Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
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Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
THE COLOR PURPLE meets Prayer for the French Republic
Why We Theater
13 minutes
3 years ago
THE COLOR PURPLE meets Prayer for the French Republic
Continuing our discussion about the musical The Color Purple (which is also about to become a movie musical starring Fantasia Barrino, Danielle Brooks, Colman Domingo, and Corey Hakwins), this week Ruthie recommends Joshua Harmon’s new Off-Broadway play Prayer for the French Republic.
The Color Purple—originally a novel by Alice Walker—was adapted into a musical and first opened on Broadway in 2005 and revived in 2015 and depicts the abusive relationship between Celie and Mister (among many other things). But is it as simple as “Mister is a bad guy?” Last week in “THE COLOR PURPLE and Generational Trauma,” we spoke about what it was like for actor Isaiah Johnson to play Mister—why he wanted to, how it was healing, and how it was challenging. Isaiah also pointed out that generational trauma is not unique to Black Americans and Prayer for the French Republic reminded me of that.
Prayer takes place in 2015-2016 Paris and 1945-1946 Paris, depicting multiple generations of French Jews in the same family. Rising anti-Semitism in Paris confronts the present-day Benhamou family, stoking fear and worry, and forcing them to wonder “When do you leave? When are the signs enough to tell you to leave? And where do you go? Where is safe?” Listen to this full episode for the connections between these two theatrical pieces, the communities they portray, and why you should run to see both.
Buy tickets to Prayer for the French Republic at Manhattan Theatre Club.
Visit the website of International Center for Multigenerational Legacies of Trauma
Read the International Handbook of Multigenerational Legacies of Trauma
Explore the work of Dr. Maria Yellow Horse Braveheart
Read On Earth We’re Briefly Gorgeous by Ocean Vuong
Connect with your host!
Ruthiefierberg.com
IG: @whywetheater / T: @whywetheater
IG: @ruthiefierceberg / T: @RuthiesATrain
Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.
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Why We Theater
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
