Sleep - something so mundane we do it around eight hours out of every twenty-four - makes a great vehicle for horror. Judging by folkloric record and cross cultural points of similarity, it's been part of horror for millennia. From old hag syndrome to nightmares to the simple but essential necessity of being unaware and vulnerable for blocks of time, sleep is it's own carnival of terror. This week Jules and Madeleine delve into why, tracking through folklore into modern horror and looking at how you can use sleep effectively in your own writing. (Aside from aiming for eight hours a night, that is!) Title music: Ecstasy by Smiling Cynic

This week's spooky season offering dives past the whole haunted house experience to go deeper. What if the haunting was more specific? An attic or cellar is well known trope, but what about a playground? A nursery? A clock or a mirror? What do those things say about the state of the main character's mind in storytelling? And what exactly is the quiet terror of the mundane more effective than dripping gore and howling monsters? Jules and Madeleine tackle these questions and more.   On the slab this week: Rebekah - Daphne du Maurier, The Yellow Wallpaper - Charlotte Perkins Gilman, The Scald Crow - Grace Daly and many more

It's time for episode three of the dragons' spooky season extravaganza and don't be deceived by the title. Folk Magic can go to some pretty dark places... This week, Jules and Madeleine take a look at a magic system that relies on mundane objects and folk knowledge. In fact this type of magic is, on the surface, so mundane that many people would argue that it's more superstition than a magic system. It forms a backbone in many folk horror and dark fantasy stories and even creeps into sci-fi and urban fantasy. So where does the magic of the mundane originate from? What is its logic? And how do you incorporate it in your own world building? On the slab this week - October Daye - Seanan McGuire, Terry Pratchett's Discworld, Practical Magic and many more. Title music: Ecstasy by Smiling Cynic

Continuing their spooky season, this week the dragons pose a question: what's more frightening? The object of terror can see or the entity you can't? A fear of non tangible threats is baked into the essential human make up - we would hardly have survived to evolve as we have if our ancestors had not had the capability to 'what if' about predators concealed in shadows or long grass. This is reflected in fairy tales, folklore, gothic fiction all the way up to modern horror. Jules and Madeleine delve into how this trope hits the fear centres in the brain and how you as a writer can use it. On the slab this week - The Invisible Man - H G Wells, The Little Stranger - Sarah Waters, It Follows and many more.   Title music: Ecstasy by Smiling Cynic

The dragons are back just in time for spooky season. They are naturally kicking off their favourite season with a new slant on and old favourite subject - the Gothic. But what exactly do 'outsiders' have to do with Gothic literature? As it turns out, quite a lot. Jules and Madeleine take a joyful autumn romp through this little mentioned but essential ingredient of the genre from it's literary inception up to its quirky, spooky modern day equivalent. On the slab this week classics such as Dracula, Frankenstein & Jane Eyre, as well as Penny Dreadful, the Addams Family and Wednesday. Title music: Ecstasy by Smiling Cynic.    

Approximately ten years ago, both dragons signed their first publishing contracts. Since then it's been a riotous series of highs and lows and new adventures - including the creation of this podcast. This week, Jules and Madeleine look back over the last decade. Would they have written their first books the same way if they'd been writing them now? What is the relationship between writing and creativity and where does creative inspiration come from? Where do they see themselves going in their writing from here? And just what is good etiquette around reviews? Join them for a semi- biographical episode about the ups and downs of being a writer. (Please note this is the last episode of this season - the Dragons will be back in October for spooky season)   Title music: Ecstasy by Smiling Cynic  

Part Two of a Two Part Episode   Continuing on from last week's examination of how depictions of the work place in fiction have transitioned over the decades from daily grinds where hard work will reward the worthy to places where you can find fun and family (if you're a team player) to recent depictions of bleak office hellscapes where baffled, exploited employees are required to perform a series of increasingly bizarre and senseless tasks (Severence - we're looking at you), this week Jules and Madeleine delve into the archetypes of this genre. Why might you want to write an anarchist or a saboteur? Why is sci-fi such good fit for telling workplace stories and why might you want to write one? And just what can we learn from these stories? Under the microscope this week: Severence, Fight Club, Squid Game and many more.   Title music: Ecstasy by Smiling Cynic

Part one of a two part episode Sci-fi and fantasy have portrayed many workplace settings over the decades - engineers and pilots on space craft, for example, or fairy smiths and kitchen witches in fantasy. However while fantasy has been leaning into the idea of leaving unfulfilling work and finding a perfect cosy profession, sci-fi has been delving into the nightmare of the bad workplace. This week, Jules and Madeleine take a look at the common criticisms and fallacies of the workplace highlighted by  fiction, and just why this is finding an avid audience now.   Title music: Ecstasy by Smiling Cynic

Disney, purveyors and creators of magical family friendly (mostly) entertainment have existed through an interesting and checquered 9 decades. The company is responsible for some of the most beloved fairytale retellings and pioneered the animated feature film. However, it's not all magic kingdoms and pixiedust. As with all multi billion dollar corporations, there's a dark side. The company has shapeshifted several times over the decades and interestingly, it seems to be undergoing a change again right now. Whether that will be for good or ill remains to be seen. This week the dragons look at why Disney might have a creativity problem and why the family friendly image is more of a facade than ever.  Title music: Ecstasy by Smiling Cynic

Have you ever picked up a book, full of anticipation, only to quit 100 pages in? Or maybe you read the whole thing and were left annoyed and baffled when you reached the end? Welcome to the baked in cognitive dissonance of the bookish community. Uber hyped books can turn out to be...bad. Not just bad in your opinion but objectively bad when employing the metrics of writing skill, storytelling and production values. So why exactly are they selling millions of copies? This week, Jules and Madeleine delve into the roots of this question. Is it really a matter of opinion? Can you measure the fitness of a book based entirely on measurable considerations? Is it ever fair to call any book bad? Join the dragons as they interrogate their own beliefs on the subject.   Title music: Ecstasy by Smiling Cynic 

If you've noticed all the celebrations, new editions of Austen's work, new adaptations and not a few arguments over issues which seem to amount to 'who's the biggest fan?' then you may have an inkling that it is a major Jane Austen landmark this year.  Celebrating the 250th year since Jane Austen's birth, the dragons have decided to do their own thing and judge a pageant of Jane Austen adaptations in film, TV, theatre and book form, in an effort to find their own favourite adaptation of Austen's work. Under the magnifying glass this week - 1995 Pride & Prejudice, Ang Lee's Sense & Sensibility, Bridget Jones' Diary and many more.    Title music: Ecstasy by Smiling Cynic  

Making a living from writing comes with practical considerations which the actual creative process doesn't prepare you for (probably). This week Jules and Madeleine delve into how to be a healthy creative ( spoiler alert: sleep is really important), what you need to consider when planning your finances, what legal considerations you need to bear in mind and a variety of other issues which writers often blithely ignore. We know. We did. Join the dragons as they talk candidly about the less glamorous side of being a writer.    Title music: Ecstasy by Smiling Cynic 

Part 2 of a 2 part episode. This week, Jules and Madeleine return to the 'nice guy' trope. A trope that probably started with good intentions but soured quickly. Can this trope affect perceptions in real life? If so, how far does that go? Can you write a genuinely nice guy? And what is the 'nice guy renaissance'? On the slab this week: Buffy the Vampire Slayer, Harker & Blackthorn and many mor   Title music: Ecstasy by Smiling Cynic

The dragons are back! Join us for an exciting season delving into new writing topics and speculative fiction takes.   This week, Jules and Madeleine take a look at the 'nice guy' trope. While the term is relatively new, the character type is not, cropping up in Shakespeare, Austen and even in folklore. While this was a character archetype introduced originally to balance the over-muscled, over-sexed and under-brained macho male lead of the seventies and eighties, writers took their collective eye off the ball and things went south pretty quickly. So what is a 'nice guy' and why does something so innocuous sounding carry so much collective dirt? Find out in part one of a two part episode. On the slab this week: Friends, Little Women - L M Montgomery, Shakespeare's Much Ado about Nothing and many more.   Title music: Ecstasy by Smiling Cynic

As we bid adieu to 2024, the dragons are once again looking back on a year of news. There have been some definite low points, however there has also been a lot of good news this year which may have gone unremarked. Jules and Madeleine are redressing that balance with a selection of good news stories, scientific discoveries and reminiscences on their favourite books and films of the year. Join us for a hopeful episode as we gear up for taking 2025 by the horns. (This is the last episode of 2024 but we will be back in February after a short break)  Title music: Ecstasy by Smiling Cynic

It's that time of year again: frantic last minute shopping, swearing at rolls of Sellotape, covering fir trees with bling....and the dragons emerge with a festive folkloric offering that adds a bit of shadow to the season.   This year Jules and Madeleine take a look at the strange relationship between Christmas and witchcraft. If that sounds implausible, stick around - there is a bizarre logic behind it. As with many folkloric traditions, the Christmas witch goes back centuries but some of the modern iterations bring a new level of horror to the tradition. We remember Father Christmas but forget Perchta. We tell stories about St Nicholas but forget St Lucy and her alter Ego, Bloody Lucy. And just who led the wild hunts during Saturnalia and later the twelve days of Christmas? Find out in a special festive episode.   Title music: Ecstasy by Smiling Cynic

There are few phrases as bedight with dubious associations as 'for a modern audience'. In terms of storytelling, are we saying that the original story was flawed? That tends not to go down well with fans of the original. Or, conversely, does the phrase mean that a modern audience is somehow incapable of engaging with the original and needs to have the material dumbed down? Despite the trickiness of the situation, there has been an upsurge in reboots and remakes lately with even more scheduled for release in 2025. This week the dragons delve into why that is and whether it's a good use of storytelling muscles or not?  On the slab this week: Fright Night, Road House, Disney Live action and many more.   Title music: Ecstasy by Smiling Cynic

Music has a peculiar relationship with the supernatural, and no branch more so than the occult. Certain musical genres have a long association with the devil, both in folklore and urban legend. But why is that? Where did those stories originate? And how has this shaped modern horror and SFF? This week the dragons dive into Rock'n'Roll to unravel the devil's music. On the slab this week - The Infernal - Kim Wilkins, We Sold Our Souls - Grady Hendrix, Evil in Me - Brom and many more.   Title music: Ecstasy by Smiling Cynic

From devices of comedy to alien antagonists to symbols of deep seated corruption, mushrooms and fungi make strangely appropriate side characters. They are used as set dressing, as indicators of other realms and as terrible weapons. Appropriately, they have woven tendrils so firmly through fiction that it's pretty much impossible to work out when they first entered storytelling cannon - potentially it was when storytelling pre-dated written language. This week, Jules and Madeleine take a look at these strange beings, examining how they have been used in a variety of genres and how you might want to use them in your own writing. Under the microscope this week - The Haunting of Hill House - Shirley Jackson, What Moves the Dead - T Kingfisher, The Last of Us, The Girl with All the Gifts - M R Carey and many more.   Title music: Ecstasy by Smiling Cynic  

On a lighter note this week, the dragons delve into a well loved trope which has its origins in folk and fairy tales, shifting and adapting for audiences over the centuries to reflect the socio economics of the time. The clever servant-foolish master dynamic is one which is still enjoyed today, balancing inequalities of social position, wealth and status with intellect, cunning and personability. The trope is a shapeshifter - played for laughs, delivered straight and used as supporting story. This week, Jules and Madeleine take a look at why.  On the slab this week - The King's Knight, Blackadder the 3rd, Jeeves and Worcester and many more.   Title music: Ecstasy by Smiling Cynic