Job 3 3:1-10 Job curses the day of his birth Job pours out his grief and pain in a bold and dramatic way. It does not seem to be that Job is specifically addressing anyone specifically in Job 3:1-10. The fact there are so many psalms of lament show how common this is for the people of God. Job’s frustrations throughout the book cannot be blamed solely on his friend’s words because he speaks before they speak. One writer described Job 3 as “one of the most depressing chapters in the Bibl...

What roles do God and Satan play in Job’s suffering and suffering throughout Scriptures? Satan appears in Job 1:6-12 and 2:1-6, 7. His hand in suffering is particularly emphasized in Job 1:12 and 2:6, 7. Satan’s hand in suffering is stressed in several New Testament passages as well. In Luke 13:16 the woman Jesus heals in the synagogues is one “whom Satan has bound for eighteen years.” In Acts 10:38 Jesus went about doing good and “healing all who were oppressed of the devil.” II Cor. 1...

Job 2 2:1 Again there was a day when the sons of God came to present themselves before the LORD and Satan also came among them to present himself before the LORD- The scene in 2:1-6 is a repetition of the scene produced in 1:6-12. Just as parallelism can drive home the point in poetry, prose often stresses its point by repeating the narrative (Gen. 24:1-27;24:28-49). 2:1 is a verbatim repetition from 1:6 except 2:1 adds the three Hebrew words that end the sentence translated to present himsel...

1:1 And that man was blameless and upright- Job will be described as blameless and upright in 1:1, 8; 2:3. The emphasis in this verse is not on the time Job lived nor where he lived but on his character. “Job’s blameless is given precedent over the more external description of Job’s family and wealth" (Clines, 9) His character both begins (vs. 1) and ends (vs. 4-5) this section. The word translated blameless is a pivotal word in the book (8:20; 9:20, 21, 22). The same root word a...

“Unless clearly indicated otherwise, I assume that the Hebrew Bible speaks of real people and places. Nothing in the text suggests that Job was a mythical, imaginary, or fictious figure" (Alden, 26). The fact that Elihu is given a genealogy in Job 32:2 and his daughter’s names are given at the end of the book in Job 42:13-15 points to the historical nature of the book. The fact that we view the Biblical portrayals of characters as historically true seems to be how Jesus and the inspired New T...

Psalm 150 “The ancient editors, having chosen to represent the book of Psalms as above all Tehillim, songs of praise, by concluding the collection with six psalms of praise, now climactically set at the end this psalm that begins and ends with ‘hallelujah’” Alter, 515. God is praised “by every means (3-5) and from every person (6)” Motyer, 583. The verb praise is used 13 times in Psalm 150 and forms “a resounding doxological close to the Psalms” NICOT, 1009. There is little descriptive praise...

149:1 Praise the LORD!- This begins with an imperative that calls to praise God. Sing to the LORD a new song- Ps. 33:3; 40:3; 96:1-22; 98:1-3; 144:9-10; Isa. 42:10; Rev. 5:9; 14:3. “A new song is a hymn of victory sung after God had made all things new by His defeat of the forces of evil” Longman, 475. The songs “refers to the beginning of a new era, a new epoch in history” NICOT, 1006. They sing recognizing their victories and successes are His work. Psalms 144 and 149 are linked by re...

Psalm 148 “The whole creation, animate and inanimate, is called upon to praise God” Miller, 450. “The poem expressed a grand cosmic vision” Alter, 509. “This hymn of praise consists almost entirely of imperative calls to praise” Broyles, 515. “’Praise the LORD’ occurs twelve times in Psalm 148” NICOT, 1002. “The psalm is naturally divined into two parts by the poetic structure. First, the summons goes out to praise the Lord from the heavens (vs. 1) and then from the earth (vs. 7). Next,...

Psalm 147 “The Greek and Latin textual traditions associate Psalm 147 with Haggai and Zechariah” McCann, 1267. “The five psalms that close Book Five move from the praise of an individual in Psalm 146, through the praise of a community of faith in Psalm 147, to the praise of all creation in concert with the community of faith in Psalms 148-150” NICOT, 999. “At times this psalm takes up the rhetorical questions of Isaiah 40, and at times the challenges of the Lord to Job, turn...

Psalm 146 145:21 prepared for these psalms from Psalms 146-150. This psalm “is a general celebration of God’s benevolent qualities” Alter, 503. “These five Hallelujah psalms have the characteristic genre of the hymn of descriptive praise” VanGemeren, 846. Psalms 146-150 are psalms of praise. “In these psalms there is no reference to personal need, no petition, little that could be called historical allusion; all is focused on God; all is praise. But there is step-by-step progression in ...

A few notes from Psalm 145:14-21 and Jesus' fulfillment of Psalm 145 145:20 The LORD keeps all who love Him- There is a wordplay between the first word of the verse שםר and the last word of the verse שםדOne describing the LORD actions towards the righteous and the other His actions towards the wicked. Is watches over a better translation? How much does it promise? It certainly does not mean the absence of all trouble. “What hints it does offer of the human condition are not ...

Psalm 145 A Psalm of Praise, of David- This is the only Psalm designated as a psalm of praise. “Here begins the grand doxology of the entire collection., for praise plays a greater part in Psalms 145-150 than in most of the others. The word ‘praise’ occurs 46 times in these six psalms” BK, 895. “The Hebrew tehilah yields in rabbinic Hebrew the plural tehilim, which is set title in Hebrew for the Book of Psalms. Although psalms of supplication are actually more numerous in the canonical collec...

Psalm 144 A Psalm of David “Herman Gunkel once proposed that this poem was an ‘imitation’ of Psalm 18, but, especially because some of the topics it touches on are unlike anything in Psalm 18, it seems more accurate to speak of certain citations from the earlier psalms woven into a different poetic context” Alter, 495. Psalm 144 is often called by form critics a royal psalm. This is because of the mention of David within the psalm-144:10 and because of the connections to Psalm 18. ...

143:1 Hear my prayer, O LORD- Hear is often used in the Psalms as an imperative directed to God (17:7; 27:7; 28:2; 30:10; 54:2; 64:1). Give ear to my supplications! Give ear is also an imperative addressed to God in the Psalms (5:1; 17:1; 39:12; 54:2; 55:1; 84:8; 86:6; 140:6; 141:1; 143:1). The fact these imperatives are used together stresses the urgency of the request. For supplications the ESV and NIV have cries for mercy. Supplications are found in Ps. 28:2, 6; 31:22; 116:1; 1...

142:1 I cry aloud with my voice to the LORD- “The synonymous parallelism repeats the phrase ‘with my voice’ to emphasize that he cries aloud” Miller, 435. “In Psalm 142:1 is za’aq, conveys the idea of crying out in acute distress and seeking deliverance. The verbal root occurs only five times in the Psalter, twice in Psalm 142” NICOT, 978. “Although the Hebrew root translated ‘cry’ in vv. 1, 5 does not occur often in the psalms (see Pss. 22:5; 107:13, 19), it is an important theol...

141:1-2 Cry for help 141:1 O Lord, I call upon You; hasten to me- “The cryptic phraseology indicates urgency” Miller, 433. Call (Ps. 4:1, 3; 17:6; 88:9; 130:1) and hasten or come quickly is used in Pss. 22:19; 38:22; 40:13; 70:1, 5; 71:12. Give ear to my voice when I call to You!- Give ear is used in Ps. 55:1; 86:6; 143:1. 141:2 May my prayer be counted as incense before You- “Incense and evening sacrifice come from the realm of formal worship” Longman, 458. “Incense symbolized the prayers of...

Psalm 140 For the choir director, A Psalm of David “Psalm 140 is clearly an individual lament, with its appeals to God to listen and rescue (vv. 1, 4, 8), its complaints concerning the wicked who intend to harm the psalmist (vv. 2-3, 5), its imprecation (vv. 9-11) and its note of confidence (vv. 6-7, 12-13)” Longman, 455. “In the present literary setting, the petitions in Psalm 140 can be understood as an elaboration of Ps. 139:19-22…Psalm 140 also anticipates Psalms 141-143” McCa...

Psalm 139 For the choir director. A Psalm of David. “The Greek title has prefixed the strange phrase ‘for the end,’ and the Alexandrinus text has appended the phrase ‘of Zechariah in the dispersion.’” Miller, 426; see Kinder, 463-464 for similar ideas. “The psalm is poetically balanced with four paragraphs (or strophes) of six verses each. In the first paragraph (vss. 1-6), the psalmist praised God for his minute knowledge of him, the contemplation of which fills the psalmist with awe (...

Psalm 138 A Psalm of David- Psalms 138-145 are listed as Psalms of David in the heading. “The Greek title places the psalm in the days of Haggai and Zechariah” Miller, 423. Is the I individual or collectively? “The individual who is offering thanks here appears to have been rescued from enemies who sought his undoing” Alter, 476. “Psalm 138 is the first of a collection of eight psalms (Pss. 138-145) in Book Five that are attributed, in their superscription to David” NICOT, 958. “Psalms ...

Psalm 137 The LXX has a heading τω Δανιδ the Lucian text add (δια) ‘Ιεριμιομ ‘through Jeremiah’ Allen, 235. This is a community lament written in the time of Babylonian captivity. They are in Babylon (1-3) and Jerusalem has been destroyed (7). “Note the first person plural ‘we,’ ‘us,’ ‘our,’ etc., in vs. 1, 2, 3, 4, 8.” Willis, vol. 3, 4-5. “The scene has the vividness of first-hand experience” Kidner, 459.This psalm is a first-person account of the sadness of the captives. It seems tha...