Zach Bryan BioSnap a weekly updated Biography.
This weekend I had the privilege of making American music history. As reported by MusicRow and Rolling Stone, on September 27 I performed at Michigan Stadium—The Big House—for a sold-out crowd of 112408 fans, shattering the all-time record for the largest ticketed concert in US history. The event marked not just the first full-scale concert ever held at this iconic football stadium, but also set a new merchandise sales record with five million dollars sold out of the Big House. John Mayer, The War and Treaty, Ryan Bingham and The Texas Gentlemen, and Joshua Slone all joined me for a night that, truthfully, felt almost unreal from the stage.
Opening with Overtime and unleashing a 26-song marathon that included fan favorites like Something in the Orange, Dawns, Oklahoma Smokeshow, and Pink Skies, I tried to give every person in the sea of faces an unforgettable night. The highlight for me was bringing out John Mayer—for a duet of Better Days and a cover of the Grateful Dead’s Friend of the Devil—a nod to the roots that bind genres and generations. The encore was the most electric I’ve ever experienced, stretching nearly thirty minutes with Revival. As the crowd sang back every lyric, I felt deeply the legacy of that night.
Cat Country and Click on Detroit both described the historic scale of the show. For fans and city residents alike, Ann Arbor transformed into a festival zone, with an Americana block party on Main Street the night prior and celebrations across the weekend as Grammy-winning singer-songwriter became the talk of Michigan. Social media lit up, especially after I posted a note on Instagram Stories thanking not just fans, but every single member of the crew, security, and staff who worked behind the scenes.
American Songwriter noted the show capped off a busy month for me. In addition to closing this record-smashing stadium run, I finalized the sale of my music catalog for a reported $350 million, drawing both business headlines and commentary about the surprising size of the deal for a catalog spanning just five studio albums since 2019. There’s also been tabloid buzz regarding an ongoing feud with Gavin Adcock, which has flared up in headlines but, as I prepare to wind down touring for the year, hasn’t spilled into my music or stage presence—at least beyond a few pointed words online.
After the encore, as Ann Arbor’s night sky echoed with the last chords, I promised the crowd—and myself—We love ya, Michigan. We will be back. For an artist known for writing about memory, this was one for the ages.
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