What happens to art when the gallery moves online - and when artists can no longer afford to live near it? Dr Brendan McCauley joins us to explore how digital platforms, economic pressures, and the pandemic have reshaped creative practice. From regional artists in Western Mass to global changes in film editing software, Brendan's work examines how production communities adapt—and what gets lost in translation. This episode unpacks how space, labor, and technology intersect in the art world today.

Larri Miller is helping define a new subfield: critical computational social science. In this episode, we talk about their research on right-wing digital communities, their commitment to mixed methods, and the epistemological roots of conspiracy belief. Along the way, we unpack the limits of data, the politics of platforms, and why understanding the “why” matters as much as measuring the “what.”

How does political language change when it moves from newspapers to social media? PhD candidate Alina Ali Durrani joins us to trace how meaning, ambiguity, and power shift across media ecosystems in Pakistan. Her dissertation analyzes Urdu-language op-eds and viral Twitter posts, unpacking how discourse travels - and distorts - between platforms. From TikTok virality to the algorithmic amplification of ideology, this episode maps the messy, multilingual terrain of political communication in the Global South.

Is a rom-com just a rom-com? In this episode, PhD candidate Kate Burrell reflects on her journey from theater and film studies to a deeply interdisciplinary project on cinematic genre. Drawing from documentary studies, critical media theory, and cultural studies, Kate shares how streaming platforms like Disney+ and Netflix are reshaping narrative conventions - and why genre is never as stable as it seems. From the French New Wave to Marvel’s media empire, we explore the messiness of genre, the politics of storytelling, and the labor behind the spectacle.