. 1939) creates abstract, fluid metal forms that, combined with fibers, comprise a unique visual language. (Source: Glenstone)
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1 week ago
33 minutes 48 seconds

For The Worldbuilders
082. Professionalism Requires Our Lies, Poetry Requires Our Truth

My intention behind this episode is to invite you to seed a public creative practice through, what we call in Seeda School, “weekly dispatches” for time accountability or “creative dispatches” for time freedom. Whatever your desired relationship with time — committing to a cadence of newsletters, podcasts or videos, as dispatches becomes a public ritual of staying close to yourself. A sacred ceremony of bi-directional witnessing.

Inside this sacred witnessing ceremony we don’t need your “professionalism” we need your poetry. We don’t need your cynicism, we need your care. We don’t need your cool, we need your conviction. At times it can feel easier to write for cover letters, grant applications, school applications or memos on the job because professional development rarely requires our honesty. Some career-conscious spaces even encourage our lies, asking us to leave our politics at the door as if that’s even possible. It can feel harder to write for ourselves and seed a public practice through creative writing, because our poetry demands our truth. Our poetry demands that we acknowledge our pleasure and politics as the only starting points we need to create work worthy of our breath. Inside this episode I share spells for doing exactly that.

Resources

  • Register for the free Worldbuilding Workshop to learn more about Seeda School’s 1:1 Coaching: https://www.seedaschool.com/coaching
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • “Suicidal Ideation On The Subway: Taking Me To A World Beyond The Cul-De-Sac” by Ayana Zaire Cotton
  • James Baldwin to Maya Angelou, “If I love you and I duck it, I die” inside “Conversation with a Native Son”
  • “I write best when I stop trying to be brilliant and start trying to be honest.“ — Yrsa Daley-Ward
  • Alexis Pauline Gumbs, “We didn’t come here to be right, we came here to love” in Stars and Stars with Isa
  • Ocean Vuong in an interview with Sarah Ferguson for 7.30 ABC
  • Cover Art: Black and White Photograph of Maya Angelou Writing
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3 weeks ago
45 minutes 16 seconds

For The Worldbuilders
081. On Bargaining Over The Price of Actualizing Your Desire

Creative actualization demands sacrifice. There’s a saying that goes something like this, “you can have whatever you want, and if you don’t have it you either don’t want it or you’re bargaining over the price”. Now justified political critiques aside, I reference this quote to ask: In what ways are we bargaining over the price of actualizing our desire? Inside this episode I reflect alongside you and the 4 seasons of creative initiation: remembrance, surrender, sacrifice and erotic expression. Sometimes these seasons happen in order, sometimes they are non-linear. Which stage are you in? Will you allow yourself to believe it’s exactly where you’re supposed to be in this season? Let’s stop devising creative ways to get out of taking our own medicine. My intention behind recording this episode is to invite us to allow ourselves to be exactly where we are, willing students of all the wisdom embedded in our current season of transformation and initiation.

Resources

  • Let’s Work Together 1:1 On Launching Your Public Creative Practice in 8 Weeks (Enrollment Closes July 17th, 2025): https://www.seedaschool.com/coaching
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Audre Lorde, “Uses of the Erotic, The Erotic As Power” (1978)
  • Cover Art: She Kept Her Conjuring Table Very Neat, 1990, Renee Stout (American, born 1958), mixed media. (Source: Virginia Museum of Fine Arts⁠)
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1 month ago
43 minutes

For The Worldbuilders
080. No One Wants Your Perfectionism But White Supremacy

At first this episode was titled “There Is No Rigor In Perfection, There Is Rigor In Your Play”. In a recent episode of one of my favorite podcasts Hidden Brain, psychologist Paul Bloom describes why play is an essential choreography of aliveness for most human and non-human species. He says it’s essential because it’s a container for “safe practice”. I keep thinking about this phrase, “safe practice”. Oftentimes perfectionism is mistaken for rigor. These two are NOT the same. Perfectionism stops us from starting, rigor invites us to try. The fear rooted in perfectionism is an indication of feeling unsafe inside our practice. My intention inside this episode is to offer spells for cultivating a felt sense of safety inside our practice through rigorous play.

Resources

  • Let’s Work Together 1:1 On Launching Your Newsletter in 8 Weeks: https://www.seedaschool.com/coaching
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • “God Owes Me A Favor: Let’s Collectively Call It In” by Ayana Zaire Cotton
  • “Ouch! That Feels Great”, Hidden Brain Podcast Episode with psychologist Paul Bloom and Shankar Vedantam
  • Alexis Pauline Gumbs on Finding Ceremony
  • Zora Neale Hurston, “The Dream is the Truth” in Their Eyes Were Watching God
  • nènè myriam konaté's Substack, Instagram and Manifest(o) Retreat
  • Ocean Vuong on being "summoned, despite yourself"
  • Cover Art: Lorna Simpson, did time elapse (2024) Materials: Acrylic and screenprint on gessoed fiberglass Dimensions: 259.1 x 365.8 x 3.5 cm / 102 x 144 x 1 3/8 in. "Together, Simpson’s incandescent paintings draw attention to the danger hidden in beauty and, conversely, the beauty hidden in danger. Bringing us face to face with phenomena rarely witnessed by the human eye, they ask us to locate ourselves in the context of the cosmos." (Source: Hauser & Wirth)
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1 month ago
47 minutes 47 seconds

For The Worldbuilders
079. A Love Song For Conjure Women Cosplaying As Corporate Baddies

You know that meme that’s going around saying “propaganda i'm not falling for”? Well the propaganda we’re not falling for is the discourse that says we need to quit our day jobs in order to be “real artists”, “real diviners”, “real entrepreneurs”. Or whatever, because truth is…we can be working full-time inside our passion and still be in misalignment with the sometimes uncomfortable and terrifying invitations of our creative spirit. My intention behind recording this podcast episode is to invite us to explore how we might bring our full witchy-ness into our work. Less about the what of what we do and more about the how. How do we show up in the fullness of our power, how do we maintain boundaries that support our bodies and how do we refuse to sever ourselves from our spirit for work misaligned with our values? We’ll explore all this and more in today’s episode.

Resources

  • Let’s Work Together 1:1 On Your Creative Offer: https://www.seedaschool.com/coaching
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Cover Art: Film Still from Daughters of the Dust
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2 months ago
52 minutes 56 seconds

For The Worldbuilders
078. Working Harder is Unnecessary, Certainty Is An Illusion, Hold On To This Instead

My intention behind recording this podcast episode is to ask: are we in a season of seeding or reaping? Are we clinging to the energy of survival mode when spirit is inviting us to breathe and take in the garden we’ve built — enjoying the fruits of our labor and perhaps using them to create the next dish, recipe or project with ease. Perhaps we cling to the energy of survival mode and invent fires to put out because we’re clinging to a feeling of control and certainty. But what if change and transformation don’t have to be disorienting and destabilizing, what if we can relax into the process instead? What if the practice is about using what we have on hand to create an offering and trusting that, that is more than enough, trusting that that is plenty? These are the questions we’re going to explore in today’s episode.


Resources

  • Learn More and Enroll into the Seed A World Retreat: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠


Citations

  • A Process for Finding Purpose: Do THIS to Build the Life You Want with Jay Shetty on the Mel Robbins Podcast
  • The Combahee River Collective Statement
  • Arthur Jafa: Sequencing the Notes | Art21 "Extended Play"
  • This Japanese Shrine Has Been Torn Down And Rebuilt Every 20 Years for the Past Millennium by Rachel Nuwer
  • Cover Photo: Elizabeth Catlett, El Abrazo, 1978, Mackey Twins Art Gallery, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Frank Sperling
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3 months ago
45 minutes 29 seconds

For The Worldbuilders
077. Dropping the Master's Tools, Dreaming Beyond Institutional Support

My intention behind recording this episode is to humbly invite us to consider what got us to our current reality might not get us to our wildest dreams. Maybe it was ambition, external validation or the perceived safety of playing small inside our own dreams that got us here but these postures of practice are too hollow to strike this moment and inspire long-lasting change. What if we dreamed from inside the sturdy validation of love instead? A regenerative force of motivation we can sustain over a lifetime, expanding into actualized dreams too wild for words. Upon further inspection, through the looking glass of interdependence, we see it is love that got us here and it’s love that will get us there, to worlds as yet unnamable.

Resources

  • Enroll in the Seed A World Retreat or Register for the Worldbuilding Workshop to Learn More: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • The Master’s Tools Will Never Dismantle the Master’s House by Audre Lorde
  • Karen M. Rose’s (IG: @empresskarenmrose) Libra Full Moon Post
  • Alexis Pauline Gumbs on The Black Studies Podcast
  • Cover Photo: “Anna Julia Cooper: Educator, Writer and Intellectual” (Source: National Museum of African American History and Culture)
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3 months ago
43 minutes 20 seconds

For The Worldbuilders
076. On Knowing When To Get on Your Zoom or Get in the Bed

I am recording this episode for the push through artists who have worked so hard, for so long that they don’t even know what their max capacity is — every year presents new challenges, requiring new limits, seemingly stretching into infinity. I am recording this episode for those who delight in the rigor of a challenge and experience an erotic charge when spirit is inviting them into the next growth spurt or learning curve. I am recording this episode for those of us who are getting on our Zoom while grieving, because we desperately want to hit pause but the bills keep coming. I see you. I’ve been each of these worldbuilders, sometimes all at once. How do we know when a season is requiring our strength or our stillness? This is the question I hope to unpack in today’s episode.

Resources

  • Register for the Free 2-Part Worldbuilding Workshop Series and Download the Spring 2025 Syllabus: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Divining Poets: Clifton — A Quotable Deck from Turtle Point Press
  • Rest Is Resistance: A Manifesto by Tricia Hersey
  • Care Manual: Dreaming Care into Being by kamra sadia hakim
  • What It Takes to Heal: How Transforming Ourselves Can Change the World by Prentis Hemphill
  • The Last of Us on HBO
  • Cover Art: Somaya Critchlow, Untitled (Rope and Moon), 2018, Materials: Oil on Canvas, Dimensions: 8.2 x 5.8 in (21 x 14.8 cm)
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4 months ago
52 minutes 43 seconds

For The Worldbuilders
075. For Colored Girls Who Have Considered LinkedIn When Affirmations Weren’t Enuf

You don’t need more affirmations. But perhaps, like many of us, you are desiring tools, skills and strategies for navigating the seasons where your faith starts to feel foolish and the results you wished for are taking longer than the ego can bear. In this episode we explore navigating suspicion around our creative commitments and the temptation to give up inside the messy middle. We remember the potency of our creative power activates when we’re lost, not when we know the way. How do we remain steadfast inside our commitments while facing the grief, fear and uncertainty of our time? How do we trade the misleading allure of instant gratification with the sturdy sense of alignment that arises when we choose the practice of closing the gap between our values and our actions everyday, as Mariame Kaba invites us to do? How do we release all our “shoulds” and stay in the game long enough to learn what comes next? These are the questions we explore inside today’s episode.

Resources

  • Register for the Free 2-Part Worldbuilding Workshop Series and Download the Spring 2025 Syllabus: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • “for colored girls who have considered suicide / when the rainbow is enuf” is a 1976 work by Ntozake Shange. It consists of a series of poetic monologues to be accompanied by dance movements and music, a form which Shange coined the word choreopoem to describe. It tells the stories of seven women who have suffered oppression in a racist and sexist society.
  • “What Does It Take to Sustain the Lives of Black Feminists While We Are Alive?: Defining Affirmation Banking & Overcoming the Expected Humility of Accepting It” by Kay Brown of Assemblage: Baby’s Breath
  • Faculty Spotlight: Graphic Designer and Musician Wesley Taylor, Emphasizes Design Justice, Community Building
  • “It Is Working—You Just Can’t See It Yet” (Substack) and “225: Stop Quitting Too Soon” (Podcast) by Myleik Teele
  • Victoria Monét on taking the streets instead of the highway and one of my favorite songs of hers, Hollywood feat. Earth, Wind and Fire
  • Cover Art: Betelhem Makonnen, "conjugated keyboard" (2020) Materials: Keyboard, tumbled rocks, Dimensions: 12.6" x 14.8" x 1 “
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4 months ago
58 minutes 36 seconds

For The Worldbuilders
074. Your Favorite Black Feminist Is An Entrepreneur

Our favorite black feminist was most likely an entrepreneur because for many of our ancestors black feminist entrepreneurship was simply a synonym for “the practice of surviving with our dignity in tact”. Many of us have heard the stories if we listened closely, the auntie, uncles and cousins who spun up hair salons, barbershops, daycares, restaurants and classrooms inside living rooms, kitchens, gardens and basements. Businesses that experimented with mutual aid and refused to replicate the carceral choreographies they might have witness or experienced in their neighborhoods or at their jobs. These stories are not new, disability and complex trauma sometimes renders us unable or unwilling to hold "traditional jobs". Entrepreneurship and creative lives of refusal aren't always born out of courage, sometimes they're born out of necessity and needs capitalism just can't hold. What creative strategies can black feminism teach us about surviving systems designed to fail us?

Resources

  • Register for the Free 2-Part Worldbuilding Workshop Series and Download the Spring 2025 Syllabus: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Freedom Farm Cooperative
  • Why Harriet Tubman Is a ‘Powerful’ Choice for American Currency
  • 'Nurse, Spy, Cook:' How Harriet Tubman Found Freedom Through Food
  • Sojourner Truth, "I Sell the Shadow to Support the Substance”
  • Sankofa Symbol
  • Black Utopias: Speculative Life & the Music of Other Worlds by Jayna Brown
  • Cover Art: Lauren Halsey, Untitled (Parliament) (detail), 2021. Digital collage. Source: MFA Boston
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4 months ago
45 minutes 24 seconds

For The Worldbuilders
073. 3 Ways to Engage with the Rigor of Ease in Creative Practice

Rigor doesn’t equal hard work and ease doesn’t equal work that is easy. Asking for help, refusing to resent our capacity, honoring the needs of our body and moving at the speed of creative flow is rigorous work that might require practice if our learned impulse is to habitually bring ourselves to the edge of our capacity in order to feel worthy of the ease of our creative expression. Our art flows out of us like our breath, sometimes the hardest work is to let and protect it.

Resources

  • Register for the Free 2-Part Worldbuilding Workshop Series: https://www.seedaschool.com/program
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • “you’re not a perfectionist, you’re internalizing capitalism” meme by Ariana Brown (@arianathepoet)
  • Cover Art: Book Scan from Your Satisfaction Is Our Future (2017) by Ayana Zaire Cotton
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4 months ago
43 minutes 24 seconds

For The Worldbuilders
072. The Fear of Being Witnessed Stemming From A Fear of Witnessing Ourselves

My intention inside this episode is to reflect, alongside you, on my own journey toward softening inside the sacred practice of bearing witness — both to myself and to each other’s becoming. Witnessing myself was painful at first. I was confronted with all the ways I had invented masks sacrificing my comfort while prioritizing the comfort of others, who oftentimes were loved ones. Parents, friends, partners, co-workers, peers, teachers, family members, roommates, the list goes on. When confronting all the layers I had assembled out of survival, I realized I was unrecognizable to myself. I cycled through periods of shame, rage, grief, and ultimately grounded inside compassion. When I stopped running from my authentic self, I was able to face her and in that stillness become a compassionate witness. No longer afraid of my own darkness, longings and desires — terrified that they were threats to my survival — another way forward opened. Inside this compassionate witnessing I realized all my fears held keys to something beyond survival, something like belonging. Through this witness work I began to create safety inside myself. Through this witness work I began to collaborate with loved ones, instead of hide from them, and created safety in my home. Then it spilled over to our neighbors, our streets, our schools. But it started with bearing witness inside the sacred act of coming home to myself again and again. My intention inside this episode is to remind us, worldbuilding happens on various scales of intimacy.

Resources

  • Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Dear Mazie, exhibition curated by Amber Esseiva
  • Dear Mazie, program “IT’S ALL OUT OF MY ARMS: An Activated Honoring”
  • “Dropping the Mask”, Hidden Brain episode
  • Brendane A. Tynes’s Instagram post on mirror and witness work
  • Karen M. Rose’s Instagram post on Venus retrograde, mirror work and ancestral veneration
  • Cover Art: Written (2021) by Lorna Simpson. Materials: Collage on paper Dimensions: 15 15/16 x 11 1/16 in (40.5 x 28.1 cm)
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5 months ago
38 minutes 40 seconds

For The Worldbuilders
071. My Nervous System Likes Receiving Money for Work that Isn’t Punishing

My intention inside this episode is to invite us to put some respect on our nervous system. We have done the journaling, we’ve cultivated all our embodiment practices on our walks and by the water. We’ve done the divination, breath and mirror work to bring us to this moment where our nervous system is prepared to hold us at our next level of practice. There are new invitations, new calls, new assignments we desire to expand into, but moving in fear might be sneakily disguising itself as “honoring our nervous system”. Our craving for predictable outcomes and comfort can encourage us to play small inside the vision for our creative practices and lives. Inside this episode I invite us to consider the ways we can honor our nervous system by welcoming the transformative discomfort of desire.

Resources

  • Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Myleik Teele’s Podcast — 219: Do The Work: Stop Researching, Start Moving
  • “June Jordan Solves the Energy Crisis: Love is Lifeforce” (March 23, 2016) by Alexis Pauline Gumbs published by The Feminist Wire
  • Cover Art: Nick Cave (b. 1959, Fulton, MO; lives and works in Chicago, IL), Soundsuit Series
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5 months ago
44 minutes 41 seconds

For The Worldbuilders
070. How to Stay Motivated When Ambition Has Left Your Body

My intention inside this episode is to ground us inside the reality that we are constantly changing. Our motivations are changing. Our values might be experiencing a re-boot. And the things that kept us going in the past might no longer be a reliable fuel source. Instead of resenting or resisting our desire to slow down, prioritize our most meaningful relationships, or operate from a place of wholeness….What if we used these changes in our capacity, goals and desires as our new navigation tools and fuel to get us where we actually want to go instead of the destinations we were told to go in search of a false sense of safety? In this episode I’m going to share 5 approaches for staying motivated when ambition rooted in external validation has left your body.

Resources

  • Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • “i am not done yet” by Lucille Clifton. Published in Good Woman: Poems and a Memoir 1969-1980, 1987
  • Cover Art: Kerry James Marshall, When Frustration Threatens Desire (1990), Dimensions: 81 5/16 x 73 1/16 x 2 inches, Materials: Acrylic and collage on canvas
Show more...
5 months ago
35 minutes 24 seconds

For The Worldbuilders
069. Scale Your Impact Without Scaling Your Capacity Through the Power of a Framework

You dream of serving folks through your process not your personhood. You are an artist, not an influencer. But your process can sometimes feel illegible, even to you. We’re clear there are life affirming benefits to illegibility, opacity, poesis and abstraction. We’re also clear if we want to serve communities we care about through a creative offer that resources our practice, there needs to be an outline of the transformative journey we will take them through. This is your framework. In this episode I want to go over the power of frameworks and it’s creative capacity to build worlds that extend far beyond us.


Resources

  • Register for 4-Part Winter Worldbuilding Workshop and/or Enroll into the Treehouse Today: ⁠https://www.seedaschool.com/program⁠
  • Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠


Citations

  • “Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” ― Arundhati Roy
  • Code Noir by Canisia Lubrin
  • Torkwase Dyson, “Torkwase Dyson Reflects on Hyper Shapes”, Metropolis Mag, August 26, 2021
  • Rees, S. (2019, May 11). “For Arthur Jafa, Black Art is the heart of America”. Sydney Opera House
  • Sojourner Truth, "I Sell the Shadow to Support the Substance" (1864), Source: Met Museum
  • Cover Art: Torkwase Dyson, Selections from Tuning (Hypershape, 200–410), 2018, gouache, ink, and pen on paper, 9 × 12 inches. Courtesy of Rhona Hoffman Gallery.
Show more...
7 months ago
30 minutes 58 seconds

For The Worldbuilders
068. I Sat Down To Script A Podcast And A Poem For The Fire Leaked Out

My intention behind this episode is not only to advocate for the practice of weekly dispatches but to encourage you and empower you with resources to advocate for your song — aka the work that is uniquely yours. Philadelphia-based prison abolitionist Stephanie Keene says people often ask her, “How can I get involved?” Her response is, “Do what it is you're good at”. Right? WE need you inside what you’re good at, which is to say YOU need you inside what you’re good at. What is your daily, weekly, seasonal practice for showing up inside the chorus of collective liberation? Let’s find out together.

Resources

  • Enrollment into the Treehouse is now open! Register for the 4-Part Winter Worldbuilding Workshop Series to learn more: ⁠https://www.seedaschool.com/program⁠
  • Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠
  • Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠
  • Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠
  • Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠

Citations

  • Ruha Benjamin quotes Stephanie Keene in “Viral Justice: How We Grow the World We Want” on page 22
  • “The Mythical Black Artist” published on the Threadings podcast by ismatu gwendolyn
  • “Dismantling the Master's Clock: On Race, Space, and Time” by Rasheedah Phillips
  • Cover Art: LaToya Ruby Frazier, “Landscape of the Body (Epilepsy Test)”, (2011). Image Source: Whitney Museum of American Art
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7 months ago
33 minutes 42 seconds

For The Worldbuilders
067. Is It Burnout Or The Energetic Expense Of A Breakthrough?

In this episode I’m inviting you into this question with me: “Is It Burnout Or The Energetic Expense Of A Spiritual Breakthrough?” Now let’s be clear, sometimes it really is burn-out. Sometimes, no…a lot of the times, capitalism, the patriarchal refusal to compensate care work and the lack of a state sanctioned social safety net can really bring us to our knees and leave us feeling burned out. I want to acknowledge that, but what I also want to be emphatically clear about acknowledging is sometimes it is spiritual severance, self-denial and self-negation that is at the core of our exhaustion. What creative invitations have you been resisting? Let’s take a look at that and try to answer these questions together.

Resources

  • Register for 4-Part Winter Worldbuilding Workshop: https://www.seedaschool.com/program
  • Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire
  • Subscribe to the Seeda School Substack: https://seedaschool.substack.com/
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Citations

  • For the Worldbuilder’s Episode 52 “Releasing the Burden of Being Complicit In Our Own Suffering” published July 4, 2024
  • Karen M. Rose “Happy 2025 + Capricorn New Moon” Guidance
  • Alexis Pauline Gumbs “Live Q&A About Daily Practice”
  • Mundane Miracles with Sonya Renee Taylor “Episode 6: Let Your Old Life Fall Away”
  • *The Oxford Anthology of African-American Poetry* edited by Arnold Rampersad and Hilary Herbold
  • “Poetry Is Not A Luxury” by Audre Lorde
  • “Uses of the Erotic, The Erotic As Power” by Audre Lorde
  • Cover Art: Mary L. Proctor’s Freedom of Expression (1998) Materials: Costume jewelry, buttons, cowrie shells, paint, on wood door. Dimensions: 80 x 30.5 inches. Image Source
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7 months ago
51 minutes 9 seconds

For The Worldbuilders
066. Moving From Convincing Institutions to Convincing The People

In this episode I want to make the case for breaking away from institutions and creating communal containers of healing instead. And because we’re all about the spell and the strategy at Seeda School…it is also my intention to make the argument that if you are already writing countless grants, drafting applications, making pitches and proposals and making bids for fellowship in institutions that sometimes (or usually) gets awarded, then you are already good at sales. Through this episode I want to invite you to turn that skill toward creating deeper pathways of empowerment for yourself and your communities, not institutions who siphon our worldbuilding capacity for their own survival. This episode is about our survival, our collective ability to thrive.

Resources

  • Register for 4-Part Winter Worldbuilding Workshop: https://www.seedaschool.com/program
  • Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire
  • Subscribe to the Seeda School Substack: https://seedaschool.substack.com/
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool

Citations

  • Cover Art: Constellations (2015) by Howardena Pindell (American, born Philadelphia, Pennsylvania, 1943). Published by Center for Contemporary Printmaking. Medium: Open bite etching. Dimensions: Sheet: 30 × 22 in. (76.2 × 55.9 cm). Image Source: Philadelphia Museum of Art
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8 months ago
38 minutes 41 seconds

For The Worldbuilders
065. Who Is Perfectionism For? Channeling Audacious Visions Into 3 Phases of Creative Business Development

So who is perfectionism for?

What stops us from hitting publish or inviting folks into an offer?

Are we waiting for the somatic safety, self-trust, or sense of belonging we’ll magically feel on the other side of a new title, degree, or wave of applause?

So often we stall, hesitate on pressing publish, resist releasing an offer we’ve already thought about so much we could design the entire thing in a weekend, because we want to project the patriarchal premise of expertise or “thought leadership”.

But what if we centered our lived experience instead?


Resources

  • Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire
  • Subscribe to the Seeda School Substack: https://seedaschool.substack.com/
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool


Citations

  • Transformer DC — E:17, “Zines” Program
  • Ipsy Bipsy Studio
  • “The Myth of the Expert Therapist: Dismantling Colonial and Classist Lies of Mastery” by @pat.radical.therapist
  • Cover Art: Troy Montes-Michie, “From El Paso to Harlem: Troy Montes-Michie explores the subversive history of the zoot suit” published by Document Journal. Photography by Fujio Emura. “I think that’s what’s nice about the suit, because it was seen as this flamboyant, garish garment, but it had a function for dancing. The person wearing it needed that legroom so the seams wouldn’t burst.” — Troy Montes-Michie
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8 months ago
56 minutes 4 seconds

For The Worldbuilders
064. Becoming Your First Client: The Grief Work of Composting Past Selves and Desires

I chose the path of tech and software engineering out of creative curiosity, yes. But on some level, if I’m being real, I also chose it because it would, perhaps, make my parent’s sacrifice mean something. It was impressive, it was something they could brag about on Facebook. And, at the time, my inner child connected being impressive with worthiness. She connected being small with love-ability. She connected following orders with freedom from punishment. She connected suppressing desire with survival.

In this episode we explore the ways our creative practice invites us to make new connections. Because inside the erotic as power, we find our fear based connections can’t hold for long.

Resources

  • Download the Creative Offer Questionnaire to Oneself: https://www.seedaschool.com/questionnaire
  • Subscribe to the Seeda School Substack: https://seedaschool.substack.com/
  • Follow Ayana on Instagram: ⁠@ayzaco⁠
  • Follow Seeda School on Instagram: ⁠@seedaschool


Citations

  • Subscribe to Kening Zhu’s newsletter here
  • June Jordan, “Poem About My Rights” from Directed By Desire: The Collected Poems of June Jordan (Port Townsend, WA: Copper Canyon Press, 2005)
  • “currency for connection” — Dez Davis
  • Cover Art: Dinah Young, Roadside grave. Photo: William Arnett, 1997
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8 months ago
36 minutes 21 seconds

For The Worldbuilders
Join host Ayana Zaire Cotton where they reflect on worldbuilding and interdisciplinary practice with occasional guests. "For The Worldbuilders" is presented by Seeda School which hosts a 9-week retreat helping you seed, deepen or return to an interdisciplinary practice, release a creative offer and develop a cohesive narrative through the framework of worldbuilding.