From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here

In Jón Leifs and the Musical Invention of Iceland (Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation. In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons. Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.

100 Jewish Brides: Stories from Around the World (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world. The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations. The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America. Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists.  The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges. Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents. Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yechieli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences. Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.

Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude. Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.

How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation. Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies. Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.

Independent Africa: The First Generation of Nation Builders (Indiana UP, 2023)explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations. Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a "third way," in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize. Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders and the shared ideas that informed their endeavors at nation-building and worldmaking. Professor Akyeampong is the former Oppenheimer Faculty Director of the Harvard University Center for African Studies and the Ellen Gurney Professor of History and of African and African American Studies at Harvard University. He joined the History faculty at Harvard upon receiving his Ph.D. in African History from the University of Virginia in 1993. He received his master's degree at Wake Forest University in North Carolina in 1989, where he concentrated on English labor history, and his bachelor's degree in History and Religions from the University of Ghana at Legon in 1984. Professor Akyeampong is currently the Ellen Gurney Professor of Professor Akyeampong's publications include Themes in West Africa's History (2005), which he edited; Independent Africa: The First Generation of Nation Builders (2023); Between the Sea and the Lagoon: An Eco-Social History of the Anlo of Southeastern Ghana, 1850 to Recent Times (2001); and Drink, Power and Cultural Change: A Social History of Alcohol in Ghana, c. 1800 to Present Times (1996). He was a co-chief editor with Henry Louis Gates, Jr., for the Dictionary of African Biography, 6 Vols. (2012). Professor Akyeampong has been awarded several research fellowships, and from 1993 to 1994, he was the Zora Neale Hurston Fellow at the Institute for Advanced Study and Research in the African Humanities at Northwestern University. He was named a Corresponding Fellow of the Royal Historical Society in 2002, and was nominated to be a Fellow of the Ghana Academy of Arts and Sciences. In 2018 he was awarded an honorary Doctor of Laws by the University of Ghana. At Harvard, Professor Akyeampong is a faculty associate for the Weatherhead Center for International Affairs and a member of the executive committee of the Hutchins Center. As a former chair of the Committee on African Studies, he has been instrumental, along with Professor Gates, in creating the Department of African and African American Studies and formerly served as the Oppenheimer Faculty Director of the Center for African Studies. You can learn more about Professor Akyeampong’s work here Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.

In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon. Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.

Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music. Lily on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky.

Every hundred years, as the story goes, two angels wonder out loud whether the bees are still swarming. For as long as the bees are swarming, the angels are reassured, the world holds together. Still, the tale suggests, the angels live in anxious anticipation of the End. Local beekeepers in Bosnia and Herzegovina retell the old tale with growing unease, as their honeybees weather the ground effects of climate change. Beekeeping in the End Times (Indiana UP, 2024) relates extreme weather events and quieter disasters that have been altering honey ecologies across Bosnia and Herzegovina since 2014. While world-wide endangerment of pollinators, and bees in particular, has been the subject of much global concern, effects of climate change on the indispensable honeybees, remain understudied. Drawing on a five-year long study, the book suggests that local apiarists' field observations resonate with many climate biologists' concerns and speculations about the future of plant-bee relations on the warming planet. Local practice also adds to the record complex and puzzling trends that make honey scarce in otherwise lush, biodiverse landscapes. To Bosnian Muslims, honeybees are more than pollinators. They are inspired beings whose honey is another form of divinely revelation. To appreciate the meaning of honeybees and to grasp the dire ecological catastrophe underway, Jašarević reads contemporary environmental writings and Sufi texts, she listens to the seasoned beekeepers and collects local wisdom tales. From start to finish, Jašarević pores over key Islamic texts, the Quran and the Hadith, and their popular retellings. The Islamic end-times lore, the book proposes, holds surprising lessons on how to live and strive in the 'not yet,' stalling the apocalypse. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.

In Win or Else: Soviet Football in Moscow and Beyond, 1921-1985 (Indiana University Press, 2024), Larry E. Holmes shows us how Soviet football culture regularly disregarded official ideological and political imperatives and skirted the boundaries between socialism and capitalism. In the early 1920s, the Soviet press denounced football as a bourgeois sport that was injurious to both mind and body. Within that same decade, however, it blew up, becoming the most popular spectator sport in the USSR and growing into a fiercely competitive business with complex regional and national bureaucracies, a strong international presence, and a conviction that victory on the field was also a victory of Soviet supremacy. Writing as both historian and fan, Holmes focuses his study on the provincial Kirov team Dinamo from 1979 to 1985, when the club played at both its worst and its best. Spurred by a dismal 1979 season, the team's administrators and regional authorities had two options: obey Moscow's edict to reduce expenditures on professional sports or seek out new—and often illicit—funding sources to fill out a team of champions. Drawing on rich archival materials as well as newspapers and interviews with former players, Win or Else reveals the foundations of Soviet sports culture—and the hazards that teams faced both in victory and in loss. Larry E. Holmes was Professor Emeritus of History at the University of South Alabama. Holmes passed away on November 30, 2022, in Kirov, Russia. Editor Samantha Lomb is Assistant Professor in the Department of Foreign Languages at Vyatka State University in Kirov, Russia. She is author of Stalin's Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution. Caleb Zakarin is editor of the New Books Network.

Dr. Aviad Moreno is himself an incarnation of entwined homelands. He is an Israeli whose grandfather moved from Morocco to Venezuela, sent his son back to Morocco to study. The family hailed from Spain before the Exile in 1492 only to maintain much of the Spanish language and character. These migrations create a unique diaspora for the Jews of northern Morocco, one that is Hispanophone and yet extremely connected to their Jewish roots. Thus is created these diasporas who have developed strong and growing heritage. Dr. Moreno is a scholar on migrations and this focus on this small community has the complexity of much larger diasporas. His new book is Entwined Homelands, Empowered Diasporas: Hispanic Moroccan Jews and Their Globalizing Community (Indiana UP, 2024). At Jewish Unity Through Diversity we often discuss the lost worlds of various Jewish diasporas and the yearnings for homelands. Northern Moroccan Jews have multiple homelands and have returned to those homelands as well - a unique character. This is a Spanish Moroccan Jewish strong community back in Morocco, in Israel, and in Spain today. They are a small unique community that is even today growing their heritage.  Follow us on www.unitytdiversity.com, FB Jewish Unity Through Diversity, Instagram, and YouTube. Send us your stories of connecting to your heritage and learn more about the greater Jewish narrative. 

Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century. In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient. As esteemed historian Jeremy Black argues in Rethinking Geopolitics (Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.

As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed?  Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings. Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.

While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience. In Animated Film and Disability: Cripping Spectatorship (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings. Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Peoples & Things host Lee Vinsel talks to Jennifer Hart, Professor and Chair of the History Department at Virginia Tech, about her work on the history and ethnography of mobility and infrastructure in Ghana. Hart’s newest book, Making an African City: Technopolitics and the Infrastructure of Everyday Life in Colonial Accra (Indiana University Press, 2024), examines how technocrats enforced restrictions around public health, housing, mobility, and other domains in Ghana in the name of modernization. Vinsel and Hart also discuss how humanistic and technical inquiry can be brought together to improve outcomes around everyday human problems around the world.

Nick Underwood's Yiddish Paris: Staging Nation and Community in Interwar Paris (Indiana University Press, 2022) is a captivating study of the culture and politics of the vibrant community of Yiddish-speaking immigrants to Paris in the 1920s and 1930s. Making their way to the French capital from various sites in Eastern Europe, members of this Jewish community developed their own cultural institutions, including theatre companies, musical groups, and choruses. Left-leaning in their politics, these newly French Jews typically understood their cultural and community work as expressions of a Socialist or Communist politics. This political orientation also drew non-Yiddish-speaking and non-Jewish audiences to the work of these organizations and artists, establishing forms of solidarity across cultural and religious groups and classes, in Yiddish and in French.  Throughout the book, Underwood examines closely the history of key cultural organizations that brought Yiddish speakers in Paris together and worked to disseminate Yiddish language and culture throughout a wider community in France. Understanding their efforts as profoundly modern, even avant-garde, these cultural and political actors forged and expressed a Jewish diaspora nationalism they regarded as compatible with French republicanism. France was a space of multicultural possibility that seemed the perfect place to build the future.  Taking the reader through the work of various figures and groups, Underwood follows the solidarity, performances, and pluralism of the Yiddish community in interwar Paris up to the eve of the Second World War. Attentive to the devastating experiences that awaited so many French and European Jews after 1939, the book remains focused on the present of the interwar period throughout, emphasizing the community's hopes for an inclusive French society respectful of forms of religious, racial, cultural, and linguistic difference. Drawing on a wealth of archival materials the author pursued in sites in multiple countries, the book includes some very real and moving stories. Apart from the historical actors Underwood sought out directly and through family members, the lives and experiences of so many actors, singers, musicians, and engaged community members spring off many of the book's pages. It's a compelling book that will be of great interest to scholars across subfields and disciplines, and I hope you enjoy our conversation. 

In Uprooting the Diaspora: Jewish Belonging and the Ethnic Revolution in Poland and Czechoslovakia, 1936-1946 (Indiana UP, 2023), Sarah Cramsey explores how the Jewish citizens rooted in interwar Poland and Czechoslovakia became the ideal citizenry for a post–World War II Jewish state in the Middle East. She asks, how did new interpretations of Jewish belonging emerge and gain support amongst Jewish and non-Jewish decision makers exiled from wartime east central Europe and the powerbrokers surrounding them? Usually, the creation of the State of Israel is cast as a story that begins with Herzl and is brought to fulfillment by the Holocaust. To reframe this trajectory, Cramsey draws on a vast array of historical sources to examine what she calls a "transnational conversation" carried out by a small but influential coterie of Allied statesmen, diplomats in international organizations, and Jewish leaders who decided that the overall disentangling of populations in postwar east central Europe demanded the simultaneous intellectual and logistical embrace of a Jewish homeland in Palestine as a territorial nationalist project. Uprooting the Diaspora slows down the chronology between 1936 and 1946 to show how individuals once invested in multi-ethnic visions of diasporic Jewishness within east central Europe came to define Jewishness primarily in ethnic terms. This revolution in thinking about Jewish belonging combined with a sweeping change in international norms related to population transfers and accelerated, deliberate postwar work on the ground in the region to further uproot Czechoslovak and Polish Jews from their prewar homes. Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did. Blissful Blindness: Soviet Crimes under Western Eyes (Indiana UP, 2023) explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world.

Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion.  Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.

In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic. In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.