Robert “Kool” Bell is more than just a name in music history — he’s the steady heartbeat behind one of the most enduring funk, soul, and R&B bands of all time: Kool & The Gang.
Born in Youngstown, Ohio, Robert grew up in a musical household that would shape his destiny.
When the family moved to New Jersey, he and his brother Ronald Bell — later known as Khalis Bayyan — began experimenting with music as teenagers.
They first formed a jazz-influenced group called the Jazziacs in 1964, bringing together local friends who shared a love for tight grooves, horn-driven melodies, and improvisation.
As the '60s rolled into the ’70s, the Jazziacs evolved into Kool & The Gang — a name that reflected Robert’s cool, confident persona and the collective energy of the band.
Bell’s bass lines became the foundation of their sound: deep, rhythmic, and endlessly danceable. Their music didn’t fit neatly into one box — it was a fusion of jazz sophistication, funk grit, and R&B warmth. That genre-blending approach would prove to be their secret weapon in crossing musical and cultural boundaries.
Kool & The Gang’s early years were built on relentless gigging and honing their live performance skills. They became a powerhouse act on the club circuit before breaking into the mainstream with hits like “Jungle Boogie” and “Hollywood Swinging” in the early '70s.
Bell’s bass was front and centre, locking in with the drums to create the irresistible rhythms that would become the band’s trademark. By the late ’70s and early ’80s, Kool & The Gang had perfected their party anthem formula.
Songs like “Celebration,” “Get Down On It,” and “Ladies’ Night” became global smashes, cementing their place on dance floors around the world.
Robert “Kool” Bell wasn’t just the bandleader — he was its anchor. His leadership helped navigate the group through lineup changes, shifting musical trends, and the unpredictable turns of the industry.
While many bands faded after their initial burst of fame, Kool & The Gang adapted and thrived, appealing to multiple generations of fans. Their music found new life through sampling in hip-hop and R&B, exposing their grooves to entirely new audiences.
Recognition came in waves. Kool & The Gang earned two Grammy Awards, seven American Music Awards, and were inducted into the Songwriters Hall of Fame.
They’ve sold over 70 million albums worldwide, and their tracks have been featured in countless films, commercials, and TV shows. Through it all, Robert “Kool” Bell remained a visible and active figure, still performing live well into the 21st century.
Bell’s nickname “Kool” wasn’t just a stage name — it reflected his calm presence, stylish demeanor, and ability to keep the band grounded.
Off stage, he’s been involved in philanthropic work and entrepreneurial ventures, including a line of French wines inspired by his international travels. Yet, no matter the project, music has always been at the core of his life.
Today, Robert “Kool” Bell stands as a symbol of endurance in the music industry. From basement jam sessions in New Jersey to sold-out arenas around the globe, his journey is one of passion, persistence, and an unshakable groove.
Kool & The Gang’s catalogue continues to inspire — not just because of the songs themselves, but because of the spirit Bell infused into every note. His story is a reminder that true legends aren’t just made by hits; they’re made by the dedication to keep the music alive for decades.
For fans, Robert “Kool” Bell isn’t just the man who played the bass — he’s the reason Kool & The Gang has remained one of the most celebrated bands in funk, R&B, and soul history.
And as long as there’s a party to start, a dance floor to fill, or a crowd to move, you can bet that somewhere, Robert “Kool” Bell will still be laying down the groove.
I hope you'll enjoy our chat today with Robert 'Kool'Bell.
If you're a fan of classic rock, there's no escaping the unmistakable sound of Neal Schon, the legendary guitarist and founding member of Journey.
With a career spanning over five decades, Schon’s soaring guitar solos, emotional phrasing, and rock-solid riffs have helped define generations of music fans.
From his early days with Santana to global superstardom with Journey and beyond, Neal Schon remains one of the most respected and enduring figures in the world of rock and roll.
Born in Oklahoma and raised in the San Francisco Bay Area, Neal Schon was surrounded by music from day one. His father was a jazz saxophonist, his mother a singer — so it was no surprise when Neal picked up the guitar at just 10 years old. By the time he hit his teens, he was playing with the kind of precision and passion most guitarists spend decades trying to master.
At 15, Neal made rock history by joining Santana, turning down an audition with Eric Clapton’s Derek and the Dominos to do so.
Neal’s work introduced him to the world and shaped his unique blend of Latin-infused rock, blues, and jazz.
In '73, Neal and keyboardist Gregg Rolie left Santana to form a new band — one that would later become the rock giant Journey.
Originally intended as a jazz-fusion group, Journey’s early albums were adventurous and musically rich. Success came in '77 when Steve Perry joined the band. His soaring vocals paired perfectly with Neal's melodic guitar work, and Journey’s sound found its sweet spot: catchy, emotional, stadium-ready rock anthems.
Neal’s riffs and solos became the soundtrack of a generation. The album Escape alone went 9x Platinum and featured some of the band’s biggest hits — including that eternal anthem.
Of all the songs Neal has ever recorded, Don’t Stop Believin’ remains the crown jewel. It has become one of the most instantly recognisable songs in rock history. It took on a second life in the 2000s thanks to The Sopranos finale, Glee, and a million karaoke bars around the world.
Today, Don’t Stop Believin’ is the most downloaded digital song of the 20th century.
While Journey was (and is) Neal’s main gig, he’s never stopped exploring musically. In the mid-’80s, he formed bands with Sammy Hagar and later with John Waite and Journey’s Jonathan Cain.
Journey has seen its share of lineup changes, but Neal Schon has always been its heart and soul. Whether alongside Steve Perry, Steve Augeri, or Arnel Pineda, Neal’s guitar has anchored the band’s sound and kept fans coming back for more.
Journey released Freedom in 2022, their first album of all-new material in over a decade.
2023 marked Journey’s 50th anniversary, and Neal celebrated in style. The band embarked on their Freedom Tour, playing to sold-out arenas around the globe. Fans from every generation came out to hear the hits — and see Schon light up the stage with his signature Les Paul and fiery solos.
As of 2025, Neal Schon is still touring, still recording, and still pushing himself as a player. Whether he's performing Journey classics, exploring new musical territory, or collaborating with old friends, he remains a true rock icon.
With over 50 years in the industry, millions of records sold, and a legacy that spans generations, Neal Schon isn’t just part of rock history — he is rock history.
So next time you hear that soaring solo in Faithfully, that chugging riff in Any Way You Want It, or the unforgettable opening of Don’t Stop Believin’, tip your hat to Neal Schon — the guitar legend who made it all sing.
Few voices in rock history are as instantly recognizable as Allan Clarke, the co-founder and lead singer of the iconic British band The Hollies.
With a career that spans more than six decades, Allan’s soaring vocals, heartfelt delivery, and unforgettable harmonies have become synonymous with the golden age of classic rock and the British Invasion.
Known for timeless hits like He Ain’t Heavy, He’s My Brother, Long Cool Woman (In a Black Dress), and Bus Stop, Allan’s legacy as a rock legend is as vibrant today as it was in the 1960s.
He was born Harold Allan Clarke n Salford, England. As a child, Allan developed a passion for music, drawing inspiration from early rock ’n’ roll icons like Elvis, Buddy Holly, and Little Richard. His friendship with Graham Nash—who would later go on to fame with Crosby, Stills, Nash & Young—proved to be the foundation for one of the most beloved bands of all time.
In 1962, Clarke and Nash formed The Hollies, a name inspired by their mutual admiration for Buddy Holly.
The band’s signature sound, marked by bright guitar riffs, tight vocal harmonies, and Allan’s powerful yet soulful voice, quickly captured the attention of the British music scene.
By '63, The Hollies were signed to the same label as The Beatles.
The Hollies scored their first major hit with Stay in '63, but it was songs like Bus Stop and Carrie Anne that cemented their status as hitmakers. Allan Clarke’s voice was the emotional core of The Hollies, effortlessly blending pop sensibilities with the raw energy of rock.
One of Allan’s most defining vocal performances came with the release of He Ain’t Heavy, He’s My Brother in '69. Featuring a young Elton John on piano, the song became a global anthem of brotherhood and compassion.
In '72, The Hollies had another worldwide hit with Long Cool Woman , a track that still dominates classic rock radio playlists today.
While Allan's legacy is firmly rooted in his work with The Hollies, he also pursued a solo career, releasing several solo albums that blended rock, folk, and country influences.
Allan Clarke temporarily left The Hollies in '71 but returned in '73. His second departure in '99 marked what many assumed was the end of his career due to vocal health issues.
In 2019, he made a remarkable comeback with his album Resurgence. The project marked his first solo release in decades and proved that his voice still carried the same warmth and emotion that defined his early work.
Allan also collaborated with his old friend Graham Nash . His recent work bridges the gap between classic rock nostalgia and modern storytelling.
The Hollies, with Allan Clarke at the helm, have sold over 60 million records worldwide and remain one of the most successful groups to emerge from the '60s.
Their induction into the Rock and Roll Hall of Fame was a long-overdue recognition of their influence on generations of musicians and fans.
Today, Allan Clarke stands as a bridge between the early days of rock ‘n’ roll and the present.
His journey from the streets of Salford to international stardom with The Hollies is a testament to the enduring power of great music, determination, and collaboration. For classic rock fans, Allan Clarke’s voice is not just a sound — it’s a memory, an era, and a feeling rolled into one.
Whether you’re revisiting He Ain’t Heavy, He’s My Brother, grooving to Long Cool Woman, or discovering Clarke’s latest music, there’s no denying his place in the pantheon of classic rock legends.
Join us today as Allan Clarke shares stories of his rise to fame, his friendship with Graham Nash and what the music of The Hollies means to him.
If you’ve ever turned up the radio and belted out Footloose at the top of your lungs — or strutted around the house pretending you’re Maverick flying a fighter jet to Danger Zone — then you already know the magic of Kenny Loggins, the undisputed king of the ‘80s movie soundtrack and a bonafide soft rock legend.
But there’s way more to Kenny Loggins than just toe-tapping anthems and blockbuster film credits. His story is pure classic rock gold, filled with sun-soaked California beginnings, powerhouse collaborations, and an uncanny knack for writing hits that stand the test of time.
Born Kenneth Clark Loggins in Washington, Kenny grew up in the golden haze of Southern California’s music boom. While his friends were trying to score surfboards, young Kenny was writing songs in his bedroom and dreaming up hooks that would one day echo through stadiums.
He cut his teeth as a songwriter for hire, landing cuts with the Nitty Gritty Dirt Band.
Kenny's story really kicks in when he teams up with ex-Poco and Buffalo Springfield member Jim Messina.
Enter Loggins & Messina, the folk-rock duo that ruled the early ‘70s with feel-good harmonies and radio-friendly hits.
These guys were the ultimate laid-back rock bros — they sold millions of records, filled arenas, and gave Kenny the confidence to step out on his own when the partnership ended in '76.
When he did go solo, he doubled down. He scored a huge hit with “Whenever I Call You ‘Friend’,” a dreamy duet with Stevie Nicks He co-write with Michael McDonald, “What a Fool Believes” — a song that scooped up the Grammy for Song of the Year in 1980.
Then came the era that made Kenny a household name: the Soundtrack King phase. First up, Caddyshack.
Next, Footloose — released in 1984, it shot straight to No. 1 and never left the pop culture dance floor.
But Kenny Loggins wasn’t done. Not even close. Two years later, the Top Gun soundtrack landed in his lap — and he strapped in for one of the most turbo-charged hits of his career: Danger Zone.
But here’s the thing — the Soundtrack King crown didn’t box Kenny in. He’s always been more than a hit machine.
Albums like High Adventure and Vox Humana show his softer, more introspective side. Songs like “Heart to Heart” and “This Is It” gave us smooth sax solos and heartfelt lyrics. Kenny could be funky, he could be breezy, he could make you want to dance — or just chill on the porch.
Through it all, Kenny stayed a collaborator at heart. He’s jammed with Michael McDonald, Steve Perry, Stevie Nicks.
He even dipped into children’s music with Return to Pooh Corner. He's done Christmas albums, live records and acoustic sets. His catalogue is a masterclass in versatility.
Today, Kenny Loggins is still out there, doing what he does best — playing sold-out shows for die-hard fans who never get tired of that big, warm, unmistakable voice.
His book Still Alright: A Memoir tells the stories behind Kenny's legendary five-decade career and shares behind the scenes tales.
The celebrated songwriter and chart-topping collaborator shares an entertaining perspective on his life and career as one of the most noteworthy musicians of the ‘70s and ’80s and addresses his personal challenges and obstacles of his life and work -- including two failed marriages, a difficult but motivating relationship with the older brother for which “Danny’s Song” is named, struggles with hisaddiction to benzodiazepines, and the revelations of turning seventy and looking back at everything that has shaped his music - as well as coming to terms with his rock-star persona and his true self.
I hope you enjoy Kenny Loggins' candid conversation with me during this episode.
To learn more about Kenny head ot his website: https://kennyloggins.com/
When you talk about iconic Australian singer-songwriters, it doesn’t take long before Richard Clapton’s name comes up.
For over five decades, Richard has been one of Australia’s true rock poets — the kind of artist whose songs become part of people’s lives, the soundtrack to long road trips, beach holidays, and nostalgic nights on the back deck with a cold beer in hand.
Born on Sydney’s north shore, Richard grew up like a lot of kids — dreaming of music that took him beyond suburbia.
In the late 60s and early 70s, Richard packed up and headed for Europe, guitar slung over his shoulder, busking in the streets and absorbing the counterculture that was blooming across the continent.
When he returned, Richard brought with him a suitcase full of songs and stories that reflected not just his travels but the changing face of Australia itself.
In '73, he released his debut single Last Train to Marseilles. But it was his '75 album Girls on the Avenue that really made people sit up and listen.
The title track turned Richard Clapton into a household name almost overnight.
Through the mid-to-late '70s, Richard released a string of albums that are now regarded as cornerstones of classic Australian rock music.
Richard carved out a loyal audience that followed him from smoky inner-city pubs to big festival stages. His songs were — and still are — snapshots of the Australian psyche: romantic but real, hopeful but tinged with a knowing sadness.
But Richard didn’t just write for himself. He became a sort of elder statesman for the Aussie rock scene, helping to mentor up-and-coming acts that would soon become legends themselves. Bands like INXS, Cold Chisel, and Mental As Anything all found a kindred spirit in Richard, whose lyrics and attitude proved you could write songs about Australian life that were poetic, gritty, and universal all at once.
He even produced INXS’s second album, helping shape the band’s early sound before they broke big internationally.
If you’ve ever seen Richard Clapton live, you’ll know that he’s the real deal. His voice — warm, slightly weathered, and instantly recognisable — carries the weight of decades on the road and in the studio. He has that easy rapport with an audience that only comes from years of standing on a stage, guitar in hand, telling stories through song.
For many Australians, his gigs are like a reunion with an old friend — everyone singing along to Girls on the Avenue or swaying to Deep Water as if no time has passed at all.
What makes Clapton’s story so compelling is that he never really chased fame for fame’s sake. He’s always seemed more interested in writing the next great song than chasing trends. And yet, he’s ended up as one of the true pillars of Australian rock, a fact recognised when he was inducted into the ARIA Hall of Fame in 1999.
Today, well into his seventies, Richard Clapton is still out there doing what he loves most — writing songs, recording new music, and hitting the road to play to crowds who still know every word. In recent years, he’s released new albums like Harlequin Nights and Music Is Love (1966–1970), a tribute to the songs and artists that shaped him, from Bob Dylan to Neil Young.
His autobiography, The Best Years of Our Lives, published in 2015, pulls back the curtain on decades of wild gigs, unforgettable characters, and the hard-won wisdom that comes from surviving the ups and downs of the music industry.
And yet, for all the tours, albums, and accolades, it’s the songs that matter most. Ask any fan what Richard Clapton means to them, and you’ll likely hear a story about summer days driving up the coast or seeing him live for the first time.
In an industry that’s constantly changing, Richard Clapton stands as a reminder that great music is timeless.
Singer-songwriter, rock poet, mentor, and living legend Richard Clapton joins us here to share his stoires.
Check the website for gigs near you.
Scottish pop-rock legend David Paton is one of the most quietly influential musicians of the past fifty years.
Born and raised in Edinburgh, David made his mark as the founder, lead singer, bassist, and chief songwriter for the 70s pop band Pilot — the group behind the timeless hits “Magic” and “January.”
These catchy, melodic tracks flew up the UK Singles Charts in 1974 and 1975, cementing Pilot’s place in the classic pop-rock hall of fame.
Pilot began when David, fresh from playing in local Scottish bands and even a short stint with the Bay City Rollers, teamed up with the late Billy Lyall, a fellow ex-Bay City Roller and brilliant keyboardist.
With guitarist Ian Bairnson and drummer Stuart Tosh, Pilot quickly gained attention for their crisp harmonies, soaring hooks, and the polish of producer Alan Parsons, who helped shape their signature studio sound.
At their peak, Pilot was more than a one-hit wonder.
Their debut album From the Album of the Same Name (1974) and the follow-up Second Flight (1975) gave pop fans not just “Magic” but the No.1 UK single “January,” a song that topped the charts for three weeks.
The band’s unique blend of soft rock, glam pop, and radio-friendly hooks made them stand out in a crowded 70s scene.
Though lineup changes and industry missteps led to Pilot’s split by 1977, their legacy has endured.
David Paton, the creative force behind the hits, went on to carve out an impressive career as a vocalist, bassist, and songwriter for other iconic acts.
He played a vital role in The Alan Parsons Project, lending his vocals and bass to albums like Tales of Mystery and Imagination and I Robot, and fronted the progressive rock band Camel, where his vocals on “Heroes” from The Single Factor still mesmerise fans today.
David’s talents didn’t stop there.
As a sought-after session musician, he played bass on Elton John’s hit “Nikita” and toured with Elton, worked alongside Kate Bush, Rick Wakeman, Jimmy Page, and even folk legends like Phil Cunningham and Dick Gaughan.
His solo work reflects his Scottish roots too — with hauntingly beautiful arrangements of traditional songs by Robert Burns and Sir Walter Scott.
Still writing, recording, and performing, David’s latest album, Communication (2024), shows that his knack for melody and emotional connection is as strong as ever.
His autobiography, Magic: The David Paton Story, gives fans an honest, often funny look behind the curtain — from Pilot’s dizzying success to the reality of life as an unsung rock hero.
If you love timeless pop hooks, Scottish rock history, and the real story behind a band that gave us one of the catchiest songs ever written, dive deeper into the world of David Paton and Pilot — and experience the Magic for yourself.
I know you'll enjoy the story of David Paton and relish the contribution he's made with his music.
Beeb Birtles was born Gerard Bertelkamp in 1948, in Amsterdam, Netherlands. Beeb is a celebrated musician, singer, songwriter, and guitarist.
As a founding member of iconic bands such as Zoot, Mississippi, and the Little River Band, Birtles has left an indelible mark on the music industry, both in Australia and internationally.
His story is one of remarkable transition—from his Dutch heritage to becoming an influential figure in Australian rock.
Gerard Bertelkamp, better known by his stage name Beeb Birtles, was born into a Dutch family in post-war Amsterdam. His father was a skilled carpenter and building contractor, while his mother shared a love for music that would influence her son’s career.
In 1959, the Bertelkamp family embarked on a life-changing journey - emigrating to Australia. Settling in Adelaide, South Australia, the family embraced their new home, which provided fertile ground for young Gerard’s passion for music to flourish.
While attending high School in Adelaide, Beeb formed his first band, Times Unlimited. This group evolved into Down the Line, where he began honing his craft by covering popular English Mod songs.
In 1967, Birtles joined the influential band Zoot as the bassist and vocalist. Zoot gained popularity with its energetic performances and hits like a rock-infused version of The Beatles’ “Eleanor Rigby.”
Zoot’s success propelled Beeb into the limelight, but the band disbanded in '71, paving the way for new musical endeavours.
Beeb then formed the duo Frieze with fellow Zoot member (the late) Darryl Cotton, which marked another chapter in his early career.
In '72, Beeb joined the folk-rock group Mississippi, which later transformed into the Little River Band (LRB) in 1975.
As a founding member, Beeb played a pivotal role in crafting the band’s harmonious rock sound, contributing to their global success. Hits like “Reminiscing,” “Help Is on Its Way,” and “Lonesome Loser” cemented the band’s reputation as one of Australia’s greatest musical exports.
Beeb remained with the Little River Band until 1983, during which they sold millions of records worldwide.
After leaving LRB, Birtles collaborated with Graeham Goble, another LRB alum, to form the duo Birtles & Goble, releasing the album The Last Romance.
He later pursued solo projects, including the 2000 album Driven by Dreams. In 2002, Birtles reunited with former LRB members Glenn Shorrock and Graeham Goble to form Birtles Shorrock Goble, performing LRB classics alongside new material.
Beeb Birtles’ contributions to music have earned him widespread recognition. He was appointed a Member of the Order of Australia (AM) for his service to music and inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2004 alongside his Little River Band colleagues.
He was also appointed a Member of the Order of Australia “for significant service to the performing arts as a singer, songwriter and musician”.
Despite his success in Australia and beyond, Beeb remains deeply connected to his Dutch roots. Today he resides in Nashville, USA where he continues to write and produce music.
He has written an autobiography called 'Everyday of My Life" and his passion for music hasn't waned at all.
Join us during this episode as Beeb shares the story of his incredible musical life through Zoot, Mississippi and the extraordinary Little River Band.
Chris Stein’s story starts in Brooklyn, where he was born in 1950 into a free-thinking, politically leftist household.
He wasn’t exactly a model student—he got expelled from high school and bounced around for a bit before enrolling at the School of Visual Arts in Manhattan. That’s where two of his lifelong passions really started to take shape: music and photography.
Chris was already playing guitar in garage bands, soaking up the British Invasion and psychedelic rock, but art school helped him discover an eye for capturing moments on film.
In the early '70s, Chris joined a band called the Stilettos. It was through that group that he met Debbie Harry.
The connection was immediate. Romantic, creative, everything.
When the Stilettos fell apart, Chris and Debbie stuck together and started what would become Blondie. They quickly became fixtures on the New York downtown scene where punk, art, and fashion were all bleeding into each other.
Chris began co-writing songs, shaping the band’s sound, and supporting Debbie’s electric presence as frontwoman. He was all about texture, mood, and space and could be sharp and punky but also knew when to strip things back.
Chris co-wrote some of Blondie’s biggest songs—“Heart of Glass,” “Dreaming,” “Rip Her to Shreds,” and “In the Flesh.” Chris was always ahead of the curve.
At the same time, he was constantly documenting everything with his camera. Chris was rarely without it, snapping candid photos of Debbie backstage and artists like Andy Warhol.
Chris and Debbie’s relationship was central to the whole Blondie story. They were partners in every sense—romantic, creative, and emotional. Chris has often called her his muse, and their chemistry fueled a lot of what made the band so compelling. But their life together wasn’t always easy.
In the early '80s, just as Blondie was hitting a commercial peak, Chris was diagnosed with a rare and serious autoimmune disease. It was debilitating and required years of treatment. Debbie dropped everything to care for him. The band fell apart. Fame took a back seat. And though they eventually ended their romantic relationship, their connection never really broke. They’ve stayed close ever since, continuing to collaborate and support each other through everything that followed.
After Blondie disbanded in '82, Chris stepped away from the spotlight for a while. He worked behind the scenes, producing music. He collaborated with artists like Iggy Pop and while Debbie launched a solo career, Chris helped to shape projects.
In the late '90s, Blondie got back together, and to everyone's surprise, they scored a huge hit with “Maria,” which went to number one in the UK. It was a real comeback moment, showing that the band still had something to say and an audience ready to hear it.
Since then, they’ve released several albums—No Exit, The Curse of Blondie, Panic of Girls, and Pollinator—and have toured the world to multiple generations of fans. Chris kept writing and producing, still the quiet engine driving things forward.
Health issues forced him to step away from touring in 2022, particularly heart-related problems that made life on the road difficult. But that didn’t stop him from continuing to contribute creatively. He’s still very much involved in the band’s work and continues to explore photography, with his images being shown in galleries and books. His visual work is finally getting the recognition it deserves, not just as Blondie ephemera, but as important cultural documentation.
Throughout it all, Chris Stein was never the loudest voice in the room, but always one of the most interesting. Whether with a guitar or a camera, he's been quietly shaping how we see and hear a pivotal moment in music and art history. His life has been messy and brilliant and uniquely his own.
In this episode Chris Stein shares stories from his life and points us to his latest book - his autobiography - 'Under A Rock'
His is a fascinating tale. I hope you enjoy it.
Former singer and actor Bobby Sherman has passed away at 81 years old.
In March, it was revealed Sherman was diagnosed with Stage 4 cancer.
Born in Santa Monica and raised in Van Nuys, Sherman was a teen idol in the late ’60s and early ’70s. From 1968 to 1970, he starred in the ABC series “Here Come the Brides.”
He later appeared on episodes of “Honey West,” “The Partridge Family,” “The Mod Squad,” “Murder She Wrote,” “The Monkees,” and more.Sherman then left show business and became a paramedic.
He volunteered with the Los Angeles Police Department and instructed CPR and first aid classes. In the 1990s, he became a technical reserve officer with the LAPD, serving until 2017.
In 1999, he was honored as the LAPD’s Reserve Officer of the Year. He also served as a deputy sheriff with the San Bernardino County Sheriff’s Department and retired in 2010.
In 2011, Sherman and Brigitte founded the Brigitte & Bobby Sherman Children’s Foundation, which is a “Ghana-based center that provides local children with quality education and programs, along with meals for the entire community,” the foundation’s website explains.
RIP Bobby Sherman. You meant so much to so many.
Norman Greenbaum may be forever linked to the unforgettable guitar riff and gospel-tinged chorus of “Spirit in the Sky,” but there’s so much more to his story than one legendary song.
Born in Massachusetts, Norman grew up in a Jewish household. Even though religion wasn’t a big part of his life, music definitely was.
He studied briefly at university, but the pull of music was too strong. Like many young artists chasing creative dreams in the '60s, Norman packed up and moved west to LA — the epicenter of folk revival, psychedelic rock, and counterculture energy.
Before launching a solo career, Norman played with a psychedelic folk group called Dr. West’s Medicine Show and Junk Band. Their minor hit, The Eggplant That Ate Chicago, gave him a taste of the music business and a foot in the door, but it wasn’t exactly where he saw his future. He wanted to explore songwriting with a bit more edge, a bit more soul.
In 69, Norman wrote the song that would catapult him into music history — “Spirit in the Sky.”
A gritty, fuzzed-out electric guitar line, handclaps, and gospel harmonies sung by the Stovall Sisters gave the track its signature sound. The lyrics, which talk about meeting Jesus and being ready to die, struck an odd chord coming from a secular Jewish guy. But it worked. In fact, it worked better than anyone expected.
Norman wrote the song in about 15 minutes and it hit like lightning.
“Spirit in the Sky” soared to #3 - topped charts around the world, and sold over two million copies. It became an instant classic.
Norman followed it up with an album of the same name which included tracks like “Canned Ham” and “Milk Cow.”
As the '70s unfolded, Norman continued to record and release music but the commercial magic of “Spirit in the Sky” proved tough to recreate.
He eventually left the pressures of the music industry and settled into a quieter life. In the 70s, he moved to Petaluma, California, where he ran a dairy farm, produced goat cheese, and lived off the royalties from his big hit.
Through the '80s, '90s, and early 2000s, “Spirit in the Sky” found new life in movies, TV shows, and commercials.
While he wasn’t releasing new albums regularly, Norman stayed connected to fans. In the 2000s, he began performing again on a limited basis. He never lost his dry wit or his humility.
In 2015, Norman made headlines again — this time due to a tragic car accident. He was a passenger in a car that collided with a motorcycle in Santa Rosa, California. The motorcyclist died in the crash, and Norman was critically injured, spending weeks in the hospital. The accident deeply affected him, not only physically but emotionally. He’s spoken about the lasting impact it had on him, especially considering the spiritual nature of his most famous song.
After a long recovery, Norman slowly returned to public appearances, embracing a quieter life but still keeping the door open to music.
He continues to live in Santa Rosa, where he maintains an official website, spiritinthesky.com, which features music, photos, and ways for fans to reach out.
Norman has received renewed attention as younger generations discover the song through streaming platforms and soundtracks. The song’s fusion of rock, gospel, and spiritual themes has helped it transcend its era, sounding just as powerful today as it did in 1969.
“Spirit in the Sky” is more than just a classic rock anthem — it’s become a cultural touchstone.
And Norman Greenbaum, the man behind it, remains one of rock’s most fascinating figures: a thoughtful, funny, unassuming songwriter who struck gold by following his instincts and trusting in the power of a good hook.
In this episode we meet and chat with Norman Greenbaum and pick that incredile brain of his.
I hope you enjoy it!
Paul Jones is one of British music’s true originals—a singer, songwriter, harmonica player, actor, broadcaster, and blues pioneer whose career has spanned over six decades.
Best known as the original frontman of Manfred Mann, Paul helped define the sound of the '60s British Invasion. But there’s so much more to his story than pop success.
Born Paul Pond in Portsmouth in 1942, Paul had a bright academic future—earning a place at Oxford. But it was the blues, not the books, that really captured his heart.
Drawn to the raw emotion of American R&B and blues, he immersed himself in music, gigging in London clubs and building ties with future legends like Alexis Korner, Cyril Davies, and Brian Jones.
In fact, Paul was briefly approached to front a little band called The Rolling Stones. He turned them down.
Instead, he chose a different path. Rebranded as Paul Jones , he joined a jazz-influenced band led by South African keyboardist Manfred Mann. The group took on the name and quickly became one of the sharpest acts on the British scene. The band scored their first big hit with “5-4-3-2-1,” then came “Do Wah Diddy Diddy.”
It was an instant smash—hitting number one in both the UK and the US and cementing the band’s place in pop history. Paul Jones became a household name, fronting a string of hits including “Sha La La,” “Come Tomorrow,” and “Pretty Flamingo.”
But just as things were peaking, Paul shocked fans by stepping away from Manfred Mann in '66. He didn’t want to be boxed into pop stardom. His first solo release, “I’ve Been a Bad, Bad Boy,” was a top 10 hit, and not long after, he starred in the film Privilege.
From there, Paul split his time between stage and studio. He released a number of solo albums and never chased the pop charts, choosing instead to focus on artistry and authenticity.
In the late ’70s, Jones experienced a major musical rebirth. Alongside former bandmate Tom McGuinness, he co-founded The Blues Band—a group that would lead a new wave of British blues. Their first record, The Official Blues Band Bootleg Album, was self-released when no label wanted it. But it quickly found a fanbase and helped kick-start a blues revival in the UK. Over the years, The Blues Band became a cult favourite, recording over 20 albums and touring consistently for decades. Jones, with his fiery harmonica and soulful voice, became a beloved figure in the blues world.
As if that weren’t enough, Jones also became a prominent broadcaster. In 1986, he began hosting The Blues Show with Paul Jones on BBC Radio 2—a program that would run for 32 years. His warm, knowledgeable voice introduced listeners to everyone from blues giants like B.B. King and Muddy Waters to new acts keeping the genre alive. His influence on the blues scene through radio is as significant as his work on stage.
In the 2000s, Jones released the critically acclaimed album Starting All Over Again, featuring collaborations with soul legends like Percy Sledge and Eric Bibb. It was a masterclass in classic songwriting, vocal nuance, and heartfelt delivery—proof that Paul Jones had lost none of his fire.
Throughout his career, Jones worked with a who’s who of music royalty: Eric Clapton, Van Morrison, Jack Bruce, Jeff Beck, Mick Abrahams, and more. Whether singing, playing harmonica, or narrating the story of the blues, he brought depth, grace, and passion to every project.
Later in life, Paul experienced a personal transformation. He became a born-again Christian and began to incorporate gospel into his musical world. His faith added a new layer to his performances, blending spirit and soul with honesty and humility.
From Oxford scholar to ’60s heartthrob, from blues crusader to BBC staple, Paul Jones has never stood still. He turned down the Rolling Stones, left a hit band at its height, helped revive the blues, and became a trusted voice for generations of listeners. Always evolving, always authentic—Paul Jones is one of the great unsung heroes of British music.
If rock 'n' roll ever had a true outlaw—equal parts velvet-voiced crooner and headline-grabbing hellraiser—it was P.J. Proby.
Born James Marcus Smith in 1938 in Houston, Texas, P.J. Proby has lived a life that most musicians could only dream of—or wouldn’t dare to.
With a vocal range that soared across genres and a personal life that veered toward the chaotic, PJ became a rock 'n' roll legend not just for his music, but for his sheer unpredictability.
Raised in a religious Southern family, PJ grew up listening to gospel choirs and traditional country music. His talent was apparent early on—he could mimic voices, pick up melodies by ear, and possessed a stage presence that drew attention.
He attended a military college where his rebellious streak began to bloom.
By the late '50s, PJ had made his way to LA where he worked as a songwriter and demo singer. It was here that his persona was born.
The name had been suggested by his songwriter friend, Sharon Sheeley—P.J. Proby was the name of her old boyfriend.
In the early '60s, PJ found success writing songs for artists like Elvis. He sounded so like Elvis that some of his demos were mistaken for The King.
PJ’s big break came in the UK when he was brought over by a television producer. It was a move that would change the trajectory of his career. With his jet-black hair, tight trousers, and smouldering charisma, PJ became an instant sensation.
His haunting, dramatic cover of "Hold Me" climbed the UK charts and established him as a vocal powerhouse.
But it wasn’t just his voice that got people talking—it was the way he wore his pants. In early performances, PJ’s skin-tight trousers famously split on stage. It sent the British press into a frenzy. The BBC banned him. Venues grew wary. But the controversy only fuelled his fame.
He was dubbed a bad boy, a provocateur, a rock rebel with no regard for propriety—and audiences loved him for it.
P.J. Proby was never one to stick in one lane. He jumped from rock and roll to pop, country, and even Broadway-style musical theatre.
One of his albums featured a little-known band called Led Zeppelin backing him in the studio.
Despite his raw talent and unique voice—PJ’s career was never a straight line. His fiery temper, love affairs, and on-and-off battles with alcohol and self-destruction kept him at the fringes of mainstream success.
He clashed with record labels. He alienated promoters. He became infamous for being difficult to work with—and yet utterly magnetic on stage.
Through the '70s and '80s, PJ dipped in and out of the public eye. He starred in Elvis: The Musical. He worked with producer Marc Almond, and toured Europe with rock revival shows.
All the while, the myth of P.J. Proby continued to grow. Was he a genius? A madman? A misunderstood star? Depending on who you asked, he was all three.
In the '90s and 2000s, PJ leaned into his status as a cult figure. He released new music, reissued his classic tracks, and embraced the adoration of die-hard fans.
Always the controversial figure, he didn’t shy away from the spotlight—even if it cast shadows. He was never the type to play by society’s rules.
Today, P.J. Proby remains a living legend, albeit a polarizing one. He’s part of that rare breed of musicians who lived the rock ‘n’ roll lifestyle to its wildest extremes and survived to tell the tale.
With a career spanning over six decades, Proby has worked with the likes of Elvis Presley, Johnny Cash, Cilla Black, Marc Almond, and even Led Zeppelin. He’s played both packed stadiums and dingy pubs, belted ballads and growled blues. He’s been idolized, criticized, banned, adored, and everything in between.
From his humble roots in Houston to the swinging stages of London, from chart-topping hits to tabloid trainwrecks, P.J. Proby is a survivor. A rock ‘n’ roll original. A voice like velvet and a life like a tornado. He’s the embodiment of that old saying: never boring, always Proby.
If you’ve ever tuned into a classic rock radio station and felt the electric hum of Southern rock filling your soul, chances are you’ve brushed shoulders—musically speaking—with Rodney Justo.
Best known as the original lead singer of the legendary Atlanta Rhythm Section, Rodney’s voice is more than just a sonic signature of the American South—it’s the soundtrack to a generation.
But to understand the full breadth of his musical journey, you’ve got to go back to Tampa, Florida, where the boy who would become a Southern rock icon first discovered his voice.
Rodney Justo was born with rhythm in his veins. His father was a musician, and Tampa in the '50s and early '60s had a burgeoning music scene.
By the time he was a teenager, Rodney was performing professionally, fronting bands and making a name for himself as a gifted rock and soul singer.
In the mid-60s, Rodney’s voice caught the ear of Roy Orbison’s backing band, The Candymen. Rodney joined as lead vocalist, and it wasn’t long before they began carving out their own identity.
Touring constantly, performing alongside major acts, The Candymen were crucial in shaping Rodney's future.
In the early '70s, he and his bandmates decided it was time to forge their own path. The Atlanta Rhythm Section was born.
More than just a band, ARS was a musical collective, fusing rock, jazz, R&B, and pop into a smooth, sophisticated Southern sound that defied categorization.
Rodney Justo was the voice on their self-titled 72 debut album. His vocals were powerful and expressive helping to define the Atlanta Rhythm Section's unique tone.
Rodney left the band shortly after that first album—citing creative differences and a desire to focus on family.
He became an in-demand session vocalist and performer, lending his golden pipes to countless recording projects throughout the ‘70s and ‘80s. His ability to shift between genres—from blue-eyed soul to polished pop to hard-edged rock—made him a go-to voice in studios from Florida to L.A.
In the mid-90s, Rodney Justo returned to the Atlanta Rhythm Section. He stepped back into the spotlight once again performing hits like "So Into You," "Imaginary Lover," and "Spooky" live on stage.
Rodney Justo brought new energy to the ARS catalogue—even if he hadn’t originally recorded those songs. He made them his own, connecting with audiences across generations.
Rodney Justo is more than t a great rock vocalist. He’s a storyteller. He's filled with anecdotes, punchlines, and the kind of behind-the-scenes music lore that makes you lean in and listen. He’s got tales from the road with Roy Orbison, recording sessions with legends, and enough stories about Southern rock’s golden era to fill a memoir.
He brings humour, humility, and a deep love of the craft to every conversation. Today he tours with Atlanta Rhythm Section and his voice hasn’t lost any of its magic. There’s still that same smooth phrasing, that soul-deep delivery, and that sly smile you can hear even when he’s singing through the speakers. He continues to be a beloved figure in Southern rock circles, a revered elder statesman of American music, and a performer who gives his all every single night.
Rodney Justo may not be a household name in the same way as some of his peers, but among musicians, he’s a legend.
His influence runs deep—not just through Atlanta Rhythm Section, but through decades of rock, soul, and Southern music.
Rodney's journey is one of persistence, evolution, and soulful resilience. From teenage gigs in Tampa dive bars to singing for thousands on tour with ARS, from the slick sessions of Studio One to today’s digital world, Rodney Justo has remained a voice worth listening to—a true original in the ever-changing world of American rock music.
You're going to LOVE his story.
To find out more head to https://www.atlantarhythmsection.com/
and contact me with any feedback, comments or queries.
https://www.abreathoffreshair.com.au
Before the name Angry Anderson was etched into the annals of Australian rock music history, before the explosive energy of Rose Tattoo dominated stages, and before the emotional hit single “Suddenly” melted hearts across the world, there was just a working-class kid from Melbourne with a lot of grit and one hell of a voice.
Born Gary Stephen Anderson in 1947, in Melbourne, Angry’s early years were shaped by a rough-and-tumble environment that would later fuel his gritty, growling vocal style and hard-edged lyrics.
Growing up in a tough household and navigating the chaos of suburban Australia during the 50s and 60s, Angry developed a rebellious spirit early on. He wasn’t just angry in name—it was an energy, a rawness, a defiance that became his brand.
Angry's first brush with the music world came in the late 60s when he joined the psychedelic band Peace Power and Purity, but it wasn’t long before he migrated toward something heavier, something louder, something that matched the fury he carried inside.
He soon found himself fronting the Buster Brown band—a raw, blues-rock outfit that blended searing guitar riffs with Angry’s sandpaper vocals.
Buster Brown became known in the Australian pub rock circuit, with Anderson's stage presence quickly earning him a reputation as a firecracker performer who gave everything on stage.
In 76, Angry joined a new band called Rose Tattoo. It was ferocious and unapologetically Aussie.
Rose Tattoo wasn’t just a rock band. They were a statement. With their bald heads, tattooed bodies, and denim-stained bravado, they embodied working-class rebellion, pub rock pride, and that dangerous edge of Aussie outlaw culture.
Their debut self-titled album in 78, featuring hits like “Bad Boy for Love” and “Rock 'n' Roll Outlaw,” exploded onto the Australian charts and gained attention in Europe.
Rose Tattoo were frequent support acts for AC/DC, and they earned massive respect from international bands like Guns N’ Roses, who cited them as a major influence.
But just when everyone thought they had Angry figured out—tattooed tough guy, snarling rock dog—he flipped the script. In 87, Angry released “Suddenly”, an emotional power ballad that no one saw coming. The song became a global phenomenon when it was used in Kylie Minogue and Jason Donovan’s wedding episode on the soap Neighbours, watched by millions.
As the 90s rolled around, Angry became more than just a rock singer. He emerged as a tv personality. His charisma, honesty, and at times fiery opinions made him a household name in Australian media.
In 92, he showed off his acting chops in the post-apocalyptic classic Mad Max: Beyond Thunderdome, starring alongside Mel Gibson and Tina Turner.
But Angry also channeled his influence into causes he cared about. He became a passionate youth advocate, speaking out against domestic violence and drug abuse, drawing on his own difficult upbringing to connect with vulnerable communities. He even flirted with politics—running as a Senate candidate in later years.
Despite countless lineup changes, personal tragedies—including the loss of many original Rose Tattoo members to cancer—and the ever-changing music landscape, Angry has kept the Rose Tattoo flame burning. He’s the longest-tenured member and has fronted the band through decades of Australian and international tours.
In recent years, Rose Tattoo have toured extensively across Australia and Europe, proving the band’s enduring legacy. Angry, now in his 70s, continues to perform with the same raw energy that made him a legend in the first place.
Angry Anderson isn’t just an Australian rock icon—he’s a survivor, a storyteller, and a symbol of the grit and soul that defines Australian hard rock.
Discover all that makes Angry Anderson tick in this compelling episode.
Reach out to me with comments or requests for future guests: https//:www.abreathoffreshair.com.au
Welcome to this in-depth exploration of the life and career of Dave Mason, the legendary British guitarist and singer-songwriter. From his early days in Worcester, England, to co-founding the iconic band Traffic, and his extensive solo career, Dave's influence on rock music is undeniable.
🎶 Early Life and Musical Beginnings
Born in Worcester, England, Dave Mason's passion for music ignited at a young age. As a self-taught guitarist, he began his musical journey in local bands like The Jaguars and The Hellions, where he crossed paths with drummer Jim Capaldi. These early collaborations laid the foundation for what would become a storied career in rock music.
🚦 Founding Traffic and Psychedelic Success
In 1967, Dave co-founded the rock band Traffic alongside Steve Winwood, Jim Capaldi, and Chris Wood. The band's debut album, Mr. Fantasy, featured Mason's composition "Hole in My Shoe," which became a psychedelic anthem of the era. Despite the success, Mason's tenure with Traffic was marked by brief stints; he left the band after the first album, rejoined for their self-titled second album in 1968, and departed again shortly thereafter. His songwriting style, often distinct from the collaborative approach of his bandmates, contributed to these intermittent departures.
🎸 Session Work and Collaborations
Beyond Traffic, Dave's guitar prowess led him to collaborate with some of the most iconic artists of the time. Notably, he played 12-string acoustic guitar on Jimi Hendrix's rendition of "All Along the Watchtower" and contributed to the Rolling Stones' "Street Fighting Man." His session work extended to projects with George Harrison, Eric Clapton, Michael Jackson, and Fleetwood Mac, showcasing his versatility across genres.
🎤 Solo Career and Chart Success
Embarking on a solo career in 1970, Mason released his debut album Alone Together, featuring the hit "Only You Know and I Know." The album's unique marble vinyl pressing became a collector's item. In 1977, he achieved significant success with the single "We Just Disagree," which reached No. 12 on the Billboard Hot 100. Throughout the 1970s and 1980s, Dave continued to release albums and tour extensively, solidifying his status as a solo artist.
🌟 Later Years and Continued Influence
In the 1990s, Dave briefly joined Fleetwood Mac, contributing to their 1995 album Time and participating in the subsequent tour. His enduring influence was recognized in 2004 when he was inducted into the Rock and Roll Hall of Fame as a founding member of Traffic. Mason remained active in the music scene, releasing albums like 26 Letters 12 Notes in 2008 and Future's Past in 2014.
🩺 Recent Activities and Health
In recent years, Dave continued to perform, including his "Traffic Jam" tour, which revisited classic Traffic material. However, in 2024, he announced the cancellation of his tour due to a serious heart condition requiring immediate medical attention. Dave has expressed optimism about his recovery and plans to return to touring as soon as possible.
💖 Philanthropy and Legacy
Beyond his musical achievements, Dave is known for his philanthropic efforts. He supports music education for children through organizations like Little Kids Rock and co-founded Rock Our Vets, a charity aiding military veterans and families of fallen law enforcement officers.
🔗 Connect with Dave Mason:
Official Website: davemasonmusic.com
Rock Our Vets: rockourvets.org
Little Kids Rock: littlekidsrock.org
📌 Don't Forget to Like, Comment, and Subscribe!
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Join host Sandy Kaye to discover the story of Jay and the Americans
Long before arena tours and pop stardom, Sandy Yaguda—later known by his stage name Sandy Deanne—was just a Brooklyn kid with a dream, harmonizing with friends on the street corner.
As a founding member of Jay and the Americans, Sandy helped shape one of the most enduring vocal groups of the 60s, delivering classics like “This Magic Moment,” “Come a Little Bit Closer,” and the unforgettable “Cara Mia.”
But Sandy's journey wasn’t just about chart hits—it was about survival, reinvention, and ultimately reclaiming a name and legacy that defined an era.
In this episdoe we explore Sandy's life in rich detail—from his early days growing up in the working-class neighborhoods of Brooklyn, through the meteoric rise of Jay and the Americans, and into the turbulent times that followed their initial success.
Sandy was born in Brooklyn- a place where doo-wop was more than a sound—it was a way of life.
He grew up on street-corner harmony and fell in love with the layered vocals and emotional intensity of rhythm and blues. While still in high school, he formed a vocal group with classmates. Their mutual love for music brought them together in basements, school hallways, and street corners, practicing complex harmonies and dreaming of stardom.
Originally named The Harbor Lites, the group tried out different names and lead singers before settling into what would eventually become Jay and the Americans. But first, they needed a "Jay."
They found their original “Jay” in Jay Traynor, a smooth-voiced singer who helped bring the group’s early material to life. With Traynor on vocals, the group recorded their first hit, "She Cried," which soared to the Billboard Top 10 in 62. That success put them on the map, earning them opening gigs for heavyweights like The Beatles and The Rolling Stones.
Despite the breakthrough, Jay left the group soon after, disillusioned with the pressures of sudden fame. The band then discovered David Blatt, a charismatic young singer who would become the new “Jay”—and go on to be known as Jay Black. With Black’s commanding vocals, Jay and the Americans evolved from a promising doo-wop act into pop legends.
Jay and the Americans became regulars on TV everywhere.Their slick stage presence, powerful vocal blend, and boy-next-door charm made them one of the most beloved groups of the decade.
By the early 70s, musical tastes had shifted. Psychedelic rock, protest anthems, and heavier guitar-driven sounds began to dominate the charts.
Jay and the Americans, with their romantic, harmony-driven style, began to fade from the mainstream. The group disbanded in 73.
Jay Black went on performing solo under the name “Jay and the Americans,” believing he had the legal right to use it. Sandy focused on behind-the-scenes work in the music industry, producing and managing other acts. Still, the legacy of Jay and the Americans never left him.
In the early 2000s, Sandy Yaguda, along with Howie Kane and Marty Sanders, initiated a legal battle to reclaim the name “Jay and the Americans” and in a court ruling, the original members won the rights to the name.
They recruited a new lead singer, Jay Reincke, and the reformed Jay and the Americans began touring again.
Today, Sandy Yaguda continues to perform with Jay and the Americans to sold-out audiences across the U.S. proving that good music truly never fades.
Sandy Yaguda is the custodian of a golden sound.
This episode is a must-listen for fans of classic pop, 60s nostalgia, and anyone who’s ever wondered what happens after the hits stop coming—but the music never dies.
When people talk about the greatest guitarists of all time, names like Jimi Hendrix, Eric Clapton, and Jimmy Page often come up.
But in the world of acoustic fingerstyle guitar, few names resonate louder than Tommy Emmanuel.
Hailing from Australia, Tommy has spent his life redefining what one person and one guitar can do — creating soundscapes so full and expressive, you’d swear there’s a full band on stage. But it's just Tommy, his guitar, and a heart full of music.
Born in 1955 in NSW, Tommy was destined for a life in music. By the age of four, he was already strumming along on a homemade guitar, inspired by the country music on the family radio.
When he was just six, he and his older brother Phil were already performing professionally, touring rural Australia as part of the Emmanuel family band.
After the sudden death of their father in 66, the Emmanuel family relocated and Tommy’s passion for the guitar only deepened. He didn’t receive formal training. Instead, he learned by ear, copying the sounds he heard and developing a unique style shaped by necessity, emotion, and endless hours of practice.
If there’s one name Tommy Emmanuel reveres more than any other, it’s Chet Atkins. The legendary guitarist’s fingerpicking style — where melody, bass, and rhythm are played simultaneously — blew Tommy’s mind as a child. From the moment he heard Atkins’ music, Tommy knew he wanted to master the same technique.
Years later, not only did Tommy meet his hero, but the two became close friends and collaborators.
In one of the greatest honors a guitarist can receive, Chet Atkins named Tommy a Certified Guitar Player (CGP) — a title he gave to only a handful of musicians worldwide. Their 1996 collaboration, The Day Finger Pickers Took Over the World, showcased both artists’ brilliance and earned a GRAMMY nomination.
Though he played in bands during the 1980s — it was Tommy’s solo work that truly revealed his genius. Armed with a single acoustic guitar, Tommy became a one-man orchestra.
He played melody, bass, harmony, and percussion all at once, creating dynamic performances that are equal parts musical and theatrical.
From dazzling renditions of Classical Gas and Somewhere Over the Rainbow to heart-pounding originals, Tommy’s concerts are unforgettable.
Over the decades, Tommy has become not only a global guitar icon but also a tireless ambassador for fingerstyle playing. He’s released over 30 albums, toured relentlessly across six continents, and collaborated with legends including Mark Knopfler, Jason Isbell, Jake Shimabukuro, Molly Tuttle, John Knowles, and many others.
Tommy Emmanuel doesn’t just perform — he teaches, encourages, and uplifts. Many students admire his technique, but it’s his heart-led approach that sticks with them.
Tommy’s life hasn’t been without challenges. Like many who spend their lives on the road, he struggled with addiction earlier in his career. But he’s been open about those difficult years, crediting his recovery and ongoing sobriety to a mix of faith, family, and a renewed connection to the purpose behind his music.
His story is one of resilience, not just in music but in life. He’s spoken publicly about mindfulness, presence, and living with gratitude — all of which shine through in his playing.
Now in his late 60s, Tommy Emmanuel shows no signs of slowing down. He continues to tour internationally, sell out shows, release new music, and connect with fans of all ages. Whether he’s playing on a small club stage or headlining a major festival, Tommy pours everything into every note.
There’s a reason people call him a force of nature.
Join us in conversation to hear Tommy talk about his life, his stories and his music. To learn more head for his website here
To connect with me, jump onto my website.
I hope you enjoy this episode!
In this special deep-dive episode, we explore the extraordinary story of Gilbert O’Sullivan, the iconic Irish singer-songwriter who defined an era of melodic, thoughtful 1970s pop. From humble beginnings in Waterford, Ireland, and later Swindon, England, young Raymond O’Sullivan dreamed of creating music that was both emotionally honest and musically timeless. What he achieved went beyond even his wildest dreams.
We trace Gilbert’s transformation from a quiet, artistic boy into the global pop sensation known for timeless hits like “Alone Again (Naturally),” “Clair,” “Get Down,” and “Nothing Rhymed.” Along the way, he invented a persona all his own—complete with a schoolboy haircut, flat cap, and short pants—that helped him stand out in an industry dominated by glam rock, heavy metal, and psychedelic bands. His look was quirky, but his sound was grounded in elegant piano pop and biting lyricism.
He wasn’t chasing fads—he was creating his own lane.
We’ll look at how Gilbert’s early influences—from Buddy Holly, Jerry Lee Lewis, and Fats Domino to the British Invasion bands like The Beatles and The Kinks—shaped his unique sound. You’ll hear the story behind his breakout moment, how he almost gave up before finding success, and why “Alone Again (Naturally)” became one of the most impactful and controversial pop ballads of the '70s.
We also dig into the often-overlooked second chapter of his career: the legal battles, the fight for artistic control, and his ongoing legacy as a fiercely independent songwriter who continues to tour and release new music decades after his biggest hits.
Whether you’re a lifelong fan, a 70s music aficionado, or just discovering Gilbert O’Sullivan for the first time, this episode is a heartfelt and eye-opening journey through one of pop music’s most compelling careers.
🧠 What You'll Learn in This Episode
What Gilbert O’Sullivan was like as a child growing up in Ireland and England
Why he adopted the “schoolboy” image and created the name “Gilbert”
His early struggles in the music business—and what finally clicked
The emotional depth and lyrical genius behind “Alone Again (Naturally)”
How hits like “Clair” and “Get Down” dominated the charts
The truth about his legal battle with his manager and the fight for artist rights
How he stayed true to his songwriting vision, even when trends changed
Why Gilbert’s music still resonates with fans around the world
If you loved this episode, don’t forget to like, subscribe, and leave a review—it helps us reach other fans of classic pop and rock. Share this episode with a fellow 70s music lover or someone who’s never heard Gilbert’s story.
You can also tag us on socials with your favourite Gilbert O’Sullivan memory or song! And check Gilbert O'Sullivan's website https://www.gilbertosullivan.co.uk/ to learn more.
To contact me - head for my website https://www.abreathoffreshair.com.au
Hope you enjoy the episode!
Little Anthony and the Imperials: A Doo-Wop Legend Who Still Shines Bright
In the golden age of American music, few voices soared as high—or cut as deep—as that of Little Anthony.
Born Jerome Gourdine in Brooklyn, Little Anthony became one of the most distinctive and emotional falsettos in soul, doo-wop, and classic pop music history.
As the lead singer of Little Anthony and the Imperials, his voice helped define an era, touching hearts with hits like “Tears on My Pillow,” “Goin’ Out of My Head,” and “Hurt So Bad.”
His music not only broke chart records but also broke barriers between genres, blending doo-wop harmonies, soul grooves, and pop sensibilities in a way that left a lasting mark on American R&B history.
Before the spotlight, Little Anthony grew up in a neighbourhood immersed in gospel and street-corner harmonies. Young Jerome began singing doo-wop as a teenager. He joined a vocal group called The Duponts, who released a single in 57.
His big break came when he joined The Chesters, a vocal group that would soon rename itself The Imperials.
With Jerome now taking center stage as “Little Anthony”—a nickname given by a legendary due to his youthful appearance and high-pitched voice—the group’s sound clicked immediately. His natural falsetto became their signature.
In 58, the group signed to a label. Their debut single, “Tears on My Pillow,” exploded on the charts. With its raw emotion, aching falsetto, and lush harmonies, the song became an anthem of teen heartache and a pillar of 1950s American pop.
From that point, Little Anthony and the Imperials embarked on a journey that would bring them lasting fame. They followed up with hits like “Shimmy Shimmy Ko-Ko Bop,” “I’m on the Outside (Looking In),” “Goin’ Out of My Head,” and “Hurt So Bad.”
It was Little Anthony's voice that made the group stand out during the changing tides of 60s music, when the British Invasion and Motown were reshaping the industry.
Songs like “Goin’ Out of My Head” became pop-soul classics, covered by countless artists across genres—from Frank Sinatra to The Lettermen.
Their sound matured in the 60s, becoming more orchestrated and polished. Working with producers like Teddy Randazzo, they crafted sophisticated, adult-oriented pop-soul that prefigured the lush soul ballads of later decades.
In 2009, Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame. The induction was presented by Smokey Robinson, who praised Anthony’s emotive voice and the group’s groundbreaking blend of genres.
Unlike many of his peers, Little Anthony has remained active well into his 80s, still taking to the stage with the same passion and charisma that made him a star in the 50s. Whether singing at doo-wop revival shows, soul festivals, or headlining his own concerts, Little Anthony still delights audiences wherever he goes.
His presence remains strong on platforms like PBS specials, oldies cruises, and classic soul tours, where fans young and old gather to hear the voice that made them fall in love with music in the first place.
Little Anthony’s music is more than a nostalgic reminder of the past—it’s a living, breathing testament to the power of vocal harmony, heartfelt songwriting, and soul-stirring performance. His contributions helped shape not only the sound of doo-wop but also the emotional core of American soul and pop. His hits continue to be rediscovered by younger audiences and sampled in modern tracks, proving the timeless appeal of his work.
As the frontman of one of the most influential vocal groups of all time, Little Anthony remains a legend—not just for his voice, but for his passion, resilience, and devotion to the music.
In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.
Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.
In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.
Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.
The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces.
The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess.
Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.
The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.
Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75.
In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.
While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.
Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career.
Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.
Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.
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