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The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
On this last special episode of the second season of Overmorrow’s Library, Federico Campagna interviews Arturo Campagna, 7-years old expert of history for (and by) children.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
Federico Campagna interviews musician, sound artist and theorist Nicolas Jaar on the relationship between sound, silence, language and otherworlds.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
The best book that never was: ‘The Alexander Romance’, a composite epic written somewhere in the Mediterranean, sometime in the past, by someone who was many people, on the adventures of a hero who travelled beyond the world and back.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
Federico Campagna interviews Manlio Poltronieri, from the London Buddhist Centre, on the many traditions of Buddhism, across East and West.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
Art theory meets theology, anthropology and ‘perennial’ metaphysics: Ananda K. Coomaraswamy’s brief but powerful ‘The Christian and Oriental Philosophy of Art’.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination. In this episode, Federico Campagna interviews Prof. Saul Newman, professor of political theory at Goldsmith University and the main theorist of postanarchism, on the fascinating field of ‘Political Theology’
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination. This episode is about the origins of anarchism: Étienne de La Boétie’s ‘Discourse on Voluntary Servitude’ and Max Stirner’s ‘The Ego and Its Own’. Two timeless takes on freedom, forever out of sync with the time of history.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
In this episode, Federico Campagna interviews Dr. Francesco Strocchi, author and scholar of Roman history, on the intellectual life of the late Roman Republic.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
This episode is a journey through hell and heaven, set in the tumultuous 5th century AD. The sublime melancholy of Rutilius Namatianus’ Pagan poetry and the Christian autobiography of Paulinus of Pella will take us across the threshold of two entirely different worlds existing alongside each other.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
In this episode, Federico Campagna interviews Lucia Pietroiusti, founder and curator of General Ecologies at the Serpentine Galleries, on the many forms of humanity that exist throughout (and outside) the world.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
This episode is a journey through the many shadows and many lights of German writer Ernst Jünger’s long life. From revolutionary conservatism to individualist anarchism, passing through LSD, mescaline and the many possible “approaches” to different stages of consciousness.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
In this episode, Federico Campagna interviews Prof. Giulio Busi, director of the Institute for Jewish Studies at the Frei Universitet Berlin, on the long and complex tradition of Jewish mysticism.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
The second season of Overmorrow’s Library is dedicated to world-building, world-ending, and travel across worlds. Federico Campagna presents a new selection of books that might help us to appreciate the fragility of ‘worlds’, and the art of creating new ones through a particular use of our imagination.
Musicologist and producer Francesco Fusaro discusses world-building music across the centuries.
Credit: Francesco Fusaro, Tafelmusik Var. I, 2021. Collage, 65x92. Courtesy of the artist.
6-years old Arturo Campagna discusses children’s literature and dispenses advice to writers for children.
Image credits: Rain Wu, Arion, 2019. Stoneware clay and glazes, 9x11cm. Courtesy of the artist.
Federico Campagna presents the philosophical take on children’s world-view and culture in Elemire Zolla’s 1994 “Children’s Awe” and Cristina Campo’s 1971 “The Flute and the Rug”.
Image credits: Ivan Bilibin, Stage-set design for Scene Two, Act Four of the opera the "Tale of the Lost City of Kitezh and the Maiden Fevronia" by Rimsky-Korsakov, 1929.