Best-selling author Michael Wallis is a leading chronicler of the American West and its place in the American imaginary—with books on everything from Billy the Kid, “Pretty Boy” Floyd, and Wilma Mankiller to the legacy of America’s “Mother Road,” Route 66.

As executive director of Tulsa Educare, Cindy Decker leads one of the nation’s premier early childhood education programs which aims to break the cycle of poverty in Tulsa.

Jeff Stava is Chief Program Officer of the George Kaiser Family Foundation, Chief Operating Officer at the Tulsa Community Foundation, and Executive Director of the Gathering Place, Tulsa’s 100-acre, riverfront park which was named USA Today’s top new attraction for 2019, and one of Time Magazine’s 100 Greatest Places in the World.

Writer and political commentator Jim Hightower has garnered a national following as a radio personality, syndicated columnist, and author speaking to the concerns of everyday Americans in much the same way as Woody Guthrie, the artist and activist who inspires him.

As Principal Chief of the Cherokee Nation, Chuck Hoskin Jr. has not only helped improve the economic and physical well-being of his fellow Cherokees, he has also secured the largest language investment in the tribe’s history to expand Cherokee cultural preservation.

Community activist and entrepreneur Onikah Asamoa-Caesar is the founder and CEO of Fulton Street Books & Coffee, a retail business and gathering place in the heart of Tulsa’s historic Greenwood neighborhood.

Bill Leuchtenburg speaks about presidential history at the National Humanities Center Board of Trustees reception at the Morgan Library, New York, NY on June 8, 2016.

Theatrical productions allow playwrights and audiences alike to engage with historical and contemporary social realities. But what are the consequences when particular types of dramatic texts and performances are inadequately disseminated and preserved? Elena Machado Sáez (NHC Fellow, 2022–23) is analyzing the ways that Latinx theater in the United States depicts forms of activism and resistance while building shared archives and communities.

As an art form, opera has proven to be simultaneously entertaining and relatable to diverse audiences, even though it has also been characterized by associations with whiteness and elitism. Naomi André (NHC Fellow, 2022–23) is working to tell a more comprehensive and inclusive story of this genre by constructing a history of Blackness in opera from the nineteenth century to the present.

The British writer, reformer, and criminologist George Cecil Ives lived through a transformation in our collective understanding of sexuality. Born in 1867, Ives found early inspiration in the Classical tradition and witnessed the rise of sexology and psychoanalysis before his death in the mid-twentieth century. But Ives did not simply observe these social changes; he chronicled them exhaustively through his published works, correspondence, scrapbooks, and a three-million-word diary. Brian Lewis (NHC Fellow, 2022–23) has analyzed these records to help us to understand how individuals actually experienced these philosophical and social shifts.

In 1996, an exhibition entitled “Bearing Witness: Contemporary Works by African American Women Artists,” was produced for the Spelman College Museum of Fine Art’s contribution to the Olympic games held in Atlanta, Georgia. Today, Jontyle Theresa Robinson (NHC Fellow, 2022–23) is undertaking a multi-tiered initiative to reflect upon and advance the work of that exhibition thirty years later.

In March 1850, five men and two women were photographed in the studio of South Carolina artist Joseph Zealy. When these daguerreotypes were uncovered in 1976, they quickly became some of the best-known pre-Civil War images of enslaved African Americans. Gregg Hecimovich (NHC Fellow, 2015–16; 2022–23) is asking important questions about why these images were captured, how they were lost for so long, and what they might tell us about legacies of white supremacy and enslavement in the United States.

The influence that Nina Simone and Langston Hughes have had on American music, literature, and culture can hardly be overstated. However, the relationship between these two figures has received little to no attention from scholars to date, despite their long history of collaboration. W. Jason Miller (NHC Fellow, 2022–23) is conducting research into this partnership in order to inform new understandings about the intersections between art and politics in the Black Arts Movement of the mid-twentieth century.

This lecture illuminates the field of international possibility seen by a leading fraction of young Americans in the 1920s. It offers a counter-narrative to the well-worn account of American “expatriates” who succumbed to the seductions of Paris and soon returned home chastened. A far larger stratum of would-be writers lived outside the United States without desire to be “expatriates,” found vocations in journalism, brought the world home to American audiences, and allowed these international ventures to shape their lives.

When the Panama Canal opened in 1914, it not only revolutionized international trade, but brought about new developments in public health. While diseases like yellow fever and malaria were seen as an inherent threat of “the tropics” by the Americans and French, the process of constructing the canal actually created conditions in which such diseases could proliferate more freely. In this podcast, Paul S. Sutter (NHC Fellow, 2021–22), professor of history at the University of Colorado, Boulder, discusses the complex interplay of natural and cultural catalysts that can produce and spread disease. Understanding the ways that human activity can bring vectors and viral pathogens together is crucial to reckoning with historical, contemporary, and future public health challenges.

For the past twenty years, Nigerian filmmaking has dominated media production in Africa and among African diasporic communities. One of the most influential figures in this industry is the writer, director, and producer Femi Odugbemi, whose work is an example of the "socially responsible cinema" that has been under-explored in scholarly analyses of Nollywood. In this podcast, Paul Ushang Ugor (NHC Fellow, 2021–22), associate professor of English at Illinois State University, considers how Odugbemi’s screen media uses popular cultural forms to encourage public awareness of political and ethical issues in Nigeria and across Africa. By exploring this national film tradition, we can examine both the transformative power of art in a postcolonial context and the global influences that have informed the development and popularization of Nollywood.

Nineteenth-century American paintings frequently depict foreign settings, from the Caribbean to the Arctic. Many of these artworks seem to reveal moments of cultural exchange or scientific inquiry, but they have rarely been seen as evidence of the growing imperialist tendencies of the United States throughout this century. In this podcast, Maggie Cao (NHC Fellow, 2021–22), associate professor of history at the University of North Carolina at Chapel Hill, considers how the aesthetics and subject matter of nineteenth-century American art can better help us to understand imperialism as a global and historical concept. By examining paintings from this period, we can trace how complex attitudes about cultural relations were represented and disseminated to a wider public.

In the early twentieth century, psychoanalytic ideas based on the work of Sigmund Freud were taken up, translated, and even challenged by practitioners from a variety of geographic regions and backgrounds. However, the importance of psychoanalytic thought in China has not always been given adequate attention. In this podcast, Howard Chiang (NHC Fellow, 2021–22), associate professor of history at the University of California, Davis, discusses how tracking the emergence and adaptation of psychoanalysis in China allows us to understand the effects of cultural and disciplinary exchange on emerging intellectual discourses. By examining China’s influence on psychoanalysis, we can tell a better and more global story about the origins of this field of study.

Widely understood as a destination for leisure and pleasure, the Caribbean has drawn visitors from the global north for over a century. Women have played a central role in establishing this image of the islands, from the proliferation of women's travel writing beginning in the late nineteenth century to their active roles in shaping the tourism and hospitality industry. In this podcast, Elizabeth S. Manley (NHC Fellow, 2021–22), associate professor of history at Xavier University of Louisiana, analyzes the contradictions that have fueled narratives of the Caribbean from the colonial period to the present. By examining the ways that notions of gender, commerce, global mobility, and discourses of exoticism have changed in the region over time, we can better understand how the Caribbean has been culturally constructed as a site for escape and rejuvenation.

In the 1772 court case “Somerset v Stewart,” an English court found that the concept of slavery had no basis in English law. Although this case has long been linked to the eventual abolition of the Atlantic slave trade in Britain, the emancipation of enslaved persons was a long and complex process. In this podcast, Tony Frazier (NHC Fellow, 2021–22), associate professor of history at North Carolina Central University, discusses the way that this ruling had broader ramifications in a politically fraught moment. As Frazier explains, the case forces us to reexamine historical assumptions about the end of slavery and the role of institutions in emancipation.