In this episode, Scott Bomar discusses his research into and how he paid homage to the blaxsploitation genre of the 1970s for his original score to "My Name is Dolemite."

In this episode FINISHING MOVE, composers Brian Lee White and Brian Trifon share their approach to writing music for a few select environments and boss battles from Borderlands 3.

In this episode, RAISON VARNER describes the complexities for writing a score for an RPG-shooter hybrid game and the conceptual approach he ended up taking.

In this episode, composer Joe Trapanese shares how he embraced the famous "Bella Notte" from the original "Lady and the Tramp" from 1955, while also writing his own original music and themes for this newest version.

In this episode, Amie Doherty takes us through several key tracks from the original Amazon series, UNDONE. She reveals how she was not only inspired by the visual artistry of the show but how this affected her choices in scoring each episode.

In this episode, composer Tom Hedden revisits his now-classic music from the NFL Film's documentary, "75 Seasons: The Story of the NFL."

In this extended episode, David Robidoux talks about his history of writing music for NFL Films and the unique challenges that come with writing the commemorative theme for the NFL's 100th Anniversary as opposed to writing film scores.

In this episode, Wilber Roget opens up his score for Mortal Kombat 11 and shares how he helped to define the protagnist forces versus the antagonist by utilizing acoustic East Asian instrumentation versus electronic performances of Middle Eastern influenced music respectively.

In this episode, composer Tim Wynn opens up six tracks from his original score for 2019 film, "Freaks."

In this episode, composer Kevin Manthei talks about returning to the Invader Zim franchise after 20 years. He discloses some of the challenges he faced in returning like: being respectful to his original score for the tv series while also adding something new.

Carl Thiel shares what techniques and instruments he used to musically blend Chinese and Mexican cultures together in his original score for the Netflix animated series, "Seis Manos."

In this episode, composer Emily Rice talks about having her score for The I-Land (Netflix) walk a delicate balance between music and sound design.

In this episode, composer Didier Lean Rachou shares just how musically rewarding his experience on DEADLIEST CATCH has been because of the wide range of musical styles he's been asked to implement since joining the program in 2012.

In this episode of the Annotator, Ben Foster and Nick Foster open up their original score for series 2 of THUNDERBIRDS ARE GO.

In this episode, Austin Wintory takes us beneath the murder-mystery of ERICA to reveal some of the intricate details of creating an original score for this extremely interactive game.

Christopher Lennertz dissects the many exotic components that he’s combined to create the distinctive sound for the Amazon Prime series, THE BOYS.

In this episode, composer David Stone Hamilton talks about how he looked to match the classic, analog sci-fi aesthetic of the film through his live orchestral score, how Jerry Goldsmith, John Williams and Don Davis influenced him on the project and how the original sketch he wrote was used on set by the director to assist the actors.

Ronit Kirchman returns to the Annotator to share the story behind her original music for season 2 of THE SINNER.

Jacob Yoffee and Roahn Hylton, while detailing Meek Mill's roller-coaster story, reveal their own story of discovery and creation for the series' music.

In this episode, composers Jim Fowler and Joe Thwaites detail their experience in writing and adjusting several key themes for the Playstation VR game, Blood & Truth, and how those themes became the starting point for rest of the music created.