A monologue in which our host, Professor Robert Harrison, gets swept up by the spirit of the wind and carried toward some indeterminate destination. Songs in this episode: “The Chain” by Fleetwood Mac, “Annabelle Lee” by Glass Wave, and “The Wind Cries Mary” by Jimi Hendrix.

A conversation about David Jones’ “In Parenthesis” with Tim Noakes, Head of Public Services, Special Collections at Stanford University. Songs in this episode: “A Fool No More” by Peter Green, and “Machine Gun” by Jimi Hendrix.

A conversation about sex, intimacy, and human relations in the era of AI with Jeanne Proust, Vice President of the Public Philosophy Network. Songs in this episode: “Reckoner” by Radiohead, and “She’s Not There” by The Zombies.

A monologue in which our host, Professor Robert Harrison, performs a “cover” of Walter Benjamin’s essay titled “The Destructive Character,” first published in 1931.

A conversation about Carl Jung, the Red Book, and Jung’s descent into the unconscious with Laura Wittman, Associate Professor of French and Italian at Stanford University. Songs in this episode: “Into the Night” by Julee Cruise, and “End of the Night” by The Doors.

A conversation about the real, the actual, and the virtual with Jan Söffner, Visiting Professor in German Studies at Stanford University and Chair of Cultural Theory and Cultural Analysis at Zeppelin University. Songs in this episode: “Echo” by Glass Wave, and “Compared to What” by Ray Charles.

A conversation about the origins of language and everything in between with Julie Sedivy, a psycholinguist and author of Linguaphile: A Life of Language Love. Songs in this episode: “From the Beginning” by Emerson, Lake & Palmer, and “Belly Button Window” by Jimi Hendrix.

A conversation about the poetry of Rainer Maria Rilke with Alexander Sorenson, Lecturer at Binghamton University and author of The Waiting Water: Order, Sacrifice and Submergence in German Realism. Songs in this episode: “The Trampled Rose” by Alison Krauss and Robert Plant, and “New Age of the Earth” by Ash-Ra Temple.

A conversation about the work of Peter Kingsley, the thought of Parmenides, and everything in between, with Grant Bartolomé Dowling, a PhD Candidate in Philosophy at Stanford University, who is currently finishing his dissertation on elenchus in Plato’s Socratic dialogues. Songs in this episode: “La nuit du rat” by La Féline and “End Of The […]

A conversation about the intersection of Giambattista Vico’s philosophy, Roman history, and the recent rise of “American Fascism” with Julian Davis, a PhD Candidate in Philosophy at Stanford University, who is also a well-known activist and attorney in San Francisco. Songs in this episode: “Jumpin’ Jack Flash” by The Rolling Stones and “Lotus Flower” by […]

A conversation about the creative peak of Nietzsche and van Gogh in 1888 with Brian Pines, Adjunct Professor at the University of San Francisco. Song in this episode: “The Ghost” by Fleetwood Mac.

A conversation about bioregionalism and reinhabitation with Mark Gonnerman, author of “A Sense of the Whole: Reading Gary Snyder.” Songs in this episode: “Comin’ Back to Me” by Jefferson Airplane and “Dear Mother Earth” by Canned Heat. PLEASE NOTE: In his introduction, Professor Robert Harrison misattributes the following passage to Gary Snyder: “reinhabitation means learning to […]

A meandering monologue on rivers with our host, Professor Robert Harrison. Songs in this episode: “Getting Ready” by Frans Bak, and “You Better Move On” by Arthur Alexander.

A conversation about crime in America with Scott Thomas Anderson, author of “Shadow People,” journalist for Sacramento News & Review, and producer of the podcasts “Drinkers with Writing Problems” and “Trace of the Devastation.” Songs in this episode: “Helen” by Glass Wave and “Hey Joe” by the Jimi Hendrix Experience.

A conversation with Nate Klemp, a philosopher, writer, and founding partner at Mindfulness Magazine, on practicing mindfulness in our fast-paced, technology-dependent world. He is also co-author of the New York Times bestseller “Start Here.” Songs in this episode: “Nausicaa” by Glass Wave and “Dayvan Cowboy” by Boards of Canada.

In this philosophy-heavy episode, Professor Robert Harrison and David Bates, Professor of Rhetoric at UC Berkeley, discuss the “unnatural” origins of human technology and the difficulty of drawing sharp distinctions between artificial and natural intelligence. Songs in this episode: “Bourée” by Jethro Tull and “Ghost” by Fleetwood Mac.

A monologue on Dante’s unflattering (and unjustified) portrait of his teacher, Brunetto Latini. This episode wraps up the first season of Robert Harrison’s series on “Dante’s Characters.” Songs in this episode: “La nuit du rat” by La Féline and “Preludio” by Dolce Acqua.

A monologue on Guido da Montefeltro, a false counselor whose speech foreshadows literary modernism’s stream of consciousness. Songs in this episode: “Present Tense” by Radiohead and “Prufrock Blues” by Robert Harrison and Anne-Sophie Bine.

A monologue on Dante’s Ulysses, the Homeric hero who, in Dante’s retelling, foregoes his return to Ithaca and opts instead to venture into the unknown and unpeopled world, at his own peril. Songs in this episode: “Winter Mind” by Robert Harrison, “Another Brick in the Wall, Pt. 1” by Pink Floyd, and “Calypso” by Suzanne […]

A monologue on Dante’s famous love heroine, Francesca da Rimini. This episode is part one of a new mini-series on “Dante’s Characters,” set to air over the coming weeks, in which Professor Robert Harrison discusses some of the most fascinating characters in Dante’s Divine Comedy. Song in this episode: “Helen” by Glass Wave.