Atenea Americana - by Stanford Hispanic Broadcasting

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Stanford Hispanic Broadcasting - Isabel Jubes

15 episodes

2 weeks ago

Atenea in Spanish means “The House of Culture.” It is a name inspired by the goddess of war and culture “Athens” (in Spanish Atenea). In many Hispanic countries, there is a space called “Atenea” or “Ateneo.” This place is usually a hub for culture or cultural centers, where people meet to enjoy, get informed, and discuss matters of culture. This show represents that, as the aim is to join people through culture. Americana has many meanings in this context. One of them is the whole "American Continent" as this refers to it people in and out of Latin America, with different ethnicities and races but a similar thread in culture.

All content for Atenea Americana - by Stanford Hispanic Broadcasting is the property of Stanford Hispanic Broadcasting - Isabel Jubes and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.

Episodes (15/15)

Atenea Americana - by Stanford Hispanic Broadcasting

Dia de Los Muertos 2025, At Davies Hall

This week on Stanford Hispanic Broadcasting, we’re proud to feature an exclusive interview with Martha Rodríguez‑Salazar, curator of the San Francisco Symphony’s annual Día de los Muertos celebration. Martha, a classically trained musician, educator, and cultural leader originally from Mexico City, has been the visionary behind this beloved event since 2008. Her deep commitment to community, tradition, and education shines through in every detail of the celebration — from the music to the vibrant lobby experiences that welcome families into the heart of this cultural ritual.

This year’s Día de los Muertos event takes place on Saturday, November 1, 2025, at Davies Symphony Hall in San Francisco. The focus is on children and interactivity — creating a space where families can connect with the meaning and magic of this tradition. Starting at 1:30 pm, the lobby of Davies Hall will transform into a colorful, immersive experience featuring altars created by local artists, face painting, sugar skull decorating, paper flower making, and even a Mariachi instrument “petting zoo.” It’s an opportunity for young people to engage directly with the symbols, sounds, and spirit of Día de los Muertos.

At 3:00 pm, the concert begins — a vibrant musical tribute under the baton of guest conductor Lina González‑Granados. Originally from Colombia, González‑Granados is known for her expressive style and innovative programming. She brings a powerful energy to the podium, and this year’s program blends traditional Latin American sounds with orchestral grandeur. Audiences can expect a moving and joyful musical experience that honors the memory of loved ones while celebrating life and culture in all its richness.

In our interview, Martha Rodríguez‑Salazar shares how this year’s theme brings new energy to the event, emphasizing how important it is to include and inspire the next generation. She speaks passionately about the collaboration with artists, the care that goes into each altar, and the emotional resonance that the music carries — both for those who celebrate Día de los Muertos as part of their heritage and for those encountering it for the first time.

Don’t miss this heartfelt conversation on Stanford Hispanic Broadcasting, and if you’re in the Bay Area, join us at Davies Symphony Hall for a day of community, remembrance, and music that speaks to the soul. Día de los Muertos at the SF Symphony is more than a concert — it’s a living, breathing celebration of life.

1 week ago

12 minutes 31 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Voice of America

Today we talk with Leonardo Bonett, a seasoned journalist who spent an extraordinary 40 years working for Voice of America (VOA), and had just retired this last march 2025.

Voice of America is a government-funded international broadcaster that, for over eight decades, served as one of the most trusted and influential voices in global journalism. Our conversation traces the arc of VOA’s unique role in the world: a broadcaster committed to telling the truth, regardless of political pressure, and a key player in U.S. “soft diplomacy.” With a presence in over 40 languages and listeners spanning the globe, VOA earned its reputation not by pushing propaganda, but by offering fact-based reporting to regions often starved for independent news.

We explore how VOA was born out of the Second World War as a response to Nazi propaganda, pledging from the start to tell the truth — good or bad. That commitment to journalistic integrity became its enduring legacy. Over the decades, VOA’s mission aligned with American ideals of transparency, press freedom, and democratic values, acting as a bridge between cultures and as a platform for voices too often silenced in their own countries.

Our guest brings us his perspectives about VOA, and its uncertain future. We addressed the growing concern over the suspension of VOA’s shortwave broadcasts since mid-March 2025, a move that has left millions of listeners in remote and politically restricted regions without access to uncensored information. While internet access has grown globally, many communities still rely heavily on traditional radio — especially during war, disaster, or internet blackouts. Our guest shares personal insights on the negative consequences of silencing such a far-reaching and respected source, and the uncertainty this creates for the future of global public broadcasting.

As media becomes increasingly fragmented and politicized, the legacy of Voice of America offers valuable lessons. It challenges us to ask: What happens when a trusted voice goes silent? What is lost when soft diplomacy tools are no longer supported? And who will step in to fill that void? Join us in this rich and timely conversation as we honor the past, confront the present, and consider what the future might hold for one of journalism’s most respected institutions.

Don’t forget to subscribe and share — the world needs more stories like this. Listen to the show to get more details about this story, and the institution behind it.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.

5 months ago

18 minutes 29 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

50 Anniversary of “The Fall of Saigon”

Join us for a special conversation with Van Le — a remarkable community volunteer, school board member, small business owner, refugee, and proud leader within the local Vietnamese community.

Van Le shares her powerful story of escaping Saigon during the historic events of April 30, 1975, known as the Fall of Saigon. This moving interview is part of our commemoration of the 50th anniversary of “Black April”, a solemn day of remembrance for millions of Vietnamese around the world. Black April marks the painful fall of South Vietnam and honors the resilience, sacrifices, and new beginnings of Vietnamese refugees.

The Fall of Saigon marked the official end of the Vietnam War, as North Vietnamese forces captured the capital of South Vietnam. After years of brutal conflict, the South Vietnamese government collapsed, leading to widespread fear and chaos. In the final days, desperate evacuations took place, with thousands fleeing by air and sea. This historic event triggered one of the largest refugee movements in modern history, as hundreds of thousands of Vietnamese people sought safety and a new life abroad, many eventually settling in the United States.

Van Le is not only a pillar in our community — she is also the founder of San Jose’s Lantern Festival and the organizer for this year’s local and statewide commemorations of Black April.

Don’t miss this heartfelt and inspiring conversation. Listen to the show to get more details about this event, its story, and the institutions behind it.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.

6 months ago

47 minutes 48 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Music as criticism to authoritarianism

I had the pleasure of sitting down again with Urs Leonhardt Steiner, the Swiss-born conductor and founder of the Golden Gate Symphony Orchestra & Chorus, a truly unique and inspiring musical ensemble based in San Francisco. For over 33 years, this orchestra has been more than a performance group — it’s been a community mission.

Urs has a gift for making classical music feel alive and relevant. He talks to the audience during presentations in both English and Spanish, making sure audiences from all backgrounds feel welcome and engaged. At every concert, he shares the stories behind the music, offering context that makes even the most complex works approachable and meaningful.

One of the most remarkable aspects of the Golden Gate Symphony is its inclusive structure: about half of the musicians are professionals, and the other half are highly talented non-professionals who bring the same level of passion and excellence. This is by design — the orchestra’s mission has always been to open the world of music to everyone, not just the elite.

And that mission extends to the audience, too. Every concert includes free tickets for Spanish-speaking families and local community members, making world-class music accessible to neighbors who might not otherwise have the opportunity.

Mark your calendars for their upcoming performance: “SHOSTAKOVICH 5: A Soviet Artist’s Reply to Criticism.” This powerful program explores themes of resistance against authoritarianism, with all the music rooted in the Russian repertoire. At the center is Dmitri Shostakovich’s Symphony No. 5, a monumental piece widely regarded as the composer’s defiant artistic response to political oppression.

With 93 musicians on stage and a full chorus, this promises to be an unforgettable musical and emotional experience.

Come not just to listen but to reflect. This concert isn’t only about beautiful sound — it’s about courage, history, and the enduring power of the arts to speak truth. Don’t miss the full interview on our radio/podcast to hear more from Maestro Steiner about this unique symphony and the heart behind their mission. Listen to the show to get more details about this event, its story, and the institution behind it.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.

6 months ago

9 minutes 54 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Cindy Chavez, Life of service to the Santa Clara County

Welcome, everyone! I’m thrilled to have Supervisor Cindy Chavez with us today. Cindy is someone who has dedicated her life to serving the very community she grew up in – right here in Santa Clara County, the city of San José and the San Francisco Bay Area. Coming from a working-class family, Cindy brings a down-to-earth perspective and a tireless work ethic that resonates with so many of us in this area.

Her journey is inspiring. She started at San José State University, where her commitment to community and social justice took root, leading her toward a career tackling real issues that impact people’s lives, like health, transportation, and education. From her time at the South Bay Labor Council to her leadership on the Board of Supervisors, she’s made a real impact on the landscape of Silicon Valley.

As an advocate for wage equality she has pushed policies that support working families. She was instrumental in recognizing the 100th anniversary of women’s right to vote in 2020, initiatives that help empower more voices in our community.

Supervisor Chavez has also addressed some of the most critical issues in the county, from establishing the Intimate Partner Violence Blue Ribbon Commission to advancing bail reform for non-violent, low-level offenders. Thanks to her leadership, Santa Clara became the first county in California to implement such a reform, sparking statewide change and helping reduce unnecessary jail time for those who need support, not punishment.

Housing has been a particular focus for Cindy. Recognizing the shortage of land for affordable housing, she proposed a creative partnership with school districts and community colleges to explore building affordable homes on school-owned land. She’s also worked to improve the lives of some of the most vulnerable children in our community. Partnering with the Santa Clara County Office of Education, Cindy streamlined the foster care system to better support dually involved youth – those involved with both child welfare and juvenile justice. Under her leadership, the county approved funding for The Hub, which is a resource center for foster youth that provides essential support so these young people can finish school, find jobs, and access basic services.

From being a voice for children, families, and seniors to championing public transit improvements through CalTrain and VTA, Cindy’s impact has been wide-reaching. And as she wraps up her time on the Board of Supervisors, she’s preparing for a new chapter in her native New Mexico, carrying with her the same dedication to community and equity. Today, we’ll hear about her experiences, the challenges she’s faced, and the lessons she’s learned as one of the Bay Area’s most respected Latina leaders. So stay with us – this is a conversation you don’t want to miss!

Listen to the show to get more details about this event, its story and the institutions behind it.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.

12 months ago

26 minutes

Atenea Americana - by Stanford Hispanic Broadcasting

A Special Encounter with Nobel Laureate Rigoberta Menchú Tum: A Bilingual Broadcast

A few months ago, I had the immense honor of meeting and interviewing Rigoberta Menchú Tum, the Nobel Peace Prize laureate and K’iche’ Mayan activist, during an event hosted by Cultura y Arte Nativa de las Américas (CANA) in San Francisco. This encounter was originally aired live on my radio show, bringing her words and wisdom to the airwaves. Now, I’m excited to share the podcast version of this experience, in both Spanish and English, thanks to a live translation.

It was a bilingual event, and now with the podcast here it is, another layer of accessibility for those who might have missed the live radio broadcast.

Rigoberta Menchú Tum’s life story is one of profound resilience and unwavering dedication to social justice. Born in 1959 in the Guatemalan highlands, Rigoberta’s advocacy work was shaped by her personal experiences during the Guatemalan Civil War, which resulted in the genocide of nearly 150,000 Mayans. Tragically, her family was among the victims, with her brother, mother, and father being tortured and murdered by government forces. she later transformed her pain into action, becoming an international advocate for Indigenous rights, human rights, and peace.

Her commitment to these causes earned her the Nobel Peace Prize in 1992, and since then, Menchú Tum has continued her tireless work through the Rigoberta Menchú Tum Foundation. Her focus on human rights, education, food security, and environmental justice has touched countless lives, particularly those in marginalized communities. As she explained that day, humility and kindness have been guiding forces throughout her journey, reminding us of the importance of these values in activism.

The event where I met Rigoberta Menchú Tum was hosted by CANA, an organization rooted in San Francisco’s Mission District. CANA is perhaps best known for producing the annual Carnaval San Francisco, a celebration of Latin American and Caribbean cultures. Their mission goes beyond festivals, though—they aim to educate the Bay Area about the rich cultures and Indigenous healing practices from the Americas. CANA’s latest project, Somos Esenciales, has received multi-million-dollar funding from the National Institutes of Health to focus on community revitalization and health through the arts and entrepreneurship.

Menchú Tum was the grand marshal for the Carnaval San Francisco, and during her appearance at the Indigenous People’s Cultural Arts and Healing Center in the Mission District, she spoke of her deep connection to the city and its Indigenous community. She reflected on her early mentors in San Francisco, who helped guide her activism, and how much she had learned from Native American leaders from tribes like the Navajo, Hopi, and Dakota. “My main teachers were from here, from San Francisco. These were brothers and sisters that were my guides,” she said, emphasizing the shared struggles of Indigenous peoples to protect their lands and defend Mother Earth.

The reception that followed her participation in Carnaval drew over 300 attendees to the Healing Center, where Menchú Tum shared more about her connection to the Bay Area. Her message of resilience, hope, and collective action resonated deeply with the audience, especially when she spoke of the importance of humility and kindness in the fight for justice. Her ability to speak from both personal and collective experience has made her a global symbol for human rights and Indigenous rights.

What makes this episode even more special is its connection to another podcast I posted about the Carnaval itself, which aired just a day before the inauguration of the CANA Healing Cent...

1 year ago

54 minutes 38 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

San Francisco Symphonic Orchestra and the “Dia De Los Muertos” 2024

I’m thrilled to introduce a very special guest and longtime friend of our show, Martha Rodríguez-Salazar, a brilliant artist whose contributions to the Bay Area’s music scene over the past 20 years have been nothing short of transformative. Martha is a true Renaissance woman—an acclaimed singer, flutist, conductor, and producer who has brought Latin American folk, classical, and contemporary music to new audiences. Her dedication to her craft and her culture has earned several recognitions, including being named a “Luminary” by the Mexican Consulate in San Francisco and “Excelencia Latina” by LAM and Mundo Fox.

For those who have followed her career, Martha is not just an extraordinary musician but also a powerful advocate for community engagement. She serves as Director of several Neighborhood Choirs for Older Adults and Adults with Disabilities, and leads the Coro de Cámara and Mariachi CMC. Her passion for inclusivity through music has transformed how people from diverse backgrounds connect with the arts.

Today, we’re especially excited to talk about her long-standing work with the San Francisco Symphony, where she curates the annual Día de los Muertos event—a vibrant celebration that brings together art, music, and culture to honor one of the most cherished traditions in Latin America.

Each year, Martha curates this magnificent event at Davies Symphony Hall, and it’s much more than a concert—it’s an immersive cultural experience. The Día de los Muertos celebration at the Symphony brings to life the essence of this ancient holiday, a time when we honor those who have passed while celebrating life in all its vibrancy. Martha’s ability to weave together the traditional with the contemporary has made this event a must-see for both music lovers and those wanting to connect with the rich cultural heritage of Latin America.

This year’s event, in particular, holds a special focus: Catrinas—those iconic skeletal figures dressed in elegant, ornate gowns that have become a symbol of Día de los Muertos. But there’s much more to these figures than meets the eye. Martha has curated a dynamic concert and event program that explores the historical and cultural significance of Catrinas, and their relationship with three iconic figures in Mexican art and culture—Diego Rivera, Frida Kahlo, and José Guadalupe Posada.

Posada, the famous illustrator and engraver, first created the Catrina figure as a satirical commentary on the social and political conditions of his time. His work, often featuring skeletons in everyday situations, was meant to remind people that in death, we are all equal. This theme resonated deeply with the Mexican Revolution, and the Catrina figure soon became a powerful symbol of the holiday, representing the blending of indigenous and European influences that shaped modern Mexico. The ties between Posada’s Catrinas and the art of Diego Rivera and Frida Kahlo are profound—both Rivera and Kahlo incorporated themes of death and the afterlife into their work, exploring the intersection of life, death, and identity in ways that have become iconic. So, the visual art installation will draw on the connection between these three artists and their work. Then, the installation celebrates Catrinas not only as a symbol of Día de los Muertos but as a reflection of Mexican culture, art, and history.

1 year ago

23 minutes 7 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Californians Together

In this episode, I have the honor of speaking with Xilonin Cruz-Gonzalez, a tireless advocate for educational equity and the Deputy Director of Californians Together. Xilonin’s journey from her roots as a fifth-generation resident of Azusa, CA, and the daughter of a Mexican immigrant, to leadership in statewide education advocacy is inspiring. With over two decades of experience serving on the Azusa Unified School District Board of Education, her passion for supporting all students, particularly English learners, shines through in every aspect of her work.

We’ll dive into the mission of Californians Together, a powerful statewide coalition dedicated to improving education for the 1.1 million English learners in California. Through promoting equitable educational policies, this organization strives to create better opportunities and outcomes for a community that has often been overlooked. As we explore the challenges and victories in advocating for these students, Xilonin will share how they work on literacy policy with a student-centered approach, ensuring that teaching methods are responsive to the unique needs of English learners.

Xilonin’s rich personal history and professional expertise give her a deep understanding of the barriers faced by immigrant and refugee students. She dedicated her career to providing educators with the tools and resources to create safe, inclusive learning environments for these students. From her leadership roles in the California School Boards Association (CSBA) and the California Latino School Boards Association (CLSBA) to her continued advocacy efforts, Xilonin is making waves in shaping policies that will impact future generations of students.

Join us as we learn more about the critical role Californians Together plays in fostering educational equity and why literacy, combined with student-responsive teaching, is a key factor in this journey. Whether you’re an educator, policymaker, or passionate about improving public education, you’ll want to tune in to hear how Californians Together are leading the charge for California’s English learners.

Listen to the show to get more details about this event, its story and the institutions behind it.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.

1 year ago

33 minutes 36 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Spotlight on Filmmaker Pamela Martinez: Telling Stories of Suffering and Resilience Through Film

In my latest interview on Stanford Radio, I had the pleasure of speaking with Pamela Martinez, an incredibly talented Venezuelan filmmaker whose work delves deep into human rights and social justice. A graduate of the MFA Documentary Media Program at Stanford, Pamela has traveled the world, honing her craft and exploring stories that need to be told. Her film As I Witness—a gripping, 8-minute piece about the suffering of Palestinians during the recent conflict between Israel and Hamas—is one such story.

Pamela’s journey to becoming a filmmaker is as impressive as her filmography. From studying visual arts at UWC Red Cross Nordic in Norway, to participating in experiential education in Brazil, and later studying Film, New Media, and Social Research at NYU Abu Dhabi, her path has been shaped by a global perspective. She has always been driven by a passion for exploring complex issues—such as gender, migration, and transitional justice—through art. Her undergraduate documentary Estado Fallido (Failed State) explores the socio-political polarization within the Pemón Kamarakoto indigenous community in Canaima, Venezuela, providing an intimate look into the harsh realities of life under Venezuela’s ongoing crisis.

In As I Witness, Pamela tackles the suffering of war victims with a sharp focus on the human cost of conflict. Set against the backdrop of the Israel-Hamas war, her short film highlights the stories of Palestinians who have lost their lives or loved ones. It is an urgent and heartbreaking portrayal of the trauma and devastation brought on by war, particularly in one of the most disputed regions in the world. The film is featured at the 27th UNAFF (United Nations Association Film Festival), a documentary festival known for showcasing some of the most impactful and thought-provoking films about human rights and shared global concerns.

The theme for this year’s UNAFF is “Shared Humanity,” a fitting framework for a film like As I Witness, which calls us to consider the devastating effects of conflict on our collective human experience. UNAFF is one of the oldest documentary film festivals in the U.S., and it continues to serve as a platform for stories that tackle critical global issues—stories that resonate far beyond the screen.

Pamela’s work is a prime example of how documentary filmmaking can drive conversations about empathy, justice, and our shared responsibility as global citizens. During our conversation, Pamela reflected on her motivations for creating this powerful film and the impact she hopes it will have on audiences, encouraging them to engage in meaningful dialogue about the cost of war and the need for peace.

If you’re passionate about human rights, storytelling, or simply seeking to better understand the world through a lens of shared humanity, you won’t want to miss our interview and Pamela’s film. The 27th UNAFF runs from October 17th to 27th, with screenings at Palo Alto, East Palo Alto, San Francisco, and Stanford University.

Tune in to hear Pamela’s insights, learn more about her artistic journey,

1 year ago

15 minutes 54 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

San Francisco Carnaval and Dr. Rigoberta Menchu Tum

Today, we conversation with Rodrigo Duran, the Executive Director of Carnaval San Francisco. Rodrigo Ehecatl Durán, a proud San Franciscan and the son of Mexican immigrants, and he had work for years to BIPOC cultures in the city. Armed with a Bachelor’s in Communications from UC San Diego and a Master’s in Public Administration from San Francisco State University, with a focus on Nonprofit Management, Rodrigo leads the charge in making Carnaval San Francisco the biggest and most vibrant multicultural bash in California. He is also a Commissioner for the city for the Human Rights Commission , one of 11 appointed by the Mayor to represent the diverse human rights interests of the City of San Francisco.

Carnaval San Francisco isn’t just big community party; it’s about honoring the rich tapestry of Latinx, Caribbean, and African Diaspora cultures that make San Francisco sparkle. Through dance, music, art, and community education, they create spaces where diversity isn’t just celebrated—it’s cherished. It started as a local representation of the international Carnaval, on fat Tuesday, but with the weather impediments of February in San Francisco, evolved in to a beginning of summer tradition, with its own personality.

Now in its fourth decade, Carnaval San Francisco isn’t showing any signs of slowing down. It’s a melting pot of creativity where cultures collide in a beautiful explosion of expression.

Cultura y Arte Nativa de las Americas (CANA), is the powerhouse behind Carnaval San Francisco. In the last year they have secured funds from the National Institutes of Health Community Partnerships to Advance Science for Society (ComPASS). Their project, “Somos Esenciales: Community Revitalization and Health Through Arts and Entrepreneurship,” is a game-changer. By blending CANA’s cultural know-how with UC’s research muscle and the support of community partners like Friendship House and the Mayor’s Office, they’re revolutionizing health equity and community development in the Mission District. To mark the opening of CANA, this year theme for the carnival is to “Honor Indigenous Roots”, and its Grand Marshal is Dr. Rigoberta Munchu Tum.

Dr. Rigoberta Munchu Tum is the 1992 Nobel Peace Prize Laureate of 1992, as the Grand Marshal. Menchu is a women activist from the indigenous Quiché Maya group on Guatemala, who fought for the rights of indigenous people, involved in social reform activities, the working conditions of her community, and the environment, where later she became prominent in the women’s rights movement.

Today she has been granted many international peace awards and is part of many committees. The money from her prize founded the Rigoberta Menchú Tum Foundation,

1 year ago

28 minutes 51 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Santa Clara County Office of Education Engaging Community

Today we have a conversation with Dr. Mary Ann Dewan, Superintendent of the Santa Clara County Office of Education (SCCOE).

Dr. Mary Ann Dewan, the Santa Clara County Superintendent of Schools, has served in education for over 33 years. Her work in education reform and change leadership is grounded in her commitment to serve the community and underserved, vulnerable youth and a mission that is centered around diversity, inclusion, equity, and social justice. Dr. Dewan is a strong advocate for the expansion of early learning services, health, and education, and believes in providing each and every child opportunities that promote high quality, equitable, and inclusive experiences.

The Santa Clara County Office of Education (SCCOE) is a regional service agency that provides instructional, business, and technology services to the 31 school districts of Santa Clara County. They directly serve students through special education programs, alternative schools, Head Start and State Preschool programs, migrant education, and Opportunity Youth Academy. The SCCOE also provides academic and fiscal oversight and monitoring to districts in addition to the 21 Santa Clara County Board of Education authorized charter schools.

The Office of the Superintendent provides support to the County Office, school districts and other educational agencies. Our staff provides data and statistics, evaluation, research analysis, internal audit services, and planning and support services to the SCCOE, school districts and other agencies in the realm of education.

They are always open to the community, and showcase new events for students in public education. One of them is the incoming “Power of Democracy” “Power of Democracy: Civic Engagement Initiative” is a multi-sector coalition facilitated by the Santa Clara County Office of Education. The Initiative is designed to foster an understanding of the structures and processes of our democracy, share resources and best practices, encourage informed and multifaceted civic participation and build stronger communities.

Another is the Environmental Literacy Summit 2024. The Santa Clara County Office of Education is hosting our 3rd Annual Environmental Literacy Summit on Saturday, April 27, 2024 from 9:00 am – 3:00 pm. This year’s theme is Buiding Climate Resiliency Togther, and will focus on the key themes of reducing our impact, supporting healthy school communities, and providing environmental and climate literacy education.

Listen to the show to get more details about this and more of the SCCOE programs, and more about the County Office of Education.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting.

1 year ago

51 minutes 25 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Las Voces De Mexico at the Golden Gate

Today, I had the pleasure of sitting down for a chat with Maestro Urs Leonhardt Steiner, a musical maestro whose journey spans continents and cultures. Originally from the quaint town of Chur, Switzerland, Steiner’s musical roots run deep, having studied at esteemed institutions like the University of Tübingen and the San Francisco Conservatory of Music.

Under the guidance of luminaries such as James Wimer and Gustav Meier, and rubbing shoulders with legends like Andre Previn and Leonard Bernstein in masterclasses, Steiner’s musical education is as rich as it is diverse.

But it doesn’t stop there. Steiner’s own compositions, notably the operas “Il Secondo Settenio” and “Return of the Phantoms,” have garnered praise both at home and across the pond. Leading the Golden Gate Symphony Orchestra in captivating performances, Steiner’s baton has danced across stages from Europe to Central America.

Under the guidance of luminaries such as James Wimer and Gustav Meier, and rubbing shoulders with legends like Andre Previn and Leonard Bernstein in masterclasses, Steiner’s musical education is as rich as it is diverse.

But it doesn’t stop there. Steiner’s own compositions, notably the operas “Il Secondo Settenio” and “Return of the Phantoms,” have garnered praise both at home and across the pond. Leading the Golden Gate Symphony Orchestra in captivating performances, Steiner’s baton has danced across stages from Europe to Central America.

Today, he is following a deeper mission, colliding Steiner and the Golden Gate Symphony Orchestra & Chorus (GGSOC). Their aim? To use the power of classical music to unite communities and kindle a love for the arts. Through accessible performances and educational outreach, they’re breaking down barriers and sharing the joy of music with all who will listen.

He comes today to tell us more about his next concert “¡Las Voces de México!.” It’s a musical journey south of the border, featuring iconic pieces like Copland’s “El Salón México” and Moncayo’s “Huapango,” alongside the world premiere of “Indigenous Symphony” by Oaxacan composer, Carlos Pazos. Add in some infectious danzones from San Francisco’s own Anthony Blea Afro Cuban Sextet and a lively Mariachi Sing Along, and you’ve got the recipe for a perfect Sunday afternoon.

“¡Las Voces de México!” isn’t just about music; it’s about inclusion. It’s part of the Golden Gate Symphony’s Beyond the Border Walls Initiative, which aims to open up the world of classical music to all, providing hundreds of free tickets to every event. So, come join us as we celebrate the universal language of music and break down barriers, one note at a time.

As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our Show more...

1 year ago

10 minutes 54 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Panel on Public Education

Today, we are privileged to host a panel discussion on Public Education, broadcasting live from Stanford University. Our focus centers on the pivotal role of public education as the cornerstone of equality and the linchpin of democracy’s future.

For that, we are honored to welcome some guest: Dr. Mary Ann Dewan, the Superintendent of the Santa Clara County Office of Education (SCCOE); Albert Gonzalez, President of the California School Boards Association; and Jessica Speiser, President of the Santa Clara California Latino School Boards Association (SCCSBA). Throughout our discussion, we aim to explore the significance of targeted groups in public education.

Dr. Mary Ann Dewan,

The Santa Clara County Superintendent of Schools has served in education for over 33 years. Her distinguished work in education reform and change leadership is grounded in her commitment to serving the community and underserved, vulnerable youth and a mission centered around diversity, inclusion, equity, and social justice. A strong advocate for expanding early learning services, health, and education, Dr. Dewan believes in providing every child with opportunities that promote high-quality, equitable, and inclusive experiences.

Dr. Dewan has served in a variety of leadership roles, which have led to several local and state recognitions, including the Santa Clara County Board of Supervisors Commendation in 2019, the California Association for Supervision and Curriculum Development (CASCD) Outstanding Instructional Leader Award, the Santa Clara County Board of Supervisors President’s Medal for Exemplary Service During the COVID-19 Pandemic in 2020, and the 2021 Region 8 ACSA Superintendent of the Year Award.

Albert Gonzalez

President of CSBA, Trustee of Santa Clara USD

Albert Gonzalez is a Santa Clara Unified School District board member and the Region 20 Director of the California School Boards Association, representing Santa Clara County. Gonzalez was elected to the Board of Directors of CSBA in 2014 after serving as a Delegate since 2010. Gonzalez has served on CSBA’s Legislative Committee since 2012 and has been a board member with Santa Clara Unified since 2008.

Gonzalez attended California Polytechnic State University (Cal Poly), San Luis Obispo, and works in Silicon Valley. An avid soccer fan, Gonzalez has coached in youth soccer leagues and is a certified United States Soccer Federation referee.

Jessica Speiser

She is the president of the SCCSBA and a member of the LASD Board of Education. She is also a Wellesley College alumni, Class of 1997, who later graduated from UC College of the Law, San Francisco, Class of 2004, and was admitted to The California State Bar on 12/1/2004

She worked as a criminal research attorney for the County of San Mateo Superior Court, and one of her most recent positions was Chief Outreach Officer for VoterCircle (now Outreach Circle)

As a public official, in 2012, she became VP of Fundraising and joined the Los Altos Educational Foundation. In 2013, Speiser became the Executive VP of the PTA. Later, after much local educational work, she helped run the successful Measure GG parcel tax campaign for her district schools.

In late 2016, she ran for election to the Los Altos School District Board of Trustees and joined the Board in December 2016. From December 2018 to December 2019, Speiser served as the LASD Board of Trustees Board President,

1 year ago

Atenea Americana - by Stanford Hispanic Broadcasting

Latino Giving Circles, Empowering Community

Today we are talking with Anais Amaya, from the Latino Community Foundation to talk about the Latino Giving Circles. As the Director of LGCN, Anais plays a crucial role in advancing the strategic expansion of Latino Giving Circles in Southern California for LCF. Having recently relocated her family to Los Angeles, she also embarked on the entrepreneurial journey of launching her business, Raices, dedicated to supporting indigenous artisans in Mexico.

Before her tenure at LCF, Anais earned the prestigious Heroes and Hearts Award from the San Francisco General Hospital Foundation. This accolade recognized her outstanding contributions as the program manager of the ZSFG Health Advocates. In this role, she led a multi-lingual program that actively screened patients to identify and address their social determinants of health by connecting them with the appropriate community resources.

The Latino Giving Circle Network encompasses a diverse array of individuals from various walks of life, spanning generations such as Baby Boomers to Millennials, and encompassing professionals ranging from CEOs to emerging talents. Inclusivity extends beyond nationality, encompassing both immigrants and US-born individuals, as well as Latinos and non-Latinos alike. Within this network, each participant has the opportunity to harness our collective influence, contributing to the growth of our community and fostering personal and civic leadership development. With over 500 Californians having joined this network, together, we exemplify the transformative power of generosity, cultural richness, and people-driven social change.

Participating in a Giving Circle provides an ideal platform to collaborate with leaders and organizations at the forefront of community-driven solutions, engaging in local civic action alongside like-minded individuals. The Latino Community Foundation (LCF) and its Latino Giving Circles (LGC) currently has more than 20 active circles, with new circles launched annually.

LCF realizes its mission by fostering a movement of actively engaged philanthropic leaders, directing investments towards Latino-led organizations, and amplifying the political involvement of Latinos across California.

LCF initially emerged as an affinity group under the United Way of the Bay Area, aiming to boost workplace donations to Latino organizations. In 2003, Sandra Hernandez, then President and CEO of The San Francisco Foundation (TSFF), transformed LCF into a supporting organization of TSFF, ushering in new leadership and expanding its scope of work.

Under the guidance of Board Chair Aida Alvarez and Vice Chair Arabella Martinez, LCF embarked on a trajectory of growth. Later, the Foundation spearheaded numerous initiatives enhancing the health and well-being of countless Latino families in the Bay Area. By 2016, LCF transitioned into an independent statewide foundation with a dedicated mission to unleash the collective power of Latinos in California. Positioned uniquely at the intersection of corporate, political, and grassroots influence, LCF cultivates and nurtures relationships, aiming to accelerate impact in unprecedented ways.

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1 year ago

20 minutes 20 seconds

Atenea Americana - by Stanford Hispanic Broadcasting

Dia de Los Muertos at San Francisco Symphony

The San Francisco Symphonic Orchestra will celebrate this Saturday, November 4th, the “Dia de los Muertos” concert in 2023. This special event will commemorate the Meso-American holiday, which honors the memory of loved ones who have passed away.

The orchestra will perform a range of pieces that reflect the theme of this important holiday, with a focus on MAYAN traditions this year, introducing new art and music and unique experiences with old traditions. There will be a mixture of music from traditional Mexican folk songs to classical compositions that explore the theme of life and death.

The Davis Hall lobby has been showcasing art installations and interactive experiences related to this event the whole month, and they will be there until Tuesday, November 7th.

Our conversation today is with the long-time curator of this annual event, Martha Rodríguez Salazar. She is a singer, a flute performer, a music educator, and a community organizer. She is a Mexican-born artist, a long-time San Franciscan who has been in charge of curating this event since 2008, bringing every year a unique experience and exploring different aspects of “Dia de los Muertos” traditions and history.

Miguel Harth-Bedoya conducts the San Francisco Symphony in the concert program, which includes music by Clarice Assad, Arturo Márquez, Alfonso Leng, Silvestre Revueltas, and Arturo Rodríguez. Vocalist Edna Vázquez also joined the symphony to perform a selection of songs. Dancers from Casa Círculo Cultural and performers from Canción de Obsidiana are featured throughout the concert.

Canción de Obsidiana was created in 1989 by its director, Victor-Mario Zaballa. The ensemble strives to create an atmospheric landscape of timeless sounds with original compositions incorporating traditional Mexican hand-made acoustic indigenous instruments and electronic musical instruments. The wind and percussion instruments are replicas of pre-Columbian pieces made by Mr. Zaballa from museum collections. The ensemble has performed at the Lincoln Center, Theater of the New City in New York, deYoung Museum, Mexican Museum, Intersection for the Arts, San Francisco Arts Commission Gallery, The Lab in San Francisco, Monterey World Music Festival, Tucson Museum of Art, and Oakland Museum.

SAN FRANCISCO, CA Performers attend SF Symphony Dia de los Muertos

Miguel Harth-Bedoya recently completed seven years as chief conductor of the Norwegian Radio Orchestra and 21 years as music director of the Fort Worth Symphony where he continues as music director laureate. He was previously music director of the Auckland Philharmonia and Eugene Symphony. Harth-Bedoya regularly appears with the Los Angeles Philharmonic, Chicago Symphony, Boston Symphony, Atlanta Symphony, Baltimore Symphony, Cleveland Orchestra, Minnesota Orchestra, New York Philharmonic, Philadelphia Orchestra, Helsinki Philharmonic, and Sydney Symphony. Recent engagements include the New Zealand Symphony, BBC Scottish Symphony, Munich Philharmonic, Dresden Philharmonic, Zürich Tonhalle Orchestra, Danish National Symphony, Royal Stockholm Philharmonic, NHK Symphony, and Tokyo Metropolitan Symphony. He makes his San Francisco Symphony debut with this concert.

Edna Vázquez is a fearless singer, songwriter, composer, and guitarist whose powerful voice and musical talent transcend the boundaries of language to engage and uplift her audience. She is a creative musical artist with a vocal range that allows her to paint seamlessly with her original material, an intersection of Mexican tradicional, rock, pop and other genres. Vázquez’s passion for music and performance grew from her bicultural roots and,

2 years ago

39 minutes 44 seconds