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Gregory Nava's "Selena" is a good biography-genre film about the life of Tejana musician/songwriter Selena Quintanilla-Pérez famously played by Jennifer Lopez. This film showcases the chase of the American Dream that we all strive for. Selena's life was practically a movie in itself - there highs and lows of her personal life and the life of a singer touring across America, trying to make it with her family. There are moments of melodrama, thriller, comedy, and romance of course. I dig the film for the way Nava directed it. He brought out Selena to life and chose the direction of the film to be a portrait of an American family - the very one that put their lives on the line for success and happiness. It came true but a price was paid. I dig the cinematography of the film. You look at the film and it doesn't look like a Hollywood film, it looks natural and appeasing to the eye. A lot of attention to detail in all kinds of aspects of the film from wardrobe to set design. I want to give a great highlighted mention to Edward James Olmos who stars as Selena' father, Abraham. Give the Oscar to Olmos. The man portrayed an American father with values that go beyond American and Olmos gave a great performance of that. I would see the film again just to see the way Olmos embodied Abraham.
B-Real TV alumni, has photographed bands such as Korn and Slipknot, and loves pro wrestling - Shaun Vizzy and I discuss his favorite film "Friday" directed by F Gary Gray who stars Ice Cube and Chris Tucker. It's a slice-of-life style of a film that's set in south central Los Angeles where two homies hang out and smoke weed but they get into a sort of laid back but messy situation with the neighborhood drug dealer. It's beyond an LA film or a hood film of sorts, but a film that represents community in a raw form. You do get to see life from a perspective that we can relate. You see real people. We talk about how Shaun saw this film but in a bootlegged VHS form BUT features a cut that's different from the actual theatrical version. We also talk about my disagreement of Roger Ebert's review of the film, especially the third act. Shaun and I talk about the legendary cast and we also discuss the character of "Big Worm" and how central it is to the film overall. This is a film where I did say that some of the scenes don't push the story forward but I fail to realize that LIFE itself goes in the pace we set it to be. Thanks to Shaun for wanting to do a podcast with me especially on this film that I personally feel should be in the United States Library of Congress if it's not there already.
XG and I review "Fat Girl" (À ma sœur!) written and directed by Catherine Breillat that was released in 2001. It's a coming-of-age film from France. The French do coming-of-age films very differently from the USA. This is a film that's meant to break the human spirit and eliminates hope. It's a film about two sisters who sort of compete and talk about "girl stuff" to keep it PG. Their family are in vacation and the older sister secretly wreaks havoc in which shatters the innocence of the little sister. It's a film that's aimed for a mature audience and it barely holds back. Just barely. XG Guerrero joins me again on this episode as we discuss what the film centers at consent, which is keeping your children on check regardless of who and cultural background. It is a slice of life of the human experience and it doesn't spoon-feed you at all. Breillat and the cast all together made a brave film about discovering yourself, the trials and tribulations that females at a young age go through. We discuss the tension that the film develops throughout the course of its story time and it's done differently than from a traditional American film. We also talk about if the film is even worth-watching to begin with and what the director was trying to say concerning the subject at hand which is something I feel is important to take notice. No rating on the review but three & a half out of four tokes.
"Opening Night" is a film about acting and a film about aging. Trying to make sense of a role is hard when you are drowning yourself in alcohol. It's hard to cope with loss when your career is on the line. Gena Rowlands, who plays the lead character, Myrtle, is pure tour de force acting. This film is a masterclass of not only acting but cinema overall. John Cassavetes directed this film and he broke the rules of cinema with this film. It shows that you can do whatever you want however you want as long as you make it sense to yourself. To make something of your own, you gotta make sure it even makes sense. I love that Cassavetes made a film where Rowland's characters went through hard trials and tribulations. In this podcast, I talk about the amazing acting played by Rowlands and the cast included. I talk about how Cassavetes uses the space of not only the stage but the venue itself to create a feel of the audience being there witnessing Rowlands act and as well Cassavetes himself. I also talk about how all this acting and meaning derives from what I feel is a strong screenplay written by Cassavetes. You witness the layers and personalities of the characters and how they work with one another. This is a film where there are sharp turns you gotta be ready for it.
"Flow" is an Academy Award-winning animated film directed by Gints Zilbalodis. He earned it, plain and simple. Shout out to him and the country of Latvia. It's Latvia's first Academy Award, respectfully. This is a film created with the application called Blender. Imagine that? A film created by Blender, beat Disney AND DreamWorks at their own game. Millions upon millions of dollars, and "Flow" took the cake. Bravo. This is a film about a cat who joins other exotic animals as they journey to find a better place for their lives as it was disrupted by a crazy environmental event. There is no dialog, only sound. IMAGINE THAT? Only sound effects of the animals and the environments they go through and music definitely plays along with it, definitely adds to feel of the film. You care for these animals, you want to know what happens next. That's their dialog and how the journey flows from one place to another, and as we learn about these animals who are the characters themselves, dissecting different personalities and how they with one another. It's crazy how universal it is to be that self-aware about yourself when you look at the mirror. When you do that type of action, you gain a great level of consciousness and these animals did that. Not an easy thing to pull off but Zilbalodis did that. I talk about how animal actions drive the plot forward. I talk about the characters of the film, how they act on a very animal-like level but all that is so relatable as how we humans interact with each other. Its as if we are all one, but in bits and pieces. At some point, they become the humans and we wish we can be there to witness half of it. Finally, a film where all audiences that enjoy but it also challenges the viewers - to look ourselves and at each other and be aware of what we have and how we can make it slightly better.
I'm joined here with fabb_999 on this episode reviewing "American Me" directed and produced by Edward James Olmos who shows us a life of a man who's spent half his life in the prison system, trying to reclaim himnself in society after he gets out. It's a very masculine but truly humbling film. Olmos did a great job showing us that he can not only act, but direct as well. I was impressed with the shots he used in the film, some that I pondered as to why he would use it and I understood why. He's a creative indivisual and gave us something DIFFERENT to look at. Faby and I talk about about film, it's explosive cast of characters, the iconic one-liners, it's controversies, the elements of theater displayed into the film, the way lighting is used to make things look realistic, how a film like this still resonates to this day spreading its message beyond East Los Angeles, beyond Folsom State, beyond California period. It's a powerful film by Olmos and a story of this kind needed to be told. It's important that even in filmmaking, we need to be a melting pot of sorts of sharing stories that created a culture that is still powerful to today's societal means.
"Cameraperson" is a documentary directed by Kirsten Johnson that treats the film as a memoir of her life. In this day and age with ties to social media, almost no moment is lost. We share everything and not all of it is worth sharing. Let's just be for real. This film shows us who Kirsten Johnson is through not only her work but her personal life. She shares us crime, loss, and murder. We also see new life, love, and the freedom of where she lives which is the USA. She goes to places where she she purposefully puts herself and company in danger but all of this, to understand life. To Understand people, to make a sense as to what we can provide for life. I like this documentary a lot. We see it through lengthy shots of all kinds situations and they all tie in together, good editing. I liked learning how to interview people. Johnson is very particular about how she films. She definitely puts thought into how she wants the shot to look like and it definitely doesn't want it to be plain and simple. I like the consideration of the shots she chose because I'm sure she has hard drives upon hard drives of footage. She shares us her own vulnerability with footage of different points of her aging mom and you can see how impactful it to her. What's crazy overall about this film, is the fact that there's no voice-over talking points. Just footage. RAW footage. When pieced together the way she did it, she wins in life. Forever.
Tim Burton directed "Batman Returns", the sequel to the first Batman film of the iconic franchise that came out of a comic book created by Bob Kane and Bill Finger. This sequel had an all-star cast that included Danny DeVito, Michael Keaton and Michelle Pfeiffer who played a great Catwoman. I think "Batman Returns" is an okay film by critical point of view but I sure enjoyed the hell of the it. It is fun to watch due to its entertainment value. It has action, some type of drama when it comes to local politics of a city, romance stemming between Bruce Wayne/Batman and Selina Kyle/Catwoman, and the villain. You gotta have a villain that stands out and Tim Burton's version of Penguin. The design of the Penguin is forever iconic, but how DeVito brings this type of character out. You almost want to root for him and we do actually! We are amused and intrigued as what his goal in this film beside being a mayor. It's a film that's easy to enjoy and part of the reason is not Tim Burton's vision, but the one-liners that almost every character possesses. I'd say, half the time, it works! You really have to see the film to be embraced by the corny-ness of it all. Apart from that, I do like Burton's version of a gothic, dirty Gotham City, where you never seen the sun, lights blind the viewer, and technology seems to be lost in time. I do like cinematography, Burton made great decisions of what kind of shots we should see. A lot of them feel as if they did come from a comic book page. Every shot is different, proposing its purpose. I like the use of blue in the film, especially to mimic moonlight. What's great of the film is how these actors play these characters and play them respectfully toward the screenplay. The way Burton displays the interaction of Batman and Catwoman in the action and dramatic scenes are almost a masterclass of it's own. We honestly forget that we are watching two people dressed in costume. We forget their masks and false identities and realize underneath that are hungry human beings trying fill personal voids and Burton did a great job creating that.
Martin Scorsese directed a brilliant film that will stand the test of time. It's film that we all love and enjoy and we don't care that the characters are bad guys, like, really BAD guys. Scorsese has that visual power where we get to see, envy, the glorification of "GoodFellas" featuring my good friends of the We Don't Smoke the Same podcast - E-Zone and XG. We dissect the film by pointing out favorite scenes, discuss the power of being a gangster and the culture it influences, and how drugs come into play in the mob business. I dig the film for it's realism on these characters and how they handle situations. Scorsese does a great job providing different senes that highlight the highs and lows of the various characters that play off each other. Every time I see the film, I learn something new about it and the director and how it all works.
"My Dinner With Andre" is beautiful simple film directed by Louis Malle. A legendary filmmaker decided to film two theater guys talk about life while they eat in what looks like to be a fancy restaurant in New York. This film is unqiue due to the fact that it's simply two people who meet up and dine. And they talk for 111 minutes. For us nowadays, one will say "oh, well that's just a typical podcast". True, but it's the FIRST. And honestly the only of it's kind. There's really not a film like "My Dinner With Andre". These two men talk about life, throw in their perspectives. There is a point to the film. There is a beginning, middle and end and it's great. It all works very well. I love how these characters make life seem real by talking about things that are real to some of us. A scripted as it can be, they were able to create something that we can all relate no matter who we are, where we're from. I like the they it shot as well. There's an intensity with Andre Gregory that Malle was able to get down. When you see that close up, you feel the words that Andre is saying. You see that vulnerability and contrast it with Wallace Shawn's realistic approach of life. They are great together. You can tell Shawn is skeptical but he loves his friend. He has a respect for him that you can see and Malle, again, shoots it so dignifying, I can't help but just stare and figure if there's more to it and turns out in this film, there's not, haha. I'm actually going to watch it again. There's layers in the topics they discuss and it's fun to see something so real to be just fiction but it's that darn believable.
Danny Boyle directed a good film that was written by Aaron Sorkin called "Steve Jobs". It's a biographical film depicting Apple Computers Co-Founder and Visionary Tech Giant, Steve Jobs. The film centers around three key moments in Jobs' life and in each of the periods shows us who this guy Steve Jobs is and we should care about him and the people who surround him. The scenes really give out a clear but complex picture of Steve Jobs. To be a visionary such as himself, you must some type of complication, something that stand out in your life. I dig the film for its intense dialog concerning the task at hand, which is basically making the unveiling of the future is as perfect as it can try to be. I dig the cinematography, where the space of a setting is used. Boyle gave us the feeling of a play of sorts because characters spent their time in closed doors in a public venue. Interesting to see how actors can use their space and setting for their effective skills. the use of editing where characters appear and disappear in the film and how we get the reaction shots from the characters which relates as how WE would react to a certain exchange of dialog and/or action. The flaw I would give for this film is partially on the type of character this version of Steve jobs is. Almost an egomaniac. It has a bit hard to swallow that pill.
"Mona Lisa Smile" is a universal film that aimed towards people who thnk they have their futures written in stone. A film directed by Mike Newell, stars Julia Roberts as this free-spirited teacher who travels over to the east coast to teach at an institution where women are guided to be submissive wives/partners. This was set in the mid-'50s. I never really focused on Roberts in films but this one really swept me to a point. I love her character as Katherine Ann Watson. She doesn't let anyone really dictate her life and style. The film is not about style but about how to hold on to your own and that you're not confined anywhere especially if you have personal goals set. I did like that they did a good job balancing the principle characters' dilemmas which is difficult to do in screenwriting, period. The plot is all right but I didn't like how they tackled it where it was an examination of the women in the film rather than playing high stakes. I didn't mind how it played out for Roberts' character but in connection to the other characters that support her morals & goals as a film, was weak and needed more work to established.
"Paddington 2" is the most positive reviewed film in the history of cinema and it came out in 2017, beating "Citizen Kane" directed by Orson Welles. Imagine that? Anyways, I love this film. I didn't mention it in the review but this a "perfect" family film. It has everything - comedy, action, moments of wonder & curiosity, drama, but most of all, this film has heart and that heart is the character himself - Paddington. The cast in the film great, even to the villains. Hugh Grant was great in this film, you can tell he was having a blast playing a villain and made it so self-centered, it's great. He's a character you can fall behind because he goes all the way as who he is and what he wants. I was impressed to take in the fact that it's a live action film with a CGI bear and honestly, I didn't even notice. I mean, you can tell it's fake but they way they animated Paddington and what they have them do, took a lot of consideration. I was too convinced and hooked on the bear, the sweet and courageous bear named Padddington that can turn a criminal into a friend. Imagine having a buddy like that in your life? E-Zone, fuck Baby Yoda. Paddington is the guy you want on your side. He's the "voice of reason" and all that's thanks to his Aunt Lucy, which is the basis of the whole plot itself. It's hard for sequels to out-do the first film, but this surpasses it (respectfully) at a level that pulls the heartstrings. The film only goes higher as the stakes get tough for the bear to clear his name. When times get tough, stay strong and follow through with the faith you got but also take matters your hands.
"As Tears Go By" is the debut of filmmaker Wong Kar-wai. It's his love letter to the film "Mean Streets". He shares a tragedy where love is lost, both of the romantic and of the brotherly. I was amazed to see a style of filmmaking and it came out in 1988. It's very stylistic and isn't afraid to push narrative boundaries. My favorite scene of the film is honestly, the ending. I wont say why but it's an effective ending that you don't really get to see in cinema nowadays. It's a film that drama, romance, crime, some comedy, and even existentialism. It's a film about a gangster who tries throughout the whole film, to look out for his best friend, and honestly, his only friend, especially in the world they're in. His friend is always messing up and he has to figure out a way to chamge, or else... It's great film in it's style of filmmaking and a story that's engaging and doesn't spoon feed you
Terrence Malick gives us "The New World", a visual epic of the story of America, but in a romance between John Smith and Pocahontas. It's a really good film depicting the settlement of Jamestown in what is know as Virgina at the time. We see how it goes down, how love can be new and destructive to someone and how it navigates they way order and growth goes. I enjoy this film for its simple but poetic plot. We just don't see Native Americans fighting for theirs against the Jamestown people, we see how actions and decision are laid about. We see how emotions unheard of are formed and how it really shapes people into how we know them by. Malick, you can see that he really put himself in this film by the shots we see. We see how things came to be and it goes across to what I'm typing at this moment. And this film came out over 20 years ago. It's still fresh and very consistent to his work.
Hayao Miyazaki's "Ponyo" is a colorful sight of a film to see with a beautiful way to tell a story of how the test of friendship can LITERALLY disbalance the earth. What a way to tell a film without having a bad guy, it's all about something for the good of all kinds, not just man. Miyazaki likes to put the awareness and importance of maintaining the sustainability of our earth, our environment. I like the slight agresssive attack towads that thematic and how it overall ties to the film. it's a character of it's own, if you ask me. What's there to say, the film is enjoyable. It's a story you can definitely invest your energy in because it does take you for a ride. To see the sequence of Ponyo catching up to the BAD ASS tiny car, is really a testament to the art of anime filmmaking. Thank you, Hayao Miyazaki for giving us "Ponyo".
Lars von Trier is a controversial filmmaker with his work and as a person himself. Due to his depression that, he creates films with dark characters with, sometimes, dark storylines. But his films are great. Some are beautifully shot with referneces to classical art. This film "Melancholia" is one of those. It's about the last days of the world due to a planet that is literally going to crash into Earth and the main character welcomes with open arms. It's more dramatic than how it sounds but it's there and it's in full effect. The film is great for its cinematography, how Earth plays a role as a planet that is dying by the frame and we get to see characters go through it. We see characters that represent illnesses such as depression and anxiety. The film highlights and sometimes makes it very visually poetic.I love the fact that Trier made a film like this and it's not overdramatic. Overall, it's a dark and straight-in-your-face type of filmmaking that anybody can appreciate.
Éric Rohmer ends his famous "Tales of the Four Seasons" with "Autumn Tale". It's a French romance comedy about a woman who operates a vineyard, thinks about the idea of dating again and it focuses on the middle age folks, which is a bit different from the other season films. Magali's friends decide to take matters into their own hands and get matches for her. At this wedding party, it all goes down and it's an iconic scene itself. I love the film for it's rich and engaging screenplay and the actors who make these characters very real, especially when they conversate which is a huge strength that Rohmer. This film gives us insight to people who are older and wiser. We see a perspective that's almost too foreign for us especially if we dont match the same age. I can wacth this film all day and so should you.
David Lynch's "Inland EMpire" is a crazy psychological thriller that I had the pleasure of watching. I three hour film shot on a sony digital camcorder and it makes perfect sense as to why he choose to shoot a film like this. A film that barely has a script but as holoow as it many seem, it film goes into alternate realities where we question our own reality. It's a film about a "woman in toruble" that takes on a film set. Laura Dern's character is an actress who's gonna star in a film that's known to have a death that occurs which stopped it in the place. But not for this crew. They decide to do it anyway and stuff happens. It's like a huge portal that leads to all portals and it makes sense in some way. I admire the work Lynch put especially Laura Dern. She deserved an Academy Award for this film.
The Coen Brothers are incredible filmmakers. They are known for their screenwriting and direction. From wacky comedies to serious dramas, they always go for the heart and it gets us to wonder about life and the meaning of it. "A Serious Man" is a 2009 comedy drama that's dark about Larry who is about to get divorced and doesn't know why but we see why. But not only that, he has other struggles that really break this man down but not completely because of his faith in Judasim. The only thing that he ponders about is the meaning of life and bad things happen to him. It spirals to an existential journey in a small Minnesota town. I dig this film in how the cinematography amps up the struggles that these characters go through and as well as the screenwriting. The dialog is superb and pushes the story forward. We are meant to see this man and yell at him on the screen because the answers to his problems are sort of in front of him and he eventually figures it out. Not a film for a peson for action but if you're in some type of crisis, this one is for you. The characters are great and written very well and they bounce off each other and they sure deserve it.
