What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...
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What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...
This week, flim flam correspondent and certified April Fool Chelsey Weber-Smith is here to talk about a fistful of fake memoirs, featuring girls raised by wolves; the chicken pox of James Frey; what poetry can give us that memoir can't; and Eugene, Oregon (twice!). Read more about it here: The Smoking Gun's "A Million Little Lies" https://www.thesmokinggun.com/documents/celebrity/million-little-lies Blake Eskin's "The Girl Who Cried Wolf" https://www.bostonmagazine.com/2008/08/18/the-gi...
You're Wrong About
What do you get when you combine a horror movie audience, a spiritualist séance, and a haunted house attraction? Beginning in the 1930s and lasting into the 1960s, midnight ghost shows were ghoulishly chaotic, wonderfully campy 4D theater performances that accompanied the scary movies of the era, beloved by a mostly-teenage audience who often became a part of the show themselves. Schlocky showman Chelsey Weber-Smith tells Sarah about how magicians-turned-ghostmasters used paranormal parlor tr...
