Have you ever wondered what might be hiding between the lines of a play? Writ in the Margins investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. In Season 2, we turn to El muerto disimulado or Presumed Dead by Ângela de Azevedo, The Antipodes by Richard Brome, The Island Princess by John Fletcher, Loa to the Divine Narcissus by Sor Juana Inés de La Cruz, and Life is a Dream by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling Iphigenia at Aulis by Lady Jane Lumly, Tragedy of Mariam by Elizabeth Cary, The Phantom Lady by Pedro Calderón de la Barca, Tartuffe by Molière, and even Pericles by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins.
This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.
Hosted on Acast. See acast.com/privacy for more information.
Have you ever wondered what might be hiding between the lines of a play? Writ in the Margins investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. In Season 2, we turn to El muerto disimulado or Presumed Dead by Ângela de Azevedo, The Antipodes by Richard Brome, The Island Princess by John Fletcher, Loa to the Divine Narcissus by Sor Juana Inés de La Cruz, and Life is a Dream by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling Iphigenia at Aulis by Lady Jane Lumly, Tragedy of Mariam by Elizabeth Cary, The Phantom Lady by Pedro Calderón de la Barca, Tartuffe by Molière, and even Pericles by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins.
This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.
Hosted on Acast. See acast.com/privacy for more information.
In this episode, our hosts Rose Herold, Ella Pellegrino, and Julia Sommer explore the wild world of Molière's farce Tartuffe through the lens of censorship and (self) adaptation. How did the tension between Moliére, King Louis XIV, and the French Roman Catholic Church impact reception of Tartuffe? What revisions did the playwright make to appease Church and state? And why the introduction of a king ex machina, dude? All this and a look at Tartuffe is contemporary production and resonance in our current cultural moment too! Music for this episode was created using Online Sequencer. Online Sequencer is the creation and property of Jacob Morgan and George Burdell (https://onlinesequencer.net/).
A note on content -- This episode includes discussion of sexual harassment and sexual assault.
Hosted on Acast. See acast.com/privacy for more information.