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You're Wrong About
Sarah Marshall
247 episodes
3 days ago
What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...
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What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...
Show more...
History
Society & Culture,
True Crime
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Samantha Smith vs. the Cold War with Maris Kreizman
You're Wrong About
1 hour 18 minutes
1 month ago
Samantha Smith vs. the Cold War with Maris Kreizman
Who really ended the Cold War, Ronald Reagan or a ten-year-old girl? Eighties correspondent Maris Kreizman joins us for a heartfelt conversation about America’s Youngest Ambassador, Samantha Smith, a child who wrote a letter to Soviet General Secretary Yuri Andropov in hopes of cooling nuclear tensions. Then, Andropov wrote back. Maris and Sarah discuss the burden we place on the youth to “change the world” while simultaneously scolding them for their naivety. Digressions include the millenni...
You're Wrong About
What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...