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Canada’s rising groove dealer STIRLING is lighting up the tail end of 2025 like it’s peak Ibiza season. The London, Ontario talent just bagged Carl Cox Essential Mix support, smashed a string of killer releases, and is proving that his move from boardroom to booth was pure instinct.
Leaving behind his own company to chase the buzz of basslines and crowd roars, STIRLING’s now racking up spins from Solomun, Jamie Jones, Sam Divine, and Mark Knight. That’s heavyweight approval for a producer barely a year into his full-time hustle.
His sound? Think chunky house drums, cheeky vocal hooks, and grooves that make your feet argue with your brain about when to stop dancing. You’ll hear it on “Bang To The Rhythm” with Mr. V, the rolling “I Got Bad Habits” on Toolroom Trax, and of course, that now-legendary “Dark Beat” rework that Cox dropped twice on the Essential Mix. When Carl says, “Cream always rises to the top,” he’s talking about this kind of energy.
There’s something raw and fearless in these records, built for late-night basements, festival rigs, and those sunrise moments when the crowd’s locked in and grinning. You can hear the same drive that took him from startup life to the studio in every groove, every kick, every drop.
This mix is a victory lap, a statement, and a sweaty dancefloor weapon all in one. Plug it in, turn it up, and let STIRLING show you how Canada gets down.
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Canada’s rising groove dealer STIRLING is lighting up the tail end of 2025 like it’s peak Ibiza season. The London, Ontario talent just bagged Carl Cox Essential Mix support, smashed a string of killer releases, and is proving that his move from boardroom to booth was pure instinct.
Leaving behind his own company to chase the buzz of basslines and crowd roars, STIRLING’s now racking up spins from Solomun, Jamie Jones, Sam Divine, and Mark Knight. That’s heavyweight approval for a producer barely a year into his full-time hustle.
His sound? Think chunky house drums, cheeky vocal hooks, and grooves that make your feet argue with your brain about when to stop dancing. You’ll hear it on “Bang To The Rhythm” with Mr. V, the rolling “I Got Bad Habits” on Toolroom Trax, and of course, that now-legendary “Dark Beat” rework that Cox dropped twice on the Essential Mix. When Carl says, “Cream always rises to the top,” he’s talking about this kind of energy.
There’s something raw and fearless in these records, built for late-night basements, festival rigs, and those sunrise moments when the crowd’s locked in and grinning. You can hear the same drive that took him from startup life to the studio in every groove, every kick, every drop.
This mix is a victory lap, a statement, and a sweaty dancefloor weapon all in one. Plug it in, turn it up, and let STIRLING show you how Canada gets down.
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Canada’s rising groove dealer STIRLING is lighting up the tail end of 2025 like it’s peak Ibiza season. The London, Ontario talent just bagged Carl Cox Essential Mix support, smashed a string of killer releases, and is proving that his move from boardroom to booth was pure instinct.
Leaving behind his own company to chase the buzz of basslines and crowd roars, STIRLING’s now racking up spins from Solomun, Jamie Jones, Sam Divine, and Mark Knight. That’s heavyweight approval for a producer barely a year into his full-time hustle.
His sound? Think chunky house drums, cheeky vocal hooks, and grooves that make your feet argue with your brain about when to stop dancing. You’ll hear it on “Bang To The Rhythm” with Mr. V, the rolling “I Got Bad Habits” on Toolroom Trax, and of course, that now-legendary “Dark Beat” rework that Cox dropped twice on the Essential Mix. When Carl says, “Cream always rises to the top,” he’s talking about this kind of energy.
There’s something raw and fearless in these records, built for late-night basements, festival rigs, and those sunrise moments when the crowd’s locked in and grinning. You can hear the same drive that took him from startup life to the studio in every groove, every kick, every drop.
This mix is a victory lap, a statement, and a sweaty dancefloor weapon all in one. Plug it in, turn it up, and let STIRLING show you how Canada gets down.
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Welcome to The Podcast series, where we dive headfirst into the pulsating heart of house, tech-house, and deep tech vibes. This week, the spotlight is on the Italian maestro himself, Umberto Pagliaroli. Known for transforming rave parties and public events into euphoric experiences since 1998, Pagliaroli isn’t just spinning tunes and he’s crafting moments.
Hailing from the Lazio region, Pagliaroli's journey from local DJ to international tech-house titan is a testament to his instinct, technique, and unyielding passion. From the protected venues of Circeo National Park to massive gatherings at the Winter Music Conference in Miami, this is a DJ who knows how to turn knobs and heads alike. His music blurs the lines between softer house and the raw edge of techno, creating a soundscape that’s both dark and delightfully intense.
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Welcome to the Spotlight Mix Series, your ultimate destination for the freshest beats and the boldest new talent! This week, we're cranking up the vibe with none other than the rising sensation, John Alto. If you don't know him yet, get ready to have your ears blown wide open. This man's on a mission to redefine tech house with a sound that's as complex and enigmatic as it is infectious.
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Manda Moor's DJ mix is incoming, and it is one for the heads. The Mood Child co-founder is bringing that fiery blend of groove and bounce that has turned basements, rooftops, and festivals into her playground.
The Danish-Filipino powerhouse has been on a steady climb, topping charts with heaters like What U Want and Picante while turning Mood Child into one of the underground’s most exciting movements. From Chicago influences to her own spicy twist, Manda’s sound is all bassline swagger, crisp percussion, and energy that just won’t quit.
Her DJ sets? Unstoppable. Think Jamie Jones, Loco Dice, and wAFF giving her the nod as she tears through warehouses and sunrise sessions with the kind of raw, rolling grooves that leave sweat dripping off the ceiling.
This latest Manda Moor DJ mix is pure dynamite, the kind of ride built for club kids, festival freaks, and anyone who lives for that perfect 3 am moment when the whole room locks into the groove.
Lock in, turn it up, and get ready for sixty minutes of mood-heavy madness.
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Canada’s rising groove dealer STIRLING is lighting up the tail end of 2025 like it’s peak Ibiza season. The London, Ontario talent just bagged Carl Cox Essential Mix support, smashed a string of killer releases, and is proving that his move from boardroom to booth was pure instinct.
Leaving behind his own company to chase the buzz of basslines and crowd roars, STIRLING’s now racking up spins from Solomun, Jamie Jones, Sam Divine, and Mark Knight. That’s heavyweight approval for a producer barely a year into his full-time hustle.
His sound? Think chunky house drums, cheeky vocal hooks, and grooves that make your feet argue with your brain about when to stop dancing. You’ll hear it on “Bang To The Rhythm” with Mr. V, the rolling “I Got Bad Habits” on Toolroom Trax, and of course, that now-legendary “Dark Beat” rework that Cox dropped twice on the Essential Mix. When Carl says, “Cream always rises to the top,” he’s talking about this kind of energy.
There’s something raw and fearless in these records, built for late-night basements, festival rigs, and those sunrise moments when the crowd’s locked in and grinning. You can hear the same drive that took him from startup life to the studio in every groove, every kick, every drop.
This mix is a victory lap, a statement, and a sweaty dancefloor weapon all in one. Plug it in, turn it up, and let STIRLING show you how Canada gets down.