A pioneering summer camp for Ukrainian children with missing parents. According to the Ukrainian government, more than 70 thousand people are missing in the war, leaving families, including thousands of children, anxious for news of their loved ones and unable to move on.

Psychologists say these children are some of the most traumatised they have worked with.

Now for the first time a leading Ukrainian children’s charity is putting on a special summer camp for some of these children, offering them therapy, fun activities and a safe place.

For Crossing Continents, Will Vernon is given exclusive access to this project, where psychologists are developing a new framework to treat these deeply traumatised children. Producer: John Murphy Sound mixer: Neil Churchill Production Coordinator: Gemma Ashman Series editor: Penny Murphy

Colombia’s second largest city, Medellín, is booming and one of the biggest industries revolves around the city’s live webcam studios which stream women performing sex acts. 

It’s estimated there are hundreds of studios in the city employing thousands of women and turning over millions of pounds as men – primarily in the US and Europe – pay to watch the women perform.

The work is legal with studios running glossy websites to attract models - and even hosting their own annual trade show. Though despite its success, Colombia's president has himself criticised the country's burgeoning industry.

Sofia Bettiza meets two women with contrasting experiences of the webcam business, and asks if their  work is exploitation - or a pragmatic way to earn a living in a country where wages for women are often low and where opportunities are limited.

Presented and produced by Sofia Bettiza Produced by Bob Howard Production coordinator: Gemma Ashman Editor: Penny Murphy and Richard Fenton-Smith

Thirteen million Syrians - half the population - left their homes during their country's 13-year civil war. Seven million were internally displaced. Six million fled abroad. Bringing them home is perhaps the biggest challenge facing Syria's new rulers. But many can’t return, because their homes are in ruins, and jobs and essential services are lacking. Tim Whewell follows a variety of returnees back to Homs, Syria’s third city, which saw some of the worst destruction of the war. A private charity organises convoys of families wanting to return from camps in the north of the country. But once returnees like Fatima Hazzoura get back, they're left to cope on their own. Some who came back earlier have managed to repair their homes. But others find their houses are just empty, burnt-out shells. Meanwhile, some in Homs who stayed throughout the war - members of the Alawite minority, whose neighbourhoods remained intact - are thinking of leaving now, fearful that the new government of former Islamist rebels will not protect them. And Homs people who made new lives abroad are hesitant to return permanently while the situation is so unstable , and the economy still crippled by international sanctions. Can the fabric of an ancient and diverse city be rebuilt? Tim finds grief and fear among the ruins - but also laughter, and flashes of Homs's famous humour.

Production: Tim Whewell Research/field production/translation: Aref al-Krez Translation: Maria Mohammad Security/photography: Rolf Andreason Sound mixing: James Beard Production Coordinator: Gemma Ashman Editor: Penny Murphy

Not that long ago many church-going Americans saw Russia as a godless place, an “evil empire” in the words of Ronald Reagan. But in President Trump’s second term, US-Russia relations have been turned on their head. The White House sided with the Kremlin at the United Nations, voting against a resolution to condemn Russia's invasion of Ukraine.

This seismic shift is also being felt in parishes across America. Increasing numbers of US Catholics and Protestants are embracing Eastern Orthodoxy. Many converts disillusioned by the showbiz elements in many megachurches, say they are drawn to a faith with enduring traditions. Some, uneasy with social and demographic change, believe the churches they were raised in have lost their authority by going “woke” – shorthand for supporting equal marriage, female clergy, pro-choice, Black Lives Matter and other liberal issues.

Some converts have hundreds of thousands of followers online, and push Kremlin narratives that Russia is the world's last bastion of true Christianity - a few of the most radical have even emigrated there. Lucy Ash has been to Texas – one of the most religious states in the US – to meet some new converts.

Presenter: Lucy Ash Producer: Linda Pressly Sound mix: James Beard Production Co-ordinator: Gemma Ashman Editor: Penny Murphy

Increasing numbers of Israeli people are moving to the nearby island of Cyprus. Sky high property prices, disillusion with domestic politics and security concerns following the Hamas attacks of 7th October have led several thousand families to leave. They’re building on a rich history of Cypriot hospitality towards Jews. But in Turkish-controlled northern Cyprus, huge luxury developments built by Israeli companies are causing controversy.

Presenter: Lucy Proctor Producer: Mike Gallagher Production Coordinator: Gemma Ashman Studio mix: Simon Jarvis Editor: Penny Murphy

A cancelled election, a cancelled candidate and a divided country – is Romania’s democracy under threat? Last December the country’s Constitutional Court cancelled the presidential election two days before the final vote, citing outside interference, with the nationalist pro-Putin candidate, Calin Georgescu, riding high in the polls. TikTok sensation and portraying himself as an outsider, Georgescu’s anti-EU and anti-NATO message resonated with an unhappy electorate. His sudden success was unprecedented, as was the cancelation of a European democratic election. The political establishment claim that cyberwarfare and Russian interference gave them no choice. Georgescu has now been eliminated from May’s Presidential re-run. Historian Tessa Dunlop asks how this happened, why it matters and what next for this strategically important country on the eastern edge of the EU and NATO?

Presenter: Dr. Tessa Dunlop Producer: John Murphy Studio Mix: James Beard Production co-ordinator: Gemma Ashman Series Editor: Penny Murphy

Early on a Sunday morning in February in the Spanish seaside town of Benalmadena, Catalina, a 48-year-old mother of four, was killed at home – the building was set on fire. Her ex-partner was arrested and remains in custody. In January, Lina – as she was known to her family and friends – had reported her ex-partner to the police for ill-treatment and threatening behaviour. And by doing so, she became one of around 100,000 cases of gender-based violence active in Spain’s VioGen system. VioGen is an algorithm used by the police – it’s a risk assessment tool. Based on a woman’s answers to a series of questions, it calculates the likelihood she will be attacked again so police resources can be allocated to protect those most in danger. The level of risk could be negligible, low, medium, high or extreme. Lina was recorded as being at ‘medium’ risk of a further attack by the man who was her ex-partner. Three weeks later, she was dead. VioGen’s critics are concerned about the number of women registered on the system who are then murdered by men who are former or current partners. Its champions claim that without VioGen there would be far more violence against women. With AI in the ascendency, and governments increasingly turning to algorithms to make decisions affecting society, for Crossing Continents, Linda Pressly and Esperanza Escribano investigate the story of VioGen and domestic violence in Spain.

Presented and produced by Linda Pressly and Esperanza Escribano Studio mix by Nigel Appleton Production coordinator: Gemma Ashman Series editor: Penny Murphy

When mysterious orb-like lights were recorded in the sky above Koge, a small port town in Denmark, the UFO scene took notice. But it wasn't just believers who wanted to know what these unidentified flying objects were.

Danish police and the Danish security services describe the objects as large drones - similar to the ones seen on the USA's East Coast before Christmas. But no-one can say who is flying them, or why. Could it be the Russians?

Lucy Proctor meets the people involved in Denmark's unique UFO scene and tries to find out what these drone sightings mean.

Produced and presented by Lucy Proctor. Mixed by James Beard. Edited by Penny Murphy. Production support by Gemma Ashman.

Hezbollah, the militia and political movement in Lebanon, has been battered by the war with Israel. Its leaders were assassinated, hundreds of fighters killed, and many of its communities now lie in ruins. Until recently a formidable power with the ability to paralyse the country, the group now appears a shadow of its former self. For the first time in decades, even some supporters are questioning its purpose. Is this a turning point? The BBC’s Hugo Bachega travels to Hezbollah’s strongholds to find out.

Reporter: Hugo Bachega Producer : Alex Last Beirut producer: Ghaith Solh Studio Sound Mix: Rod Farquhar Production Co-ordinator: Gemma Ashman Series Editor: Penny Murphy

Saudi Arabia is rolling out the red carpet to filmmakers and foreign companies as it sets out to establish itself as a major player in the entertainment industry. After lifting a 35-year ban on cinemas in 2018, the Kingdom is now luring Hollywood with cash incentives to shoot in the desert, and playing host to a glitzy international film festival. The move is all part of Crown Prince Mohammed Bin Salman's ‘Vision 2030’ - a grand blueprint to rewrite the Kingdom's script, diversify its economy away from oil, and expand its cultural influence though films, gaming and sport, all at the same time seeking to keep an overwhelming young population happy. It is a dramatic transformation with writers, directors and actors now prepared to test boundaries and break taboos on screen. But as Emily Wither finds out Saudi Arabia is still a country where not every story can be told.

Presenter: Emily Wither Producers Emily Wither and Ben Carter Editor: Penny Murphy Sound Engineer: Neil Churchill Production manager: Gemma Ashman

Archive credits:

Fox News, The Bret Baier Podcast Netflix, Masameer

How a town in Poland – once in Germany - is discovering its troubling past. 80 years ago Soviet troops liberated Auschwitz-Birkenau, the largest Nazi extermination camp. Over 1.1 million people, mainly Jews, were murdered there. However, there is an aspect of those terrible days which is less well known and which 80 years later is still being uncovered and still resonating: the death marches. As Soviet troops approached, in January 1945, SS soldiers at Auschwitz-Birkenau forced some 60,000 prisoners to march west, in freezing temperatures. Weak with hunger and disease, those who fell behind were shot. This is the story of how eight decades on the search for the truth behind one of those death marches is being uncovered. For years the history of a death march passing through the once proud German community of Schönwald was hidden. It is also the story of how descendants of the original inhabitants of Schönwald are having to confront the role some of their relatives may have played in the Nazi project, and how today’s Polish inhabitants of the town, which is now called Bojków, are grappling with what happened on their streets. Amie Liebowitz’s own great-grandmother was murdered Auschwitz-Birkenau, while her great-aunt was rescued by the Soviet forces. She speaks to those on both sides – German and Polish – who are uncovering this history.

Presenter: Amie Liebowitz Producer: John Murphy Production co-ordinator: Gemma Ashman Editor: Penny Murphy

Archive of Gita Stein © 1995 USC Shoah Foundation

Each year young people from the tiny West African nation of The Gambia try to reach Europe through “The Backway” - a costly, perilous journey over land and sea.

Many do not make it. In recent years, the EU has done deals with several North African nations to clamp down on irregular migration. Though human rights groups say the treatment of migrants can be brutal - allegations the authorities deny. But each year thousands of African migrants say they have no choice but to return home.

It can be a struggle to return. Some are traumatised by their experience and face stigma for having failed to reach Europe. Others are already planning to try again.

For Crossing Continents, Alex Last travels to The Gambia to find out what happens to migrants who've risked everything to get to Europe, but end up back home.

Reporter: Alex Last Producer: Ellie House Local producer: Frederic Tendeng Sound mix: David Crackles Production coordinator: Gemma Ashman Series Editor: Penny Murphy

Why feminism has become a dirty word in South Korea. Being a feminist is now something that can only be admitted in private, thanks to a fierce backlash against feminism. Anti-feminists accuse South Korean women who advocate for equality as being man-haters, worthy of punishment. Online witch-hunts - spearheaded by young male gamers - target women suspected of harbouring feminist views, bombarding them with abuse and demanding they be fired from their jobs. Jean Mackenzie investigates how these witch-hunts have silenced women, and asks what this means for the future of women's rights in a country where gender discrimination is still deeply entrenched.

Presenter: Jean Mackenzie Producers: John Murphy, Jake Kwon, Hosu Lee and Leehyun Choi Mixed by: Neil Churchill Production co-ordinator: Gemma Ashman Editor: Penny Murphy

Tourists are flooding to Cambodia's "8th wonder of the world", the ancient temple complex at Angkor. But the rapid expansion of the site comes at a terrible cost, as tens of thousands of people are ousted. The authorities call some "illegal squatters" and claim others volunteered to leave. But human rights groups say the evictions are forced, illegal and target families who've worked the land for generations. Many say they're now debt-ridden and struggling to survive. Jill McGivering travelled to Angkor to meet those at the heart of the crisis.

Produced by Caroline Finnigan Mixed by David Smith Production Coordinator Gemma Ashman Editor Penny Murphy

Ukraine and Poland are neighbours and close allies in today’s conflict with Russia. But the ghosts of victims of an earlier war have returned to divide them. Tens of thousands of Poles were murdered by Ukrainians in Volhynia, in what's now western Ukraine, in 1943. Most of the victims still lie in unmarked graves, and Ukraine has only just lifted a ban on exhuming the bodies.

That followed heavy diplomatic pressure by Poland, which threatened to block moves towards Ukrainian integration with the EU unless the ban were lifted.

But Poland’s demand has stirred a controversy inside Ukraine about one of the darkest periods of its history. Ukrainian nationalists who were involved in the massacre - and their leader Stepan Bandera - are regarded by many Ukrainians as heroes.

Reporter Tim Whewell travels through Poland and western Ukraine to try to find out what really happened in 1943, and ask whether Poland and Ukraine can ever lay a fiercely-contested history to rest. And can the record of Ukraine's Second World War nationalists be openly discussed without giving a propaganda victory to Russia, which has tried to use the subject to vilify Ukraine? Produced and presented by Tim Whewell Sound mix: Rod Farquhar Research by Grzegorz Sokół, Taras Shumeiko and Serhiy Solodko Translation by Eugenia Maresch, Grzegorz Sokół and Serhiy Solodko Production co-ordinator: Gemma Ashman Editor: Penny Murphy

Wild bird recordings by Izabela Dłużyk "Lecieli Żurawie" (Cranes Were Flying) sung by Franciszka Bydychaj "Ave Maria" from "Kres Kresów" oratorium, composer Krzesimir Dębski "Siadła Hanula Na Posażeńku" (Hanula Sat on her Dowry) sung by Olga Kozieł and Anna Jurkiewicz, of the "Wołyń w Pieśniach" ("Volhynia in Song") project

It has been a year since chainsaw-wielding Javier Milei won the Presidency in Argentina. During his campaign, his chainsaw became a symbol of how quickly and drastically he wanted to cut the Argentine state. And he has slashed government budgets and sliced subsidies on power, food and transport. He stopped printing money to try and halt inflation which was running at 211.4% annually when he was sworn in.

How have his actions changed life for ordinary Argentines? Buenos Aires based reporter, Charlotte Pritchard, talks to Argentines about how they're feeling now. From the gauchos at the annual event to show off their herds of horses, to those taking advantage of a scheme to 'whiten' black-market money they have hidden under their mattress - is there hope or despair?

Produced and presented by Charlotte Pritchard Studio Manager: Donald McDonald Production Coordinator: Gemma Ashman Editor: Penny Murphy

Climate change is intensifying, sea levels are rising and the very existence of low-lying Pacific Islands is under threat. The Cook Islands, though, has a plan to assure their peoples’ future. Enter deep sea mining, harvesting metallic nodules on the bottom of the sea floor for use in things like electric car batteries and mobile phones. Its supporters say it’s a climate change ‘solution’- a better alternative to mining on land. And one that could make Cook Islanders very rich indeed. Its detractors worry we’re messing with its Moana - or ocean – with no real idea of the impacts. Katy Watson travels to Rarotonga to find out how islanders feel about searching for ‘gold’ on the sea floor.

Producer: Lindle Markwell Presenter: Katy Watson Studio Manager: James Beard Production Coordinator: Gemma Ashman Editor: Penny Murphy

Low harvests, economic and climate batterings, changing tastes - is French wine in crisis? The French wine harvest has dropped 18% in one year. For some famous French wine-making regions the reduction has been much more. A combination of factors, including climate, finances and changing drinking habits has brought some wine-makers to the brink. Thousands of hectares of vineyards are being pulled up. Others are struggling to survive. For Crossing Continents John Murphy travels to Bordeaux and Languedoc - the world’s biggest wine-making region - to find out what is going on with wine, France’s most symbolic of products.

Producer: Alex Last Studio Mix: Rod Farquhar Programme Coordinator: Gemma Ashman Series Editor: Penny Murphy

The Taliban edict that women's voices should not be heard aloud renders women up and down Afghanistan inaudible as well as invisible in public. Women are already denied most forms of education and employment. They are not allowed to go outside without a male guardian, and have to be completely covered up, including their faces. Now the new rules say they should be quiet too. Women singing together, or even raising their voices in prayer, is forbidden.

But there's more than one way to be heard.

Our Whole Life is a Secret records the day to day life of 'Leila', a lively, energetic Afghan woman aged 23, doing everything she can to navigate the rules. From behind the walls of her home, Leila reveals her vivid interior world, and that of her female friends and relatives. She and her sisters are the first women in their family to read and write, and before the Taliban returned to power in 2021, she was a university student. Now she teaches in a secret school and is part of a dynamic online learning community. From reading Emily Bronte to working out to Zumba, Leila is determined to keep stay sane and busy.

'Leila' is not her real name and all locations are omitted for safety reasons. Her words are read by Asal Latifi.

Producer/Presenter Monica Whitlock Sound design and mix James Beard Editor Penny Murphy

The journey from cocoa to chocolate in Ivory Coast. The price of cocoa - the essential ingredient in chocolate - has more than quadrupled on the international market in the last two years. Yet many of those growing it have not benefitted. In fact, drought, disease and a lack of investment have led to catastrophic harvests and, therefore, a drop in income for many small producers of cocoa, especially in Ivory Coast. This West African country is the world’s largest producer of cocoa - up to 45% of the world’s total. Most of the growers are small-scale, poor farmers. There are now calls for these growers to get a bigger chunk of the chocolate bar and, in so doing, to help ensure future production. John Murphy travels to Ivory Coast to delve into the world of chocolate production.

Presented and produced by John Murphy With additional production in Ivory Coast from Ebrin Brou Mixed by Andy Fell Production coordinator Gemma Ashman Series editor Penny Murphy