In this special episode we are joined by British painter Emily Ponsonby to explore the importance, the relevance, the power of place - here you work, where you exhibit, where you travel, where your work finds home.

Before we go any further, if you aren’t familiar with her work I really would encourage you to take a moment to look her up here so that you can have her work in your mind’s eye. 

The work of Emily Ponsonby is an invitation. It is an invitation to remain still. It is something revealed and something hidden. It is onion layers making your eyes sting, leaving the board littered with skins both crisp and yielding. Once seen, these captures of togetherness remain. I want to pod peas and hear the conversation. I want to be in the picture not stood in front of it, an outsider to its beeswax scrapings. 'Place' sings from the canvas and from Emily’s story.
 
It would be easy to focus on the life of an artist as one about looking and telling stories and truths and one of canvas and paint and technique. We could happily, and fruitfully, spend our time wondering how Emily elicits life from the page but, for me, the commercial side creeps in. Working with galleries, applying for residencies, pricing your work. It all has a part to play. I have known Emily for some time and have watched her navigate both the work itself and the commercial side of things with energy and honesty, with courage and with trepidation. We all have a great deal to learn from her.
 
And so, let’s explore the settings within her work, her studio space, her travel and explorations, where her work ends up and the importance of her latest exhibition, A Warm Life Through Butter at Gillian Jason Gallery. 


Emily Ponsonby
Gillian Jason Gallery 
Up With The Lark 

A conversation about leaderhsip with Sandrine Zhang Ferron, founder of Vinterior. 

In this episode, a topic that creeps in to most of the work that I do with founders. It is leadership. Are you a leader? What ‘qualifies’ you to be one? What arena, idea, business or group of people are you leading? What is your leadership style? Is it working? And why does it matter? In the social media age, spend a great deal of time discussing ‘following’ and ‘followers’. But I wonder if we spend enough time considering ‘leading’ and ‘leaders’.

It brings me real joy to say that in this episode, we are going to adventure through this very concept with someone more than qualified to do so. Sandrine Zhang Ferron is the founder of Vinterior. This vintage furniture site is an excellent ‘what if we could…’ put into practice and I can’t imagine you haven’t browed its pages at some point. It is sustainability as a doing word, a verb rather than a concept or aspiration or guilty niggle. It has purpose and style woven in and Sandrine has big ambitions for its future. We are going to consider what Sandrine learnt from her years working in finance, how she got the idea off the ground, what it means to be a leader in your industry, a leader as a founder and a leader of a team. 

Vinterior: www.vinterior.co
Up With The Lark: www.upwiththelark.com 

A conversation with Beggars Run, purveyors of suits and interesting ideas, about their story and their move over to New York. What can we learn from the American Dream?

Welcome to Up With The Lark And, a podcast for creative entrepreneurs hosted by me, Calandre Orton. I am a business consultant working in the creative industries and my career has always existed at the intersection of the creative and the commercial. This podcast captures conversations built on curiosity, optimism and the nitty gritty detail of what it actually takes as a creator and entrepreneur. 

A few years ago I had a conversation with Taymoor Atigetchi, founder of Papier, about the impact of his Iranian roots on the way that he does business. The thought stayed with me and stayed with me to the point of preoccupation. And so now here is the fourth in the series of interviews with entrepreneurs working in and influenced by a variety of countries and cultures. 

In this episode, the United States of America. The UK and the US share a long and complex relationship filled with significant trade, cultural exchange and "Love Actually" style cliches. What can we all learn from the promised American Dream?

I am delighted to say that we are joined by Cian McAuliffe, co-founder of Beggars Run. Raised in the Irish wild west (his words, not mine), clothes were the source of self expression and adventure and he was propelled around the world before landing in the Big Smoke. He observed that it was not possible to buy a well made suit in an interesting fabric that did not cost the earth. So he decided to make some and did so above an East End boozer. The suits cut a fine figure and so did their growing client base. A creative, non-conformist, confident crowd gathered. And that crowd wore suits of the highest order. They hot footed over to the US and Beggars Run opened in New York in 2023. 

We find out about the cloth, the craft, the cut and the life of a tailor. We hear about Shoreditch in London and Nolita in New York. We compare and contrast the style, the customer and the ways of doing business. 

So welcome to Up With The Lark And Beggars Run. 

Beggars Run: www.beggarsrun.com/uk
Up With The Lark: www.upwiththelark.com

A discussion about leadership and legacy, knowing when it is time to move on and how to hand over the reigns with Megan Piper and Sarah Carrington of The Line. 

Welcome to Up With The Lark, a podcast for creative entrepreneurs, hosted by me, Calandre Orton. I am a business consultant working in the arts and creative industries. My work has always existed where the creative meets the commercial and this podcast does the same. It offers a series of conversations about what it actually takes, the curiosity, the optimism and the nitty gritty. 

The art of leadership and legacy captivates me. In a world where good leadership can feel in short supply, how can we lead effectively, with humanity, energy, and flair? Today, we’re going to explore a particularly intriguing element of leadership: when one leader, director, or CEO hands over to the next, both practically and philosophically.

To explore this, we are very fortunate indeed to meet co-founder of The Line, Megan Piper, and her planned successor, Director Designate, Sarah Carrington. The Line is East London's art walk that connects Queen Elizabeth Olympic Park and The O2. It is an outdoor exhibition programme offering a journey through a dynamic urban landscape, where everyone can explore art, nature, and heritage for free. It offers discovery and adventure, as well as quiet contemplation.The Line is a perfect example of a conversation turned into an idea, then into reality. It is a vision brought to life, a set of values explored, and an impact realised. Truly, quite an achievement and quite something to take on.

We’re going to walk our way through the practical and cultural elements of passing on the baton. A handover is so much more than a desk, a login, and an edit to your LinkedIn profile. While practical considerations are essential, such as communicating with stakeholders, managing the team, and nurturing the community, there is a great deal more to consider to ensure the culture continues to flourish and a new chapter can unfold.We’re going to hear how The Line began, the role of Director, Megan’s decision to hand over the reins, and how Sarah will grasp them.

So welcome to Up With The Lark and The Line, a conversation on leadership and legacy. One that will inevitably make us consider our own leadership styles and how we can use them to bring our creative visions to life. Introspection and action await.So, welcome Megan and Sarah. It’s such a delight to have them both join us to share both sides of this story: the initial chapter and the new chapter.

The Line: www.the-line.org
Up With The Lark: www.upwiththelark.com

An insight into collaboration with Pelican House X Shrimps. Why collaborate? How can we make it an enjoyable and effective process? How do we know whether it has 'worked' or not?

Welcome to Up With The Lark And, a podcast for creative entrepreneurs hosted by me, Calandre Orton.

In a world where technology shouts and AI feels mystifying, hopeful and threatening all at once, I find myself drawn ever more to understanding the human mind. In particular, how and why the human mind creates. Today we are lucky to explore a particular facet of that ability and desire to create which is the alchemy of creatives working together. It may feel that we live in the era of collaboration but we know that the creative partnership has always been an important part of the creative landscape. 

Today we are going to explore the various elements of collaborations. Who had the idea first? How do you approach someone? How can you know that it will be a good fit? How can you go about blending two creative disciplines? How do you develop great communication? How do you handle the nitty gritty of cash, contracts, risk and responsibilities? And, crucially, how do you measure success? 

Joining us are Hannah Weiland, founder of Shrimps, Isabella Valenzia, founder of Pelican House, and India Holmes, creative director of Pelican House. Pelican House is a design studio that exists to create unique rugs and homewear collections with a focus on craft, quality and makers. They are no strangers to collaborations having worked with Lucy Williams, Camilla Guinness and Barlow and Barlow. Shrimps is a British womenswear brand that has just the right wit, edge and warmth to earn it quite the cult following. They too are experienced collaborators having worked with a range of brands including Strathberry, Binibamba and Daisy. 

It is safe to say that these ladies know what they are talking about. Welcome to Up With The Lark And Pelican House and Shrimps. 

Pelican House: www.pelican-house.com
Shrimps: www.shrimps.com
Up With The Lark: www.upwiththelark.com 

A conversation with Xanthe Ross, chef, supper club host and food writer. We discuss the value and importance of being a beginner. 

Welcome to Up With the Lark, a podcast for creative entrepreneurs, hosted by me, Calandre Orton. This podcast captures conversations built on curiosity, optimism, and the nitty-gritty detail of what it actually takes to build a career, a business, an enterprise, or a charity in the arts or creative industries today. This is a topic I believe to be an essential tool in the life of creative entrepreneurship: the art of being a beginner.

Whatever creative industry you work in, however long you have done so, or however masterful you have become at your craft, you should always be embracing something new. To explore this, we have Xanthe Ross. Xanthe is a chef, supper club host, and food writer.

Her food story is one that has joy, togetherness, humility, and resilience woven in. From a rural childhood in a large family pulling carrots from the earth, to London and the fizz and adrenaline of supper clubs, the mastery of social media, and the adventure of writing a book. In all of it, it seems to me that Xanthe has remained true to herself.

She has taken risks and shared her fears. She has been brave and shared her vulnerabilities. It is a lesson in resilience and the reality of what it really takes. I'm very much looking forward to hearing her story, and I hope we will be prompted to keep embracing the value of being a beginner.

Xanthe Ross

Up With The Lark 

A conversation about Indian design, style and approach to retail with Gabby Deeming founder of Daydress. 

A few years ago, I had a conversation with Taymoor Atigetchi, founder of Papier, about the impact of his Iranian roots on the way that he does business. That train of thought stayed with me and stayed with me to the point of preoccupation. And so now, here is the third in our series of interviews with entrepreneurs working in and influenced by a variety of countries and cultures. And so today, India. A place of vitality and vibrancy, an ancient, beautiful and spiritual country, hot and hectic and laced with entrepreneurship.To guide us safely and joyfully through the streets of Jaipur is Gabby Deeming, founder of Daydress. Daydress began with a single blockprint shirt dress. And every dress that has been made since carries that sense of pattern, delight, simplicity, confidence and elegance. These aren’t dresses that are forgotten or bored of, they are treasured and collect memories in their swishing skirts.

Gabby previously worked at House and Garden. A work trip to India bought unexpected change to her professional path. A block print, a dress, a realisation, a revelation; Daydress was born. After time juggling both House & Garden and Daydress, the fork in the road beckoned and Gabby committed to Daydress full time. The block printing, the femininity, the quality, the independence and purity of her style has enticed a loyal and delightful client base. She now splits her time between the UK and Jaipur and so is beautifully placed to discuss the Indian approach to design, to style, to retail and to doing business.

I imagine that Gabby’s joyful outlook and her lightness of touch mean that even working on cashflow and shipping is an elegant act as she sits bedecked in one of her beautiful designs. Anyone who takes an idea and brings it to reality, anyone who takes risks continually, anyone who is committed to their own aesthetic, anyone who does so with charm and grace, that’s the best story to hear.

So welcome to Up With The Lark and Daydress. Gabby told me that she finished her work day at dusk on her farm outside Jaipur listening to the evening temple drums – I do hope that wherever you end your day, Gabby’s insights and encouragements with echo for you.

Daydress: www.daydress.co.uk

A conversation about the importance, the joys and the perils of working alone. 

We continue our series on creativity, entrepreneurship and mental health. Creativity and entrepreneurship are adventures, magnificent ones which bring people alive, show them what they are capable off and offer a real thrill and sense of purpose and fulfilment. But there are also real challenges, bumps in the road and tough times. One of these is working alone. Some months ago when I asked about the challenges you experienced in the life of a creative entrepreneur, loneliness was a common answer. Whether you truly do work alone in your studio or are the leader of a team of whatever size, the topic came up again and again.

This episide is a conversation with a wordsmith I hugely admire. Nancy Nicholson is a weaver and textile artist. She is a designer and maker of rugs, wall hangings and textiles. She would, I think, have had a great deal to discuss with Jim Ede of Kettle’s Yard. Forms, many circular, a palate informed by sheep’s fleeces and the natural world. A confidence of style. A belief in quiet beauty. She offers collections and works on bespoke commissions. She has collaborated with the likes of Christopher Farr and always offers up something unexpected.  

Nancy is that rare thing. She is unhurried. She seems to have found immunity from the rush and addiction to ‘the next thing’, from the need for speed. She reads and reads and reads and thinks and thinks and thinks. I imagine her be the sort of person who reads poems and reads them more than once. This is not to suggest inaction. Nancy produces beautiful work that finds itself in the most magical of spaces. She personifies the idea of being considered. Perhaps this is the loom itself. Perhaps it is her character. Perhaps both. But in all of it she is a celebration of the importance of working alone and embracing the independence of creative work. Not for all days, for all seasons but it is certainly valuable and part of the joy of deep work and creative breakthrough. But also it can tip from alone to lonely. And Nancy and I will explore that too.

Nancy Nicholson: www.nancynicholsonstudios.com

A conversation with Cath Kidston MBE about her new brand, C. Atherley, and the longevity of her creative and commercial success. 

Most, many or all of us will have interacted with Cath Kidston's products, story and style at some point. It is certainly a story of creativity, of joy, of home, of both a fresh approach and a sense of nostalgia; it is a jewel in the crown of British design. It’s one that expands across the decades, across the globe, across changing styles and trends, across different ways of building brands and doing business. Today we are in the presence of hard won wisdom and someone who has sustained her creativity, and commercial success, for the long term. This is a story that we can all learn a very great deal from.

We are very lucky today to be able to ask Cath that uplifting relationship between creativity and longevity. We will explore the igniting and nurturing creativity, the delight of shop keeping, new ideas and good ideas, taking the long view, risk and growth, her latest enterprise of magical British bodycare brand C.Atherley and what the future holds.

So, welcome to Up With The Lark and Cath Kidston MBE. I’d suggest paper and pencil for this one, there are some insights worthy of scribbling down on their way. 

C.Atherley: www..c-atherley.com
Up With The Lark: www.upwiththelark.com

A conversation with Victoria Barker, founder of Studio Faeger, on finding and nurturing your creative identity. 

The internal life of creative entrepreneurs fascinates me and it is my view that the mental health of this extra ordinary group of people warrants greater discussion. What makes a person create? What makes them keep creating? What part do persistence, patience and pauses play? How do you experience the ‘aloneness’ of it? How do you handle failure and disappointment? What impact does leading a team have? And what part does neurodiversity play? What is burnout and how can it be avoided? How can we keep creative and commercial momentum in the midst of grief, fertility challenges or economic uncertainty? And, as ever, my north star in it all – how can we make the creative commercial and the commercial creative whilst maintaining good mental health?

In this episode I am delighted to say that we are tackling one of my favourite topics – creative identity – with one of my favourite creatives, Victoria Barker founder of Studio Faeger. Studio Faeger has a tangibility to it so often forgotten in the digital age. Her designs lift the soul, are embracing and have just enough humour and lightness in them that your day is better for it. It is a reminder of what interior design is for – it’s not for static crafted images in magazines or videos on social media. It is about the right table to sit and converse at with your best friend, a kitchen that nourishes you, a sofa to sink into with your toddler or your teen, it’s the beauty of living life well. Victoria has swiftly cemented her look and feel alongside what it is to work with her. Both are magical.

We are very lucky to have the chance to explore how you discover, nurture and develop your creative identity. We will consider what actions, people and places augment and affirm that identity. And we will debate how to tackle the challenges, dilutions and distractions that come your way. Victoria has carved out a career, a portfolio of work, a swathe of delighted clients by ever so gently, with ever so much determination focus and grit, expressed her own creative identity. She seems to be able to avoid those pitfalls of comparison, distraction and doubt. Those who have this gift are flames to the rest of us moths and so I very much hope that you will enjoy Up With The Lark and Studio Feager on Creative Identity.

A discussion with eyewear designer and foudner of Soho Bespoke, on the relationship of form and function. 

A few weeks ago, I stood in a spectacles shop trying on new frames. I found myself selecting a simple gold-rimmed wire pair. And in the mirror, I was reminded—which, I'll admit, took me by surprise—of four-year-old Calandre wearing something very similar, thanks to the design decisions of the NHS. And so today's conversation is perfectly timed. It is one about the relationship between form, function, and fashion.

Most creative entrepreneurs exist at this intersection most of the time. They are drawing together their creative ideas and ideals, colours, materials, combinations, and methods alongside the practical need for things to 'work'. I am quite sure that this tension creates excellence—and, I am sure, many an existential crisis.We are joined today by Charlie Ingham, founder of Soho Bespoke, an eyewear design consultancy. Charlie designs spectacles for both opticians and fashion brands. She works from concept to sampling and manufacture across the UK, Europe, and Asia. With clients including JW Anderson, Margaret Howell, Cubitts and Nanushka, I can safely say Charlie has just the insight we are looking for on this topic.

We are going to explore the eyewear industry and the fine craft of spectacle making. We will consider the importance of function, understanding, and science before looking at the dynamics of look and feel. Finally, we will debate their combination and connection.

A conversation about the influence of Japanese design, business, retail and gardens on Jake Hobson, founder of Niwaki. 

A few years ago, I had a conversation with Taymoor Atigetchi, founder of Papier, about the impact of his Iranian roots on the way that he does business. That train of thought stayed with me and stayed with me to the point of preoccupation. And so now, here is the second in our series of interviews with entrepreneurs working in and influenced by a variety of countries and cultures.
I want to look beyond the accepted cliches to understand and celebrate variety. I want to explore customs, political systems, climate, temperament, geography and expectations. What motivates, delights and disappoints? I hope to celebrate the breadth of style and approach the idiosyncratic, the different.

Today we find ourselves far far away, exploring a country as mysterious as it is magnificent – Japan. And to guide us is Jake Hobson, founder of Niwaki. What began as a trip to Japan in the 1990s has become an exquisite jewel of handmade garden tools, workwear and a thoughtful conversation about gardens and enjoying them. Their look is as distinctive as their approach, quiet yet impactful. And we are lucky enough today to be able to discuss Japanese style influences, the Japanese approach to doing business and the impact of Japanese retail on Niwaki.

Whilst it is simply impossible to summarise an entire nation in one conversation, I wonder if by wondering through the cherry blossom, we might just learn something afresh about design, about selling and about beauty. And so welcome to Up With The Lark And Niwaki - I do think that you are going to enjoy this one.

Niwaki: www.niwaki.com

The last decade has seen a great deal of change around the interrelationship of digital and bricks and mortar across the creative industries. Disciples of each approach are plentiful but for most, it’s all about the hybrid.

It’s about acquiring, delighting and retaining customers in both formats. It is frankly acrobatic to keep both elements flourishing. One of the tools in this hybrid toolbox is the Pop Up. And that is what we are going to be exploring in this episode with Rachel Carvell-Spedding founder of British Knitwear Brand, Navygrey.

Navygrey is as classic as its namesake. Timeless. Unrippled by trends and fads. A jumper to see you through the seasons, chapters and styles of life. Whether a blustery Norfolk beach, pacing down High St Islington or by the fire in the pub, these jumpers work. Carefully designed and carefully presented with B Corp approval this is a brand growing in stature.

And in amongst it all, it has been Popping Up. In great spaces and places, connecting with their audience and telling the stories that matter most to them. I am looking forward to asking about wool, about Made In Britain, about what growth looks like at this point of the business, the ever lasting power of bricks and mortar and the secrets to popping up well. 

Navygrey: www.navygrey.co

Today we will be speaking with Sam Paget Steavenson, co-founder of Botivo. This British non-alcoholic botanical aperitivo has joy, playfulness and vivacity in abundance across flavour, brand and approach to doing business. This is accompanied by a determination, an attention to detail and a focus that means the commercial side is thriving, the company is a certified BCorp and they have been in receipt of some serious funding to make expansion possible. This is, simply, a modern day case study of growing a brand and a business in the 2020s.

This is a great way to begin our new series on mental health, creativity and entrepreneurship. I have long wanted to explore this topic and am so so pleased that Sam agreed to kick things off. It’s not something routinely discussed and often only in hindsight. Creativity and entrepreneurship are adventures, magnificent ones which bring people alive, show them what they are capable off and offer a real thrill and sense of fulfilment. But there are also real challenges, bumps in the road and tough times.

In this series we will look at different aspects of the life of a creative entrepreneur - some light-heartedly and some more challenging. In today’s episode we are going to look at Patience and Persistence. We are going to find out about the trials, tribulations and opportunities of working in the emerging non-alcoholic industry. We are going to dive into Botivo ‘Yellow Hour’ and discover more about the engaging energy of their brand and storytelling. We will hear about the flavour profile and how it takes a year to make a batch of Botivo. And we are going to explore the importance and place of patience alongside the necessity for persistence and determination. And in all of this, how can we keep focused on great mental health as a maker, creator, artisan and founder. 

In this episode, we are exploring the alchemy, the mystery and the magic of partnerships. For me it is such an intriguing element of creativity and of entrepreneurship. How do they work? Is it about divide and conquer? is it about contrast, connection and friendship? How are decisions made and conflicts resolved? How can you nurture and enliven them in the long term? How do they impact creativity? Can they be more profitable? Faster moving? More impactful? 

We are very lucky that in this episode we are joined by Arabella Preston and Charlotte Semler co-founders of two brands - Votary and Verden. Both of these brands are elegant, intelligent, considered and clean. Both have strong identities, stories and frankly cult followings. 

This is the story of a professional relationship that became a friendship. A chance conversation about skincare became a walk around the Selfridges beauty hall and then that moment of 'shall we?'. Skincare brand Votary was launched in 2015 and thrived. Some years later in 2021, Verden was launched offering fragrance for bath, body and home.

We are going to explore these two exemplary brands, their story, their interrelationship and the partnership that binds all of this together. So if you have ever had that moment of wondering about someone that you would like to go into business with or if you are ten years down the line and simply interested to know how others share decisions, celebrate their differences and relate to risk and to failure and chance, then this is for you. 

Votary: www.votary.co.uk
Verden: www.verden.world

In this episode I speak with Pip Durell founder of With Nothing Underneath to explore having singular focus at your business grows, how to lead, the reality of what it takes and how to celebrate the journey .

Start ups are exciting and much discussed but there is something particularly intriguing about those companies that make it to adolescence. You realise what really matters, you start to understand yourself better, you analyse what ‘works’ more effectively, your team becomes increasingly essential, your confidence grows, so does the risk. In my experience, something happens at around the five to seven year mark. And that is where we meet today’s guest. Pip Durrell is the founder of With Nothing Underneath.

I’m sure that she needs no introduction. Her shirts are renowned. Her Instagram feed documents life as the founder of one of the most successful brands in this generation; we feel that we know her. Her beautiful shirts are worn far and wide by the great and the good, I imagine her enviable press clippings as a teetering mountain and her Elizabeth Street shop is delight. Beauty and brains – the ultimate combination sit at the core of this brand. Perhaps that’s its magic. The style, the glamour, the beautiful women sit confidently alongside BCorp status.

Too often, people feel that talent is enough. That creativity is enough. That financial investment is enough. That great connections are enough. None of these are true. Dedication is the name of the game. And Pip demonstrates that dedication consistently. This isn’t luck. This is grit. 

In this episode, we talk about doing one thing well. Dedicating yourself to one thing and having singular focus. We are going to find out about the With Nothing Underneath Woman. The value of bricks and mortar. Sticking with a singular vision despite all the distractions and temptations. And what’s next for this adolescent brand. 

With Nothing Underneath: www.withnothingunderneath.com 

Gemma Moulton is the founder of East London Cloth. Gemma has crafted a visual narrative, a sensibility, a place and space all of her very own. It is both timeless and of the moment. It draws intelligently and interestingly on the past. The business has evolved quickly from making curtains, to café curtains by post and now as a fabric house of its very own. East London Cloth has made the old, new.

Time. The Right Time. Good Timing. The Right Moment. The Passage Of Time. The Right Age. Time is money. Time flies. In the nick of time. Time For A Change. Timing and business. It’s something that I think of often. It is often the olive in the martini. Get the timing right and talent sings, businesses flourish. Gemma Moulton has a great sense of time and of timing.

In the spirit of making Up With The Lark And a more interactive experience, I asked you what you’d like to ask Gemma. And without fail, every question related to her sense of style, her confident aesthetic, the space she has created. So in this episode, we are lucky enough to be able to ask Gemma all about her distinct visual narrative, her space in East London, the fabric collection, the photography and how she has made the old new in each and every area of the business.

East London Cloth: www.eastlondoncloth.co.uk

We ask Ben Watkinson, Creative Director of GF Smith, about the power of paper, the work of a paper merchant, resilience, innovation, company culture, longevity and what the next one hundred years might bring.

When I begin work with a new client, their specific understanding of success is a vital first step. Often I find myself ushering people towards adding ‘longevity’ to the list. In an era where everything seems to happen ever faster, comparison is rife and the state of the world makes it hard to visualise what the future will hold, this is not an easy aspiration to have. But it is a highly valuable one. 

Today’s guest certainly has achieved it. Let me take you back to 1885. George V was on the throne here, Mark Twain published Huckleberry Finn, the football association recognised professional footballers, the Glasgow Boys first exhibited collectively and George Frederick Smith founded a new paper merchant called GF Smith and S on to supply printers with the finest papers.

For over 135 years, GF Smith has been obsessed with the simple beauty and limitless possibilities of paper. Their desire is that, through the hands of the design community, they can bring creativity to life and constantly innovate with one of the world’s oldest materials.

Today’s guest is one of the custodians of this great legacy. Ben Watkinson is the Creative Director of GFSmith. ‘Founded in 1885’ isn’t a marketing slogan; it’s an approach to doing business. 

If curiosity is your north star, you will enjoy this. How does being self-taught impact the life of a creative entrepreneur?

Those who live a life of creativity are often driven by something quite simple - curiosity, wonder and questioning. There is an innate desire to want to understand something, to work something out, to communicate and to explore. 

For some, this takes them on a path to art school, to foundation degrees, exams, tests, the affirmation of professors and educators. For others, the path is all together quite different. This is the path of the self-taught creative. It is this enticing topic that we are going to explore today. What prompts someone to explore a particular creative path or discipline? What encourages them to make it their livelihood? Where do you begin? How do you put ideas into practice? What part does the recognition of your peers play? When do you feel successful? How do you retain that desire to learn when you are further down the line? Too often we hear about the glory moments, the highlights, the 'ta da' experiences. But in this episode, I am delighted that we are going to hear about the journey, the approach, the grit and the reality. And, of course, some of those fabulous 'ta da' moments too. 

We are joined by Nicholas Balfe, founder and chef director of Holm in Somerset. He is a self-taught chef and his story is a fantastic one. Holm can be found in a former bank in a quaint Somerset village. It is inspired by nature, its surroundings and is driven by provenance, sustainability and warm hospitality. It is enticing and beautiful. I imagine it to be the physical representation of Nicholas' curiosity. 

How to ignite original thinking to action and how to keep that independence of thought at the heart of all you do as your businees grows. 

I think that we would all liked to be described as original. I think we also like to think that our designs, branding, website, shop or investment strategy meet that threshold too. But it is a high one. There are certainly those who veer away from the herd, who shake off what is expected and forge their own path, laying brick by brick by brick. These people imagine, test, mess up, question, engage, focus and encourage. So while todays guest might not fit squarely into the ‘creative arts’ sector, I was so intrigued by the concept that I couldn’t resist a chat. 

Lauren Scott-Harris is the founder of EARNT. To my mind, EARNT is a verb. It is an attitude, a movement, a community of change makers who believe that actions speak louder than money. They help brands unite with causes to get good things done. Those that take part gain access to the best limited editions, the most sought after experiences and widely coveted tickets - creating a new kind of VIP. With some great early adopters, such as the River Café and Desmond and Dempsy, the concept is evolving and growing.

This is an idea built on belonging, on using influence to actually do something and of making that set of ideals a practical one. We are going to find out about where the idea came from, what the early years have been like, the contradictions and challenges they face, how we can test original thinking and keep independence of thought alive as the inevitable growing pains kick in.

Earnt - www.earnt.co.uk