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Apologue Podcast
Apologue Productions
404 episodes
4 days ago
Musician and music business guests in a long form one on one conversation format.. Follow along as we meet new, interesting people!!
The show is hosted by Simon Head. A thirty year plus veteran working as a recording engineer, tour manager and sound man for cool Canadian bands like SNFU, Sum 41, Treble Charger and tons more.
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Personal Journals
Music,
Society & Culture,
Music Commentary,
Music History
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All content for Apologue Podcast is the property of Apologue Productions and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Musician and music business guests in a long form one on one conversation format.. Follow along as we meet new, interesting people!!
The show is hosted by Simon Head. A thirty year plus veteran working as a recording engineer, tour manager and sound man for cool Canadian bands like SNFU, Sum 41, Treble Charger and tons more.
Show more...
Personal Journals
Music,
Society & Culture,
Music Commentary,
Music History
Episodes (20/404)
Apologue Podcast
#399 APPALOOSA

Seattle four-piece APPALOOSA return September 4 with “Get It Together, Kid,” a bouncy, bittersweet blast of femme-led power pop. Rooted in punk grit and dressed in glam shimmer, the track showcases the band’s knack for tight arrangements, melodic punch, and emotional clarity. Their past releases have drawn praise from underground staples like Maximum Rocknroll and Razorcake, and “Get It Together, Kid” captures the same raw charm with a sharper melodic edge.



APPALOOSA began when singer and guitarist Erica Rose moved back to Seattle after six years in NYC’s punk and indie scenes. Just as she was preparing to start a family, she also began writing the songs that would become APPALOOSA. “I was pregnant with twins and couldn’t stop writing,” she says. “I knew exactly what I wanted this to be: melodic, loud, emotional, and real.” With Leif Anders on lead guitar, Kevin Voss on bass, and Ian Sides on drums, the group quickly locked in, combining raw energy with power pop precision and a garage-born sense of urgency.



“Get It Together, Kid” started out as something completely different. “It was five minutes long at first, more of a ballad,” says Rose. “But once we started playing it together, it wanted to be fast. It wanted to move.” The final version clocks in under three minutes. It is catchy, kinetic, and lyrically rich, exploring the strange contradictions of growing up and trying to hold it all together. “It’s about the ambiguity of being ‘mature,’” Rose says. “Whatever that means.”



APPALOOSA ONLINE



INSTAGRAM | SPOTIFY | BANDCAMP



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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4 days ago
48 minutes 22 seconds

Apologue Podcast
#398 Friendly Rich Marsella

Friendly Rich is a composer from Brampton, Canada.  Mr. Rich has composed background music for 3 seasons of MTV's The Tom Green Show.   Since 1994, he has recorded exclusively for his own eclectic record label, The Pumpkin Pie Corporation, and in Europe more recently by Hazelwood Records. Rich just completed his PhD in Music Education from the University of Toronto under the supervision of Dr. Lee Bartel.  His doctoral research was on musical playgrounds as a vehicle for community development.



Friendly Rich’s music has brought his toured to New York, Montreal, Vienna, Berlin, Frankfurt, Leipzig, and Prague.  In early 2008, Friendly’s music was released in Europe by Hazelwood Records, and the Lollipop People successfully toured there every year since then, playing such festivals as the Fusion Festival in Germany and the Balkan Fever Festival and Danube Festival in Vienna.  He has also presented The Lollipop People at several Canadian festivals including Guelph Jazz Festival, Festival International de Musique Actuelle de Victoriaville, Halifax Jazz Festival, Newfoundland Music on the Rocks and at the Western Front in Vancouver. 



Over the years, The Lollipop People have performed alongside such artists as Of Montreal, The Tiger Lillies, Trevor Dunn, and Amanda Palmer.      



Friendly Rich’s is set to release a new studio recording, Man Out of Time on the label, We Are Busy Bodies in 2023 followed by a European and Canadian tour.



Things are busy with Friendly Rich and The Pumpkin Pie Corporation, but as Friendly says, “one can either produce, or become produce”.  



Photo Credit - Jim Tobin



D I S C O V E RWebsite: http://www.friendlyrich.comBandcamp: https://friendlyrich.bandcamp.comInstagram: https://www.instagram.com/friendlyrichFacebook: https://www.facebook.com/friendlyrichTwitter: https://twitter.com/Friendly_RichYouTube: https://www.youtube.com/friendlyrichSpotify: https://open.spotify.com/artist/1SWneDpUI2N0Bz46xl1cg5?si=zo59VzLcR9mAZr6F_m9ksg



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1 week ago
42 minutes 20 seconds

Apologue Podcast
#396 Johnny Nails

Johnny Nails “Savor The Blood” will be fully available to you August 20th, 2025. It was a long time in the making and it’s been done for some time so I’m happy to see it coming out to the world. It was built and recorded during the middle of the pandemic. The songs, sounds, and vibes were influenced by anxiety and insanity but I hope the love pours through to you. 



I am an artist that thrives on studio energy. Did it feel good? Keep it. Was it perfect? Who cares?! But when you have a crew like I do first takes are THE TAKES sometimes. “Taking Tea with Crowley” (Side A) was TAKE #1!!! Much to some of our chagrin at first, but I think we are happy with it in the end. I knew it at the last note though it was the one and I can’t imagine it any different now. The album is full of these energies. The subject matter is all over the place. Light and dark. Fuck you. I love you. Goodbye. Hello. You’re a psychopath and it takes one to know one. 



Thank you to the amazing Andy King on Drums, Aldo Galatioto on guitars, Mike Sparks on Bass, Billy Stover on keys, Matt Bayles on engineering and mixing, and mastering by Ed Brooks. We all had our part in making this record what it is and I am super proud of the noises we ended up now sharing with the world. Truly one of my happiest times in the studio with this group of people. 



Thank you to my dear homie Radjaw for the radical album art, and Monique Robert for making us comfortable in front of the camera. 



Thank you to my current band: Mike Sparks, Billy Stover, Gregg Anderson, Jeff Grant for making the songs come ALIVE. 



The vinyl is now shipping so please purchase one on the Johnny Nails bandcamp link in the bio to show your support for indie labels and artists! 



D I S C O V E R



INSTAGRAM | SPOTIFY | BANDCAMP | WEBSITE | FACEBOOK



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: Show more...
3 weeks ago
58 minutes 40 seconds

Apologue Podcast
#395 Lillian King

Lillian King’s debut album In Your Long Shadow arrives October 24th via Pronounced Kroog, with its first advance single “Tiber Creek” landing August 26th. Written shortly after the passing of her father, “Tiber Creek” offers a haunting glimpse into the album’s emotional landscape, transforming a simple walk across Washington, D.C. into something expansive and meditative. Her father’s ritual walks to the hospital along the National Mall, past memorials, monuments, and the invisible flow of Tiber Creek buried beneath the city, anchor the song’s vivid imagery. Lillian’s voice, warm and mournful, carries a quiet intensity through every line, reflecting on place, memory, and the way certain moments linger long after everything else changes.



“Tiber Creek” also marks the beginning of Lillian’s collaboration with Spencer Krug, whose indie rock resume needs little introduction—Wolf Parade, Sunset Rubdown, Moonface. Krug, who rarely steps outside his own projects, connected deeply with Lillian’s stripped-back performances while on tour together in 2024. Signing her to his label, Pronounced Kroog, was instinctive. That rare co-sign lends weight here, but Lillian’s voice carries the story, elevated by her bandmates Robert Salazar (drums) and Nick DePrey (keys), with producer Jack Henry shaping the soundscape.



The track leans into mood more than spectacle: dusty drums, upright bass, and creaky piano lines swirl around Lillian’s singular vocal tone. The arrangement leaves room for quiet moments to land, capturing the bittersweet ache of mid-winter reflection. This is indie-folk at its most elemental, echoing the timelessness of Bill Callahan or Sharon Van Etten, but with a wind-whipped edge that’s entirely Lillian’s.



Photo Credit: Kirsten Southwell



LILLIAN KING ONLINE



INSTAGRAM | SPOTIFY | BANDCAMP



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://dis...
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1 month ago
41 minutes 32 seconds

Apologue Podcast
#394 Rob McLaren from Canvernous

Kelowna, BC  -  The Cavernous, a heavy psychedelic electronic duo from Kelowna, BC, are releasing their most unconventional project yet: Please Hold, a full-length concept album only accessible by calling a toll-free number. The album dropped July 28, 2025.



Dial 1-877-420-9159 and you won’t find a streaming link - you’ll be placed in a surreal hold sequence filled with lo-fi beats, ambient textures, dissonant soundscapes, and cryptic automated messages. It’s an experience equal parts soothing, uncanny, and existential.



While Please Hold is only available in full via phone, the lead single “Guile” will be released on major streaming platforms with an official video, offering a glimpse into the project’s eerie, immersive world. Built around a shifting tapestry of paranoia and tension, “Guile”showcases The Cavernous’ ability to blur the line between unsettling and sublime.



Known for their wall-of-synths setup and experimental ethos, The Cavernous (Rob McLaren and Jesse Barrette) draw sonic inspiration from HEALTH, Nine Inch Nails, and Mogwai’s electronic works. Please Hold pushes that further, weaving together washed-out electronica, eerie downtempo, and progressive synth odysseys into a nonlinear meditation on death, vulnerability, and the fractured calm of modern life.



Created over the winter of 2022–23, Please Hold was born out of asynchronous collaboration. McLaren leaned into the slow, liminal quality of looping improvisations, inspired by ambient comfort and the strange stillness of lo-fi music. Barrette added unpredictable rhythmic complexity, like the rare 15/8 time signature on “Quinze,” and sonic oddities - glass bottle percussion, banjo-synth hybrids, and distorted field recordings. Tracks like “Vitric” unfolds like a synthesizer-led funeral march, written the same week McLaren’s cousin and closest childhood friend was found after going missing.



The album’s narrative turns hauntingly personal as it progresses. In “Lo-finite,” an automated operator breaks the fourth wall, reminding listeners that they, too, are on borrowed time. Please Hold lulls the listener into a false sense of security before pulling the rug out, one dial tone at a time.



“It started as a joke about hold music,” says McLaren. “Then it became a meditation on death.”



Please Hold isn’t just an album - it’s a call you won’t forget.



To experience the album, dial:



1-877-420-9159



D I S C O V E R



Youtube: https://youtube.com/@thecavernous6344?si=jfAPcVd7axGwMoFYTikTok: https://www.tiktok.com/@the_cavernous?_t=ZM-8sY59HmBumz&_r=1Instagram: https://www.instagram.com/thecavernous?igsh=MXRkdGw3dDVhZTZvbA==Spotify: Show more...
1 month ago
1 hour 5 minutes 23 seconds

Apologue Podcast
#393 Stan Simon

With over 50,000 streams and a reputation for vivid, emotionally honest songwriting, Toronto-based folk artist Stan Simon returns with Narrow Bridge, a new EP set for release on July 9, 2025, through Slammin’ Media, distributed worldwide by Believe. Rooted in contemporary folk traditions and laced with elements of country and Americana, the EP weaves together themes of climate urgency, personal loss, and quiet resilience. Its title track (out June 4) leads the project with a tone that’s both defiant and hopeful, offering a powerful invitation to “cross that narrow bridge” toward awareness, accountability, and renewal. “It’s a passionate environmental and social call to action,” Simon says. “I wanted to write something that captures both the anger and the hope I feel about what’s happening in the world. About how we treat nature, each other, and ourselves.”



Written and recorded with longtime producer Dennis Patterson at Big Smoke Audio, Narrow Bridge takes a layered approach to reckoning. The vivid natural imagery in its title track (bleeding oceans, burning forests, mass extinction) is underscored by Simon’s frustration with “greenwashing” and political indifference. And yet, beneath the urgency lies a steady, unshaken belief in collective transformation. “We’re not beyond saving,” he adds. “The song is a reminder that renewal is possible, but only if we step into discomfort and choose to act.” That spirit of resolve and reflection runs through the entire EP, which Simon describes as “an invitation to disconnect from the noise and reconnect with the natural world, and with the deeper truths we all carry.”



Alongside its global outlook, Narrow Bridge offers unflinching personal moments, including the grief-stricken ballad “Long Way Past Gone,” written shortly before the passing of Simon’s father. “This song took on new meaning after he died,” Simon explains. “It’s about feeling far beyond the point of return. There’s numbness, resignation, and the sense of being broken in ways that can’t be fixed.” Using imagery like a cardinal’s song (often seen as a spiritual sign) Simon threads together mourning and metaphysical longing, evoking the empty quiet of spiritual collapse with poetic, weary precision. “I wanted to paint a picture of someone who is emotionally disconnected from life,” he says, “but also still reaching for meaning through the fog.”



D I S C O V E R



Website:https://www.stansimonmusic.com/Twitter:https://twitter.com/stansimonmusicInstagram:http://instagram.com/stansimonFacebook:https://www.facebook.com/stansimonmusic/Youtube:https://www.youtube.com/channel/UCDkystQkNOVQxtl51oWTYgQSpotify: https://open.spotify.com/artist/5FNVNpBAW998paHMVx3xLV


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1 month ago
45 minutes 13 seconds

Apologue Podcast
#392 Gail & Madeline Bury of the Prison Family Podcast

Born from a sense of discouragement that policies related to incarceration are slow to change and a recognition that a significant portion of the general public is unaware of the larger societal impacts that occur when someone is incarcerated – the harms to family and social circles, to children and to future generations.



What's it like to find out that someone you love has committed a crime, has hurt someone?  Not top of mind thinking for most people, unless you are a prison family member.  If you are, those thoughts intrude on pretty much every waking moment.  People that we love have harmed someone else.  That hurts.  They have also harmed us, emotionally, financially, sometimes physically.  



This series explores the impacts of incarceration on secondary victims - family members - who are innocent of any crime but are often victimized by the system that exists to punish the crime they didn't commit.



This podcast discusses the initial shock experienced by families when a loved one is incarcerated, in the true voices of family members.  It explores topics such as fear, shock, bias, loss, hope, hopelessness, security and lack of it.  Issues are explored more broadly with a number of subject matter experts.



MOMS Ottawa has been advocating for a more humane prison system for over a decade, in addition to support for female family members of incarcerated loved ones.  Pros and Cons Program helps create music in prisons to support healing, restorative justice, victim support, and education.  



Check them out at:  www.momsottawa.com prosandconsprogram.com



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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2 months ago
49 minutes 40 seconds

Apologue Podcast
#391 Carmen Toth

Carmen Toth is a Toronto-based singer-songwriter known for her hook-driven power pop, heartfelt storytelling, and retro-influenced sound. Drawing inspiration from artists like Stevie Nicks, Kate Bush, Cyndi Lauper, and Sheryl Crow, her music blends vulnerability with classic pop-rock grit.



Over the past two decades, Toth has evolved from solo acoustic sets and her early duo Social Potion into a fully realized indie artist, performing in both band and solo formats and building a loyal following through regular livestreaming. Her 2018 EP Safety Net, produced by Derek Downham, marked a shift toward a modern pop sensibility.



In 2020, Toth began work on her most ambitious project to date - Fix the World, an 11-song album co-produced with Joel Wasson and John Critchley (13 Engines). Featuring performances from members of The Discarded, Lowest of the Low, and Ace of Wands, the album captures Carmen’s growth as a guitarist and vocalist and cements her identity as a powerful voice in Canada’s indie rock and pop landscape.



D I S C O V E R



Facebook:https://www.facebook.com/CarmenToth111/Instagram: https://www.instagram.com/carmentoth111/TikTok: https://www.tiktok.com/@carmentoth111X: https://x.com/carmentoth111Youtube:https://www.youtube.com/carmentothWebsite: http://carmentoth.comBandcamp: https://carmentoth.bandcamp.com



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhtt...
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2 months ago
54 minutes 34 seconds

Apologue Podcast
#390 JESSICA, CHAD & OSCAR from GOMER

Gomer is a Toronto-based power punk band born during the 2020 pandemic. What started as a demo-swapping project grew into a full-force collaboration, with the lineup solidifying in 2024: Michael Hawco (bass), Chad Kerswill (vocals), Oscar Laguan (guitar), Jessica Fleming (guitar), and Andrew McMullen (drums). Their debut release, The Age of Gomer (2022), laid the foundation for their storytelling. But the band has since pushed their sound, energy, and songwriting further than ever. At the heart of Gomer is a character who embodies struggle, persistence, and the demand to be heard in a world not built for them. That hero is flawed but relatable, someone who continues to fight no matter the odds. Gomer’s next chapter begins with their EP The Rise of Gomer in September 2025, followed by their first full-length album Gomer Lives in early 2026. Both releases mark the band’s evolution into a sharper, louder, and more fearless force.



D I S C O V E R:FACEBOOKInstagramBandcamp



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends




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2 months ago
51 minutes 50 seconds

Apologue Podcast
#389 Maria, Christopher & Jordan of Acapulco Lips

Seattle’s Acapulco Lips return with Now, a full-length burst of fuzz, flair, and sun-scorched swagger, out July 14 digitally and July 18 on vinyl via Killroom Records. Their signature cocktail of psych, surf, and garage rock gets a sparkling refresh on this latest release, with thicker grooves, sharper hooks, and even more attitude. For over a decade, the band has been a staple of the Pacific Northwest underground, blending '60s girl group charm with blown-out guitar licks and reverb-drenched abandon. Now doesn’t mellow with age. It snarls with intent, while reaching into deeper emotional terrain than ever before.



From the woozy swirl of “Fuzzy Sunshine” to the frantic pulse of “The Flim-Flam,” the album crackles with restless energy and reckless cool. Maria-Elena Herrell’s vocals remain the radiant centerpiece, equal parts haunting and honeyed, while her basslines hold down the chaos with a melodic strut. Guitarist Christopher Garland lets loose in all directions, adding a tanpura drone here, a wild tremolo run there. Jordan T Adams joins on drums and percussion, bringing punch and personality, while Stefan Rubicz’s keys offer occasional glimmers of retro shimmer.



But beneath all the shimmer and fuzz lies a quiet meditation on time — how we lose it, spend it, waste it, and sometimes try to outrun it. “I’d say pretty much every single song on Now goes back to the theme of time,” says Herrell. “There’s an urgency that comes with understanding you can’t get it back, and you don’t know how much you’ll get.” That urgency pulses through tracks like “Everyday,” a frustrated observation of history repeating itself, and “Slowly Disappearing,” a slow-burning elegy for fading places and people. Written in part after seeing photos of the now-abandoned hospital where she was born, the song captures a feeling of slow erosion — of personal and collective memory — with a gentleness that suggests deeper loss. “It can feel like you are disappearing along with them,” she says.



D I S C O V E R



Instagram:https://www.instagram.com/acapulco_lips/Facebook:https://www.facebook.com/p/Acapulco-Lips-100063725072877/Spotify: https://open.spotify.com/artist/0k2Ypw0hHVRbZ0VVDCF84Y



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredShow more...
2 months ago
56 minutes 57 seconds

Apologue Podcast
#388 Matt Collyer of the Planet Smashers

The Planet Smashers return with “Things You Do,” the second single from their upcoming album On the Dancefloor, out August 22 on Stomp Records. Dropping August 8 alongside a new video, the track delivers everything fans have come to expect: big hooks, sharp horns, and the kind of bounce that turns a casual listen into a full-body groove. With a walking ska bassline that moves, drives, and shakes beneath melodic guitar chops and tight brass hits, “Things You Do” is a lean and memorable slice of ska punk at its best.



It’s one of the album’s catchiest cuts, channeling everything the Smashers have honed over the years into a punchy three-minute blast. The track is tight, upbeat, and unpretentious, the kind of thing that hits hardest when played loud. Like much of On the Dancefloor, it was written with the band’s famously wild live shows in mind: sweaty, horn-laced, and full of dancing bodies from the first note to the last.



Now three decades deep, The Planet Smashers show no signs of letting up. Since forming in Montreal in 1994, they’ve remained one of the most enduring and beloved acts in the global ska-punk scene. With over 30 million streams, hundreds of thousands of video views, and a touring history that spans North America, Europe, and Japan, the band has weathered every wave of the genre by sticking to what they do best. Founding frontman Matt Collyer also co-founded Stomp Records, helping build a platform for countless Canadian alt and punk acts along the way.



Photo credit: Michael Crusty



D I S C O V E RWebsite:https://planetsmashers.ca/Twitter:https://twitter.com/planet_smashersInstagram:https://www.instagram.com/theplanetsmashers/Facebook:https://www.facebook.com/ThePlanetSmashers/Youtube:https://www.youtube.com/@StompRecordsCanadaSpotify: https://open.spotify.com/album/2EN5cDuC39fYOqeKOpbKoJ?si=pPHiPAWKQ-KnY8-emEZiHw



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.
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2 months ago
55 minutes 9 seconds

Apologue Podcast
#387 Jason & Ryan from Hyperspace

What do the Goonies, Chewbacca, and Star Trek’s The Borg all have in common? They’re all nerdy pop punk songs released by the Atlanta based band, Hyperspace!Hyperspace is comprised of vocalist/guitarist Jason Kochis, drummer Ryan Paul, and bassist Kayvan Sarikhani who have been rocking out the southeast corner of the U.S. for a little over a decade.The geeky rock trio has performed at large and small venues alike, specifically ATL’s Star Bar, Criminal Records, multigenre convention DragonCon, and even embarked on a tour through Alabama, Tennessee, North Carolina, and Florida.In addition to live performances, Hyperspace has released 4 studio albums. Most recently, they celebrated their long-standing musical career with a remixed and remastered compilation album of their favorites, RetrogradeCheck out the new Album Distant Signals out on Sept 16 2025 on all streaming platforms known to the Universe.



Website: https://hyperspaceband.com/about.htmlFacebook: https://www.facebook.com/hyperspacebandInstagram: https://www.instagram.com/hyperspaceband/Bandcamp: https://hyperspaceband.bandcamp.com/track/lets-goSpotify: https://open.spotify.com/artist/0GxwtmgKkTFsexJAA0lfnwYoutube: https://www.youtube.com/user/Hyperspaceband/featuredTictok: https://www.tiktok.com/@hyperspaceband



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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3 months ago
1 hour 6 minutes 8 seconds

Apologue Podcast
#386 Steve Lewin of Beta Trip

Beta Trip, the new project from Toronto multi-instrumentalist Steve Lewin, announces his debut full-length album Superette, out September 26 on Having Fun, the rock imprint of We Are Busy Bodies. The first advance single, “Juliet,” lands June 13 and offers a high-energy introduction to Lewin’s matured sonic vision. Melodic, emotionally resonant, and firmly rooted in the atmospherics of Britpop and the grit of 90s alternative rock, “Juliet” kicks off a ten-track journey that bridges nostalgic textures with fresh perspective. It marks Lewin’s return to his roots under the Beta Trip moniker, drawing influence from Elbow, Radiohead, and Pearl Jam.



“Juliet” is a hook-heavy, propulsive alt-pop song that examines misguidance, both in others and in oneself, while leaning into themes of growth, perspective, and closure. With layered guitars, rich harmonies, and a melodic sensibility that balances grit and shimmer, the track brings a catchy collision of melody and drive. Though it carries the appearance of simplicity, “Juliet” was crafted over many years, performed for audiences across the world in varied ideations, but never recorded, until now. It finally came together amidst the reflection and recalibration that sparked Beta Trip, and in doing so, not only found its way onto Superette, but easily claimed itself as the lead single. The result sets the tone for an album that fuses introspection with anthemic energy.



D I S C O V E RInstagram:https://www.instagram.com/betatripbythegram/Label: https://wearebusybodies.com/



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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3 months ago
52 minutes 45 seconds

Apologue Podcast
#385 Sonny Vincent of Testors

Green Noise Records is proud to present Prime Primitive: 1976–1977, a vital archival release from legendary New York City punk band Testors, available May 30, 2025. Capturing the essence of the band’s earliest studio and live recordings, this LP offers a long-overdue look at one of the rawest and most uncompromising acts to emerge from the original NYC punk underground. Founded by Sonny Vincent in 1975, Testors took shape in the grimy backrooms and sweat-soaked stages of Max’s Kansas City and CBGB—two epicenters of the East Village scene that gave rise to the Ramones, Richard Hell, the Heartbreakers, and Television. Testors stayed firmly committed to the fire and fury of pure rock’n’roll, leaving behind a trail of scorched earth and unforgettable shows—including a tour with the Dead Boys that spread their chaotic energy nationwide. Far from lacking recorded material, Testors had a wealth of songs and studio sessions, but due to their fiery temperament and their desire to burn every bridge in sight they simply rejected the compromises demanded by record companies. Their often violent, stripped-down sound helped shape the American punk blueprint that thousands of bands would follow.



Testors erupted on the New York scene at the epicenter of the punk rock explosion. Absolutely one of the best raw, catastrophic, and shocking bands to ever grace the stages of Max's Kansas City and CBGB’s during the mid-70's punk heyday, Their incendiary sound consisted of dueling guitar noise and Sonny Vincent's street poetry. Testors created music that stands the test of time. Painfully delicate, unabashed, unrepentant, explosive, and savagely persuasive. Their earliest recordings are considerably tougher, louder and more desperate than any other music made at that time (or since) and after you let it latch onto your soul, you're forever indebted to New York's toughest, rawest, REALest punk band for the rest of your fucking life. It’s a crime against history that the Testors never got their due: a band like this could and should have changed everything.



Prime Primitive captures Testors the way they were meant to be heard—on vinyl, no CDs, no digital downloads, no AI. Just the real-deal slab,  in an exclusive silver foil jacket for true believers to have and to hold. Adding to the celebration, a newly unearthed video titled Testors – 1979—featuring rare 16mm footage of the band and candid backstage moments with Testors, the Dead Boys, and Johnny Thunders at Irving Plaza—will be available via the Green Noise Records YouTube channel. Directed and edited by Robert Luttrell, with words and music by Sonny Vincent, the video offers a raw visual snapshot of an era that refuses to fade.



Prime Primitive is a sonic time capsule of Testors at their most volatile and vital. Side A compiles nine of their early studio recordings from 1976–77—taut, feral tracks that hiss with desperation and attitude—while Side B delivers five ferocious live cuts that find the band tearing through their set with unhinged intensity. All tracks were newly remastered for this release by Timothy Stollenwerk (Stereophonic Mastering) in close collaboration with Sonny Vincent, ensuring maximum punch, grit, and clarity. Every song was written, arranged, and produced by Vincent, whose compositions and streetwise lyrics remain as bracing now as they were nearly fifty years ago. These aren’t just recordings—they're artifacts of a cultural explosion, finally given the fidelity and sequencing they always deserved.



D I S C O V E R



Bandcamp:https://sonnyvincenttestors.bandcamp.com/Instagram:https://www.instagram.
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4 months ago
53 minutes 49 seconds

Apologue Podcast
#384 Dainéal Parker of Lone Kodiak

Founded by Portland natives Dainéal Parker (vocals, guitars) and Daniel Alden (bass), the group found revelation with the inclusion of their drummer, Josh Harris. Drawing inspiration from iconic bands like The Cure, Hum, The Smashing Pumpkins, Explosions In The Sky, and Deftones, the group embarked on a creative journey during the pandemic, molding a distinct sonic identity that has marked them out as the next new act to watch.



Whether trying to nail down their sound or find another group as hardworking as them, the band stands alone as their namesake would against a barren backdrop. And, of course, the East LA outfit doesn’t fit in with the pomp and bluster of the Hollywood rock scene, unconcerned as they are with clout, glory, or grandeur.



The quartet (with guitarist Ben Palmer squaring the circle) combines the grit of East LA with the sublime wildness of the Pacific Northwest – a group that is at once solitary, capable, dangerous, and self-assured



The band spent the pandemic crafting and honing their sound to a polish during the years of lockdowns and unrest the pandemic brought. What that is, or what to call it, is, again, not easy. “Grunge Renaissance”? “Post-Alt Rock?” Trying to classify them according to genre might earn the vague moniker of “alt-rock” or as far afield as “post-rock.”



Instead, their sound might be best captured by Parker’s vision for his lyrics. “I’ve always been fascinated with scale, majesty, immensity,” he muses. “I imagine my own death would ideally either being lost at sea or in the forest.” Look no further than the band’s name for a prime example: “Lone Kodiak” evokes the grand intimacy of a powerful animal lumbering through a vast, unforgiving wilderness.



On an endless landscape, one can’t help but feel like everything is infinitely far away, and yet feels close enough to touch, looming distantly right in front of our eyes.



Band Photo credit: Lindsey Grace



Socials:Bandcamp: https://lonekodiak.bandcamp.com/album/if-we-have-a-futureInstagram: https://www.instagram.com/lonekodiak/YouTube: https://www.youtube.com/channel/UCastW455utyE4BHi5YqUuXg/videosFacebook: https://www.facebook.com/@lonekodiakband/Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredShow more...
5 months ago
59 minutes 49 seconds

Apologue Podcast
#383 Manfred Sittmann of Elephants and Stars

In the ever-evolving landscape of rock music, where authenticity often takes a backseat to fleeting trends, Elephants and Stars emerge as a beacon of genuine artistry. Hailing from Canada's Golden Horseshoe region, with roots deeply embedded in both Hamilton and Toronto, this quartet crafts music not out of obligation, but from an intrinsic need to express, connect, and resonate.​ The Genesis of Elephants and Stars At the heart of Elephants and Stars lies the enduring partnership between singer-guitarist Manfred Sittmann and bassist Mike MacMillan. Their musical journey began in the early 2000s with the formation of Soap Opera, a band that quickly garnered attention and secured a deal with Bullseye Records, leading to the release of two albums: Poised and Welcome to the Tangiers. Not content to rest on their laurels, the duo ventured into new sonic territories with The First Time. Their 2004 debut, It's On, produced by the esteemed Warne Livesey (known for his work with Midnight Oil and Matthew Good), was a faster, heavier evolution of their previous pop-punk sound. The album's acclaim was underscored when it clinched the Best Punk Record at the 2005 Toronto Independent Music Awards, with singles like "Goodbye Harlowe" and "New Day Dawning" receiving widespread radio play and television licensing.​



A Sound That Resonates Elephants and Stars are not just another band in the crowded rock scene. Their music is a testament to maturity, experience, and a profound understanding of the genre's roots. Eschewing the typical grind of endless touring for minimal returns, they focus on delivering performances that matter—sharing stages with luminaries like Television's Richard Lloyd, Against Me!'s Laura Jane Grace, and indie legends Lowest of the Low. Such collaborations not only elevate their profile but also place them in front of audiences that appreciate depth, nuance, and authenticity in music.



'Under The Earth And Above Heaven' February 2025 marked a significant milestone for Elephants and Stars with the release of their album, Under The Earth And Above Heaven. Produced by the legendary Ian Blurton, the album is a masterclass in blending high-energy rock with heartfelt lyricism and anthemic melodies. The lead singles, "The Ceiling" and "Strangers on a Train," have already captivated listeners, showcasing the band's knack for big hooks and guitar-driven energy. Blurton's production amplifies the band's dynamic range, resulting in what many critics hail as their most powerful release to date.​



The album's title carries a unique backstory. After sharing a stage with Richard Lloyd of Television, Sittmann was inspired by Lloyd's autobiography. "We got the title from the Richard Lloyd (Television) autobiography after we played a show with him last year," Sittmann recalls. "When I told him we were thinking of using the title, he thought it was a great name—and that was pretty much that." ​



Critical Acclaim and Audience Reception The release of Under The Earth And Above Heaven has been met with widespread acclaim. Cashbox Canada highlighted the album's fusion of high-energy rock and heartfelt lyricism, noting that it marks an exciting evolution for the band. Similarly, Dropout Entertainment praised the album as a bold new chapter, emphasizing its anthemic melodies and raw, heartfelt lyricism. ​



A Commitment to Authenticity What sets Elephants and Stars apart is their unwavering commitment to authenticity. They eschew the trappings of the modern music industry, choosing instead to focus on crafting songs that resonate on a deeper level. Their approach is evident in their recording process, opting for old-school studios and seasoned producers like Ian Blurton to capture the raw essence of their sound. This dedication ensures that each track is not just heard but felt,
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7 months ago
1 hour 14 minutes 43 seconds

Apologue Podcast
#382 Derek Downham

Derek Downham is an award-winning songwriter/producer. A formidable multi-instrumentalist, Derek has recorded and played live/toured with many of Canada's finest bands and artists.



He has performed/recorded/written with (in no particular order): The Beauties, Gordon Downie, Don Felder (of The Eagles), Broken Social Scene, Andy Kim, James Burton, Albert Lee, July Talk, Alex Lifeson, Serena Ryder, Sarah Slean, Nels Cline, Redd Volkert, Cindy Cashdollar, Junior Brown, Kellie Loder, Jim Cuddy, Whitehorse, Sam Roberts, Lights, Paul Pigat, Amos Garrett, Brent Mason, Julian Taylor, Jeffery Straker, Freeman Dre, Hayden Neale, Sloan, Jason Collett, Kim Stockwood, Jully Black, Jeen O'Brien, Amy Millan, Colin Cripps, Ron Sexsmith, Justin Rutledge, Rik Emmett, Jeff Healey, Emm Gryner, Damhnait Doyle, Holy F*ck, Beans, Elliott Brood and many more.



Contact Derek:Website: https://www.derekdownham.com/Facebook: https://www.facebook.com/derekdownham/Instagram: https://www.instagram.com/derekdownham



This Episode is brought to you by..Go to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .https://www.youtube.com/@simonhead666



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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8 months ago
1 hour 10 minutes 30 seconds

Apologue Podcast
#381 Ben from The Real Sickies

Edmonton’s pop-punk powerhouse Real Sickies are set to release their fifth full-length album, Under a Plastic Bag, on March 14, 2025, via Stomp Records. The album’s first advance single, “Triage,” is out now, offering an electrifying glimpse into the band’s knack for blending raw punk energy with sharp, melodic hooks. Known for their relentless touring and infectious anthems, Real Sickies have cemented their status as a standout act in the global punk scene, with even Billie Joe Armstrong of Green Day calling them his favorite Canadian punk band.



“Triage” embodies the chaos and resilience central to the band and their new album. Inspired by a harrowing car accident Ben Disaster and his family survived after returning from a European tour, the track reflects a surreal mix of panic and perseverance. After their car flipped on black ice, Ben and his wife emerged unharmed, finding their dogs casually on the highway. “As much as we wanted to go home, we went ice fishing as the shock wore off,” Ben recalls. This experience fueled the song, which took shape under producer Joshua Wells. “Josh really helped bring it to life. It wasn’t complete until we let it out in the studio—it’s chaos, but real. It asks, ‘What do you fix first?’” The accompanying video, directed by Jesse Nash, adds frenetic creativity with miniature models handcrafted by Ben, including a matchstick airplane and a glitter-covered Titanic. “It was so much fun,” Ben says. “Alvin and Snobs—our two stars—were tough but nailed it. The process also made me reflect on the album’s environmental themes. We documented it all to avoid repeating it. The video is a deep dive into the psyche, asking again, ‘What do you fix first?’”



This new album also marks a shift in the band’s sonic landscape, embracing new wave, power pop, and indie influences. The band recorded with renowned producer Josh Wells (Autogramm, Black Mountain), who is known for using classic gear and recording equipment to capture the true essence of these genres. Wells’ stamp is all over the album, shaping its sound with his meticulous approach to creating authentic new wave textures and power pop hooks. Discussing the first single, Wells said, “This song reminds me, at first, of being on adderall. Random thoughts, itchy eyes, the urge to rock really fast. But then, the song settles into a sick, focused motorik jam. Here we get some alien percussion floating down from another universe to join in and rocket ahead. For a moment, the human jam fuses with the aliens, but then the relationship deteriorates, the humans get mad and break out, the whole thing ending with a total meltdown.”



D I S C O V E RBandcamp: https://realsickies.bandcamp.com/Instagram:https://www.instagram.com/realsickies/Youtube:https://youtube.com/stomprecordscanadaLabel: https://stomprecords.com/bands/real-sickies/Facebook:https://www.facebook.com/@therealsickies/Spotify:Show more...
8 months ago
56 minutes 19 seconds

Apologue Podcast
#380 Gerry Plant

Gerry Plant was introduced to me by his niece Emma who was on the show two episodes ago. Gerry is an interesting person who didn't come on the show to promote anything. he came on the show to have a conversation. And that's pretty much what the show is all about. Good chats and a few laughs. Come to think of it, that would be a great name for the podcast. oh well! Enjoy the Episode and the conversation!



This Episode is brought to you by..Go to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .https://www.youtube.com/@simonhead666



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
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8 months ago
1 hour 31 minutes 50 seconds

Apologue Podcast
#379 Stephen Stohn

"Stephen Stohn is one of the architects of the current Canadian star system. He is also its most committed champion, so proud of the creative class we have here in Canada, and yet so humble about his own contribution to our vibrant creative community. From k.d. lang to Drake, from 'Black Velvet' to Degrassi, he's telling the stories  —  as a mentor, as a visionary, and, above all, as a dedicated fan who recognises the value of Canadian talent and who has built a career out of making sure that that talent is recognised around the world."



 —  Elaine Lui, founder, LaineyGossip.com



By Nick KrewenSpecial to the Star



He’s the chancellor of Trent University, an Order of Canada member, a former top entertainment attorney to the stars and has served as executive producer for most of the run of the “Degrassi” TV franchise.



And at 76, Stephen Stohn just added a new accomplishment to his impressive résumé: recording artist.



As GTA Rhythm Section, Stohn, who acted as producer, arranger and conductor, and several musicians — including Matthew Jardine, singing son of charter Beach Boys member Al Jardine — will release a six-song EP called “The Orange Sessions” next month that includes “Opus 42 — Ode to Summer,” a nine-minute track that came to Stohn in fragments while he slept (and was released Dec. 1).



Website: https://stephenstohn.ca/Spotify: https://open.spotify.com/artist/1D3D14r6869nlKp917qXdJ?si=adtj7xU7Q_-kiMqUsKpBIQ



This Episode is brought to you by..Go to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial



Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .https://www.youtube.com/@simonhead666



Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop
Show more...
9 months ago
59 minutes 10 seconds

Apologue Podcast
Musician and music business guests in a long form one on one conversation format.. Follow along as we meet new, interesting people!!
The show is hosted by Simon Head. A thirty year plus veteran working as a recording engineer, tour manager and sound man for cool Canadian bands like SNFU, Sum 41, Treble Charger and tons more.