Biblical and literary scholars have noted that chapter and verse numbering disguises the actual form of the biblical writings and interferes with the act of reading. Ernest Sutherland Bates wrote, "Certainly, no literary format was ever less conducive to pleasure or understanding than is the curious and complicated panoply in which the Scriptures have come down to us. None but a work of transcendent literary genius could have survived such a handicap at all."[2] Richard Moulton noted, "We are all agreed to speak of the Bible as a supremely great literature. Yet, when we open our ordinary editions, we look in vain for the lyrics, epics, dramas, essays, sonnets, treatises, which make the other great literatures of the world; instead of these the eye catches nothing but a monotonous uniformity of numbered sentences.
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Biblical and literary scholars have noted that chapter and verse numbering disguises the actual form of the biblical writings and interferes with the act of reading. Ernest Sutherland Bates wrote, "Certainly, no literary format was ever less conducive to pleasure or understanding than is the curious and complicated panoply in which the Scriptures have come down to us. None but a work of transcendent literary genius could have survived such a handicap at all."[2] Richard Moulton noted, "We are all agreed to speak of the Bible as a supremely great literature. Yet, when we open our ordinary editions, we look in vain for the lyrics, epics, dramas, essays, sonnets, treatises, which make the other great literatures of the world; instead of these the eye catches nothing but a monotonous uniformity of numbered sentences.
The traditional chapter divisions in the Bible were introduced around the year 1200 by Stephen Langton, later Archbishop of Canterbury, when he was at the University of Paris. The verse divisions were added by Robert Estienne, a French printer and scholar, in the mid-16th century.
Biblical and literary scholars have noted that chapter and verse numbering disguises the actual form of the biblical writings and interferes with the act of reading. Ernest Sutherland Bates wrote, "Certainly, no literary format was ever less conducive to pleasure or understanding than is the curious and complicated panoply in which the Scriptures have come down to us. None but a work of transcendent literary genius could have survived such a handicap at all."[2] Richard Moulton noted, "We are all agreed to speak of the Bible as a supremely great literature. Yet, when we open our ordinary editions, we look in vain for the lyrics, epics, dramas, essays, sonnets, treatises, which make the other great literatures of the world; instead of these the eye catches nothing but a monotonous uniformity of numbered sentences.
