If the Golden era of Old Hollywood is your thing, our podcast is for you! If you want TYRONE POWER instead of TOM HARDY, JENNIFER JONES instead of JENNIFER LAWRENCE, or ROBERT MITCHUM rather than ROBERT PATTINSON, then FROM BENEATH THE HOLLYWOOD SIGN is the gin joint for you. Each week, writer and producer STEVE CUBINE and actress and writer NAN MCNAMARA explore, discuss, and dissect the magical, mysterious, amusing, and sometimes bizarre tales of Old Hollywood. So sit back and revisit a time when the pictures were still big and everyone was ready for their close-up.
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If the Golden era of Old Hollywood is your thing, our podcast is for you! If you want TYRONE POWER instead of TOM HARDY, JENNIFER JONES instead of JENNIFER LAWRENCE, or ROBERT MITCHUM rather than ROBERT PATTINSON, then FROM BENEATH THE HOLLYWOOD SIGN is the gin joint for you. Each week, writer and producer STEVE CUBINE and actress and writer NAN MCNAMARA explore, discuss, and dissect the magical, mysterious, amusing, and sometimes bizarre tales of Old Hollywood. So sit back and revisit a time when the pictures were still big and everyone was ready for their close-up.
“CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” (111)
From Beneath the Hollywood Sign
45 minutes
11 hours ago
“CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” (111)
EPISODE 111 - “CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” - 10/27/25
When DIANE KEATON passed away on October 11, 2025, she left behind an incredible legacy of important films and stunning performances that were some of the best of the era. Her youthful effervescence, her fashion style, everything about her belied mortality. Most people think of her masterful, Oscar-winning performance in Annie Hall, (1977) but her career is so much more than that one role. Over the past five decades, her filmography is a study in contrasts: farce, heart wrenching dramas, rom-coms with a twist — she’s taken risks, playing complicated women (even in the lighter faire), and made some really interesting choices. In this episode, we’re going to take a look at some of the films Diane Keaton made that don’t always get the spotlight they deserve. Watching these films, whether for the first time or a revisit, you realize just how bold and varied her work was. Whether in a quiet drama focusing on an intimate character study, a quirky comedy, or something completely unexpected, Diane Keaton always brought a mix of honesty, humor, and heart that was entirely her own. So, today we honor the life and legacy of the multifaceted Diane Keaton.
SHOW NOTES:
Sources:
Wikipedia.com;
TCM.com;
IBDB.com;
IMDBPro.com;
Movies Mentioned:
Play It Again, Sam (1972), starring Woody Allen, Diane Keaton, & Tony Roberts;
Looking For Mr, Goodbar (1977), starring Diane Keaton, Tuesday Weld, William Atherton, Richard Gere, Richard Riley, Allen Fienstein, Tom Berenger, Priscilla Pointer, & LaVar Burton;
Interiors (1978), starring Diane Keaton, Mary Beth Hurt, Kristin Griffith, Geraldine Page, E.G. Marshall, Richard Jordan, Sam Waterston, & Maureen Stapleton;
Shoot The Moon (1978), starring Diane Keaton, Albert Finney, Dana Hill, Karen Allen, Peter Weller, Tracy Gold, Tina Yothers, & Viveka Davis;
Marvin’s Room (1996), starring Diane Keaton, Meryl Streep, Leonardo Di Caprio, Robert DeNiro, Gwen Verdon, Hume Cronyn, & Hal Scardino;
Sometime’s Gotta Give (2003), starring Diane Keaton, Jack Nicholson, Keanu Reeves, Amanda Peet, Frances McDormand, & Jon Favreau;
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From Beneath the Hollywood Sign
If the Golden era of Old Hollywood is your thing, our podcast is for you! If you want TYRONE POWER instead of TOM HARDY, JENNIFER JONES instead of JENNIFER LAWRENCE, or ROBERT MITCHUM rather than ROBERT PATTINSON, then FROM BENEATH THE HOLLYWOOD SIGN is the gin joint for you. Each week, writer and producer STEVE CUBINE and actress and writer NAN MCNAMARA explore, discuss, and dissect the magical, mysterious, amusing, and sometimes bizarre tales of Old Hollywood. So sit back and revisit a time when the pictures were still big and everyone was ready for their close-up.
