(S$-30) Bob Dylan – John Wesley Harding (Columbia Records)
Released: December 27, 1967 Recording Dates: October 17, November 6, and November 29, 1967
John Wesley Harding marks Bob Dylan’s striking return in 1967 after his motorcycle accident, showcasing a stark shift from his electric, surreal phase to a stripped-down, country-folk sound. Recorded quickly in Nashville with minimal instrumentation, the album’s sparse arrangements heighten its moral allegories, biblical imagery, and Old West themes. Songs like “All Along the Watchtower” and “I Dreamed I Saw St. Augustine” resonate with haunting simplicity, while “Dear Landlord” and “I’ll Be Your Baby Tonight” hint at Dylan’s coming embrace of country. The record’s understated style stood in deliberate contrast to the psychedelic excesses of its time, influencing The Band, The Byrds, and future Americana artists. Dylan’s newfound restraint, poetic songwriting, and subtle musicianship resulted in one of his most cohesive works, earning critical acclaim and commercial success. John Wesley Harding remains a timeless, genre-defining album that helped shape roots rock and alt-country.
Signature Tracks: John Wesley Harding, I Went Out One Morning, All Along The Watchtower
(S4-Ep 29) The Who - The Who Sells Out (Decca in US, Track In U.K.)
Released December 15, 1967- Recorded May -November 1967
Released in late 1967, The Who Sell Out is a bold, quirky concept album designed to mimic a pirate radio broadcast, complete with spoof commercials and jingles. It captures The Who at a transitional moment—embracing psychedelia, satire, and studio experimentation, while hinting at their future in grander rock narratives. Tracks like “I Can See for Miles” deliver explosive rock energy, while introspective gems like “Sunrise” and “I Can’t Reach You” showcase Pete Townshend’s growing sophistication as a songwriter. The album doesn’t entirely cohere as a concept and can feel uneven, but it’s a daring, inventive work with a uniquely British sense of humor. While inspired by Sgt. Pepper’s, The Who’s take on the format is more subversive, poking fun at commercialization while ironically being caught in its web. Though not a massive commercial hit in the U.S., it’s now regarded as one of their most creative and influential releases.
Signature Tracks: "I Can See For Miles," "Our Love Was" "I Can't Reach You"
(S4- Ep 28) The Rolling Stones- Their Satanic Majesties Request (Decca)
Released December 8, 1967, Recorded between February 9-October 23, 1967
Their Satanic Majesties Request (1967) is The Rolling Stones’ most adventurous and experimental album, showcasing their willingness to explore new musical landscapes. Embracing the psychedelic spirit of the late 1960s, the band incorporated unconventional instrumentation—such as the Mellotron, dulcimer, and tabla—creating a richly textured sonic experience. Songs like “She’s a Rainbow” and “2000 Light Years from Home” highlight the group’s flair for melody and atmosphere, while Bill Wyman’s “In Another Land” adds a unique and playful touch. The 3D lenticular cover art, designed by Michael Cooper, captures the album’s vibrant, otherworldly tone. With contributions from notable collaborators like John Paul Jones and even uncredited vocals by Lennon and McCartney, the record stands as a collaborative and stylistic milestone. Their Satanic Majesties Request captures a moment of bold creativity in the Stones’ career, offering a colorful, immersive journey that continues to intrigue and inspire listeners decades later.
Signature Tracks: "She's A Rainbow," "In Another Land," "2000 Light Years From Home"
(S4 Ep 27) The Jimi Hendrix Experience Axis: Bold as Love
Released December 1967 and recorded mostly May -June 1967 (Reprise in the USA and Polydor in the UK)
Axis: Bold As Love is the Jimi Hendrix Experience’s pivotal second album. Produced by Chas Chandler and engineered by Eddie Kramer, it arrived just seven months after Are You Experienced, showcasing Hendrix’s rapid artistic growth. The album bridges raw psychedelia and the jazz-inflected soul of Electric Ladyland, with standout tracks like “Little Wing,” “Spanish Castle Magic,” and the epic closer “Bold as Love.” Studio innovations—including stereo panning, backward guitar, and flanging—are evident on tracks like “EXP.” Though less commercially successful than its predecessor, Axis is now hailed as a masterpiece. Hendrix's lyrical introspection, technical guitar wizardry, and the trio’s cohesive interplay marked a new direction for rock. The album’s blend of soul, blues, and psychedelia cements Hendrix as one of the most innovative artists of the 1960s, rivaled only by The Beatles.
Signature Tracks: "Little Wing," "Castles Made of Sand," "Bold As Love"
(S4 Ep 26) The Beatles -Magical Mystery Tour
Released in the US on November 27, 1967, In the UK in December 1967, Recorded April 25 - November 1969 (Parlophone/Capitol)
Magical Mystery Tour, released in 1967, is one of The Beatles’ most experimental and imaginative records. Originally a UK double EP tied to their film of the same name, the U.S. version expanded it into a full album by adding iconic singles like “Strawberry Fields Forever” and “Penny Lane.” The record blends psychedelic rock, orchestral pop, and surrealism, continuing the innovative spirit of Sgt. Pepper. Highlights include Lennon’s dreamlike “I Am the Walrus,” McCartney’s nostalgic “The Fool on the Hill,” and Harrison’s hypnotic “Blue Jay Way.” Though initially met with mixed reactions, especially due to the film’s confusing TV debut, the album has since gained recognition for its influence, particularly on the evolution of music videos. It also marked the debut of Apple Corps branding. With vivid songwriting, genre fusion, and rich instrumentation, Magical Mystery Tour captures The Beatles at their creative peak, offering a colorful and surreal snapshot of late-’60s pop experimentation.
Signature Songs: "Hello, Goodbye", "Strawberry Fields Forever", "All You Need Is Love"
Pasquale Grasso, an Italian-born jazz guitarist, is celebrated for his virtuosic technique and deep bebop roots. Grasso has captivated jazz audiences worldwide by blending intricate harmonies with a clean, classic tone. Legendary guitarist Pat Metheny praised him in Vintage Guitar magazine, stating, “The best guitar player I’ve heard in my entire life is floating around now, Pasquale Grasso.” This acclaim reflects Grasso’s artistry, showcased on his trio album Fervency (Sony Music Masterworks), which features bassist Ari Roland and drummer Keith Balla. A protégé of Barry Harris, Grasso developed perfect pitch and began playing by ear at a young age. George Benson, Charlie Christian, and Bud Powell influenced him, and he refined his craft in Italy before relocating to New York at the age of 19. In addition to solo work, he collaborates with Grammy-winning vocalist Samara Joy. Named DownBeat’s 2024 Rising Star Guitarist of the Year, Grasso continues to shape modern jazz with reverence for its traditions.
(S4 Ep25) The Doors - Strange Days
Released September 25, 1967, Recorded between May-August 1967 (Elektra)
Strange Days, The Doors’ ambitious sophomore album, blends dark, poetic themes with groundbreaking production. Opening with the eerie Moog-driven title track—one of rock’s earliest uses of the synthesizer—the album dives into surrealism, alienation, and existential dread. Highlights include hits like “People Are Strange” and “Love Me Two Times,” the experimental “Horse Latitudes,” and the 11-minute epic “When the Music’s Over.” Jim Morrison’s lyrics, often lifted from his notebooks, showcase a maturing vocal performance. At the same time, Ray Manzarek’s keyboards, Robby Krieger’s inventive guitar, and John Densmore’s jazz-inflected drumming create a rich sonic palette. Despite a mixed initial reception, Strange Days is now regarded as a milestone in psychedelic rock, influencing subsequent genres such as gothic and post-punk. The album’s avant-garde cover, atmospheric production by Bruce Botnick, and dense, evocative songwriting confirm The Doors as one of America’s most innovative 1960s bands, far more than just Morrison’s myth.
Signature Songs: "Love Me Two Times," "People Are Strange," "When The Music's Over"
(S4 EP23) Moody Blues - “Days of Future Past” (Derem Records)
Released November 17, 1967. Recorded May 9-Nov 3, 1967
Days of Future Passed (1967) by The Moody Blues is a landmark concept album that fused rock with orchestral music, marking a pivotal moment in the evolution of progressive rock. Initially commissioned by Decca Records to showcase stereo sound with a rock adaptation of Dvořák’s New World Symphony, the band instead created an original work that follows a symbolic day from dawn to night. Featuring the London Festival Orchestra and pioneering use of the Mellotron by Mike Pinder, the album blends lush orchestration with introspective songwriting. Highlights include Justin Hayward’s “Nights in White Satin” and “Tuesday Afternoon,” both emotionally resonant and enduringly popular. The album's innovative structure, poetic lyrics, and seamless integration of classical elements redefined the LP as an artistic format. Days of Future Passed remains a foundational piece in the history of progressive music, influencing bands like Genesis and Yes, while solidifying The Moody Blues’ legacy as sonic visionaries.
Signature Songs: "Dawn: Dawn is A Feeling", "The Afternoon: Forever Afternoon" "The Night: Nights In White Satin"
(S4 Ep22) Cream - Disreali Gears (Reaction Records)
Released November 2, 1967, Recorded May 11-15 (1967)
Released in November 1967, Disraeli Gears marked a pivotal moment in Cream’s evolution from a blues-based trio to psychedelic rock pioneers. Recorded in just three and a half days at Atlantic Studios in New York, the album blends surreal lyrics, experimental sounds, and distorted guitar tones into a cohesive and groundbreaking work. Produced by Felix Pappalardi (from Mountain), the record features standout tracks like “Sunshine of Your Love,” with its iconic bass riff, and “Tales of Brave Ulysses,” one of the first songs to feature a wah-wah pedal. The album was a commercial breakthrough, reaching No. 5 in the UK and No. 4 in the U.S., eventually selling over 6.8 million copies worldwide. Its vibrant, psychedelic cover art by Martin Sharp became as iconic as the music itself. Tracks like “Dance the Night Away” and “SWLABR” highlighted the band’s willingness to experiment, while “Outside Woman Blues” and “Take It Back” maintained their blues roots. The synergy of Eric Clapton’s innovative guitar work, Jack Bruce’s powerful vocals and bass, and Ginger Baker’s inventive drumming made Disraeli Gears a defining album of the era. Its legacy is a cornerstone of psychedelic rock and a testament to Cream’s lasting impact on modern music.
Signature Song "Strange Brew." "Sunshine of Your Love," Tales of Brave Ulysses
(S4 EP 21) Wayne Shorter’s -Apple Apple (Blue Note)
Released October 1967 - Recorded February 3 and 24, 1966
Wayne Shorter’s Adam’s Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock’s intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam’s Apple is one of the finest examples of mid-’60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter’s catalog and the post-bop era..
Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"
Playlist: YouTube
(S4 Ep 20) Love -Forever Changes (Electra)
Released Nov 1967- Recorded June 9-Sept 25 1967
Love’s Forever Changes, released in 1967, is a psychedelic rock masterpiece and one of the most hauntingly beautiful albums of its era. Fronted by Arthur Lee, Love was a groundbreaking, racially integrated band that fused folk-rock, orchestral pop, and surreal lyricism. Though not a commercial hit at the time, Forever Changes later earned acclaim for its lush arrangements, introspective themes, and emotional depth. Songs like “Alone Again Or” and “You Set the Scene” highlight the album’s fusion of poetic melancholy and orchestral grandeur. Recorded during a period of personal turmoil and cultural upheaval, it captures both the hope and anxiety of the late 1960s. Internal conflicts and drug use soon fractured the band, but the album's legacy endured, eventually earning recognition from the Grammy Hall of Fame and the Library of Congress. Forever Changes stands as a timeless artistic statement and a high point of the psychedelic era.
Signature Songs Alone Again Or “Maybe the People Would Be the Times or Between Clark and Hilldale”. Live and Let Live
Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue’s Secret Society, the Mingus Orchestra, and U.S. Poet Laureate Robert Pinsky. From 2017 to 2019, Sadigursky was the onstage clarinetist in the Grammy, Tony, and Emmy Award-winning Broadway production of The Band’s Visit, and he has performed in over twenty other Broadway productions.
Blending Jewish spiritual and Klezmer music with post-minimalist classical, jazz, and elements of American folk, Sadigursky and accordionist/multi-instrumentalist Nathan Koci recently released Volumes IV and V of The Solomon Diaries on Adhyaropa Records. This five-album series reflects on the Borscht Belt—the once-thriving Jewish resort region that helped shape 20th-century American culture—while also exploring contemporary experiences of immigration and Jewish identity.
The Solomon Diaries Volume IV .https://open.spotify.com/album/6aueHALAzKJf0eDoo048ek?si=LVmkM3hhQiSBUJJBb1egAw
The Solomon Diaries Volume V
https://open.spotify.com/album/6dkN03M2qai0xXNC38VTSa?si=bBjX0IVXQQyJO4J1hjKtVA
Buffalo Springfield -Again (Atco)
Released October 30, 1967, and Recorded January 9-September 18
Buffalo Springfield Again is a landmark album that captures both the brilliance and dysfunction of one of rock’s most influential short-lived bands. Recorded during a turbulent period marked by Neil Young’s departures, Bruce Palmer’s deportation, and rising tensions within the group, the album still delivers remarkable artistry. Each member shines: Stephen Stills’ dynamic guitar work and songwriting drive tracks like “Bluebird,” Neil Young brings depth and experimentation with “Mr. Soul” and the ambitious “Broken Arrow.” At the same time, Richie Furay adds warmth and a country-rock flavor with “A Child’s Claim to Fame” and “Sad Memory.” Despite its fragmented nature, the album’s eclectic sound helped define the era. Though it only reached #44 on the charts, its critical reputation has grown over time. Following the release of the album, internal struggles led to the band’s breakup, but its members went on to shape the folk and country rock genres through groups like CSNY and Poco. This record remains a vital, underrated piece of 1960s rock history.
Signature Songs: "Mr Soul," "Bluebird" "Broken Arrow"
(S4 Ep18) The Real McCoy (Blue Note) with guest Steve Myerson
October 1967, Recorded April 21, 1967
The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane’s legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album’s compositions, all written by Tyner wrote, demonstrate his incredible range as a pianist and composer, with tracks like "Passion Dance" and "Contemplation" now regarded as jazz standards. The interplay between the musicians is dynamic, with Henderson's fluid solos, Carter's solid bass work, and Jones's explosive drumming providing a perfect backdrop for Tyner's improvisations. The album balances uptempo tracks, like "Four by Five," with slower, more meditative pieces, such as "Search for Peace," highlighting Tyner’s ability to navigate diverse moods and textures. The Real McCoy is widely praised for its deep emotional resonance and technical brilliance, solidifying McCoy Tyner as one of his generation's most influential jazz pianists.
Signature Tracks: "Passion Dance", "Contemplation", "Four By Five"
Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.
Owens' roots in Detroit and her diverse musical background inform her distinct style, which blends jazz with other genres like house music and soul. She has collaborated with major artists such as Jon Batiste and Juicy J, and her work with Batiste’s band earned her Grammy recognition.
Beyond her musical success, Owens is also committed to philanthropy. In 2020, she founded the Community Cookout project, which provides meals and connects with underprivileged communities. Looking ahead, Owens will perform new material at venues like the South Orange Performing Arts Center, continuing to push the boundaries of jazz while deepening her community impact.
(S4 Ep 17) Nina Simone- Sings the Blues (RCA)
Released 1967, Recorded December 19-January 5, 1967
Nina Simone Sings the Blues is a powerful, emotionally raw album that marked a significant shift in Nina Simone's career. Her first release with RCA Victor showcases her deep connection to the blues tradition, drawing influence from legends like Bessie Smith and Billie Holiday. With tracks like "Do I Move You?" and "Backlash Blues," inspired by Langston Hughes, Simone’s music captures the racial tensions and personal struggles of the 1960s. Although it didn’t chart highly, the album’s authenticity and emotional depth solidified her place as one of America’s greatest musical voices. The album blends jazz, blues, gospel, and soul, with Simone’s poignant piano work and powerful vocals leading the way. Tracks like "I Want a Little Sugar in My Bowl" and "Real Real” showcase her mastery of the genre and her unapologetic, bold musical style, influencing future artists like Amy Winehouse and Lauryn Hill.
Signature Tracks: "My Man's Gone Now," "Backlash Blue," "I Want A Little Sugar In My Bowl."
(S4-Ep16) Big Brother and Holding Company (Mainstream)
Release August 23, 1967, and Recorded December 12-14, 1967
Big Brother and the Holding Company’s debut album is a fascinating glimpse into the early rise of Janis Joplin as a powerhouse vocalist. Although the album initially received mixed reviews due to its cleaner, more restrained production than the band’s psychedelic live performances, it remains an essential piece of the 1960s San Francisco music scene albums. Joplin’s unique voice stands out, adding depth and emotion to tracks like “Down on Me” and “Women Is Losers,” though the album doesn’t fully capture the wild energy of their live shows. Standout moments include “Intruder” and the experimental “All Is Loneliness,” showcasing the band’s bluesy, psychedelic influences. Despite its lackluster commercial reception, the album helped establish Big Brother as a key figure in the psychedelic movement and introduced Joplin’s legendary vocal talent. While it’s not as polished as their next release, Cheap Thrills (1968), The album holds significant historical value, paving the way for their future success and marking the beginning of Joplin’s short but remarkable career.
Signature Tracks “Bye, Bye Baby," "Call on Me," "All Is Loneliness"
Dan Pugach, an Israeli-born composer, drummer, and bandleader, is pushing the boundaries of big band jazz with his Grammy-winning album Bianca Reimagined: Music for Paws and Persistence. The album, inspired by Pugach and his wife Nicole Zuraitis' love for rescue animals, combines personal stories with a tribute to their late dog Bianca. Pugach's unique journey from rock drummer to big band leader has shaped his innovative style, which blends influences from jazz greats and rock music. His Grammy Award for Best Large Jazz Ensemble places him alongside legendary jazz figures, and his compositions reflect both personal and cultural narratives. Pugach's drumming and leadership in big band music reflect his deep understanding of rhythm and tradition. As he continues to write and perform, Pugach is dedicated to pushing the genre forward and staying connected with his audience, performing regularly in New York and worldwide with his big band and nonet.
Website - https://www.danpugach.com/
Dan Pugach Big Band: Bianca Reimagined: Music For Paws and Persistence - https://youtu.be/hGX65TdtkGQ?si=FHQKEO6s2tcQc4iB
(S4 Ep15) Pink Floyd-Pipers at The Gates of Dawn with guest Mark Blake
Released August 4, 1967, Recorded February 21-May 2, 1967 (EMI)
Piper at the Gates of Dawn (1967) is Pink Floyd’s debut album, largely shaped by Syd Barrett's visionary, whimsical songwriting and experimental approach to psychedelia. Combining surreal lyrics with complex musical arrangements, the album became a defining work of the British psychedelic scene. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcase the band’s innovative use of studio effects and improvisation. At the same time, songs such as "Lucifer Sam" and "Matilda Mother" blend folk influences with dreamy, eccentric storytelling. The album's experimental nature and Barrett's increasing mental instability, worsened by heavy drug use, marked the band’s transition from a psychedelic force to something more expansive. Despite its initial mixed reception, Piper is now a cornerstone of rock history. It reveals the early creativity of a band destined for greatness but also foreshadows the tragic unraveling of Barrett's role, paving the way for Pink Floyd's future with David Gilmour.
Signature Tracks: "Astronomy Domine," "Lucifer Sam," "Flaming"
(S4 Ep14) The Temptations- With a Lot o' Soul
Released July 17, 1967, Recorded between 1966-1967 (Gordy)
With a Lot o' Soul, The Temptations’ fifth studio album for Motown, showcased the iconic lineup of David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams. The album blends Motown's classic pop-soul with experimental arrangements, including lush strings, intricate horn sections, and emotional themes. The Temptations' trademark harmonies shine, with Ruffin dominating many tracks. At the same time, other members take lead on songs like Paul Williams on “No More Water in the Well” and Eddie Kendricks on “You're My Everything.” The album features four hit singles like “(I Know) I’m Losing You” and “All I Need” and solidified the group's place in soul music history. Produced by Norman Whitfield, the album marks the beginning of the Temptations’ evolution toward psychedelic soul, setting the stage for future groundbreaking work.
Signature Tracks: "I Know I'm Losing You," "All I Need," "You're My Everything"
