The phrase "the Word of God" had a long history before it ever meant "the Bible." This episode traces its evolution — from God's voice speaking creation into being, to prophets hearing from their maker, to God's Word becoming human, to early Christians referring to a collection of ancient writings by the same name. This is the story of how this pretzel of a phrase became attached to a book.
Get in touch at mara@marameasor.com or @marameasor on Instagram.
The Bible doesn't hide its human authorship — that was last episode. But what does the broader historical record reveal? This episode traces the scholarly perspective on Scripture's formation: from oral tradition to written scrolls, from Babylonian exile to Roman invasion, from individual writings to bound codices. A thousand years of human endeavor, as though guided by something beyond them all.
Get in touch at mara@marameasor.com or @marameasor on Instagram.
Three people's reactions to learning about biblical history sparked a question: What were they told about the Bible that made its actual story feel like finding skeletons in a closet? This episode explores the difference between how we often talk about the Bible and what the Bible reveals about itself - from its own editorial comments to its comfortable embrace of multiple voices, perspectives, and even different collections.
Get in touch at mara@marameasor.com or @marameasor on Instagram.
After struggling through a dozen drafts of her previous episode on physics and time, Mara finds herself staring at all the ideas that didn't make it into the final cut. Rather than sweep them away, she invites listeners into her messy creative process—exploring the mysterious grammar of the Bible's opening word, the confetti of human perspective, the beautiful chaos of entropy, and her gentle disagreement with a physicist about humanity's place in the cosmos. Sometimes the splattered paint around the canvas tells its own story.
In this episode, Mara takes a detour into the dimension of time. Her exploration of physicist Carlo Rovelli's ideas around time becomes an unexpected echo of her own journey from seeing Scripture as a collection of fixed truths to experiencing it as a living network of stories that continue to weave together across... time.
A moment of feeling lost leads Mara to recognize two voices within herself—one always sprinting toward the next finish line, the other content to sit quietly on a porch and watch. Holding this tension, she revisits biblical narratives not as straight lines but as cycles, returning once again to Genesis One—not as a story of perfection achieved, but as an invitation to find beauty in the ongoing rhythm between movement and rest, even while chaos remains all around.
Get in touch with Mara at mara@marameasor.com
In this brief bonus episode, Mara shares a poem she was commissioned to write for a gallery exhibition. With this piece, she continues her journey of finding new ways to dwell within the ancient creation story.
When a forgotten melody comes back to her, Mara follows it back to voice memos from two years ago and discovers an old song she wrote. From iPhone recordings in her car during rainstorms to late-night inspiration at her children's bedside, she takes listeners through the intimate process of building a song layer by layer. Through the art of sampling—weaving found sounds into new creations—Mara discovers a creative practice that mirrors the Genesis story itself: not creating from nothing, but finding beauty in chaos.
What happens when we move from being passive readers of Scripture to active participants in its interpretation? Inspired by the work of Bible translators Robert Alter and N.T. Wright, Mara creates her own mythical rendition of Genesis One that explores the cosmic drama of creation. Like Lucy stepping through the wardrobe into Narnia, this episode invites listeners to encounter the ancient text with fresh wonder.
Interview with N. T. Wright: https://www.youtube.com/watch?v=SsBRJCmNkjg
Lecture by Robert Alter: https://www.youtube.com/watch?v=ZSQqde4y-Vc&t=356s
A teaching by a British scholar on a difficult passage leaves Mara spellbound in her driveway, and leads her to the ancient Jewish idea of seeing the "seventy faces" of Scripture. Following threads through church history, her evolving relationship with C.S. Lewis, and her marriage with her certainty-loving husband, Mara ponders the way the Bible, like people, reveals more of its richness when approached with curiosity rather than certainty.
When Mara watches a young gymnast at her daughter's class one day, she sees a mirror of her own creative journey: a dizzying dance between glee and dismay. The gap between her voice saying "not good enough" and the unanxious creator in Genesis One declaring "exceedingly good" becomes the space Season Two emerges from.
In the season finale, Mara explores the seventh day of creation—the day of rest. She unpacks how ancient audiences would have understood this as the cosmos becoming a sacred dwelling place, and traces the theme of Sabbath through history to its evolving meaning.
"Day 7 is the only day that does not end with the line, 'then there was evening, then there was morning.' Because that day, the seventh day, would have been the fulfillment of the whole journey. The intention is that the seventh day is the day without end."
KEY THEMES:
• The significance of the number seven throughout Genesis
• The ancient understanding of the cosmos as a sacred dwelling
• The Hebrew concept of rest (nuakh) as dwelling rather than ceasing
• How the meaning of Sabbath has evolved through history
In this episode, Mara ventures into perhaps the most complex day of creation—Day Four—exploring the creation of the "heavenly bodies" and what ancient audiences would have understood about these celestial objects. She unpacks the parallel story of heavenly and earthly realms.
"There is more I don't know than I do, and so I paint. There is more I don't see than I do, and so I sing..."
KEY THEMES:
• The ancient understanding of the sun, moon, and stars as divine entities
• The concept of "heavenly hosts" and their role
• The parallel story of cosmic forces in heaven and on earth
• How this cosmic narrative frames many ancient stories
REFERENCES:
• The Bible Project’s "Spiritual Beings" video series, "Divine Council" video, "God" podcast series
• Michael Heiser's Unseen Realm book, "The Naked Bible" podcast
• Robin Parry's The Biblical Cosmos
Mara examines Day Three, where the waters are gathered and vegetation is called forth, particularly focusing on trees as a recurring motif throughout ancient literature. She traces this tree imagery from Genesis through later texts.
"We are the soil. But we're also the seed. We are what he's raising from the ground."
KEY THEMES:
• The recurring image of parting waters to create life and freedom
• Trees as a profound symbol from earliest stories to later literature
• The pattern of the first three days creating environments for what follows
• The parallel between humans and trees in ancient narratives
REFERENCES:
• Georgia O’Keefe’s Sky Above Clouds
• The Bible Project’s Heaven and Earth classroom series, Tree of Life podcast series, and Genesis One Visual Commentary
• Marilynne Robinson in conversation with Rabbi Shoshana Boyd Gelfand
Mara explores Day Two of creation when the raqia (dome/firmament) is created to separate the waters. She explains ancient cosmology and how this vision of a protective barrier has reshaped her understanding of relationships.
"This image affects how I show up in relationships... In moments of tension, I think to myself, Get Big. Make space. Be a raqia."
KEY THEMES:
• Ancient Near Eastern cosmology and the three-tiered universe
• The raqia (dome/expanse/firmament) as a protective shield
• How chaos is actively held back to create space for life
• Personal reflections on "becoming a raqia" in relationships
REFERENCES:
• Robin Parry's "The Biblical Cosmos"
Mara focuses on Day One of creation, examining the first words ("Let there be light") and what they reveal about the creator's character. She explores the ancient understanding of light as both physical and divine, and how time begins with the separation of light from darkness.
"The contrast between light and darkness is a foundational image of the underlying cosmic story."
KEY THEMES:
• The gentle, unrushed nature of the creative process
• The ancient understanding of light as both physical and divine
• The creation of time as the first creative act
• Light as a recurring metaphor throughout ancient literature
REFERENCES:
• The Bible Project's Ancient Cosmology podcast series, Heaven and Earth classroom series
• John Walton's "The Lost World of Genesis One"
• Robin Parry's "The Biblical Cosmos"
Mara examines Genesis 1:2 and explores the pre-creation elements of wasteland (tohu vavohu), darkness (choshek), and chaos waters (tehom). She discusses how these elements aren't presented as enemies but as raw materials for creation.
"By understanding the non-ordered state of creation and how that is not a rival of the creator, I have become bolder, less fearful as a maker and a mother."
KEY THEMES:
• The ancient understanding of creation as order emerging from chaos
• Parallels between Genesis and other ancient creation myths
• How these elements later become symbols of opposition when against the intended order
• Personal reflections on embracing chaos in motherhood and creativity
REFERENCES:
• The Bible Project's Ancient Cosmology podcast series, Heaven and Earth classroom series (for a quick visual, take a look at the "heaven and earth" theme video available on YouTube)
• John Walton's "The Lost World of Genesis One"
• Robin Parry's "The Biblical Cosmos"
Mara explores the very first verse of the Bible, examining what "the heavens and the earth" meant to ancient audiences versus our modern understanding. She unpacks how ancient Near Eastern creation stories influenced Genesis and what makes the Israelite perspective distinct.
"I see a being, picking up a paintbrush to outline a space for his creatures, his humans, to be with him. And whenever these humans tell the story of their origin, they point right back at him as they notice that outline."
KEY THEMES:
• The Hebrew words for "heaven" (shamayim) and "earth" (erets) and their meaning
• How ancient audiences understood creation as functional rather than material
• The narrative as the story of reuniting heaven and earth
• The enchanted worldview of ancient texts versus modern disenchantment
REFERENCES:
• The Bible Project's Ancient Cosmology podcast series, Heaven and Earth classroom series (for a quick visual, take a look at the "heaven and earth" theme video available on YouTube)
• John Walton's "The Lost World of Genesis One"
• Robin Parry's "The Biblical Cosmos"
