Get the short guide 'The 5 Keys of Celtic Myth' here: https://celticsource.online/the-5-keys-of-celtic-myth/The story of Elidyr and the Tylwyth Teg is the oldest Welsh fairy tale on record. It tells of a boy's journey through ancient liminal spaces, encountering a deep realm of where the fairies have their own high ideals and ethics. But what does this story actually mean? What does it tell us about encounters with the extraordinary, about truth, childhood, and lost wisdom? If you want to follow a course on the Celtic myths of the Mabinogi, start here https://celticsource.online/mabinogi
Get the short guide 'The 5 Keys of Celtic Myth' here: https://celticsource.online/the-5-keys-of-celtic-myth/
How can a simple Welsh folktale about a shepherd who falls in love with a magical lake maiden reveal deep insights about relationships, time, nature, and the delicate balance between different worlds? How did this extraordinary union gave birth to the legendary Physicians of Myddfai? Using the '5 Keys of Celtic Myth' approach, we break down this fascinating story to reveal its practical wisdom about finding balance, respecting boundaries, and connecting with forces beyond our understanding.
If you want to follow a course on the Celtic myths of the Mabinogi, start here https://celticsource.online/mabinogi
Get the short guide 'The 5 Keys of Celtic Myth' here: https://celticsource.online/the-5-keys-of-celticmyth/
Calan Mai (Beltane) is a time of flowers, birdsong and sunshine, but Welsh myths set at this time tell of conflict, horrific violence and monstrous threats to the very fertility of the land and the people. What does this mean? What's at the heart of this contradiction?
If you're interested in following the Mabinogi course, you can find more information here: https://celticsource.online/mabinogi-the-first-branch/
Get the short guide 'The 5 Keys of Celtic Myth' here: https://celticsource.online/the-5-keys-of-celtic-myth/
If you're interested in following the Mabinogi course, you can find more information here: https://celticsource.online/mabinogi-the-first-branch/
My work may or may not be for you. This video will hopefully help you decide either way.
Two thousand years ago, an unstoppable empire met an immovable people. Rome’s mighty legions had conquered most of Celtic Britain . . . except for the tribes of the far north. We have little direct evidence for Pictish culture, but there are strong suggestions that long before Christianity reached Scotland, the early Picts were using Neolithic sites built with mathematical precision — not just to honour their gods, but to track the stars and planets across the heavens. And what they left behind is more than just stone — it’s a prehistoric observatory that still works to this day.The Picts course is course on the website: https://celticsource.online/courses/the-picts/To receive a series of videos from the Celtic Source archive, please sign up to the mailing list: https://celticsource.online/mailing-list/David Nance's original paper: https://aura.abdn.ac.uk/bitstream/handle/2164/18401/Nance_SGJ_Investigation_Aberdeenshire_Ritual_VOR.pdf?sequence=1
Sign up for the Mabinogi course here: https://celticsource.online/courses/the-four-branches-of-the-mabinogi/
How do we preserve the integrity of Celtic myths in a modern, largely English-speaking culture? Who gets to say what these myths mean? Are people within Celtic speaking cultures marginalised when it comes to what their own myths mean?
Online courses on Celtic myth: https://celticsource.online/courses-page
Saint or goddess? Christian feast or pagan festival? The story of Saint Brigid and Imbolc has puzzled scholars for quite some time now. So what do the actual Irish sources tell us?
To get the file of sources and other research, including web links, please visit: https://celticsource.online/imbolc-and-brigid/
If you're interested in following the The Celtic Rites course, please visit: https://celticsource.online/courses-page
The Wheel of the Year was a concept invented in the mid-20th century to describe a cycle of 8 seasonal pagan festivals, many of which were taken from Irish culture. More recently, the whole concept of an eight-fold year has been questioned, the assumption being that some festivals have no basis in history. But the situation, in the Celtic cultures at least, is a bit more nuanced.
The Wheel of the Year, the cycle of seasonal festivals that have been observed across the world, is one of the key features of historical Celtic culture. In many ways, the wheel embodies both a practical and mystical knowledge that was pertinent at different stages of the year. So what was this knowledge? What were the foundational themes common across the different Celtic regions?
To join us on the course, please visit: https://celticsource.online/courses-page/
To receive a series of videos on similar topics, pleas join the mailing: https://celticsource.online/mailing-list/
History books on Witchcraft:Owen Davies, Cunning-Folk: Popular Magic in English History, (2003); Ronald Hutton, The Triumph of the Moon (1999); Emma Wilby, Cunning Folk and Familiar Spirits (2005); Courses on Celtic myth and folklore: https://celticsource.online/courses-page
The older Welsh myth of Arthur is often overshadowed, both by the obsession with the chivalric Arthur of medieval Europe, and then more recently by the search for the historical Arthur.
These subjects can be interesting in their own right, but they rarely ask the important questions: how did a Welsh figure become the centrepiece of an elaborate and profound mythology that’s still popular across the globe? What does this older Arthur embody? What ancient Celtic beliefs are preserved in his myth?
This video is an introduction to 'The Arthur of the Welsh' course, and also sets out how the Arthurian myth connects other courses on the website. You can find out more here:
The Arthur of the Welsh: https://celticsource.online/courses/the-arthur-of-the-welsh/
The Native Tales:
https://celticsource.online/courses/the-native-tales-of-the-mabinogion/
Taliesin Origins: https://celticsource.online/courses/taliesin-origins/
Taliesin Origins is also a book that you can purchase here: https://celticsource.online/taliesin-origins-2/
A wide rangeing conversation with singer Genevieve Andersen about the role of the bard in Welsh culture, past and present, and the ethics of being inspired by other people’s traditions.
In her most recent collection of poems, Charlotte Hussey has drawn on the fairytale of Tam Lin as found in a 16th century ballad from the Scottish Borders. In this interview we look at some of the poems and how they echo both the myth and Hussey's own history, and how the weaving of several perspectives and stories breaths new life in to this most mysterious of folk ballads. Those of you familiar with Celtic myth will hear the echoes and resonances, and spot the familiar archetypes and concepts. Courses on Celtic myth and folklore: https://celticsource.online/courses-page
Many modern poets have found the awen in Taliesin's myth, not just in Wales but also beyond. Simon Lilly and Chris Martin are two such wordsmiths who have thrown themselves willingly into the cauldron. In this wide rangeing discussion we hear them read their own Taliesin-inspired poetry, and talk through some of the more powerful visions we find in this eternally abundant myth.
If you want to find out more about these two brilliant poets, you can find them online at https://simonhlilly.com and https://www.chrismartinpoet.com
More free materials, lectures, videos and podcasts at https://celticsource.online
Trioedd Ynys Prydein, the medieval Welsh storytriads, can tell us a few different things about other sources of Welsh myth, particularly the Mabinogi. Courses on Celtic myth and folklore: https://celticsource.online/courses-page
What do we mean when we say that Celtic goddesses like Rhiannon and Macha are medieval variations of an older, original horse goddess? What are we missing out in that apparently simple statement?
Courses on Celtic myth and folklore: https://celticsource.online/courses-page
The Táin Bó Cuailnge, often simply called the Táin, is one of the most important Irish myths, and perhaps even one of the most important in Europe, with some claiming that it’s the earliest surviving epic in Western vernacular literature.
You can sign up for the course here: https://celticsource.online/courses/the-tain/
Why is Taliesin a suitable guide to the world of Welsh myth? Here's a few reasons why.
This is a new podcast my wife and I will be making over the next few months. If you want to hear more, please search for the Myth Mountain podcast on your favourite platform and subscribe. You can find us on Spotify here.
This podcast explores many of the ideas behind the Myth Mountain programme that you can find here.
"Join Lucy and Gwilym as they unpack why we are compelled by myths, what role they play in enriching our lives, why we are drawn to the myths of our ancestral lands and how this gives us a sense of the sacred. Sharing personal stories and their experience of being in the wild, vision quest and connection to place."
There have been several decades of speculation about the relationship between these two mysterious mythic mothers who both founded divine lineages in Celtic myth. But what is their relationship? Are they the same or different?
