Here’s a simple timeline from eight weeks out to three weeks after release: pitching windows, content batching, emails, and follow-through.
Grants are a turbo button, not an engine. I show you how to write clear, human applications with realistic budgets and measurable outcomes.
I discuss key Australian music industry events—APRA programs, BIGSOUND, Indie-Con, AMW, SXSW Sydney—and when they usually land, plus a few international showcases.
Some ideas fit other voices better. I cover modern pitching realities: radio-ready demos, writer-producer teams, and where outside cuts still happen.
These shows offer exposure on their terms—song choice, styling, narrative. I lay out the trade-offs and why original artists often build better off-camera.
Paid help can work—under the right terms. I give you questions that surface real deliverables, recent wins, and time-boxed promises.
Awards won’t make a career, but they can add credibility if you pick well. I walk through Australian pillars, useful international comps, and simple timing tips.
Film and TV want finished, easy-to-clear tracks. I cover deliverables, metadata, one-stop rights, and tidy playlists that help supervisors say yes.
This is low-key publicity that adds up—premieres, quick reviews, and friendly mentions you can share.
Social platforms are rented land; your site and list are the parts you control. I cover a simple one-page website, light monthly emails, and easy ways to start collecting sign-ups. Tools, rough costs, and quick wins included.
Image isn’t vanity; it’s clarity. I give some practical tips on crafting your look.
High-impact visuals don’t have to be high-budget. I cover video concepts that suit emerging artists.
We use covers as discovery bait, not the product. I share a simple pipeline that turns browsers into listeners of your own songs.
Getting on good stages is a strategy. I cover how to pitch supports, build trust with venues, and package yourself for TV spots without a publicist.
Radio still moves the needle when used well. I explain targeting, timing, and how to package your pitch so community and commercial stations actually listen.
You don’t need to be an influencer—you need a system. I cover formats that work for artists, weekly schedule, and how to turn views into streams, sales and tickets.
Spotify is an ecosystem, not a slot machine. I show how release cadence, covers, playlists, and profile hygiene compound—plus the metrics that actually matter.
A manager isn’t a magic wand—they’re a multiplier. I explain what a good one looks like, how they earn, and when you’re actually ready to pitch to them. Plus: how to work well together.
What a label really does, what it doesn’t, and when a deal makes sense. I break down advances, recoupment, options, and practical deal signals to watch for. You’ll hear what labels look for—and what you should want in return.
A music career isn’t a lottery; it’s a system you can learn. Expect simple habits, realistic timelines, and compounding little wins.
