Educators heard about Tarnanthi, Festival of Contemporary Aboriginal and Torres Strait Islander Art at AGSA Carly Dodd, Assistant Curator, Tarnanthi, Gloria Strzelecki, Acting Curator of Aboriginal and Torres Strait Islander Art and Bernadette Klavins, Project Manager Artistic Programs, Tarnanthi.
Please note that due to technical issues some of this talk was not recorded, for more information check out our Tarnathi Education Resources
Image: Garawan Waṉambi, Marrakulu clan, Yolŋu people, Northern Territory, born Miwatj Region, Northern Territory 1965, Springwater bubbles up through a larrakitj on the beach at Raymangirr, 2019, Yirrkala, northeast Arnhem Land, Northern Territory, earth pigments on board, 121.0 x 121.0 cm; Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2020, Art Gallery of South Australia, Adelaide, © the artist and Buku-Larrŋgay Mulka.
Hear from Russell Kelty, Curator Asian Art, as he discuss the art and culture of the Mughal Empire as depicted in the miniature painting Akbar Enthroned created 1595-1600 in the exhibition: Touching the Divine: Love and Devotion in Asian Art.
Image: India, Akbar enthroned, 1595-1600, possibly Agra, Uttar Pradesh, India, opaque watercolour and gold on paper, 37.0 x 22.0 cm; M.J.M. Carter AO Collection through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide, photo: Saul Steed.
Hear from Tarnanthi Artistic Director Nici Cumpston as she introduces Too Deadly: Ten Years of Tarnanthi, highlighting the connections, convergences and contrasts between works on display.For more information visit agsa.sa.gov.au
Image: Garawan Waṉambi, Marrakulu clan, Yolŋu people, Northern Territory, born Miwatj Region, Northern Territory 1965, Springwater bubbles up through a larrakitj on the beach at Raymangirr, 2019, Yirrkala, northeast Arnhem Land, Northern Territory, earth pigments on board, 121.0 x 121.0 cm, Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2020, Art Gallery of South Australia, Adelaide © Garawan Waṉambi/Buku-Larrŋgay Mulka Centre
Join Ngugi Quandamooka artist Libby Harward and Gamilaroi artist Dominique Chen as they introduce The Blak Laundry, part-sculptural installation, part-functional laundromat, and part-site for community gathering ahead of it's presentation as part of Too Deadly: 10 Years of Tarnanthi.For more information visit agsa.sa.gov.au
Photo: Ketakii Jewson-Brown
Thank you for listening to this track produced by the Art Gallery of South Australia.
The Ku Arts Symposium 2025 brings together Aboriginal and Torres Strait Islander artists, curators, industry advocates and Ku Arts’ founding board directors for three panel discussions exploring the intersections of art, culture and Indigenous Cultural Intellectual Property (ICIP).
In this session, Protecting Culture – Indigenous Cultural and Intellectual Property (ICIP) in Practice, facilitator Stephanie Parkin is joined by Joanne Driessens and Mickey Barlow for a powerful discussion on the meaning and importance of ICIP, and the new standalone legislations currently being drafted by the federal government to protect it.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
The Ku Arts Symposium 2025 brings together Aboriginal and Torres Strait Islander artists, curators, industry advocates and Ku Arts’ founding board directors for three panel discussions exploring the intersections of art, culture and Indigenous Cultural Intellectual Property (ICIP).
In this session, Collaborations, Success, and Longevity in the Regions, facilitator Marika Davies is joined by Collette Gray, Kristal Matthews and Marli Mcumba to discuss the success of artists over the ten years of Tarnanthi, and how collaborations between Ku Arts, AGSA and other partners have supported product development for the Tarnanthi Art Fair and beyond.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
The Ku Arts Symposium 2025 brings together Aboriginal and Torres Strait Islander artists, curators, industry advocates and Ku Arts’ founding board directors for three panel discussions exploring the intersections of art, culture and Indigenous Cultural Intellectual Property (ICIP).
In this session, Sharing Stories, facilitator Lavene Nagatokoura is joined by Anne Thompson, Marita Baker and Imitjala Pantjiti Lewis to discuss the origins, evolution and legacy of Ananguku Arts and Cultural Corporation (Ku Arts), South Australia’s peak body for First Nations artists and art centres.
For more information visit agsa.sa.gov.au
Photo: Nat Rogers
Thank you for listening to this track produced by the Art Gallery of South Australia.
Tarnanthi Artistic Director Nici Cumpston presents an insightful floor talk introducing Too Deadly: Ten Years of Tarnanthi, highlighting the connections, convergences and contrasts between works on display.
For more information visit agsa.sa.gov.au
Thank you for listening to this track produced by the Art Gallery of South Australia.
Join Aboriginal and Torres Strait Islander writers Jessyca Hutchens, Zena Cumpston, Dominic Guerrera and Sophia Sambono as they discuss Artlink magazine’s 2025 Indigenous issue, Trace, in the context of First Nations art writing, editing and publishing. Trace – celebrating fifteen years of Artlink’s Indigenous-led issues – is guest-edited by Jessyca and Zena, and supported by Tarnanthi and AGSA.
For more information visit agsa.sa.gov.au
Hear from Craig Wilkins, National Director Murray Darling Conservation Alliance, in discussion with Tansy Curtin, Acting Assistant Director, Artistic Programs, as they talk about our states reliance and long term relationship with water.
Craig provides national leadership for an alliance of peak conservation groups covering every basin in the state. The Alliance recently released a five-point plan that sets out a vision of how to restore the Murray-Darling to health.
Craig has enjoyed roles in government, politics and the environment non-government sector; he is a current member of the Premier's Climate Change Council. His life goal is to make personal and career choices that help create a healthier, more sustainable society - one that respects community ties and recognises the importance of living well within nature's constraints. He is passionate about a thriving arts community that broadens our collective imagination.
For more information visit agsa.sa.gov.au
Russell Kelty, Curator of Asian Art, speaks about Krishna in his infinite cosmic form known as Vishyarupa, in Touching the Divine.For more information visit agsa.sa.gov.au
Image: India, Krishna in his universal form (Vishvarupa), 1900-50, Kotah, Rajasthan, India, cotton cloth, pigment and gold, 150.0 x 94.0 cm; Barrie and Judith Heaven Collection. Van Dam Bequest Fund 2012, Art Gallery of South Australia, Adelaide.
Hear from Rebecca Evans, Curator of Decorative Arts & Design, discusses the work of mid-century cabinet maker Schulim Krimper.For more information visit agsa.sa.gov.au
Image: Schulim Krimper, born Sereth, Romania 1893, died St Kilda, Victoria 1971, Cocktail Cabinet, c.1965, Melbourne, teak, 158.0 x 101.5 x 43.0 cm; Gift of William J. S. Boyle, Mary Choate, Kathy Crosby, Dr Peter Dobson, Barbara Fargher, Shane Le Plastrier, Joan Lyons, David McKee AO and Tom Pearce through the Art Gallery of South Australia Foundation Collectors Club 2018, Art Gallery of South Australia, Adelaide, © Estate of Schulim Krimper, photo: Sotheby’s Australia.
Join artist and 2023 Guildhouse Fellow Kyoko Hashimoto as she discusses her exhibition, Eight Million Deities (Yaoyorozu no Kami), the outcome of her Guildhouse Fellowship.
The Guildhouse Fellowship is presented by Guildhouse and the Art Gallery of South Australia, with the generous support of the James & Diana Ramsay Foundation.
Image: Kyoko Hashimoto, born Japan 1980, Large paper collage, 2025, natural pigment on paper, 86 x 65 x 3 cm; Collection of the artist © Kyoko Hashimoto
Join Exhibition Curators, Tracey Lock and Elle Freak, as they give their closing remarks on Dangerously Modern.
For more information visit agsa.sa.gov.au
Image: Installation view: Dangerously Modern: Australian Women Artists in Europe 1890-1940, featuring A letter from the front (Girl on couch), The letter, Woman reading by Agnes Goodsir, Art Gallery of South Australia, Adelaide; photo: Saul Steed
At the turn of the twentieth century, an unprecedented wave of women artists left Australia to travel to Europe in pursuit of modern art, forging international careers and exhibiting widely at the salons and academies in London and Paris. These women embraced modern ideas and achieved creative and professional success abroad, yet many remain little known in Australia. In fact, they were mostly ignored by art historians for decades.
In this series, we look at three fascinating artists who individually broke new ground. Inspired by the exhibition Dangerously Modern: Australian Women Artists in Europe 1890–1940, this podcast is hosted by arts journalist Rosa Ellen and features AGSA Associate Curator of Australian Art Elle Freak and Curator of Australian Art Tracey Lock as well as other contributors and insiders.
Music from Margie Jean Lewis and Blue Dot Sessions.
