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The Tower of London is hosting an immersive experience that combines live performance and digital technology to explore the 1605 Gunpowder Plot to kill the King and Parliament. Audiences get to decide whose side they are on as they encounter the world the plotters inhabited.
In this film, historian Tracy Borman, joint Chief Curator of Historic Royal Palaces, tells us about the Gunpowder Plot experience, its place at the Tower of London and the research and creative work behind the show. Tracy offers us a history of the Tower itself, from its early purpose to 'subdue the evil inhabitants of London' for William the Conquerer, to its emergence as a tourist attraction and its later Victorian revamps. Finally, we hear about Tracy's own extensive publishing career, her 15 books ranging across fiction and non-fiction, with a focus on the cultural impact of the British monarchy.
For more information on The Gunpowder Plot, and to book, go to: https://gunpowderimmersive.com
For more information on Tracy Borman, go to: http://www.tracyborman.co.uk
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The very polymathic Phoenix Andrews talks us through some of the polys that they math. We hear about the development of fan and internet cultures via Ed Balls, which Phoenix uses to work up a really rich and convincing political history of the early twenty-first century across the UK and US. Visit ABitLit.co for more conversations, and to book our brand-new courses and events. How to Make an Elizabethan Theatre starts on 14 February 2022: https://www.eventbrite.com/e/how-to-make-an-elizabethan-theatre-tickets-198132237857 Warning: some strong language.
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The actor and writer Richard Katz tells us about devising work, the creative space between play and playtext and the joys of being a clown. In devised work, Richard tells us, everyone directs, and there is no power structure in which the director is in charge of a group of actors. Clowning involves being in the moment, escaping the Freudian need to ask why a character does something. This film is a fascinating insight on theatre from a performer who has worked across The Royal Shakespeare Company, Shakespeare's Globe, Complicité, Told By an Idiot and Improbable.
For more details on our films and further resources, go to our website at https://abitlit.co
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We hear about moving from short stories to the novel as a creative writer, and the balance between historical and contemporary issues in the study of literature. We also hear what it has been like to study at a time of Covid, both the good and the bad sides of lockdown learning.
Oli and Lauren also tell us about Fincham Press, Roehampton's own publishing house, which nurtures new writing from students and staff. We hear about student trips to Paris and across the streets of London, bringing literature back into the real world that produced it and where it is set. They both speak powerfully about love, literature and stories, and working as a student community to take each other seriously and help one another to develop. Literature, they tell us, is something that records who we are and who we might be, and documents our lives even as it changes them.
For more details on our films and further resources, go to our website at https://abitlit.co
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The project draws on the transgressive histories of British popular theatre, including the Victorian music hall, variety theatre, the Shakespearean stage, and fairgrounds and circuses. In a far cry from the polite theatre that dominates today, Music Halls were bold and scandalous spaces where feats of strength and exhibitions of wrestling were interwoven with comedy, popular songs, and other variety acts such as human statuary and animal performances. In this interview, Richard Summers-Calvert and Sam West tell us about making these films, celebrating a time 'before wrestling was pinned down' and fixed, and instead mingled with other art and festival forms in what Claire Warden has called a 'queer music hall sport'. This work allows us to 'see wrestling differently', and connect wrestlers to the long history of their craft. Richard and Sam tell us about recreating and reimagining rare archival footage, and creating an 'experimental learning space' as a 'structure in which only wrestlers could thrive' - celebrating the unique skillset of a wrestler. The film also celebrates the importance of failure in any form of performance experiment, which is music to Andy Kesson's ears! You can see the documentary itself in our previous film, and be sure to check out our other wrestling films with Claire Warden and Sam West at Wrestling Resurgence, and the wrestlers Nick Radford, Chuck Mambo, RJ City, The OJMO and Josef Kafka.
For more details on our films and further resources, go to our website at https://abitlit.co
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He talks us through The Devil upon Two Sticks, which sees the devil looking into people's houses, which feels both spooky and also like an early version of reality TV. John Milton's Paradise Lost, Daniel Defoe's A Political History of the Devil and Eliza Heywood's A Spy upon the Conjuror all also feature, as does the anonymous The Adventures of Lucifer in London, in which the devil is a kind of human connoisseur and body-hops his way around England's capital city.
For more details on our films and further resources, go to our website at https://abitlit.co
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Hosted on Acast. See acast.com/privacy for more information.
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