Our deep dive of "Star Trek IV: The Voyage Home" concludes on "Enterprise Incidents" (also "The Cine-Files") with our heroes from the late Starship Enterprise getting closer to accomplishing their mission of securing two humpback whales to bring back to the future. But before then can do that, they have to save Chekov from a 20th Century hospital and also restore their deteriorating dilithium crystals. There's also the matter of beaming the whales (and the water) onto their captured Klingon vessel, traveling back to the 23rd Century and hoping that the whales can talk the Probe out of destroying all life on Earth. And if they can make it through all of that, what will become of Admiral Kirk, the Enterprise crew and Dr. Gillian Taylor? Thanks for listening, keep going boldly and see you around the galaxy!
In Part 2 of our deep dive of "Star Trek IV: The Voyage of Home" for "Enterprise Incidents" (really, "The Cine-Files"), Kirk, Spock, McCoy and the rest of the Enterprise crew travel back in time to the 20th Century to bring 2 Humpback Whales back to the 23rd Century with the hope that they will communicate with the Probe that is threatening to destroy all life on Earth.
But after saving the galaxy many times over, they find themselves as proverbial fish out of water in 20th Century San Francisco, and only a forward-thinking marine biologist named Gillian Taylor can show them the ropes and help them save the future.
At long last, “Enterprise Incidents with Scott & Steve” returns with a brand new episode! Actually, it’s a new episode of “The Cine-Files with Steve Morris & John Rocha,” but since we’re finally taking our deep dive into the most popular “Star Trek” film of all featuring the cast from “The Original Series,” it also doubles as an “Enterprise Incidents” episode too.
In part one of our three-part series covering “Star Trek IV: The Voyage Home,” the legendary crew of the late Starship Enterprise is on its way back to Earth in their captured Klingon vessel with the recently resurrected Captain Spock to face trial for acts of mutiny. But while en route, they receive a distress call warning all approaching vessels to stay away, due to a mysterious probe that’s depleting power and wreaking havoc with extreme weather, which will soon destroy all life on the planet.
Kirk, Spock and McCoy utilize the resources at hand to discover that the probe is trying to communicate with one species on Earth – specifically, humpback whales, which have been extinct for more than two centuries due to human hunting. Their only solution is to go back in time, retrieve two whales, bring them back to the future and hope that they engage the probe.
And that’s where the human adventure really begins!
In part two of our deep dive of "Star Trek III" on "Enterprise Incidents with Scott & Steve" (along with special guest John Rocha), Admiral Kirk and his loyal crew violate Starfleet orders in their efforts to save Spock and McCoy. They steal the Enterprise and return to the Genesis planet, only to find that the Klingons are already there interrogating the survivors of the U.S.S. Grissom -- Lt. Saavik and Dr. David Marcus -- about the so-called Genesis "doomsday weapon." But the Enterprise is not up for a full-on battle with the Klingons, forcing Kirk to make a huge sacrifice and once again turn death into a fighting chance to live. The second half of "The Search for Spock" features many scenes that are among the very best from any of the "Star Trek" films: the stealing of the Enterprise, the battle with the Klingons, Kirk's emotional reaction to the death of his son and, of course, the destruction of the Enterprise itself (which, for many fans, was even more traumatic than the death of Spock at the end of "The Wrath of Khan"). But rather than end with a big action scene, "Star Trek III" concludes on a more intimate note with the resurrection of Spock and his reunion with his friends. It's an emotionally satisfying conclusion that's more effective now than it was back in 1984, thanks to the benefits that come with time and perspective. To put it another way, think of it like this: If Spock died saving the Enterprise in "Star Trek II," then the Enterprise returned the favor in "Star Trek III." "The Search for Spock" may often be criticized for being a bit too somber when compared to its more vibrant and exciting predecessor, but the mood would definitely pick up after that during their voyage home.
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Just in time for the 40th Anniversary of "Star Trek III: The Search for Spock," Scott & Steve are stealing "Enterprise Incidents" for a special 2-part deep dive into this underrated "Star Trek" classic.
Soon after the U.S.S. Enterprise returns to earth bruised and battered after Captain Spock died saving the ship during the battle in the Mutara Nebula, Admiral James T. Kirk learns that his beloved starship is going to be decommissioned. Plus, all is not well with his friend, Dr. Leonard McCoy, who has been acting strangely. That's when he receives a visit from Spock's father, Sarek, who questions why he left Spock's body behind on the Genesis planet. It turns out that Spock's essence had been merged with McCoy's, and now both of them are in danger, unless Kirk can take matters into his own hands and bring them to Vulcan. Originally released on June 1, 1984, "Star Trek III" has always been seen as a solid, but somewhat unspectacular installment of the "Genesis Trilogy," even though it featured the directorial debut of none other than Leonard Nimoy. But upon closer inspection, "The Search for Spock" is a better movie than it was ever given credit for, and it features stellar performances from William Shatner, DeForest Kelley and Christopher Lloyd as Klingon Commander Kruge.
Scott and Steve are thrilled to be joined for this conversation by Steve's partner from The Cine-Files (and fellow Star Trek fan) John Rocha.
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Enterprise Incidents with Scott & Steve • A podcast on Spotify for Podca...
Our voyage through "The Animated Series" comes to a close, and as you will hear in our recap, "The Animated Series" was indeed worthy of the "Star Trek" name, and hopefully this otherwise underrated and overlooked series will be better appreciated as it celebrates its landmark 50th anniversary!
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For our deep dive of the final episode of "Star Trek: The Animated Series," we're excited and honored to be joined by a very special guest: "John Culver," a.k.a. Fred Bronson, who not only wrote "The Counter-Clock Incident," but was also the studio publicist for "The Animated Series."
While pursuing an alien ship traveling at high warp speed, the Enterprise passes through the remnants of the Beta Niobe supernova, only to emerge in an alternate universe where everything works in reverse -- and the crew begins to age backwards. In order to return to their own universe, they must figure out a way to replicate the conditions that got them here, but they must do so before they become too young to be able to operate their own ship. Their only hope lies with their very special passenger: 75-year-old Commodore Robert April, the first captain of the Enterprise who was en route to the planet Babel for a retirement ceremony, but must now once again assume command as the only senior officer capable of saving the ship.
Even though "How Sharper than a Serpent's Tooth" was the episode that won "Star Trek" its Emmy Award for Outstanding Children's Program, you couldn't have asked for a better episode to close out "The Animated Series" than "The Counter-Clock Incident." In addition to being filled with suspense, excitement, humor and a lot of heart, it brings "Star Trek" full circle from its earliest origins, when Gene Roddenberry wrote his first treatment of "Star Trek" back in March of 1964. With the conclusion of "The Counter-Clock Incident," the first phase of "Star Trek" was now truly over -- but as we all know, the human adventure was just beginning.
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The Enterprise follows a propulsion trail left behind by an alien space probe that scanned Earth, only to become trapped by an alien ship that takes the form of a massive winged serpent. The Enterprise helmsman, Ensign Walking Bear, recognizes the form as Kukulkan, a deity whose presence on Earth traces back to ancient Aztec and Mayan civilizations. After all this time, Kukulkan has returned and demands to be worshipped by the Enterprise crew. Of course, Captain Kirk isn't going to let that happen. With "The Animated Series" winding down, it went out on a high note with its penultimate episode, "How Sharper Than a Serpent's Tooth," which was the first "Star Trek" episode to feature a Native American as an Enterprise crew member. It also has the distinction of being the episode that won "Star Trek" its 1975 Emmy Award for Outstanding Entertainment: Children's Program (it also won the Peabody Award). No animated TV series could go out on a higher note than that.
Guest: John Rocha (Host: The Cine-Files, The Geek Buddies, The Hot Mic)
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Following a successful mission to deliver medical supplies to a planet in the Dramian star system, Dr. McCoy is accused of causing a plague that wiped out the population of another planet where he performed a mass inoculation many years before. In an effort to investigate the charges, Captain Kirk and Mr. Spock take the Enterprise to Dramia II, where they meet a plague survivor who turns out to be a key witness in McCoy's defense. But soon after they beam back to the Enterprise, the entire crew falls ill, except for the immune Mr. Spock, who now has to race against time to find a cure and save the crew. While rebounding significantly from "The Practical Joker," "Albatross" still falls short of the best of "The Animated Series" due to a flawed teleplay that's ripe with contrivances. But as always, it has its merits, and in true "Star Trek" fashion, "Albatross" is redeemed by the core relationship between Kirk, Spock and McCoy, in which two of them will do anything to save the other.
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In an effort to evade an attack by three Romulan warships, the Enterprise passes through a mysterious energy cloud that causes ship's computer to develop a sentient consciousness and start playing practical jokes on it's crew. At first, the jokes seem harmless enough, but as the frequency increases, so does the danger to the crew, unless Captain Kirk and Mr. Spock can reverse the process. There's nothing like a good comedic episode of "Star Trek" to shake up the formula, like "The Trouble with Tribbles" and "A Piece of the Action" did with "The Original Series." Unfortunately, "The Animated Series" deserved better than "The Practical Joker," which falls short of its potential due to a weak teleplay that's full of plot contrivances. But the episode does have one redeeming grace: The first appearance of what later came to be known as the Holodeck, which would go on to be featured in many popular episodes of "Star Trek: The Next Generation," including the series premiere.
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For our deep dive of "Bem," we're honored to welcome our very special guest Bill Reed, who directed all six episodes from the second season of "Star Trek: The Animated Series." While on an exploratory mission of the newly discovered planet Delta Theta III, the Enterprise crew is joined by honorary commander Ari Bn Bem, a Pandorian observer whose questionable actions while on board the Enterprise have made Captain Kirk suspicious about his motives. His suspicions are quickly proven correct when Bem sabotages the landing party, leading to their capture by the primitive reptilian beings that inhabit the planet. Kirk and Spock attempt to escape, only to discover the presence of a powerful non-corporeal alien entity that is protecting the natives in an effort to guide them towards intelligence. Written by David Gerrold, who wrote the classic original series episode "The Trouble with Tribbles," "Bem" is a terrific, ambitious and cerebral episode that -- like many of the best episodes of "The Original Series" -- finds the Enterprise crew being humbled by the presence of a very powerful race.
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We're excited to be joined on "Enterprise Incidents" by New York Times-bestselling author Howard Weinstein, who wrote "The Pirates of Orion" for "Star Trek: The Animated Series" when he was 19-year-old!
While en route to the planet Deneb V to attend a Federation conference, the Enterprise alters course to rendezvous with the S.S. Huron after Mr. Spock falls ill from a rare disease. The Huron is carrying the only known cure, but it is also carrying a sizable shipment of precious dilithuim. When an Orion ship attacks to seize both shipments, Captain Kirk must race against time to secure the counteragent for the disease, or Mr. Spock will die. "The Pirates of Orion" was the first episode of the otherwise brief second season of "The Animated Series" (running only six episodes), but it started the season on a strong note with an exciting story about the close relationship between Kirk, Spock and McCoy, making it feel like a vintage episode of "Star Trek."
Be sure to check out Howard Weinstein's latest book "Galloway's Gamble 2," as well as many of his "Star Trek" novels, through his website at http://www.howardweinsteinbooks.com
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In case you missed it theaters on April 19, 2023, here’s the full IMAX Live Q&A for the series finale of "Star Trek: Picard" moderated by "Enterprise Incidents" co-host Scott Mantz -- Listen to the entire conversation with Patrick Stewart, Jonathan Frakes, Gates McFadden, LeVar Burton, Brent Spiner, Michael Dorn, Jeri Ryan, showrunner Terry Matalas and executive producer Alex Kurtzman!
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Captain Kirk and Mr. Spock are summoned by the Vedalans, the oldest known spacefaring race, to recover a stolen religious artifact called the Soul of Skarr, the theft of which must be kept secret in order to prevent a holy war from enveloping the galaxy. In order to carry out their mission across a volatile and dangerous planetary terrain, Kirk and Spock are teamed with members of other alien races that are experts in their field, but soon after the expedition gets under way, they begin to suspect that there is a traitor in their midst. Written by Stephen Kandell — who wrote “Mudd’s Women” and “I, Mudd” for “The Original Series,” as well as “Mudd’s Passion” for “The Animated Series” — “The Jihad” is an entertaining and exciting adventure that plays to the many strengths that fully defined the very best of “Star Trek," and it brought the first season of “The Animated Series” to an effective and satisfying close.
Guest: Aaron Harvey (co-author, “Star Trek: The Official Guide to The Animated Series”)
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While searching for the missing crew of a Federation science vessel, Captain Kirk, Mr. Spock and Dr. McCoy are captured and held captive by an intellectually advanced alien race called the Lactrans. Their only hope for escape lies in convincing the Lactrans that they too are intelligent beings and part of an evolving culture, or they will be trapped as zoo specimens for the rest of their lives. Written by David P. Harmon -- who wrote "The Deadly Years" and co-wrote "A Piece of the Action" from "The Original Series" -- "The Eye of the Beholder" falls short of being a great episode of "The Animated Series," but is nevertheless a good one, thanks to the enduring "Star Trek" messages about communication, appreciating inner beauty and embracing that which we do not initially understand.
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We're excited to welcome back award-winning author Alan Dean Foster for our deep dive of "The Slaver Weapon," which Foster adapted -- and greatly expanded upon -- for his 10th and final installment of his landmark "Star Trek Log" book series.
Aboard the shuttlecraft Copernicus, Mr. Spock, Lt. Sulu and Lt. Uhura are en route to Starbase 25 with very previous cargo: a stasis box, which was constructed by a long-dead civilization known as the Slaver Empire. When the box they are carrying emits the presence of a second stasis box nearby, Mr. Spock alters his course to the frozen world of Beta Lyrae to retrieve it, only to be captured by the Kzinti, a race of catlike predators who will stop at nothing to keep the content of the stasis box for themselves. Adapted from Larry Niven's own short story "The Soft Weapon," "The Slaver Weapon" is not only a perfect fit for "Star Trek," but is also one of the most ambitious episodes of "The Animated Series," not to mention the most unique, for it is the only original or animated "Star Trek" episode in which Captain Kirk does not appear (not including "The Cage").
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We interrupt our regularly schedule deep dive discussions of "Star Trek: The Animated Series" to bring you our very special review of the excellent series finale of "Star Trek: Picard" from "The Geek Buddies," where we were honored to join hosts John Rocha and Michael Vogel -- we hope you enjoy this fun, passionate and revealing discussion as we enjoyed having it.
You can listen to The Geek Buddies (Including all their "spoiler reviews") right here: https://podcasts.apple.com/us/podcast/the-geek-buddies-with-john-rocha-michael-vogel/id1462472251
Or see their lovely faces and everything else John Rocha is doing on The Outlaw Nation Youtube page: https://www.youtube.com/@JohnRochaSays
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In an effort to help save another planet that will soon be transformed by violent seismic activity, the Enterprise is on a mission to collect information about the planet Argo, which is almost completely submerged after enduring similar seismic activity in its distant past. But soon after their arrival, Captain Kirk and Mr. Spock are abducted and transformed into water-breathers by the Aquans, the underwater inhabitants of Argo who fear that the air-breathers are a threat to their society. Kirk and Spock try to appeal to the Aquans that they mean them no harm, so that they can be transformed back in time to complete their mission before a massive new seaquake wipes out the underwater city for good. There are certain episodes of "The Animated Series" that would have been impossible to film as live-action episodes, and "The Ambergris Element" is definitely one of them. But once you get past the perceived silliness of the gimmick, "The Ambergris Element" proves to be a stellar episode of "The Animated Series" that features action, excitement and the time-honored "Star Trek" traditions of communication, mutual understanding and embracing cultures that we do not understand.
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For our 100th episode of "Enterprise Incidents," we are honored to be joined for "The Time Trap" by Bob Kline, the Storyboard Artist for "Star Trek: The Animated Series!"
After engaging in combat, the U.S.S. Enterprise and the I.K.S. Klothos, a Klingon warship, disappear into the Delta Triangle, a mysterious region of space where starships have been disappearing for centuries. Despite repeated warnings by the region's council that attempts to escape will be futile, Captain Kirk and Commander Kor form an uneasy alliance in an effort to combine the power of their starships and break free from the Delta Triangle, or they will be trapped there forever. "The Time Trap" has always stood out as one of the finer episodes of "Star Trek: The Animated Series," thanks to a well-written screenplay, brisk pacing, action, excitement and a particularly important message about the importance of looking past the differences of your adversaries to achieve the impossible.
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While investigating a mysterious signal emanating from a lone planet in the Cepheus System, the Enterprise is bombarded by an energy beam that temporarily immobilizes the crew and damages the ship's dilithium crystals. That turns out to be the beginning of a much bigger problem when the Enterprise crew begins to shrink, and it is only a matter of time before they become too small to operate their own ship. "The Terratin Incident" is a fun episode to be sure, but in this case, the problem is far more enticing than the solution. The greatest danger facing the shrinking Enterprise crew turns out to be the Enterprise itself, but the episode falls apart with a convoluted resolve that doesn't make sense. Regardless, when "The Terratin Incident" works, it really works, and who can resist the image of a tiny Captain Kirk trying to use a giant Communicator?
Guest: Laurie Ulster (writer & editor: TrekMovie.com; host: "The All Access Star Trek Podcast" on TrekMovie.com)
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