The Brothers each choose their top three horror films from the last 10 years’ horror renaissance. Each brother takes turns making their picks of the best horror films of this renaissance, digging into the films and briefly discussing why these films have defined this era. They end with a discussion of the films on their draft boards they didn’t choose, as well as recapping some recent candidates, including Zach Cregger’s WEAPONS and Ryan Coogler’s SINNERS.

Who you got? Spike Lee or Akira Kurosawa? The Brothers tackle this question as they discuss Spike Lee’s HIGHEST 2 LOWEST and the film it remade, Akira Kurosawa’s HIGH AND LOW. They compare the differing approaches of the two films, Lee and Kurosawa’s track records, and the film’s social commentary, while digging into the various highs and lows. Then, they pay tribute to the iconic actor and director Robert Redford.

What's your ideal summer comedy look like? Is it a meticulous recreation of dumb comedies of the past or a beat-for-beat rehash of a beloved childhood film? Is it THE NAKED GUN or HAPPY GILMORE 2? Anders and Aren dig into two of Hollywood’s biggest summer comedies. First, they discuss THE NAKED GUN, the new reboot/legacy sequel to the classic comedy series starring Leslie Nielsen. Then, they discuss Adam Sandler’s HAPPY GILMORE 2 and the nostalgia that fuels this popular comedic rehash.

The Brothers escape to the Fortress of Solitude for a review of James Gunn’s SUPERMAN. They discuss the film’s tone, narrative approach, and cast before digging into whether Gunn was the right man for the job. After, they expand the conversation to look back at their favourite Superman movies and discuss which were the best actors to portray Clark Kent and Lois Lane.

The Brothers head onto the British mainland for a review of Danny Boyle and Alex Garland’s 28 YEARS LATER. They explore the impact of this new zombie movie and its bold storytelling choices, as well as the characters, the performances of the lead actors, and the worldbuilding surrounding the Infected. They then broaden the conversation to look at 28 DAYS LATER and 28 WEEKS LATER.

Anders and Anton offer their thoughts on MISSION: IMPOSSIBLE - THE FINAL RECKONING and the action, themes, and characters in the film. They dig into how the series has evolved and how THE FINAL RECKONING fits into the series. They end by ranking the eight films in the series, from the 1996 original film to this most recent sequel.

The Brothers gather their Batman costumes, six shooters, and fighter jets for a tribute to the late Val Kilmer. They discuss their favourite Kilmer performances, his approach to method acting, and his unique theatricality as an actor. During the conversation, they touch on various Kilmer films, including BATMAN FOREVER, TOMBSTONE, HEAT, TOP GUN, WILLOW, SPARTAN, and PRINCE OF EGYPT.

Anders and Aren take the field for a table talk discussion of Carson Lund’s EEPHUS. They focus on how the independent feature captures the unique rhythms of the game as well as its cinematic quality and approach to time and the end of things. Afterwards, they discuss a few of their favourite baseball movies, including BULL DURHAM, FIELD OF DREAMS, and A LEAGUE OF THEIR OWN.

The Brothers put on their tuxedos and hit the red carpet for a roundtable discussion about the 2025 Oscars. They discuss the nominations in general before they dig into the individual nominees for Best Picture, including CONCLAVE, EMILIA PÉREZ, and A COMPLETE UNKNOWN. Finally, they offer their individual predictions for Best Picture.

The Brothers descend into the crypt for a roundtable discussion of Robert Eggers’ NOSFERATU. They explore the film’s success as a remake, discuss its formal approach, and examine its core themes and performances. Afterwards, they share some of the best movies they watched over the past calendar year.

What makes a movie a Christmas movie? In this bonus episode, the Brothers discuss this question as they examine the ways that movies do or do not capture the spirit of the season and lay out their theories on how personal seasonal viewing habits impact, but do not define, what makes a Christmas movie.

The Brothers head into the Colosseum to do battle in a roundtable discussion of Ridley Scott’s GLADIATOR II. They explore the film’s overall effect as a work of popular entertainment, its role as a legacy sequel, and its performances and action scenes. Then, they broaden the conversation to discuss Scott’s original GLADIATOR from 2000 and how Russell Crowe’s Maximus remains the most memorable movie character of the 21st century.

The Brothers hit up the club in Little Odessa for a discussion of Sean Baker’s Palme d’Or winner, ANORA. They dig into the film’s performances, pacing, and anthropological lens, as well as the discourse around the film, before they turn to some of the movies they’ve watched or revisited this fall, including FIGHT CLUB, TRAP, JUROR #2, and CONCLAVE.

The Brothers enter their flop era with a discussion of the season’s two big critical and commercial failures. First, they dig into the utopian romanticism and tonal strangeness of Francis Ford Coppola’s MEGALOPOLIS. Then, they explore the provocation of Todd Phillips’ JOKER: FOLIE À DEUX. Finally, they discuss a few of things they’re watching this year for Halloween Horror.

The Brothers pass onto the other side during a roundtable discussion of Tim Burton’s BEETLEJUICE BEETLEJUICE, his legacy sequel to his 1988 classic. They discuss whether the new film worked for them and dig into its casting and story. Later, they examine Burton’s wider career, and compare the film to other legacy sequels.

The Brothers get ready for the gravity purge during a roundtable discussion of Fede Álvarez’s ALIEN: ROMULUS. They examine whether the film is a cynical extension of the franchise full of callbacks and safe creative decisions, or whether it’s a more bold, horror-centric entry in the franchise. They then broaden the discussion to rank the films of the ALIEN series. Apologies for the quality of Aren’s audio track this episode.

The Brothers chase the storm for a roundtable discussion of Lee Isaac Chung’s TWISTERS, his sequel to the 1996 disaster movie classic. They discuss TWISTERS as a summer blockbuster influenced by Steven Spielberg, Chung’s authorial approach to the material, the performances of the leads, and the film’s philosophical approach to natural disaster. Then, they broaden the conversation to discuss the original TWISTER and more disaster movies of the 1990s.

The Brothers ride the war rig to the Citadel for a roundtable discussion of George Miller’s FURIOSA: A MAD MAX SAGA. After giving fast takes on each film in the MAD MAX series, they discuss FURIOSA in detail, including its style of storytelling, action filmmaking, and tone. They then broaden to the discussion to explore the four other films in the series: MAD MAX, MAD MAX 2 (a.k.a THE ROAD WARRIOR), MAD MAX: BEYOND THUNDERDOME, and MAD MAX: FURY ROAD.

The Brothers get into character for a roundtable of Quentin Tarantino’s PULP FICTION to mark the film’s 30th Anniversary. They discuss its impact then and now and its formative influence on their own journeys as cinephiles. Then they broaden the conversation to discuss more Quentin Tarantino films and share their top three films of his filmography.

The Brothers head to the Double Deuce for a double dose of ROAD HOUSE. First, they dig into Doug Liman’s new remake starring Jake Gyllenhaal, and examine the action filmmaking, the storytelling, the setting, and the film’s approach as a remake. Then they compare it to Rowdy Herrington’s original ROAD HOUSE starring Patrick Swayze and sing the praises of the action classic.