Takeaways
'Abby' is a unique blend of horror and cultural commentary.
The film challenges traditional narratives of possession and empowerment.
Eshu represents liberation rather than evil in 'Abby.'
The 1970s cultural context influenced the film's reception.
'Abby' critiques the repression of black women in society.
The film's legacy is overshadowed by its controversial history.
Restoration of 'Abby' is essential for future audiences.
The character of Abby embodies the struggle for self-identity.
The film's humor and horror reflect the complexities of black life.
'Abby' serves as a revolutionary statement in black cinema.
In this episode of the Black Death 101 podcast, hosts Nubius Black and Johnny Deth delve into the 1976 film 'Dr. Black and Mr. Hyde.' They explore the themes of identity, transformation, and the societal implications of race and ambition. The conversation highlights the film's unique take on the classic Jekyll and Hyde story, emphasizing the struggles of Dr. Henry Pryde, a black doctor trying to navigate a world that often marginalizes him. The hosts discuss the film's cinematography, music, and character dynamics, ultimately reflecting on the deeper messages about self-acceptance and the cost of ambition.
Song: Dr Pryde & Mr. White
(Spoken Intro – preacher tone)
Brothers and sisters, the good doctor said he could wash away the stain,
But when that potion took hold, he turned pale with pain.
He tried to play God and change his skin,
But the devil was waitin’ deep within.
(Verse 1)
Doctor Pryde in his Sunday suit,
Said science gonna set him free.
Mixed that serum under midnight light,
Now the mirror don’t agree.
(Chorus – call and response)
Lead: He tried to be white, tried to be right,
Choir: Lost his light in the dead of night!
Lead: Doctor Pryde and Mister White,
Choir: Ain’t no cure for a soul divided inside!
(Verse 2)
He walked the streets in another man’s face,
Cold and hard in a lonely place.
He thought he found power, thought he found grace,
But the devil wore a brand-new face.
(Chorus – bigger harmonies)
Lead: Tried to be white, tried to be right,
Choir: Lost his light in the dead of night!
Lead: Doctor Pryde and Mister White,
Choir: No peace for the soul that’s split in the fight!
(Bridge – spoken sermon over funk groove)
You can bleach your skin, but not your sin,
You can change your name, but not what’s within.
The Lord don’t see no color, He sees your deeds,
And you can’t hide pride when your spirit bleeds.
(Chorus – final lift)
Lead: Tried to be white, tried to be right,
Choir: Lost his light in the dead of night!
Lead: Doctor Pryde and Mister White,
Choir: No cure for the soul divided inside!
(Outro – slow fade with wah-wah and choir)
He mixed up science, thought he found truth,
But truth found him one night climbing for his life, he looked out at that city from the top of those towers and what he saw was all he lost…
Dr. Pryde... and Mister White...
The Lord don’t see color, He just sees the fight.
In this episode of Black Death 101, hosts Nubius Black and Johnny Deth delve into the 1976 film JD's Revenge, exploring its unique blend of horror, blaxploitation, and supernatural themes. They discuss the film's plot, characters, and the cultural significance it holds within the context of 1970s cinema. The conversation highlights the themes of identity, possession, and generational trauma, as well as the film's atmospheric cinematography and strong performances. The hosts reflect on the legacy of JD's Revenge and its impact on modern horror films, concluding with a teaser for their next episode.
Keywords
JD's Revenge, blaxploitation, horror, identity, possession, generational trauma, cinema, cultural significance, 1970s films, supernatural thrillers
Takeaways
JD's Revenge is a unique blend of horror and blaxploitation.
The film explores themes of identity and possession.
Generational trauma is a central theme in the narrative.
The cinematography enhances the film's atmospheric quality.
Character development is strong, particularly with Glenn Terman's performance.
The film reflects the historical context of the 1970s in America.
JD's Revenge has gained a cult following over the years.
The film's legacy can be seen in modern horror films.
The acting in JD's Revenge is notably well done.
The film serves as a reminder that the past influences the present.
Song:
HE’s COMIN’ BACK
[Intro – Spoken, smooth and deadly]
Yeah... New Orleans after dark.
Steam risin’ off them cobblestones…
A man possessed — by rage, by memory, by somethin’ that won’t stay dead.
They call him JD... and he came back for what’s his.
[Verse 1]
Low down, the city’s moanin’,
Moonlight cuttin’ through the sin.
There’s a stranger in the mirror,
And he’s wearin’ JD’s grin.
Ain’t no priest gonna save you,
Ain’t no prayer gonna make it right.
When a brother’s soul been broken,
It’s vengeance in the night.
[Chorus – Soul choir, wah-wah guitar riffin’]
He’s comin’ back… JD’s Revenge!
From the grave, from the pain, from the end!
He’s comin’ back… can’t pretend,
You can’t kill what won’t bend!
He’s comin’ back… JD’s Revenge!
[Verse 2]
The preacher sweatin’ in his collar,
The crowd don’t hear his cries.
’Cause JD’s whisper in the shadows,
Takin’ over other lives.
Flashback blood on Bourbon Street,
A razor flash, a deadly fight.
Now the spirit’s got a body,
And he’s burnin’ for the light.
[Bridge – Funk break]
Talkin’ voice over thumpin’ bassline:
That’s right… he ain’t no ghost.
He’s a man with a purpose, a blade, and a plan.
Somebody best confess — before JD takes your hand.
[Chorus – Big, horn section blastin’]
He’s comin’ back… JD’s Revenge!
You can’t hide, you can’t defend!
He’s comin’ back… for his name and his soul,
He’s takin’ what’s his — body and whole!
[Outro – Fade, spoken over slow funk groove]
Yeah… New Orleans still remembers.
And when the wind cries low…
That ain’t no ghost you hear, baby.
That’s JD… walkin’ home.
Summary
In this episode of Black Death 101, hosts Nubius Black and Johnny Deth delve into the 1974 Blaxploitation film 'Sugar Hill.'
They explore its themes of revenge, voodoo, and the cultural significance of Black cinema during a tumultuous time in American history. The conversation covers character analyses, cinematic techniques, and the impact of the film's portrayal of race and gender. The hosts also discuss the film's legacy and its place in the horror genre, emphasizing its unique blend of horror and social commentary.
Takeaways
The film 'Sugar Hill' is a significant example of Blaxploitation cinema.
Voodoo plays a central role in the narrative of revenge.
Character development is crucial, especially for Sugar and Langston.
The film uses humor alongside serious themes of race and violence.
Cinematic techniques enhance the storytelling, particularly in the voodoo scenes.
Supporting characters add depth and complexity to the narrative.
The film's fashion reflects the cultural aesthetics of the 1970s.
Death scenes are creatively executed without excessive gore.
The cultural significance of the film resonates with contemporary audiences.
'Sugar Hill' serves as a reminder of the power dynamics in race relations.
Keywords
Blaxploitation, Sugar Hill, Voodoo, Revenge, Horror, Film Analysis, Black Cinema, 1970s, Cultural Commentary, Character Study
Black Caesar
Godfather of Harlem
In this episode of Black Death 101, hosts Nubius Black and Johnny Deth delve into the world of Blaxploitation films, focusing on the iconic 'Black Caesar.' They explore the film's themes, character dynamics, and its cultural significance in the 1970s. The discussion highlights the complexities of the protagonist, Tommy Gibbs, and the impact of supporting characters, as well as the powerful soundtrack that enhances the narrative. The hosts also reflect on the film's legacy and its influence on future cinema, making a case for its importance in understanding the portrayal of black identity and societal issues in film.
Takeaways
Black Caesar reflects the socio-political climate of the 1970s.
The film's portrayal of black characters was controversial yet impactful.
Tommy Gibbs is a complex anti-hero, embodying both charm and sociopathy.
Supporting characters add depth to the narrative and themes.
The soundtrack, primarily by James Brown, enhances the film's emotional weight.
The film critiques power dynamics and corruption within society.
Gloria Hendry's character represents the struggles of women in a male-dominated world.
The film's ending was altered based on audience reactions, showcasing its impact.
Symbolism in the film highlights the struggles of black identity and revenge.
Black Caesar paved the way for future films in the genre.
Keywords
Blaxploitation, Black Caesar, Tommy Gibbs, Fred Williamson, 1970s cinema, racial themes, film analysis, character study, Larry Cohen, soundtracks
Dolemite: Filthy Mouth, Fly Kicks & a Hustler’s Redemption
Podcast: Black Deth 101
Hosts: Nubious Black &Johnny Deth
He’s bad… he's bold… and he talks in rhymes with a stick in his hand and vengeance in his heart.
Rudy Ray Moore is Dolemite in this explosive episode of Black Deth 101. Nubious Black and Johnny Deth dive deep into Rudy Ray Moore’s 1975 cult classic DOLEMITE—the foul-mouthed, karate-choppin', pimp-poet who flipped the whole Blaxploitation game on its head.
We break down:
The wild origin story of Rudy Ray Moore and how he birthed the Dolemite persona from street rhymes and nightclub mics
The 18-day guerrilla shoot with no budget, no permits, and a whole lotta attitude
The legendary cast, including Lady Reed as Queen Bee and martial arts-trained dancers from the streets of L.A.
The infamous lines, dirty jokes, bad dubbing, and why it all still slaps
How Dolemite packed out the Cinerama in NYC, forced the studio to add 9am shows, and raised the price by a dollar—Black capitalism at its funkiest
And why Rudy Ray Moore was not just a comedian, but a DIY icon, a hustler-turned-filmmaker who carved out space where Hollywood wouldn't
From his kung-fu kicks to polyester fits, Dolemite was raw, ridiculous, and revolutionary—and we're here to give him the flowers he grew with his own damn shovel.
So grab your cane, lace up your loudest boots, and step into the spotlight—
'Cause Dolemite is his name…
And stickin' it to The Man is his motherf***in' game.
Tags: #Dolemite #RudyRayMoore #Blaxploitation #BlackCinema #1970sMovies #BlackDeth101 #Funk #CultClassics #DIYLegend
Summary
In this episode of the Black Death 101 podcast, hosts Nubius Black and Johnny Deth delve into the blaxploitation classic 'Truck Turner,' starring Isaac Hayes. They explore the film's production challenges, character dynamics, and cultural impact, highlighting its significance in the genre. The discussion covers Nichelle Nichols ' role as the diabolical Dorinda, memorable scenes, and the film's legacy in modern cinema, emphasizing how 'Truck Turner' has influenced countless films and television shows since its release.
Takeaways
Truck Turner is a significant film in the blaxploitation genre.
Isaac Hayes' performance and soundtrack are iconic.
The film features complex characters with depth.
Production challenges led to creative solutions in filmmaking.
The portrayal of women in the film is both empowering and complex.
The funeral scene is a standout moment in the film.
The film balances humor and serious themes effectively.
The relationship dynamics add emotional weight to the story.
The film's climax is intense and memorable.
Truck Turner has influenced modern cinema and television.
Keywords
Blaxploitation, Truck Turner, Isaac Hayes, film analysis, cultural impact, 1970s cinema, character dynamics, production challenges, women in film, legacy of blaxploitation black film
Jonesing for Justice: Cleopatra Jones & Black Belt Jones
Step into the funk-fueled, karate-chopping, justice-serving world of 1970s Blaxploitation cinema. This double feature brings together two larger-than-life heroes: Tamara Dobson as the six-foot-tall super-agent Cleopatra Jones, shutting down drug empires with style, and Jim Kelly as the smooth, deadly martial artist Black Belt Jones, taking on mobsters with fists of fury and a mean roundhouse kick. Together, they represent the era’s bold blend of Black Power, female empowerment, and martial arts mayhem—all wrapped in groovy soundtracks and explosive action.
Summary
In this episode of Black Death 101, hosts Nubius Black and Johnny Deth delve into the influential Blaxploitation film 'Coffee' (1973), starring Pam Grier. They discuss the film's groundbreaking representation of black women, the directorial vision of Jack Hill, and the powerful soundtrack by Roy Ayers. The conversation explores the themes of violence, drug addiction, and the cultural impact of the film, as well as the legacy of Pam Grier as an iconic figure in cinema. The hosts also highlight the contributions of the ensemble cast and reflect on the film's lasting significance in the genre.
Summary
In this episode, hosts Nubius Black and Johnny Deth delve into the groundbreaking film 'Sweet Sweetback's Baadasssss Song' by Melvin Van Peebles, exploring its cultural significance, raw storytelling, and the challenges faced during its production. They discuss the film's impact on the Blaxploitation genre, its historical context, and how it paved the way for future black filmmakers. The conversation highlights the film's unique cinematic techniques and its legacy in shaping black cinema.
Takeaways
'Sweet Sweetback's Baadasssss Song' was a pivotal film in the Blaxploitation genre.
The film was required viewing for members of the Black Panther Party.
Melvin Van Peebles faced significant challenges in getting the film made.
The raw storytelling and unique cinematic techniques set the film apart.
The film's cultural significance has been recognized by institutions like the Library of Congress.
'Sweet Sweetback' influenced a generation of filmmakers, including Quentin Tarantino.
The film's reception was mixed, but it ultimately became a box office success.
The film's legacy continues to inspire discussions about race and representation in cinema.
The making of 'Sweet Sweetback' involved guerrilla filmmaking techniques.
The film's ending serves as a powerful statement about freedom and resistance.
Keywords
Blaxploitation, Sweet Sweetback, Melvin Van Peebles, Black Cinema, Film History, Cultural Impact, Independent Film, 1970s Cinema, Black Panther Party, Cinematic Techniques
In this clip from our Blacula episode, Nubious and Johnny discuss William Marshall's status as Black Horror Icon
In a clip from episode 2 BLACULA Nubious and Johnny discuss Dracula, declaring that there is merit in the slave trade, and our hero Prince Mamalwaldi is cursed to become Blacula!
In this clip from episode 2 BLACULA, Nubious tells Johnny about the movie Satan's Triangle starring Scream, Blacula Scream's Michael Conrad, and Doug McClure.
Keywords
Blaxploitation, Blackula, horror films, cultural representation, William Marshall, vampire movies, 1970s cinema, Black horror, film history, cinematic legacy
Summary
In this episode of the Black Death 101 podcast, hosts Nubius Black and Johnny Deth delve into the cultural significance of the 1972 film 'Blacula,' a pioneering work in the blaxploitation genre. They explore the film's themes of love, tragedy, and racial representation, highlighting the artistic vision of director William Crane and the powerful performance of William Marshall. The discussion also touches on the film's soundtrack, character dynamics, and its lasting impact on horror cinema and cultural representation.
Takeaways
'Blacula' was a groundbreaking film in the blaxploitation genre.
William Marshall's portrayal of Blackula redefined the vampire archetype.
The film's tragic love story adds depth to its horror elements.
Cultural representation in cinema was a significant theme in the early 70s.
William Crane fought for artistic integrity in the film's production.
The soundtrack of 'Blacula' is a standout element of the film.
The film's ending is both poignant and tragic, reflecting deeper societal issues.
'Blacula' paved the way for future black horror films and characters.
The film's legacy continues to influence modern cinema.
The potential for a 'Blacula' remake raises questions about representation in contemporary film.
Titles
Exploring the Legacy of Blaxploitation Films
The Cultural Impact of Blacula
Sound bites
"He made this part his own."
"The original white supremacist."
"You need to have that gravitas."
Chapters
00:00 Introduction to Blaxploitation and Blackula
01:55 Cultural Context of the 1970s
03:48 The Evolution of Black Horror
06:51 Character Development and Representation
10:01 Themes of Love and Revenge
11:00 The Soundtrack and Cinematic Techniques
12:29 William Marshall: A Trailblazer
16:27 Legacy of Blackula and Its Impact
19:56 The Tension of a Repo Man's Life
20:27 Denise Nichols: A 70s Icon
21:03 Blackula's Unconventional Ending
22:29 Tragic Love and Revenge
24:20 The Agony of Blackula's Fate
25:44 Cinematic Influences and Legacy
27:15 The Evolution of Horror Directors
28:45 The Impact of Blackula on Modern Cinema
30:11 Character Depth and Representation
32:53 The Future of Blackula: Remakes and Reboots
We always close with an original song.
🎧 Shaft: The Cat That Started It All
In the first episode of Black Deth 101, Johnny Deth and Nubious Black break down the Blaxploitation classic that changed cinema forever. From Isaac Hayes’ iconic theme to Gordon Parks' trailblazing direction, we dig into what made Shaft more than a movie—it was a movement.
💥 This is where Blaxploitation began.
🎧 Tune in and get schooled.