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Isotopica
Simon Tyszko
157 episodes
9 months ago
Isotopica is an experimental radio series with each episode having a unique theme and flavour, starting off at point A and hopefully, ending up in another alphabet altogether. Ingredients include a mixture of sonic essays, experimental sound and music, psychogeographic and notional detours, special guests, field and location recordings, interviews, conversations, critical analysis, plus Gallery installation works and performance, and all sprinkled with cultural marxist toppings. Isotopica is initially broadcast on London's Art radio station Resonance 104.4 FM, every Sunday 7-8 pm (UTC and UTC+1 summer) and streaming on www.resonancefm.com, www.extra.resonance.fm, and now on DAB in UK. UNCERTAIN TERMS AND CONDITIONS MAY APPLY.
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Performing Arts
Arts,
Society & Culture,
Philosophy
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All content for Isotopica is the property of Simon Tyszko and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Isotopica is an experimental radio series with each episode having a unique theme and flavour, starting off at point A and hopefully, ending up in another alphabet altogether. Ingredients include a mixture of sonic essays, experimental sound and music, psychogeographic and notional detours, special guests, field and location recordings, interviews, conversations, critical analysis, plus Gallery installation works and performance, and all sprinkled with cultural marxist toppings. Isotopica is initially broadcast on London's Art radio station Resonance 104.4 FM, every Sunday 7-8 pm (UTC and UTC+1 summer) and streaming on www.resonancefm.com, www.extra.resonance.fm, and now on DAB in UK. UNCERTAIN TERMS AND CONDITIONS MAY APPLY.
Show more...
Performing Arts
Arts,
Society & Culture,
Philosophy
Episodes (20/157)
Isotopica
Fused in the Face of… Beautiful sounds for brutal times

Finding myself with fuses blown as the Israeli war on the people of Gaza builds a macabre momentum, and Western Governments proudly stand by Israel as it executes textbook war crimes and crimes against humanity......



The scale of what's happening has temporarily blown my fuses, and being painful aware of the need to get programming right and my unpreparedness for this.... I am broadcasting a stopgap program of beautiful sounds for brutal times



Bodies lie among the rubble of the Saqallah family house following an Israeli air strike in the south west of Gaza City, 19 October 2023. EFE-EPA/MOHAMMED SABER ATTENTION EDITORS GRAPHIC CONTENT
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1 year ago
59 minutes 18 seconds

Isotopica
Death Drones Droning for White Men Fun

The bodies of children killed in an Israeli strike, lie on the floor at the morgue of the Al-Aqsa hospital in Deir Balah in the central Gaza Strip on October 22, 2023, as battles continue between Israel and the Palestinian Hamas group. (Photo by Mahmud HAMS / AFP) (Photo by MAHMUD HAMS/AFP via Getty Images)



Hello, good evening. It's Sunday night. This is me, Simon Tyszko, and this is Isotopica here on Resonance 104.4 FM.



This week's programme faces towards Gaza, the unspeakable, the unimaginable,but the reality of what's happening day after day, hour after hour, minute after minute.I could approach this programme, reading lists of numbers, statistics, details of horrors,yet I'm sure, at least I hope, you've all heard plenty of these.They are unimaginable.



I could talk about the politics, yet I hope you're aware of the politics of the situation as it stands.



So, today's edition, I've taken a number of audio video live streams which are available online if you care to look.These ones actually come from Al Jazeera, a news source which I find increasingly precise, accurate and genuinewithout any of the ambiguity which we see even in allegedly left leaning papers like The Guardian.Today's programme is made up of a number of these live streams which are fixed point cameraswith microphones capturing live the bombardment of Gaza, a bombardment with some of the most sophisticated and intense weaponry available in the world,and in this instance being deployed against civilians in a very small space in open prison.



All of these things, you know!



I have layered these recordings. And I have used various effects to bring out harmonics and resonant frequencies, which I'm allowing to play against each other, creating sounds within the sounds and to an extent rhythms within the sounds.



I'm not doing this as an entertainment, I'm doing this as a way of presenting or representing the horrors that I'm experiencing.



I could attempt to talk a lot more,I could read off endless lists of numbers,the number of children that die per hour,the number of adults that die per hour,the number of people that die per day.I could quote the estimated numbers of people who are buried under the rubbleand I could detail the estimates of the number of those people that are still alive.



Yet I take it back to my experience of one particular news piece in which I saw a young girl, a child,maybe seven years old, eight years old, who was found by rescuers,possibly just neighbours who lived within or nearby the block which was demolished by extraordinary high explosive weapons, weapons probably provided by Britain or America, and which destroyed her home, killing many and trapping many too.



And as this young girl was found and I had to pause the video, I had to sob.



Faced with the reality of one child trapped in that situation, and with knowledge that adults across the world had joined in some kind of consensus and decided to do this to that one child, an act that can be multiplied and extrapolated over time,over decades, can be projected into the future, and as it goes on hopefully I will continue to sob, whenever I come across a reality that I cannot escape from, that I can't step to one side of…. I feel calmed knowing that I am still capable of Compassion, that it is reality there.



So summing up….. for the next hour we're going to be listening to a composition made of live streamed audio recordings from Gazaduring the Israeli bombardment of the civilian population.Multiple streams, creating multiple sounds, building to a crescendo, fading out into some musicby the experimental musician, sound artist Pauline Oliveros,
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1 year ago
58 minutes 23 seconds

Isotopica
Resonant Lacunae

Lacuna, blank space,



Silent void of the unknown,



Whispers yet untold.







I don’t care what the people might say, people might say I’m gonna keep all love, I love this way, love this wayI don't care what the people might say, people might say I'm gonna keep all love,I love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don't care what the people might say, people might say I'm gonna keep all love, I love this way, I'm gonna try, I'm gonna try hard, keep all love, make it lastI know, I know I will do it, I will love it, I will do itI know, I know I will do it, I will do itI know, I will do it





Hello, good evening, Sunday night, this is Isotopica, this is me Simon Tyszko, and today is a rather lacuna kind of edition of Isotopica a space where we are in between some things that we are working on and some things that we've recently finished,and today's edition reflects that liminal space between, it's a little bit of this and some bits of that, some nice tunes, some thoughts and some spaces, I hope you enjoy, it's gonna be experimental radio, as ever, it's resonance, it's Isotopica, it's Sunday, I hope you enjoy the sounds we make.and hopefully see you on the other side of these things.







I hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the sounds...
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2 years ago
58 minutes 3 seconds

Isotopica
It’s Going To Be A Happy Year In Britain In The Future as the world burns summer special

isotopica broadcast 30 July 2023



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain, this year in the future.



It's going to be a happy year in Britain, this year in the future.



It's going to be a happy year in Britain, this year in the future.



It's going to be a happy year in Britain, this year in the future.



It's going to be a happy year in Britain, this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be in the future.



It's going to be a happy year in the future.



It's going to be a happy year in Britain this year in the future.



It's going to be a happy year.



It's going to be a happy year.



It's going to be a happy year.



In the future.



In the future.



In the future.



It's going to be a happy year in the future.



It's going to be a happy year.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



In the future.



Show more...
2 years ago
58 minutes 34 seconds

Isotopica
Rhyzomaticaly More Than Human with Elo Masing

This week Simon Tyszko brings us an extended and captivating work in progress from Berlin based Estonian Composer Elo Masing, exploring post-human and cross-species themes, and commissioned for performance in Switzerland in the coming weeks. This preview has been remixed, attenuated, affected, and finally reassembled by Isotopica especially for Resonance 104.4fm.
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2 years ago
58 minutes 15 seconds

Isotopica
spectral snap crackle pop and echo

This week Simon Tyszko  (again) channels Mark Fisher and Jacques Derrida, within a composition  of texture and spectrality of (Vinyl) Surface Noise, and extended through copious echos.Our working title..........: Spectral Snap, Crackle, Pop, and Echo.





















































Simon Tyszko this week takes Isotopica further into the mysteries of recent experimentations, examining and pushing the boundaries of what we might consider a contemporary and avant-garde approach to dub, bringing together recordings of radio static and tuning artefacts with extended echoes, creating a unique sonic space almost free of expected gravity, both weightless, and timeless...... and with a cherry somewhere on the top.



.I hope you'll enjoy an experiment which is a composition created entirely with the snap, the crackle and the pop from vinyl recordings, from the early trip artists, trip hop artists, and the hauntologists who swarm around Mark Fisher and Jacques Derrida. Vinyl Crackle underpins much of that. And this last week was a programme about Transylvanian dub in which I went on to actually play a whole series of records, which is very unusual for Isotopica. I thought I would take it in a entirely different direction, which today is just the echo because an awful lot of this snap, crackle and the pop will be fed through very extended digital delays.Are you ready for this? I hope so. Oviously there's an academic content, having already mentioned Derrida, we've mentioned Mark Fisher, and the list simply goes on and on. So why don't we just sit back, perhaps put our feet up, perhaps not, and see if we enjoy today's edition of snap, crackle and pop here on Isotopica with me, Simon Tyszko.



I'll probably share another word with you all after this.



Creative review sonic award winning dub plate installation via Tomato/Underworld
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2 years ago
58 minutes 12 seconds

Isotopica
Nightingale walks in a Berlin Park

Isotopica this week was recorded just three days ago (27th. May 2022) in a (secret) Berlin park. Simon Tyszko was in conversation with comPoser Elo Masing, accompanied by some songs from Berlin's legendary visiting nightingales, in this walking field recording.







Elo Masing and Vincent ************* performing a graphical score by Vincent, at a gallery event not from from Karl-Marx-Allee








Show more...
3 years ago
58 minutes 49 seconds

Isotopica
Love, sex, relationships, and the patriarchy………

In this episode we meet death and death falls in love with us, and despite her parent's plans Grazia also falls for Death, and Death falls for Grazia, her fiancé get's confused and perhaps we find ourselves in a love hexagon.... or some other equally complex shape.



Death plays Jenga with a medieval knight (Max von Sydow) in Bergman's classic The Seventh Seal (Swedish: Det sjunde inseglet)
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3 years ago
59 minutes 4 seconds

Isotopica
Sign Waves for Cats and Dogs (and other people too)

Continuing our cross species experimentation (with Elo Masing in Berlin), we present today a new composition by Simon Tyszko specifically made for, and with the help of, other kinds of animals (as well as the usual Homo sapiens suspects, plus the usual conversation and cultural fillers that so define ISOTOPICA.



Details




watch Idoru engage with rising and falling sine waves





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3 years ago
58 minutes 19 seconds

Isotopica
A Telephone Rings and Someone Speaks




exchange
| ɪksˈtʃeɪndʒ, ɛksˈtʃeɪndʒ |noun1 an act of giving one thing and receiving another (especially of the same kind) in return: negotiations should lead to an exchange of land for peace | [mass noun] : opportunities for the exchange of information.


I have always held a fascination for the sheer magic of telephony, with the transmission of disembodied voices across unimaginable distance, combining a direct intimacy with a paradoxical anonymity, a voice speaking directly into ones ear as if relating secrets, with


magical powers to connect us across great distances. I would describe this as
magic in it's purest form, the transformation of base materials into new forms using the ritualised methods of science




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3 years ago
59 minutes 6 seconds

Isotopica
walking nowhere thinking everything

A step by step glide through psychogeography



Jimmy Lux whose feet we listen to in this broadcast, on a shared derive en Paris avec moi



Psychogeography was defined in 1955 by Guy Debord as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." It has also been defined as "a total dissolution of boundaries between art and life



From lockdown we take a phantom stroll with Jimmy Fox, inspired by Walter Benjamin, who, drawing on the poetry of Baudelaire, made the Flâneur an emblematic archetype of the modern urban experience. The Flâneur of course evolved  into the psychogeographer via Guy debord  and his theory of the derive



In a dérive one or more persons during a certain period drop their usual motives for movement and action, their relations, their work and leisure activities, and let themselves be drawn by the attractions of the terrain and the encounters they find there… But the dérive includes both this letting go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities.



Iain Sinclair



Peter Ackroyd



Patrick Keiller.



Walter Benjamin, 



J. G. Ballard, 



Nicholas Hawksmoor.



Will self



Thomas de Quincey. 


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5 years ago
58 minutes 51 seconds

Isotopica
Is it that time already?

It's now always a late 1970's Sunday afternoon in the in the days of the contemporary Pest



A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today’s program.  Camus provides some words, we tune in to some intercultural networked improvised music from The Ethernet Orchestra, sample a new livestream sound work from Matthew Olden, and all as we gently muse on our world spun upside down on an unfamiliar axis.



7-8PM UTC+01:00 resonancefm.com







Ethernet Orchestra 



is an Internet-based musical ensemble that explores intercultural improvisation through musical performances in located venues and on the web. Founded by trumpeter Roger Mills, the ensemble was formed to address the underrepresentation of the diverse musical cultures in online music making.  The group combines electronic and traditional instruments, including Mongolian moron khuur (horse fiddle) and throat singing, tabla,  Persian tanbur, tar, balaban, and the Japanese shakuhachi, blended with Buchla synthesizer, DX7, Ableton, voice, guitar, trumpet, and sax. 



Oceans between Sound is the second album by Ethernet Orchestra and covers a 4 year period of the groups performances and online jam sessions. It is free to download with artwork and CDR disc prints from the Chilean net label Pueblo Nuevo https://pueblonuevo.cl/catalogo/oceans-between-sound/
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5 years ago
58 minutes 53 seconds

Isotopica
Plays For Horses

The Train Rolls On. Chris Marker's Le Train En Marche (1971)



First the eye, then the cinema, which prints the look….



A stunned episodepost tory election landslide,in which we listen simultaneously,to both the French and English soundtracks,of Chris Marker'sLe Train En Marche,in an attemptperhaps,to revisit,and evenfind a route back to,the utopiandreamsand projectsof both early and latetwentieth century cultural marxism.



The train of revolution. The train of history has not lacked reverse signals and switched points but the biggest mistake one could make was to believe that it had come to a halt.

















“If Chris asked you to do something you did it: There was no question”, recalls Marc Karlin in one of his last interviews before his death in 1999.



‘Chris’, needless to say, was Chris Marker, Karlin’s friend who he called ‘le maitre’. The task was to provide an English version of Marker’s recent film Le train en marche (1971) – a celebration of the Soviet era filmmaker Alexander Medvedkin and his mythical ‘kino-poezd’ – a ‘cine train’ re-fitted with cameras, editing tables and processing labs, that travelled the breadth of Russia to make films for and with the workers. Films made on the spot, in collaboration with the local people, (workers in factories, peasants in kolhozs), shot in one, day, processed during the night, edited the following day and screened in front of the very people who had participated to its making… Contrarily to the agit-prop trains which carried official propaganda from the studios to the people, here the people was his own studio. And at the very moment bureaucracy was spreading all over, a film unit could go and produce uncensored material around the country. And it lasted one year (1932)!Medvedkin saw his kino-poezd (294 days on the rails, 24,565m of film projected, 1000km covered) as a means of revolutionising the consciousness of the Soviet Union’s rural dwellers. Marker hoped his recent unearthing would incite similar democratic film-making. In tribute, Karlin and other kindred spirits in London joined Cinema Action.” There was a relationship to the Russians. Vertoz, the man and the movie camera, Medvedkin, and his agitprop Russian train; the idea of celebrating life and revolution on film, and communicating that. Medvedkin had done that by train. SLON and Cinema Action both did it by car. Getting a projector, putting films in the boot, and off you went and showed films – which we did”.





The people were brought the filmmaker’s cinema, in the same way they were brought the artist’s art and the expert’s science. But in the case of this train the cinema was to become something created with contact through the people and was to stimulate them to make their own intervention.





Aleksandr Medvedkin
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5 years ago
58 minutes 52 seconds

Isotopica
Music For Birds

Performed by humans, Produced by birds.







An international phone conversation, London to Berlin, with Elo Masing representing Berlin based WIG (improvisational trio), and Simon Tyszko in London, discussing the world's first musical transcription produced by birds,Music For Birds  by WIG, and It's genesis within the glamorous and rarefied world of cross species art with avian tandem Kakaduu.Agapornis Fischeri, better known by the artist name Kakaduu, is originally from Central Africa and now based in Berlin, Germany. They established themselves as artists in London, UK, where they lived from 2010 to 2015.







They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.



Kakaduu is one of the most remarkable contemporary practitioners of environmental art in Europe, choosing to use mostly recycled material in creating artworks. They prefer figurative wood sculpture, although often also paint on different materials. Favourite media include wood, wood veneer, cardboard, and coconut shell; for painting they use recycled food.



Better known paintings from the mature period include “Kakaduu Shit on Canvas”, “Kakaduu Shit on Glass”, “Kakaduu Shit on Veneer”, “Kakaduu Shit on Cupboard Door”, “Kakaduu Shit on Porcelain”, “Kakaduu Shit on A4” and “Kakaduu Shit on DVD”. Well-known artworks from the most recent output include “London”, “The Dwarf’s House on the Hill”, “We Went to See the Elephant” and “The Squirrel, the Cat and the Hare”.



Kakaduu’s works have been shown at The First and Second International World Exhibition of Artist Birds.



Kakaduu is represented by Gallery Zebra&Tiger.







New website in progress at www.kakaduu.art. Watch this space!Scientists claim that birds’ and animals’ brains cannot discern complex intellectual objects such as music.‘‘‘ ,



That for them, human music is like white noise, similar to the sound of rain, waves or rustling leaves for us. That they can’t hear anything interesting in it, the same way we can’t understand what birds say to each other, all their adventures and other information they share so vividly.



,             ////7O>’ O>’ O<~ <Ö:::::::::=)’



This may very well be so - if during early development birds’ brains are not exposed to music and don’t learn to grasp it, they probably won’t be able to do it later. Much like a human child who, growing up in the wild without hearing any human language, wouldn’t be able to learn to speak as an adult, even when exposed to human speech.



, ‘ ‘ “



‘(o.



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But it seems to us that birds’ brains can be trained to hear music; they can discern very complex intellectual and emotional objects if they’ve been exposed to them from an early age - for example if the birds have grown up in musicians’ homes.



‘, ‘



They become thoroughly unique experts on music, with their own completely unique taste,
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5 years ago
58 minutes 52 seconds

Isotopica
Unprepared Piano stories

From Chile to Chatham both haunted and alive.



Some field recordings and ambient sounds from summer 2019.



A zoom recorder balanced just below the pendulum of an ancient yet working grandfather clock in a central room of a venerable Kent House, picks up the steady yet illusory passage of time along with snippets of my extended (Small) family life and conversations. We feature the story of a piano in Chile played by spirits, after stumbling across Julian*s* evocation of those very ghosts on an old detuned upright piano in an apparently lost bedroom, bringing us perhaps to consider the inner life and the meaning of an unprepared piano. after which



Peter Suchin riffs on the semiotics of image via Roland Barthes, and an endless vortex filling of a narrow boat water tank punctuates a summer day on the last pirate island of London (as far as we know), as the clock tic toc tic tocs us along to almost certain extinction, and we wonder how to, or even if to, make art, as time is undeniably running out.



*Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law







One way in to the old kent house












One way in to the old kent house




 



Peter Suchin Explain Art To A Live Cat 2019



John Kenton walks his plank



 



 



*Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law
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6 years ago
58 minutes 52 seconds

Isotopica
Voiced, spoken, said, uttered, expressed, articulated, oral, by mouth.
A Radio impression of VOCALIS, an irregular performance event at the delicious Beaconsfield Gallery Vauxhall London.

VOCALIS places emphasis on giving voice in many forms; sharing ideas, drawing on collective memory and Beaconsfield’s long engagement with text, time-based/live art, performance and sound. Informal and open, Vocalis happens in Beaconsfield’s intimate cafe space - where food and fluids mix with electrical impulses and vocalised concepts.


Michael Curran MC

 

Jeroen van Dooren explores divided subjectivities in the company of performing rabbits

Jefford Horrigan performs a very personal ritual within a bespoke sculptural assemblage that is jealous of painting

Tara Fatehi Irani mishandles an archive from Tehran through photographic images, dance, spoken word and digital media

Liming Lin aspires to be a symbol – that everyone looks up to

Niamh Roberts delivers a love story especially penned for Vocalis.

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6 years ago
58 minutes 51 seconds

Isotopica
extinction or rebellion, rebellion or extinction….THIS IS NOT A DRILL!
99.7% scientific consensus
414 parts of CO2 per million, the highest in earths history.
Once in a lifetime weather events every week.
Mass extinction and loss of natural habitat happening now.
Short term profits in place of life as we know it.

We are facing an unprecedented global emergency. Life on Earth is in crisis: scientists agree we have entered a period of abrupt climate breakdown, and we are in the midst of a mass extinction of our own making.

this is not a drill this is not a drill this is not a drill



https://rebellion.earth

Worldwide Rebellion: Continues 7 October 2019

Rebellion too07 October 201919:00 (UTC +01:00)-Until:18 October 201922:00

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6 years ago
59 minutes 33 seconds

Isotopica
Multilingual, multifaceted, Intended, Multiplex, Zoe Zakovski
A play on words

Zoe Zarkovsi and Simon Tyszko engage in Word play or wordplay (also: play-on-words) being a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement.
Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play The Importance of Being Earnest, Ernest being a given name that sounds exactly like the adjective earnest). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthographic) word play are found in languages with or without alphabet-based scripts; for example, see homophoerate our accompanying nic puns in Mandarin Chinese.

Deleuze and food, time and chance, combine with a collection of pure data patches that algorithmically generate our accompanying soundtrack, the hidden hand of a god who simply never existed.





Le menu est la liste des divers mets qui composent le repas. Dans un restaurant, ou à la cantine, c'est l'ensemble des mets qui peuvent être servis pour un prix déterminé.

Par métonymie, le menu est le feuillet, le carton, le tableau, l'affichette, l’objet ou la brochure qui liste :


* les mets servis lors d'un repas : manuscrit ou imprimé, illustré ou non, il présente au convive la liste des mets et boissons qui vont lui être servis lors d'un repas ou d'un banquet. Cette pratique, qui remonte au xixe siècle, et qui tend à se perdre (sauf dans les réceptions officielles), participe à l'art de la table ; elle offre de précieux renseignements aux historiens de la cuisine ;
* le choix des différents mets pouvant être servi pour un repas au restaurant.
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6 years ago
58 minutes 52 seconds

Isotopica
A convivial conversation with a cat on a bike as the crane cries
This particular episode revolves around a trip to the vet with Idoru the cat, during which we share a delightful conversation around topics of the day.
Our cycling conversation perfectly sets the scene for a program approaching the cutting edges of trans-species art research,  featuring tracks from a new album entitled 'Crane Cries', which revolves around a live recording emulating the sounds and intentions of cranes through string improvisation and unusual techniques, by the quartet of Estonian violinist Elo Masing, German violinist Dietrich Petzold, Portuguese violist and cellist Ernesto and Guilherme Rodrigues, who name each of the 8 tracks after the behaviour of cranes,  forming a flock, migration, fighting, ritual dancing, and nesting.This conflation of the chat with a cat on a bicycle, and the avian themed avant guard music is purely coincidental, and only came about when isotopicee Elo Masing sent this latest release hot off the presses from Berlin, which is available as a limited edition from various online outlets including Ernesto Rodrigues' Bandcamp site here.Yet at the same time Elo has been working for several years now with avian artistic tandem Kakaduu, Agapornis Fischeri, originally from Central Africa and now based in Berlin, Germany. Kakaduu established themselves as artists in London, UK, where they lived from 2009 till 2015. They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.Most recently Kakaduu been the worlds first birds to have produced a human musical record release with Berlin based WIG ensemble's unique album Music For Birds, which features in a future edition is Isotopica.
Much more to follow on our trans-species investigations to follow.
Meanwhileas it turned out, Idoru was not unwell, and her recent strange behaviour was simply one of those cat things, although the vet (at the amazing and wonderful animal charity The Blue Cross)   mentioned several time that Idoru was fat....Subsequently our new crash diet seems to have bought out the hidden kitten in both Voltaire and Idoru, and we have entered an exciting and new athletic phase under the aeroplane wing here at Phlight






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6 years ago
58 minutes 6 seconds

Isotopica
Ken Livingstone’s London. Red, Red, and very very missed
Ken Livingstone

Ken Livingstone, The only truly successful left-wing British politician of modern times


......is an English politician who served as the Leader of the Greater London Council (GLC) from 1981 until the council was abolished in 1986, and as Mayor of London from the creation of the office in 2000 until 2008. He also served as the Member of Parliament (MP) for Brent East from 1987 to 2001. 

Born in Lambeth, South London, to a working-class family, Livingstone joined Labour in 1968 Ken went on to become the head of the GLC.


The GLC began as an effort to rationalise London-wide planning, London in the 1950s could be a grim place. Large swathes of residential streets remained derelict after being bombed out during the war and the houses still standing were often squalid and overcrowded. Thick fog hung over the city and roads were dirty and dangerous…….

The GLC under Ken Livingstone was an an administration that successfully enacted a historically unprecedented radical program of successful and popular socialist policies, including massive investment in job creation, reducing public transport fares, the declaration of London as a nuclear free zone, saving over a million pounds annually spent on utterly cometic and pointless defence plans nik e hiding under a table before the bomb went off).


Arguing that politics had long been the near-exclusive preserve of white middle-aged men, the GLC began an attempt to open itself to representations from other groups, principally from women, the working-class, ethnic minorities and homosexuals but also from children and the elderly.


They initiated a raft of measures to improve the lives of minorities within London,  this included funding for groups such as London Gay Teenage Group, English Collective of Prostitutes, Women Against Rape, Lesbian Line, A Woman's Place, and Rights of Women, and the Ethnic Minorities Committee.


Understanding the clear evidence that the Metropolitan Police was an institutionally racist organisation, he appointed Paul Boateng to head the Police Committee and monitor the force's activities.[100]  the police he remarked are highly political organisation, noting that when canvasing police flats at election time, you find that they are either Conservatives who think of Thatcher as a bit of a pinko or they are National Front."[100]


An outspoken republican he politely refused an invitation to Diana and Charles Windsor’s wedding and the list of righteous achievements simply goes on and on, and of course 

Just as today our overwhelming right wing press rabidly attacked such egalitarian policies, snowflake like and steeped in patriarchal white privilege they moaned that such policies only served "fri...
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6 years ago
58 minutes 52 seconds

Isotopica
Isotopica is an experimental radio series with each episode having a unique theme and flavour, starting off at point A and hopefully, ending up in another alphabet altogether. Ingredients include a mixture of sonic essays, experimental sound and music, psychogeographic and notional detours, special guests, field and location recordings, interviews, conversations, critical analysis, plus Gallery installation works and performance, and all sprinkled with cultural marxist toppings. Isotopica is initially broadcast on London's Art radio station Resonance 104.4 FM, every Sunday 7-8 pm (UTC and UTC+1 summer) and streaming on www.resonancefm.com, www.extra.resonance.fm, and now on DAB in UK. UNCERTAIN TERMS AND CONDITIONS MAY APPLY.