Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War (U Georgia Press, 2025) by Dr. Andrew Fialka illustrates two exceptional incidents of occupational and guerrilla violence in Missouri during the American Civil War. The first is a Union spy's two-week-long murder spree targeting civilians, and the second is a pro-Confederate guerrillas' mutilation of almost 150 U.S. troops.The men leading the atrocities (Jacob Terman, alias Harry Truman, and “Bloody" Bill Anderson) weren't so different. Both the Union spy and the infamous Confederate guerrilla claimed to be avenging the deaths of their families, operated under orders from military officials, and were hard drinkers. Their acts outline the terror inflicted on both sides of the struggle.This book's use of sequential art, illustrated by Anderson Carman, displays these grisly realities to mute the war's glorification and to help prompt a modern, meaningful reconciliation with the war. The moral ambiguities contained within this story call into question our understanding of the laws of war and the ways in which wars end. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press. Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did Thomas Jefferson write that he would be happy if all dogs went extinct? What economic opportunity did attorney John Lord Hayes envision for the newly emancipated during Reconstruction? What American workers were mocked by Theodore Roosevelt as “morose, melancholy men”? What problems with revenue collection did Congressman James Beauchamp Clark mention when proposing an income tax? Why did Harley O. Gable of Armour & Company recommend that his meat-packing business manufacture violin strings? Why was Senator Lyndon Johnson angry at the Army and Navy Munitions Board at the start of the Korean War? The answers to all these questions involve sheep. From the colonial era through the mid-twentieth century, America’s flocks played a key role in the nation’s development. Furthermore, much consternation centered around the sheep the United States lacked, so that dependency on foreign wool—a headache in times of peace—became a full-blown crisis in wartime. But more than just providers of wool, sheep were valued for their meat, for their byproducts after slaughter, and even for their efficiency at lawn maintenance. American Sheep: A Cultural History (University of Georgia Press, 2024) is the story of the complex and fascinating relationship between Americans and their sheep. Brett Bannor explains how sheep have significantly impacted the broader growth and development of the United States. The history of America’s sheep encompasses topics that touch on many cornerstones of the American experience, such as enslavement, warfare, western expansion, industrialization, taxation, feminism, conservation, and labor relations, among others. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate. During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining. In reassembling the rise of poultry in the United States, Nuggets of Gold: Further Processed Chicken and the Making of the American Diet (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas. An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants’ experiences of racialization, citizenship, and belonging in new destinations of empire. In examining two spatial processes—imperialism and migration—together, Dr. Mitchell-Eaton reveals connections and flows between presumably distant, “remote” sites like Arkansas and the Marshall Islands, showing them to be central to the United States’ most urgent political issues: immigration, racial justice, militarization, and decolonization. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1845 to 1865 the Gulf of Mexico was at the center of American expansion and southern imperialism. A Continuous State of War: Empire Building and Race Making in the Civil War–Era Gulf South (University of Georgia Press, 2024) by Dr. Maria Angela Diaz tells the story of several communities, such as Galveston, New Orleans, and Pensacola, as well as countries such as Mexico and Cuba, to uncover the way that wars within the upper rim of the Gulf of Mexico facilitated American and southern attempts to conquer Latin American nations. In the push for westward expansion that preceded the Civil War, white southerners along with other Americans engaged in violent conquest in Latin America and the American West. Through the wars that are chronicled here, white southern concepts of race became more rigidly fixed. Dr. Maria Angela Diaz covers several conflicts leading up to the Civil War with Mexicans, Cubans, and Native Americans. She places the Civil War within this framework and follows the trajectory of relations with Latin America through the end of the Civil War and ex-Confederates’ attempts to emigrate abroad. Gulf Coast communities facilitated both the physical efforts to seize territory and the construction of the highly racialized imperialist ideas that reimagined Latin America as a region that could secure the South’s future. Yet the pursuit of that territory created a fluctuating and uncertain situation that shaped the choices of the diverse peoples who lived along the upper rim of the Gulf of Mexico in ways they did not expect. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability. To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself. Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs. Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention. Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era. Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions? Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Kendra Y. Hamilton’s Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Co-edited by Dave Mac Marquis and Moira Marquis, two activists with deep experience in organizing prison books programs (PBPs), Books Through Bars: Stories from the Prison Books Movement (University of Georgia Press, 2024) introduces readers to PBPs and their decentralized organization. PBPs are a grassroots-level and nationwide activist movement challenging the largest prison industry in the world by refusing to let incarcerated people remain isolated and forgotten. Operating on shoestring budgets, will all-volunteer workforces and donated libraries, books to prisoner programs are examples of ordinary people acting to undermine the isolation and judgment of incarceration. Although there are currently fifty-three books to prisoners groups serving in all fifty states, these programs remain relatively unknown. The goal of this book is to bring awareness to this diffuse and long-standing social movement and offer readers a way to get involved. In addition to highlighting voices from PBPs throughout the United States, the volume also includes essays, images, and artwork from independent bookstore owners, formerly and currently incarcerated folks, activists, artists, journalists, volunteers, organizers, and scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood. The book includes workshop guidance for teachers, for use with students at all stages in the education process. Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chhaya Kolavalli's book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects. Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city. Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century (U Georgia Press, 2023), Melissa Estes Blair introduces us to five fascinating yet largely unheralded women who were at the heart of campaigns to elect and reelect some of our most beloved presidents. By examining the roles of these political strategists in affecting the outcome of presidential elections, Blair sheds light on their historical importance and the relevance of their individual influence. In the middle decades of the twentieth century both major political parties had Women's Divisions. The leaders of these divisions--five women who held the job from 1932 until 1958--organized tens of thousands of women all over the country, turning them into the "saleswomen for the party" by providing them with talking points, fliers, and other material they needed to strike up political conversations with their friends and neighbors. The leaders of the Women's Divisions also produced a huge portion of the media used by the campaigns--over 90 percent of all print material in the 1930s--and were close advisors of the presidents of both parties. In spite of their importance, these women and their work have been left out of the narratives of midcentury America. In telling the story of these five West Wing women, Blair reveals the ways that women were central to American politics from the depths of the Great Depression to the height of the Cold War. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Hendry Nelson, Joy Rides through the Tunnel of Grief (University of Georgia Press, 2023) is a compelling memoir in essays. When Nelson's father died from an accident caused by complications of alcoholism, she knew immediately she had inherited his love-that it left his body, traveled through the air, and entered her own. And so, she needed a place to put it. She needed to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she placed it with her brother, Eric, whose opioid addiction made his death feel always imminent. With her partner, Jack, together for thirteen years. With her exhausted, nicotine-addicted mother, her best friend Jessie, women at the gym she never met but loved completely. But mostly with her future child, the one she does not yet have but deeply wants. The child who is both the question of love-and the answer to it.  So, when Jack suddenly confesses that he does not want to have children-not with her, not ever-the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. Joy Rides through the Tunnel of Grief catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds-family, friends, lovers-with searing insight, humor, and tenderness. Learn more about your ad choices. Visit megaphone.fm/adchoices

In recent years, food writers and historians have begun to retell the story of southern food. Heirloom ingredients and traditional recipes have been rediscovered, the foundational role that African Americans played in the evolution of southern cuisine is coming to be recognized, and writers are finally clearing away the cobwebs of romantic myth that have long distorted the picture. The story of southern dining, however, remains incomplete. The Lost Southern Chefs: A History of Commercial Dining in the Nineteenth-Century South (U Georgia Press, 2022) begins to fill that niche by charting the evolution of commercial dining in the nineteenth-century South. Robert F. Moss punctures long-accepted notions that dining outside the home was universally poor, arguing that what we would today call “fine dining” flourished throughout the region as its towns and cities grew. Moss describes the economic forces and technological advances that revolutionized public dining, reshaped commercial pantries, and gave southerners who loved to eat a wealth of restaurants, hotel dining rooms, oyster houses, confectionery stores, and saloons. Most important, Moss tells the forgotten stories of the people who drove this culinary revolution. These men and women fully embodied the title “chef,” as they were the chiefs of their kitchens, directing large staffs, staging elaborate events for hundreds of guests, and establishing supply chains for the very best ingredients from across the expanding nation. Many were African Americans or recent immigrants from Europe, and they achieved culinary success despite great barriers and social challenges. These chefs and entrepreneurs became embroiled in the pitched political battles of Reconstruction and Jim Crow, and then their names were all but erased from history. Kelly Spivey is a writer and documentarian. Learn more about your ad choices. Visit megaphone.fm/adchoices

As I learned from Hollis Robbins’s monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today’s guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom’s Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices