“You don’t really know a boundary until you’ve pushed against it.” – Gina Athena Ulysse Trouble-making wonder Gina Althena Ulysse gives Kaiama and Tami a glimpse into the boundless whirl of her creative (and) scholarly practices. Gina Athena Ulysse is an artist-anthropologist and Professor of Feminist Studies at UC Santa Cruz. An interdisciplinary methodologist, her research questions engage geopolitics, historical representations, and aesthetics in the dailiness of Black diasporic conditions to confront the visceral in the structural. Her work and artistic practice are rooted in what she calls Rasanblaj – a gathering of ideas, people, things, and spirits, not necessarily in that order! She is the author of several books and articles, including; Why Haiti Needs New Narratives: A Post Quake Chronicle (2015), and Because When God is too Busy: Haiti, me & THE WORLD (2017)- a collection of photographs, poetry, and performance texts. It was long-listed for the 2017 PEN Open Book Award and awarded the 2018 Best Poetry Connecticut Center for the Book Award. Gina edited "Caribbean Rasanblaj," a double issue of e-misférica, NYU's Hemispheric Institute for Performance and Politics journal. Her creative work and non-fiction writing have appeared in American Ethnologist, AnthroNow, Feminist Studies, Interimpoetics, Gastronomica, Journal of Haitian Studies, Liminalities, PoemMemoirStory, Meridians, Souls, Third Text, and Transition Magazine. Her latest publication WoodsWork Rasanblaj is part of her current project an exploration of land-based connections to nature, desires and vertigo. More info: ginaathenaulysse.com

“What’s left at the end of the day once we’ve divided and multiplied and subtracted pieces of ourselves to just be able to stay standing.” – Ana-Maurine Lara  Polymath extraordinaire Ana-Maurine Lara offers Tami and Kaiama much-appreciated  lessons in arithmetic and other miraculous methodologies.   Ana-Maurine Lara is currently an Associate Professor of Women, Gender & Sexuality Studies at the University of Oregon. Her areas of interest include Afro-Latinidad, Black: Queer aesthetics, Afro-Indigenous relationships and traditional knowledges, and the struggle against xenophobia in the Dominican Republic. Also an award-winning novelist and poet, Dr. Lara spent 10 years as a writer and performance artist before deciding to pursue a Ph.D. in African American Studies and Anthropology at Yale University. Her short stories and poems have been published in numerous anthologies and literary magazines. In addition, she has written and performed many plays and performance art pieces, most recently Sanctuary (2021), a performance collaboration with Rosamond S. King, Akiko Hatakeyama and Courtney Desiree Morris (directed by D'Lo).

“Recovery is the next thing you have to do.” – Dionne Brand   Illustrious poet, novelist, essayist, and thinker Dionne Brand shares her methods for speaking liberation into the world. Kaiama and Tami are grateful.   Dionne Brand is a renowned poet, novelist, and essayist. Her writing is notable for the beauty of its language, and for its intense engagement with issues of international social justice. Her work includes ten volumes of poetry, five books of fiction and three non-fiction works. She was the Poet Laureate of the City of Toronto 2009-2012. From 2017-2021 Brand was Poetry Editor at McClelland & Stewart- Penguin Random House Canada. Dionne Brand has published nineteen books, contributed to many anthologies and written dozens of essays and articles. She has also been involved in the making of several documentary films. She was a Distinguished Visiting Professor at St. Lawrence University in New York and has taught literature and creative writing at universities in both British Columbia and Ontario. She has also held the Ruth Wynn Woodward Chair in Women’s Studies at Simon Fraser University. She holds several Honorary Doctorates, Wilfred Laurier University, University of Windsor, Simon Fraser University, The University of Toronto, York University and Thornloe/Laurentian University. She lives in Toronto and is Professor in the School of English and Theatre Studies at the University of Guelph. She is a member of the Order of Canada.

We’re back! WRITING HOME returns for Season 3, which sees Kaiama and Tami returning to the virtual studio and taking on questions of writing, teaching, and being in the world. This time around, they’re joined by Dionne Brand, Ana-Maurine Lara, and Gina Ulysse. Taken together, the insights in these conversations serve as something like a toolkit, offering strategies for boundary-creation, self-making, and the all-important art of recovery. Listen to this trailer for season 03 as we continue on our journey of writing our way home.

“No matter how long I’ve been away from home, Haiti remains inside of me.” – Katia D. Ulysse For the final episode of WRITING HOME’s second season, Tami and Kaiama welcome the critically acclaimed Haitian-American fiction and children’s book author Katia D. Ulysse. Reflecting Katia’s stories, this conversation weaves together the vitality of music, the multifaceted bonds between mothers and daughters, and the changing, transnational narratives of Haiti. Katia drops some wonderful gems as she lifts up the names of the people she loves, such as how she learnt how to story-tell at her grandmother’s feet and why she thinks of motherhood as “babysitting her daughter for the ancestors.” Katia D. Ulysse is a fiction writer, born in Haiti. Her short stories, essays, and Pushcart Prize–nominated poetry appear in numerous literary journals and anthologies, including: The Caribbean Writer, Smartish Pace, Phoebe, Meridians: feminism, race, transnationalism; Mozayik, The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States, and Haiti Noir, edited by Edwidge Danticat. She has taught in Baltimore public schools for thirteen years, and served as Goucher College’s Spring 2017 Kratz Writer in Residence. Drifting, a collection of short stories, drew high praise from literary critics. She is currently at work on another short story collection. Mouths Don’t Speak is her latest novel. Reading List:Katia’s booksMouths Don’t Speak (2018)Drifting (2014)Fabiola Ale Lekòl/Fabiola Goes to School (2016)Fabiola Konn Konte/Fabiola Can Count (2012)Authors who Katia mentioned:Yanick LahensRoxane GayEdwidge Danticat“Addicted to Love” by Robert PalmerRobert Palmer performing with James Brown

“We are a collection of all the stories that have been passed down to us.” – Tiphanie Yanique Award-winning writer and Virgin Islander Tiphanie Yanique joins Kaiama and Tami on this week’s episode of WRITING HOME. Tiphanie beautifully answers (and evades) our hosts’ questions about the relationship between poetic form and place, balancing beauty and pragmatism, and addressing racial inequality through participation in the publishing industry. Tiphanie hints at the themes that preoccupy her in her upcoming book Monster in the Middle – American colonial identity in the Caribbean, the impact of motherhood on her writing, and the nuns and mermaids she plans to somehow include in a future novel. Tiphanie Yanique is a novelist, poet, essayist and short story writer. Her writing has won the Bocas Award for Caribbean Fiction, the Boston Review Prize in Fiction, a Rona Jaffe Foundation Writers Award, a Pushcart Prize, a Fulbright Scholarship and an Academy of American Poet's Prize. She has been listed by the Boston Globe as one of the sixteen cultural figures to watch out for and her writing has been published in the New York Times, Best African American Fiction, The Wall Street Journal, American Short Fiction and other places. Tiphanie is from the Virgin Islands. She grew up in the Hospital Ground neighborhood in St. Thomas. She lives now with her family in Atlanta where she is a tenured associate professor at Emory University. Reading List: Tiphanie’s novels and poetry:Monster in the Middle (October 2021)Wife (2015)Land of Love and Drowning (2014)How to Escape From a Leper Colony (2010) Works Tiphanie mentioned:Alscess Lewis-Brown and the hurriku

“What would goodness be like? What would more joy be like?” – Edwidge Danticat Tami and Kaiama connect with the illustrious Haitian-African-American author Edwidge Danticat. In this conversation, the three grapple with how they are emotionally processing the pandemic through writing and reading literature. Edwidge speaks on whether literature survives on suffering, her newfound quest to find goodness within her work, and whether she’s guilty of being a "serial killer of her characters." As Edwidge discusses the precarity of writing at home during the pandemic, she reveals how she navigates her toughest critics: her daughters. Edwidge Danticat is the author of several books, including Breath, Eyes, Memory, The Farming of Bones, Claire of the Sea Light,  and Everything Inside. She is the editor of The Butterfly’s Way: Voices from the Haitian Diaspora in the United States, Haiti Noir and Haiti Noir 2. Shehas written seven books for young adults and children, Anacaona, Behind the Mountains, Eight Days, The Last Mapou, Mama's Nightingale, My Mommy Medicine, and Untwine, as well as a travel narrative, After the Dance, A Walk Through Carnival in Jacmel.  Her memoir, Brother, I’m Dying, was a National Book Award finalist in 2007 and a National Book Critics Circle Award winner for autobiography.  She is a 2009 MacArthur Fellow and a two-time winner of The Story Prize, a 2020 United States Artist fellow, and winner of the 2020 Vilcek Prize for Literature.   Reading List:Edwidge’s writing:“Mourning in Place,” The New York Review (2020)“One Thing,” a short story from The New York Times Magazine’s Decameron Project (2020)The Art of Death: Writing the Final Story (2017)Claire of the Sea Light (2013)Breath, Eyes, Memory (1994)Works Edwidge mentioned:“Goodness: Altruism and the Literary Imagination,” an annual Harvard University Ingersoll Lecture on Immortality by Toni Morrison (2012)Goodness And The Literary Imagination by Toni Morrison (2019) Authors who Edwidge recommended:Katia UlysseFabienne JosaphatAngie CruzDoreen St. FelixRoxane GayNelly RosarioTayari Jones

Kaiama and Tami kick off the second season of WRITING HOME with Booker Prize-winning author Marlon James. Just like Marlon’s unflinching novels, our hosts and their guest don’t shy away from any subject, whether it be whiteness and political violence, how to read and write trauma, slavery, misconceptions about queer Jamaican life, or the Black time continuum. Marlon explains how he uses complexity to avoid writing banal caricatures and how he empathizes with the unpalatable characters of his homeland. Because, as he points out, he’s not part of the Jamaican tourist board. Marlon James was born in Jamaica in 1970. His most recent novel, Black Leopard, Red Wolf, the first novel in James's Dark Star trilogy, was a finalist for the 2019 National Book Award. His previous novel, A Brief History of Seven Killings, was the winner of the 2015 Man Booker Prize, The American Book Award, and The Anisfield-Wolf Book Prize for fiction. He is also the author of the novels John Crow's Devil and The Book of Night Women, which won the Dayton Literary Peace Prize. Reading ListMarlon’s podcast with his editor, Jake Morrissey: Marlon and James Read Dead PeopleMarlon’s novels:Black Leopard, Red Wolf (2019)A Brief History of Seven Killings (2014)The Book of Nightwomen (2009)John Crow’s Devil (2005)Works Marlon mentioned:Create Dangerously: The Immigrant Artist at Work by Edwidge Danticat (2010)The Dead Yard: A Story of Modern Jamaica by Ian Thomson (2009)“The Danger of a Single Story,” a TED talk by Chimamanda Ngozi Adichie (2009)The Savage Detectives by Roberto Bolaño (1998)Mrs. Dalloway by Virginia Woolf (1925)“Our Myths, Our Selves,” an Oxford University Tolkien Lecture on Fantasy Literature by Marlon James (2019)

Kaiama L. Glover and Tami Navarro return with a brand new season of WRITING HOME.

“I belong here.” – Staceyann Chin Staceyann tells it all like it is while Kaiama and Tami try to keep up. Staceyann Chin is a poet, actor, and performing artist based in Brooklyn, NY. She is the author of the poetry collection Crossfire: A Litany For Survival and the critically acclaimed memoir The Other Side of Paradise, the co-writer and original performer in the Tony Award–winning Russell Simmons Def Poetry Jam on Broadway, and the author of the one-woman shows Hands Afire, Unspeakable Things, Border/Clash, and MotherStruck. Staceyann has appeared on the Oprah Winfrey Show and 60 Minutes, and her poetry has been featured in the New York Times and the Washington Post. She proudly identifies as Caribbean, Black, Asian, lesbian, a woman, and a resident of New York City, as well as a Jamaican national. Staceyann is on Twitter at @staceyannchin. The post episode 03 | be.longing appeared first on WRITING HOME |.

“The ceremony can be found for it.” – Alexis Gumbs Alexis educates Tami and Kaiama on the difference between a trilogy and a triptych, explains how daily practice really can make perfect (or close to it), and answers the burning question: is she a black feminist? Spoiler alert: YES. Alexis Pauline Gumbs is the author of Spill: Scenes of Black Feminist Fugitivity, M Archive: After the End of the World, and Dub: Finding Ceremony.  She is also the co-editor of Revolutionary Mothering: Love on the Front Lines. The Anguilla Literary Festival called Alexis “The Pride of Anguilla.” Alexis is now the provost of the Eternal Summer of the Black Feminist Mind in Durham, NC and co-founder of the Black Feminist Bookmobile, Black Feminist Film School, and the Mobile Homecoming Trust Living Library and Archive of Queer Black Brilliance. Alexis is also Creative Writing Editor of Feminist Studies and celebrant-in-residence at NorthStar Church of the Arts in Durham, NC. Alexis is on Twitter at @alexispauline. The post episode 02 | ceremony appeared first on WRITING HOME |.

“I think invisibility is a writer’s superpower.” – Naomi Jackson Kaiama and Tami speak with Naomi about the privilege of being from multiple Caribbean places and about the freedom of not entirely belonging to any one of them. Also, Naomi offers a few helpful words on how to forgive our mothers and ourselves. Naomi Jackson is the author of The Star Side of Bird Hill, published by Penguin Press in June 2015. She studied fiction at the Iowa Writers’ Workshop and is the recipient of residencies from the Kelly Writers House, Hedgebrook, Vermont Studio Center, and the Camargo and Point Foundations. She has taught at the University of Iowa, the University of Pennsylvania, and Oberlin College. Naomi lives in Brooklyn, New York, where she was born and raised by West Indian parents. You can find her on Instagram at @thenaomijackson The post episode 01 | (in)visibility appeared first on WRITING HOME |.

“There are treasures to be found here.” Meet co-hosts Kaiama L. Glover and Tami Navarro. Since 2015, Tami and Kaiama have been working together to curate conversations between cultural producers whose work reflects their experience of Caribbean diaspora. Held at Barnard College, these events have served as a space of community on campus and far beyond.Featuring Jamaica Kincaid & Tiphanie Yanique, Edwidge Danticat & Victoria Brown, Gloria Joseph & Naomi Jackson, Dionne Brand & Claudia Rankine, Erna Brodber & Nicole Dennis-Benn, Maryse Condé & Fabienne Kanor, Roxane Gay & Katia Ulysse, and Staceyann Chin & Alexis Gumbs – these pairings have brought together distinct voices in powerful dialogue. In this first episode, the co-hosts discuss the move from live events to the podcast and reflect on what this platform can offer in the way of building and sustaining community despite the challenges of the current moment. The post prologue | welcome home appeared first on WRITING HOME |.