Ricci Albenda is an American contemporary visual artist and sculptor. His sculptures harness traditional and idiosyncratic perspectival systems to represent bare architectural spaces that may be feasible, but are never real.
His deep exploration of language and the written word has led him to develop his own fascinating system in which the alphabetical and numerical system are paired with the color wheel.
Albenda has been exhibited extensively, both in the United States and abroad at venues including: The Guggenheim Museum, New York, The Rachofsky House, Dallas, Tel Aviv Museum of Art, Tel Aviv, Institute of Contemporary Art, Boston, Brooklyn Museum of Art, Brooklyn, Castello Di Rivoli, Turin, Museum of Modern Art, New York, MoMA PS1, Queens, Centre Georges Pompidou, Paris, and the New Museum, New York.
Data scientist, on-chain glitch artist, NFT history writer, code punimalist.
Power consolidation=evil.
Built some stuff. Building more.
Twitter:
@ChainLeftist
@GianniDalerta
@co1born
@dminti_io
@museumofcrypto
A state of entanglement
Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard. It is a multitude of you, and others, equally present and alive, together.
The rich substrate of the uncanny, eerie spaces between us and the non-human world cannot remain as an aesthetic space, our world cannot bear this self-imposed distance and denial of our inter-twined state of us and others.
Becoming entangled others studio is about moving further into an entanglement with the more-than-human world of us & others. A world where diversity and inter-connectedness are nurtured and engaged.
Twitter:
@entangledothers
@GianniDalerta
@co1born
@dminti_io
@museumofcrypto
Gearing up for 2023! March 31 - April 2nd | 5000 people | 3 days, 50+ talks, 250+ speakers, daily networking & NFT parties.
Twitter:
@MiamiNFTweek
@GianniDalerta
@co1born
@dminti_io
@museumofcrypto
Breanna Browning is a media artist and creative director
with studios in Los Angeles, California and her native rural Tennessee.
Breanna’s practice merges digital and physical matter through the misuse of technological tools and traditional methods of making. Her background in architecture and speculative fiction allows her to work simultaneously at multiple scales- from the bit to the body, from the landscape to the imaginary. Her varied practice includes image-based works, sculptures, immersive environments, writing, creative direction, films, and audiovisual performances.
DMINTI.com
https://breannabrowning.com/
Rooted in legacy, born from technology, Arsnl Art is the exclusive digital platform for Artists Rights Society (ARS) with access to all of its 120k+ member artists from around the globe.
Founded in 1987, ARS is the preeminent copyright, licensing, and monitoring organization for visual artists in the United States. Today, ARS represents over 120,000 artists from around the globe (amongst them Frank Stella, Frida Kahlo, Pablo Picasso, Andy Warhol, Rene Magritte, Henri Matisse, Jenny Holzer, George Condo, Marina Abramovich, etc.) and issues over 100,000 licenses annually.
DMINTI.com
Twitter:
@arsnlart
@co1born
@dminti_io
@museumofcrypto
Los Angeles-based artist John Houck (b. 1977) makes his images through a systematic re-photographing that produces a complex set of relationships between figure and ground and defies a clear understanding of the real and created. In this process, the artist takes a set of objects—often with personal meaning—and captures them multiple times. With each iteration, the objects are repositioned atop of their own images. The resultant work is a kind of photograph of itself, seen through a multitude of perspectives. The unfixed nature of Houck’s compositions is further complicated by the artist’s introduction of painterly mark-making, which he incorporates in both the objects being photographed and the photographs themselves. These actions transform the photograph into a screen through which the composition is gradually developed, examined, and remade.
https://marianneboeskygallery.com/artists/62-john-houck/biography/
DMINTI.com
Twitter:
@co1born
@dminti_io
@museumofcrypto
IG:
@dashouck
@dminti.io
@museumofcryptoart
Joshua Citarella is an artist and internet culture researcher based in New York. He writes about Gen Z online political subcultures. Since 2020, he's been writing, podcasting, and live-streaming as a way to crowdfund my research and explore primary sources. The media narratives and academic research around these topics has been disappointing and at times detrimental. I think we need better, more honest narrators to engage in the public discussion.
Joshua's work has been shown in galleries and museums around the world including: Kunstverein in Hamburg, The 34th Ljubljana Biennale, Sotheby's, Ujazdowski Castle Centre for Contemporary Art, Corcoran School of the Arts and Design and many others. He previously taught at the Rhode Island School of Design (RISD) and the School of Visual Arts (SVA). He also served as an outside advisor at Carnegie Mellon and Tufts University.
https://joshuacitarella.substack.com/
DMINTI.com
Twitter:
@JoshuaCitarella - @Channel
@co1born
@dminti_io
@museumofcrypto
Leander Herzog is a Switzerland based visual artist and computer programmer creating digital art since 2007.
Link:
https://leanderherzog.ch/
Twitter:
@LennyJPG
@co1born
@dminti_io
@museumofcrypto
JGC is a crypto writer, self described as "not an authority".
Link:
https://www.jgc.fyi/
Twitter:
@jgcfyi
@co1born
@dminti_io
@museumofcrypto
Connie Bakshi is a transmedia artist who blends tech, lore, and ritual to explore what it means to be human in the era of emerging AI. Her first two NFT collections, Ethereal Caress and Birds of Paradise, sold out on OpenSea and reflect an intimate relationship and dialogue with AI.
In Rite of Passage, Connie harnesses AI machine vision to negotiate the relationship between human memory and digital archive, shifting cultural information and representation between different states of reality. The resulting machine permutations are echoes of the originals, connecting human imagination across centuries of time, technology, and culture.
Connie’s previous work includes a generative opera derived from DNA and an LED lighting series based on the ancient craft of Japanese urushi. She won the Red Dot Best of the Best Award for industrial design, the Takifuji Arts Award, has exhibited at SaloneSatellite in Milan, and is an alumnus of NEW INC, New Museum’s incubator for art, technology, and design.
Link:
https://linktr.ee/conniebakshi
Twitter:
@ConnieBakshi
@co1born
@dminti_io
@museumofcrypto
Daïm is a multi-disciplinary artist with an aesthetically and methodologically diverse practice guided by his mathematical explorations, his lived experience of cultural and linguistic multivalency, and the foundations of his varied childhood studies under the late Jenő Zaszlavik. Since becoming an exhibiting artist in 2015, his achievements include participating in exhibitions at Hungary’s Consulate General to Canada and the Royal Cornwall Museum, being shortlisted as an NFT Awards 2020 finalist, becoming an early Curated Artist on both Art Blocks and UltraDAO, being featured as a Museum of Crypto Art Artist of the Month, as well as curating and participating in the Dakar Biennale 2022 “Forging the Future” exhibition. Daïm is also a collector and a thinker, having most recently authored his cryptoart manifesto “I am a Cryptoartist”, in an attempt to contour the amorphous boundaries and values of the evolving Cryptoart Movement.
Link:
daim.art
Twitter:
@DaÏmAlYad
@co1born
@dminti_io
@museumofcrypto
Victoria Campobello, alias VXN was born in Buenos Aires, Argentina. Her work combines 3D software and sculpture in bodies and scenes that are deconstructed and transformed. A hybrid of techniques, motifs and languages where an intricate play of forms within forms creates both figurative and abstract aesthetic languages, which are otherwise unrelated. She imagines the flow of nature, organic growth, sexuality and cyberspace and captures the alienation of mind from body in the Internet age.
Space becomes distorted as humans try to find a place to dwell. The perception of the geometry that surrounds it is constantly constructing or deconstructing a different reality, where we are all trying to create our sense of place. Graphics, nature-inspired textures, and futuristic worlds feature the work of Victoria Campobello, aka VXN. Abstract configurations of amorphous shapes co-exist in highly textured images that blend into three-dimensional space.
