Cabo Verde (aka Cape Verde) has long been known as a music powerhouse. Despite its little size (population: 500,000), the West African archipelago is the third largest country in music sales in the “World” market by some estimations. That’s why the island has become home to the Atlantic Music Expo: a trans-oceanic music fair featuring conferences and concerts that attract musicians and industry professionals from across the globe. In this episode, Afropop takes a visit to the islands and the Expo to check out what’s going on today with Cape Verdean music. We hear from talented new singer-composers Dino D’Santiago and Ceuzany, check out high-energy funana from Ferro Gaita and Ze Espanhol, and sample other tasty musical fruits from the islands that created Cesaria Evoria. Produced by Marlon Bishop APWW #687

Since the 1960s in Jamaica, iconic figures such as Bob Marley have gathered in backyards to write reggae anthems that conquered world charts. The yard remains a cornerstone in Jamaican culture. Musicians withdraw from the violence of the city to create and play songs in their yards. In Jamaican patois, “mi yard” means “my home,” and many songs, proverbs and colloquialisms hinge on the word “yard.” More even than the music itself, the yard evokes a state of mind and a physical space wherein artists create amid the warmth of acoustic sound, raw emotion of voices and a collective energy. In this program, we move yard to yard in Jamaica, listening to acoustic music being written and recorded, smelling trees and flowers, and meeting legendary artists like Ken Boothe, Winston McAnuff, Cedric Myton of the Congos, Kiddus I, Robbie Lyn, Viceroys, or Nambo Robinson, as well as a number of young and emerging reggae artists like JAH9, Var, and Derajah, who grew up and found their artistic voices in ghetto yards. You've never heard Jamaica sound like this before! Produced by Elodie Malliot APWW #753

Join us on a musical adventure into the storied past of Africa's Rainbow Nation. In 2016, 20-plus years removed from apartheid, South Africa was a nation deep in transition. And, that was reflected in its music—brimming with enthusiasm and creativity, yet also suffering from the growing pains of a new democracy. On the ground at the 2016 Cape Town International Jazz Festival, we celebrate the country's amazing diversity and discover its hottest local talent: Mafikozolo, the sizzling fashionista Zulu pop duo; Tribute “Birdie” Mboweni, a soulful and socially conscious songbird from the rural north; Gigi Lamayne, a fresh voice from hip-hop’s "born-free" generation; Bokani Dyer, a worldly jazz-cat on 88 keys; and Derek Gripper, a Capetonian guitarist virtuoso making us rethink African classical music as a whole. Produced by Sarah Geledi and Simon Rentner APWW #732

Musicians create worlds of their own. They are sonic alchemists. This program, originally produced in 2007, surveys a wide range of artists from throughout the African diaspora, artists with this special ability to spin out their own realities. We hear classic work from Basssekou Kouyate, Habib Koite, Youssou N'Dour, Konono No 1, The Assad Brothers, Dee Dee Bridgewater, and we hear many of them speak about their work. The Malian artists are particularly poignant, as they speak from a time before the turmoil that has enveloped the country since 2012. APWW #539 Produced by Banning Eyre.

It turns out that the first American city to host a roster of local African bands was not New York, Miami or Chicago, but the San Francisco Bay Area of northern California. Hugh Masekela brought Hedzoleh Soundz from Ghana, and they settled in Santa Cruz. Nigerian maestros O.J. Ekemode and Joni Haastrup lived in Oakland in the 1970s. South African musicians from the touring stage show Ipi Tombi also settled in the Bay Area and started the band Zulu Spear. By the early ‘80s, the Bay Area “worldbeat” scene was in full swing, and along with it came Kotoja, Mapenzi, Big City, the Nigerian Allstars and more. Join us for a tour through the sounds and stories of the Bay Area’s catalytic African music scene. Produced by Banning Eyre APWW #713

Bachata is a music of the people. Recalling the American blues, bachata was infamous as the anthem of the hard-drinking, womanizing, down-on-his-luck man, vilified as the entertainment of the brothels and the cabarets, and worshipped by the down-trodden poor as the deepest expression of their feelings. Today it is an international sensation. Alex Wolfe, director of the film "Santo Domingo Blues: The Story of Bachata" brings us live ambience and stories of bachata stars Luis Vargas, Antony Santos, Luis Segura, Adridia Ventura. Produced by Alex Wolfe.

On January 8, 1959, Fidel Castro and his ragtag army marched into Havana and proclaimed victory in the Cuban revolution. Much of the world knew Cuba primarily from its 1930 megahit "El Manicero" ("The Peanut Vendor") and from the mambo craze of the 1950's. After Castro came to power, the economic, political and cultural doors between Cuba and the U.S. would soon be shut. The doors opened briefly for tours by Cuban artists in the U.S. during the Carter and Clinton administrations. In this broadcast, we savor sounds from the pre-Revolutionary golden age of Cuban music that sets the scene for the international success of Cuban music. We illustrate how popular music in Africa and the Americas is not imaginable without the influence of Cuban music--copied and adapted on three continents. We'll hear the stories and rare recordings of such core styles as son - as well as luminaries like Beny Moré, Arsenio Rodriguez, Celia Cruz and the Sexteto Habanero; along with less well known artists. Produced by Ned Sublette APWW #65

This classic episode features Afropop Worldwide’s original live recordings of stellar artists Joe Arroyo (Colombia) in London, Paulina Tomayo (Ecuador) in Quito, Los Muñequitos de Matanzas (Cuba) in New York, Los Van Van (Cuba) in Havana, and Willie Colon in New York. Produced by Sean Barlow APWW #292

The first time Puerto Rican bandleader Willie Rosario heard the word salsa applied to the Cuban-style music he played was in Venezuela, where DJ Phidias Danilo first popularized it. Subsequently applied as a marketing tool by Fania Records in New York, the word quickly became a marker of Puerto Rican identity. We talk to the founding bandleaders of the genre -- Rafael Ithier (El Gran Combo), Quique Lucca (Sonora Ponceña), and Willie Rosario -- and presents immortal hits of early Puerto Rican salsa. Produced by Ned Sublette with José Mandry APWW #207

In this Hip Deep edition, Afropop producer Wills Glasspeigel heads to South Africa to reveal the story of the inimitable Hugh Tracey, a field recordist born at the turn of the 20th century in England. A wayward youth, Tracey found himself in Africa in the 1920s where he became fascinated with music from Zimbabwe. Tracey became a pioneer field recordist, making over 250 LPs of traditional African music for the Gallo label in South Africa. Like John and Alan Lomax in the US, Tracey was instrumental in preserving hundreds of songs that have since gone extinct. Glasspiegel speaks with Dianne Thram, director of Tracey library in Grahamstown, South Africa; Tracey's son Andrew, a musician and field recordist in his own right; Michael Baird, an expert on the Tracey catalog; and esteemed South African anthropologist David Coplan. We'll also head to Malawi to make a field recording of our own with the help of Malawian singer, Esau Mwamwaya. APWW #590

Islam's complex relationship with arts and culture across Africa, the Middle East, and Asia presents special paradoxes and intrigue in the realm of music. Islam has been used both to nurture and curtail musical expression. This program delves into the historic roots of this debate, all the way back to Baghdad in the early centuries of Islam. Case studies highlight sublime and ecstatic music from Iraq, Iran, Morocco, Algeria, Egypt, Pakistan and more. Author and Middle East specialist Joseph Braude discusses the history and issues with two Islamic scholars. (originally aired 2008) Produced by Banning Eyre APWW #561

The "Black Pacific" is a term coined by our guide, ethnomusicologist Heidi Carolyn Feldman. She describes the circumstance of African descendants displaced not only from their ancestral homes in Africa, but also from the Atlantic coast nations where their enslaved ancestors were originally brought. This Hip Deep edition explores the sonically vibrant realm of Afro-Peruvian music, a young genre identification that has flourished since the 1950s and has now produced artists of international renown, such as singer Susana Baca, and the black folkloric company Peru Negro. The music is sensuous and deeply beautiful, and represents a fascinating and little-understood history. We will hear from Juan Morillo, who represents Peru Negro, from Susana Baca, and from other artists and community scholars Feldman has worked with during her extensive research of this topic. Produced by Simon Rentner and Wills Glasspiegel APWW #558

On a return trip to Madagascar, we catch up with and hear new music from tsapiky maestro Damily, the “King of Salegy” Jaojoby, an exciting new duo starring Sammy of Tarika Sammy, Toko Telo and more. This music-rich edition is filled with entrancing and hard-to-find roots pop. In the wake of 2018’s hard-fought presidential election, Madagascar faces a new era with former DJ Andry Rajoelina at the helm. Word is his theme song was a major boost. We’ll hear it. We’ll also sample rare field recordings from this spectacularly musical and often overlooked Indian Ocean island. Produced by Banning Eyre. APWW #800

Nigeria is the undisputed powerhouse of African pop music. Call it Naija Pop, Afrobeats, Afropop or what have you. The likes of Burna Boy, Wizkid, Yemi Alade, Tiwa Savage, Olamide and Fireboy DML are giants on the scene. In this program we sample the latest from these and others - as well as action from the Afrobeat scene. We also speak with key artists in Nigeria and the U.S. about social activism among Nigerian artists regarding the 2020 EndSARS movement against police violence - an issue that sill exists today. Originally produced by Banning Eyre in 2020 APWW #825

Guinea's legendary dance band, Bembeya Jazz, are a pillar of modern West African history. Begun in 1961 in the flush of Guinea's independence and Sekou Toure's maverick presidency, the band played under the inspired leadership of guitar giant Sekou "Bembeya" Diabate. This program delves into Bembeya history with a focus on the band's 60s and 70s heyday, right up to more recent solo work by Sekou Diabate. In the current age of Afrobeats and digital production that is helping to supplant dance bands across the continent, Bembeya's music stands the test of time for its rich mesh of tradition and swing band drive. Produced by Banning Eyre APWW #427

In this episode, Afropop dives into a celebration of the blues--for some, the essence of the American experience and for others a link back into a lost history in Africa. For our program, we also went back through a number of key interviews we've done over the years where the subject of blues came up, particularly in reference to the genre's African roots. The notion that the blues has roots in Africa is obvious, but from there, things get complicated. Scholars and historians wrestle with the details, but for artists, the feel is everything. We are lucky to live in a time where musicians in America and Africa are retracing the pathways and making new music for a new time. Originally produced by Banning Eyre in 2003 APWW #421

Afropop’s Banning Eyre published his prize-winning biography of Thomas Mapfumo, Lion Songs, in 2015. In this episode, he visits the Lion of Zimbabwe at his home in Eugene, Oregon, to discuss new music, the current state of Zimbabwe and more. We hear from Mapfumo’s latest album, Ndikutambire, and sneak previews of works in progress. We also meet 24-year-old Mary Anibal of Harare, a super-talented mbira player, singer/bandleader following in Mapfumo’s footsteps. Subscribers to the Afropop podcast stream, might remember this special episode from last year. In honor of Thomas’ 80th birthday this month, we are pleased to now share it on the radio! Produced by Banning Eyre PA 018

"Nollywood - Nigeria's Mirror" takes us to Lagos, the third largest film industry in the world. Scholars Jonathan Haynes and Onookome Okome serve as guides as we negotiate the intricacies and eccentricities of Nollyood's past and digital future. Nollywood films dramatize key tensions in contemporary Nigerian life, such as the relationship between tradition and cosmopolitanism. Distributed through pirate DVD networks across Africa, the Caribbean and the Diaspora at large, Nollywood films are a global phenomenon - and we'll find out why. We'll also be joined by Christopher Kirkley of the Sahel Sounds blog, who transports us to northern Nigeria and into the electronic sound world of Hausa film music. APWW #646

The rumba and soukous of Congo-Zaire has infatuated listeners across the world for more than half a century. However, today in the neighborhoods of the capital, Kinshasa, there is a movement of musicians creating a new music that is at once more folkloric and rootsy as well as more innovative and cosmopolitan. Producer Nathaniel Braddock shares music and interviews from the months he spent in Kinshasa in 2024 working with musicians and instrument builders involved in creating new styles called "musique de recherche" or bofenia rock. PA 042

Grammy nominated ngoni virtuoso Bassekou Kouyate and his 8 piece band Ngoni Ba wowed the crowd at Lincoln Center in 2011. Ngoni Ba re-wired the ancient ngoni to create a dense, 21st century sound. We'll hear the concert and talk with Bassekou about hunters, his precocious son, and his future plans. We hear a very different take on the ngoni from Sidi Touré who made his U.S. debut at BAM in Brooklyn. Sidi Touré is from the legendary city of Gao in northern Mali, the seat the ancient Songhai empire. Then we go to Egypt to hear how artists from Port Said are making music for instruments that go back to the time of the Pharoahs. [Produced by Sean Barlow. Originally aired 11-09-2011] APWW #626